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The Knoc
"The Knoc" is a song by American rapper, Knoc-Turn'al. The song features guest vocals by hip-hop musicians Dr. Dre and Missy Elliott. It was originally released as the lead single for Knoc's unreleased album, ''Knoc's Landin'' (2002). In spite of the album's shelving, "The Knoc" initially saw a release on the summer EP, '' L.A. Confidential presents: Knoc-turn'al'' due to the single's Grammy nomination and charting on the ''Billboard'' Hot 100. Music video A music video for the single was directed by Jeff Richter and premiered on MuchMusic in early February 2002. It begins with Knoc and Dre sitting at a restaurant, waiting for their order as the camera moves around in a continuous shot until the end of the video. Knoc is seen in multiple roles (such as a waiter, a crackhead, a pimp and a chef). When Knoc (as a waiter) drops dishes on the ground, Missy Elliott enters the restaurant singing her verses and meets up with her boyfriend (Knoc) at a table. Track listings and formats ; ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Long Take
In filmmaking, a long take (also called a continuous take or continuous shot) is a shot with a duration much longer than the conventional editing pace either of the film itself or of films in general. Significant camera movement and elaborate blocking are often elements in long takes, but not necessarily so. The term "long take" should not be confused with the term "long shot", which refers to the distance between the camera and its subject and not to the temporal length of the shot itself. The length of a long take was originally limited to how much film the magazine of a motion picture camera could hold, but the advent of digital video has considerably lengthened the maximum potential length of a take. Early examples When filming ''Rope'' (1948), Alfred Hitchcock intended for the film to have the effect of one long continuous take, but the camera magazines available could hold not more than 1000 feet of 35 mm film. As a result, each take used up to a whole roll of film and lasts ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Radio & Records
''Radio & Records'' (''R&R'') was a trade publication providing news and airplay information for the radio and music industries. It started as an independent trade from 1973 to 2006 until VNU Media took over in 2006 and became a relaunched sister trade to '' Billboard'', until its final issue in 2009. History The company was founded in 1973 and published its first issue on October 5 of that year. Founders included Bob Wilson and Robert Kardashian. The publication was issued in a weekly print edition, and it also issued a bi-annual Directory. R&R published its print edition from 1973 through August 4, 2006. Its weekly columns and features were intended to inform and educate the radio industry by each format, in addition to format-specific charts based on radio airplay. With the June 25, 1999, issue, the charts became populated by data from Mediabase, a company that monitors and tracks radio airplay in cities across the U.S. From 1987 to 2002 the magazine was owned by Westwood One, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Urban Contemporary Music
Urban contemporary music, also known as urban music, hip hop, urban pop, or just simply urban, is a music radio format. The term was coined by New York radio DJ Frankie Crocker in the early to mid-1970s as a synonym for Black music. Urban contemporary radio stations feature a playlist made up entirely of Black genres such as R&B, pop-rap, quiet storm, urban adult contemporary, hip hop, Latin music such as Latin pop, Chicano R&B and Chicano rap, and Caribbean music such as reggae and soca. Urban contemporary was developed through the characteristics of genres such as R&B and soul. Because urban music is a largely US phenomenon, virtually all urban contemporary formatted radio stations in the United States are located in cities that have sizeable African-American populations, such as New York City, Washington, D.C., Detroit, Atlanta, Miami, Chicago, Cleveland, Philadelphia, Montgomery, Memphis, St. Louis, Newark, Charleston, New Orleans, Cincinnati, Dallas, Houston, Oakland, Los ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhythmic Contemporary
Rhythmic contemporary, also known as Rhythmic Top 40, Rhythmic CHR or rhythmic crossover, is a primarily American music-radio format that includes a mix of EDM, upbeat rhythmic pop, hip hop and upbeat R&B hits. Rhythmic contemporary never uses hard rock or country in its airplay, but it may occasionally use a reggae, Latin, reggaeton, or a urban contemporary gospel hit. Essentially, the format is a cross between mainstream radio and urban contemporary radio formats. Format history Although some top-40 stations such as CKLW in Windsor, Ontario, made their mark by integrating a large amount of R&B and soul product into their predominantly pop playlists as early as 1967, such stations were still considered mainstream top 40 (a cycle that continues to dominate the current Top 40/CHR chart). It was not until the disco era of the late 1970s that such stations came to be considered as a format of their own as opposed to top-40 or soul. This development was largely spurred by the high ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhythmic Top 40
The Rhythmic chart (also called Rhythmic Airplay, and previously named Rhythmic Songs, Rhythmic Top 40 and CHR/Rhythmic) is an airplay chart published weekly by ''Billboard'' magazine. The chart tracks and measures the airplay of songs played on rhythmic radio stations, whose playlist includes mostly hit-driven R&B/hip-hop, rhythmic pop, and some dance tracks. Nielsen Audio sometimes refers to the format as rhythmic contemporary hit radio. History ''Billboard'' magazine first took notice of the newly emerged genre on February 27, 1987, when it launched the first crossover chart, Hot Crossover 30. It originally consisted of thirty titles and was based on reporting by eighteen stations, five of which were considered as ''pure'' rhythmic. The chart featured a mix of urban contemporary, top 40 and dance hits. In September 1989, ''Billboard'' split the Hot Crossover 30 chart in two: Top 40/Dance and Top 40/Rock, the latter of which focused on rock titles which crossed over. By Dece ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hot R&B/Hip-Hop Singles Sales
The Hot R&B/Hip-Hop Songs chart ranks the most popular R&B and hip hop songs in the United States and is published weekly by ''Billboard''. Rankings are based on a measure of radio airplay, sales data, and streaming activity. The chart had 100 positions but was shortened to 50 positions in October 2012. The chart is used to track the success of popular music songs in urban, or primarily African American, venues. Dominated over the years at various times by jazz, rhythm and blues, doo-wop, rock and roll, soul, and funk, it is today dominated by contemporary R&B and hip hop. Since its inception, the chart has changed its name many times in order to accurately reflect the industry at the time. History Beginning in 1942, ''Billboard'' published a chart of bestselling black music, first as the Harlem Hit Parade, then as Race Records. Then in 1949, ''Billboard'' began publishing a Rhythm and Blues chart, which entered "R&B" into mainstream lexicon. These three charts were consolidated ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hot R&B Airplay
R&B/Hip-Hop Airplay (previously known as Hot R&B/Hip-Hop Airplay) is a chart published by ''Billboard'' magazine that ranks the top R&B and hip hop songs in the United States, based on audience impressions from a panel of radio stations monitored by Nielsen Broadcast Data Systems. It was also used in sister publication '' R&R'', which listed the chart as Urban National Airplay. The chart is not the R&B/hip-hop subset of the Hot 100 Airplay chart, but rather uses a separate panel of R&B stations in urban and urban adult contemporary markets. It was the primary airplay component chart of the US Hot R&B/Hip-Hop Songs chart until the issue dated October 20, 2012, when Hot R&B/Hip-Hop Songs was revamped to include digital sales, streaming, and airplay from all radio formats. The Hot R&B/Hip-Hop Airplay chart encompasses two separate airplay charts, both of which are based on radio spins rather than audience impressions: Mainstream R&B/Hip-Hop and Adult R&B Airplay, which measure airpla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hot Rap Songs
Hot Rap Songs (formerly known as Hot Rap Tracks and Hot Rap Singles) is a chart released weekly by '' Billboard'' in the United States. It lists the 25 most popular hip-hop/rap songs, calculated weekly by airplay on rhythmic and urban radio stations and sales in hip hop-focused or exclusive markets. Streaming data and digital downloads were added to the methodology of determining chart rankings in 2012. From 1989 through 2001, it was based on how much the single sold in that given week. The song with the most weeks at number one is "Old Town Road", with a total of 20 weeks. Chart statistics and other facts Artists with the most number-one singles Note: Rihanna is a featured artist on all her number-one singles. Artists with the most consecutive weeks at number one *25 weeks – Lil Wayne ("Lollipop", " A Milli") *20 weeks – Drake ("I'm On One", "Headlines"); T-Pain (" Good Life", "Low"); T.I. ("Whatever You Like", " Live Your Life") *19 weeks – 50 Cent ("Candy Shop", "H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hot 100 Singles Sales
The ''Billboard'' charts tabulate the relative weekly popularity of songs and albums in the United States and elsewhere. The results are published in ''Billboard'' magazine. ''Billboard'' biz, the online extension of the ''Billboard'' charts, provides additional weekly charts, as well as year-end charts. The two most important charts are the ''Billboard'' Hot 100 for songs and ''Billboard'' 200 for albums, and other charts may be dedicated to a specific genre such as R&B, country, or rock, or they may cover all genres. The charts can be ranked according to sales, streams, or airplay, and for main song charts such as the Hot 100 song chart, all three data are used to compile the charts. For the ''Billboard'' 200 album chart, streams and track sales are included in addition to album sales. The weekly sales and streams charts are monitored on a Friday-to-Thursday cycle since July 2015; previously it was on a Monday-to-Sunday cycle. Radio airplay song charts, however, follow th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard Hot 100
The ''Billboard'' Hot 100 is the music industry standard record chart in the United States for songs, published weekly by '' Billboard'' magazine. Chart rankings are based on sales (physical and digital), radio play, and online streaming in the United States. The weekly tracking period for sales was initially Monday to Sunday when Nielsen started tracking sales in 1991, but was changed to Friday to Thursday in July 2015. This tracking period also applies to compiling online streaming data. Radio airplay, which, unlike sales figures and streaming, is readily available on a real-time basis, is also tracked on a Friday to Thursday cycle effective with the chart dated July 17, 2021 (previously Monday to Sunday and before July 2015, Wednesday to Tuesday). A new chart is compiled and officially released to the public by ''Billboard'' on Tuesdays but post-dated to the following Saturday. The first number-one song of the ''Billboard'' Hot 100 was " Poor Little Fool" by Ricky Ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
