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The Kinks Discography
The Kinks, an English rock band, were active for over three decades, from 1963 to 1996, releasing 24 studio albums and four live albums. The first two albums are differently released in the UK and the US, partly due to the difference in popularity of the extended play format (the UK market liked it, the US market did not, so US albums had the EP releases bundled onto them), and partly due to the US albums including the hit singles, and the UK albums not; after ''The Kink Kontroversy'' in 1965 the albums were the same. Between 100 and 200 compilation albums have been released worldwide. Their hit single (music), singles included three UK number-one singles, starting in 1964 with "You Really Got Me"; plus 18 Top 40 singles in the 1960s alone and further Top 40 hits in the 1970s and 1980s. The Kinks had five Top 10 singles on the US ''Billboard'' chart. Nine of their albums charted in the Top 40. In the UK, the group had 17 Top 20 singles and five Top 10 albums.Rogan, Johnny (2004) ...
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The Kinks
The Kinks were an English rock band formed in Muswell Hill, north London, in 1963 by brothers Ray and Dave Davies. They are regarded as one of the most influential rock bands of the 1960s. The band emerged during the height of British rhythm and blues and Merseybeat, and were briefly part of the British Invasion of the United States until their touring ban in 1965. Their third single, the Ray Davies-penned "You Really Got Me", became an international hit, topping the charts in the United Kingdom and reaching the Top 10 in the United States. The Kinks' music drew from a wide range of influences, including American R&B and rock and roll initially, and later adopting British music hall, folk, and country. The band gained a reputation for reflecting English culture and lifestyle, fuelled by Ray Davies' wittily observational writing style, and made apparent in albums such as '' Face to Face'' (1966), '' Something Else'' (1967), ''The Village Green Preservation Society'' (1968), ...
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Billboard (magazine)
''Billboard'' (stylized as ''billboard'') is an American music and entertainment magazine published weekly by Penske Media Corporation. The magazine provides music charts, news, video, opinion, reviews, events, and style related to the music industry. Its music charts include the Hot 100, the 200, and the Global 200, tracking the most popular albums and songs in different genres of music. It also hosts events, owns a publishing firm, and operates several TV shows. ''Billboard'' was founded in 1894 by William Donaldson and James Hennegan as a trade publication for bill posters. Donaldson later acquired Hennegan's interest in 1900 for $500. In the early years of the 20th century, it covered the entertainment industry, such as circuses, fairs, and burlesque shows, and also created a mail service for travelling entertainers. ''Billboard'' began focusing more on the music industry as the jukebox, phonograph, and radio became commonplace. Many topics it covered were spun-off ...
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Preservation Act 2
''Preservation Act 2'' is a 1974 concept album by the English rock band the Kinks, and their thirteenth studio album. It sold poorly (peaking on the ''Billboard'' Top LPs & Tape chart at No. 114), and received a mixed response among critics. Ken Emerson, in ''Rolling Stone'', held out the album as an "underrated" one in the Kinks' repertoire. Other critics were less charitable: ''The A.V. Club'' described it as "sprawling... with its radio announcements and melodramatic, sub-Andrew Lloyd Webber musical numbers, is a wash, the sound of a once-great band losing the plot." AllMusic referred to it as "a mess, an impenetrable jumble of story, theater, instrumentals, 'announcements,' unfinished ideas, guest singers, and, on occasion, a song or two." The live performances of the material were much better received, with one critic going so far as to say that the Preservation shows were the first successful fusion of rock and roll with theater: "Ray Davies has finally pulled it offâ ...
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Preservation Act 1
''Preservation Act 1'' is a concept album and the 12th studio album by the English rock group the Kinks, released 16 November 1973 by RCA Records. ''Preservation Act 1'' did not sell well (peaking on the '' Billboard'' 200 at No. 177). However, it was well received by many critics at the time. A review in ''Rolling Stone'' by Ken Barnes was critical of Ray Davies' "tendency toward vaudevillian excess," but overall he rated ''Preservation'' as a "highly listenable, enjoyable album." Barnes singled out "Sitting in the Midday Sun" as a "wistfully irresistible" number and labeled "One of the Survivors" the Kinks' "best outright rocker" in years. Gary Lucas, reviewing ''Preservation Act 1'' for ''Zoo World'', also had high praise for the work, stating: "Dare I say it is one of the ''nicest'' albums to be released this year (if not the best)? Of course I will." Focusing on the musical theater aspects of the LP, Barbara Charone ranked the album as one of the "most impressive" of the Ki ...
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Everybody's In Show-Biz
''Everybody's in Show-Biz'' is the eleventh studio album released by the English rock group the Kinks, released in 1972. A double album, the first disc features studio recordings, while the second disc documents a two-night Carnegie Hall stand. ''Everybody's in Show-Biz'' is often seen by fans as a transition album for the Kinks, marking the change in Ray Davies' songwriting style toward more theatrical, campy and vaudevillian work, as evidenced by the rock-opera concept albums that followed it. This album marks Davies' explorations of the trials of rock-star life and the monotony of touring, themes that would reappear in future releases like ''The Kinks Present A Soap Opera'' and the 1987 live album '' Live: The Road''. On 3 June 2016, a Legacy Edition was released, with disc 1 containing the original stereo album (studio and live tracks) and disc 2 containing bonus tracks including previously unreleased live tracks from the Carnegie Hall concerts, alternate mixes and studio o ...
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Muswell Hillbillies
''Muswell Hillbillies'' is the tenth studio album by the English rock group the Kinks. Released in November 1971, it was the band's first album for RCA Records. The album is named after the Muswell Hill area of North London, where band leader Ray Davies and guitarist Dave Davies grew up and the band formed in the early 1960s. The album introduces a number of working class figures and the stresses with which they must contend. It did not sell well but received positive reviews, critical acclaim, and lasting fan appreciation. Recording ''Muswell Hillbillies'' was the band's first album for RCA Records, their prior recordings having been released on Pye Records (Reprise Records in the United States). Their contract with Pye/Reprise expired the same year. The album was recorded between August and October 1971 at Morgan Studios, London, using a new brass section, the Mike Cotton Sound, which included Mike Cotton on trumpet, John Beecham on trombone and tuba, and Alan Holmes on cla ...
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Percy (soundtrack Album)
''Percy'' is a 1971 film soundtrack for the British comedy film ''Percy'' performed by the English rock group the Kinks with additional orchestral arrangements conducted by Stanley Myers. It was released as the band’s ninth official studio album. The songs were written by Ray Davies and include both standard rock/pop songs and instrumental numbers. Singles and compilations " God's Children" was issued as a single (b/w either "Moments" or "The Way Love Used to Be", depending on the country) in April 1971. In the UK a 4-track EP was also released featuring "God's Children", "The Way Love Used To Be", "Moments" and "Dreams". This was the Kinks' last release with Pye while they were still under contract. Unlike the album, the single was released in the US (in July) but failed to chart there or in the UK. It was a minor hit in Australia (reaching #53) and New Zealand (#21). In the US the tracks "God's Children" and "Willesden Green" were included on ''The Kink Kronikles'' compila ...
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Lola Versus Powerman And The Moneygoround, Part One
''Lola Versus Powerman and the Moneygoround, Part One'', commonly abbreviated to ''Lola Versus Powerman'', or simply ''Lola'', is the eighth studio album by the English rock band the Kinks, recorded and released in 1970. A concept album, it is a satirical appraisal of the music industry, including song publishers, unions, the press, accountants, business managers, and life on the road. Musically ''Lola Versus Powerman'' is varied, described by Stephen Thomas Erlewine as "a wildly unfocused but nonetheless dazzling ''tour de force''", containing some of Ray Davies's strongest songs. Although it appeared during a transitional period for the Kinks, ''Lola Versus Powerman'' was a success both critically and commercially for the group, charting in the Top 40 in America and helping restore them in the public eye, making it a "comeback" album. It contained two hit singles: "Lola", which reached the top 10 in the US and UK, and " Apeman", which peaked at number five in the UK. In Octob ...
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Arthur (Or The Decline And Fall Of The British Empire)
Arthur is a common male given name of Brythonic origin. Its popularity derives from it being the name of the legendary hero King Arthur. The etymology is disputed. It may derive from the Celtic ''Artos'' meaning “Bear”. Another theory, more widely believed, is that the name is derived from the Roman clan '' Artorius'' who lived in Roman Britain for centuries. A common spelling variant used in many Slavic, Romance, and Germanic languages is Artur. In Spanish and Italian it is Arturo. Etymology The earliest datable attestation of the name Arthur is in the early 9th century Welsh-Latin text ''Historia Brittonum'', where it refers to a circa 5th to 6th-century Briton general who fought against the invading Saxons, and who later gave rise to the famous King Arthur of medieval legend and literature. A possible earlier mention of the same man is to be found in the epic Welsh poem ''Y Gododdin'' by Aneirin, which some scholars assign to the late 6th century, though this is still a mat ...
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British Phonographic Industry
British Phonographic Industry (BPI) is the British recorded music industry's Trade association. It runs the BRIT Awards, the Classic BRIT Awards, National Album Day, is home to the Mercury Prize, and co-owns the Official Charts Company with the Entertainment Retailers Association, and awards UK music sales through the BRIT Certified Awards. Structure Its membership comprises hundreds of music companies including all three "major" record companies in the UK (Warner Music UK, Sony Music UK, & Universal Music UK), and over 450 independent record labels and small to medium-sized music businesses. The BPI council is the management and policy forum of the BPI. It is chaired by the chair of BPI, and includes the chief executive, chief operating officer (COO) and the general counsel. In addition it includes 12 representatives from the recorded music sector, six from major labels, two each from the three major companies, and six from the independent sector, which are selected by votin ...
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Something Else By The Kinks
''Something Else by the Kinks'', often referred to simply as ''Something Else'', is the fifth UK studio album by the Kinks, released in September 1967. The album continued the Kinks' trend toward an eccentric baroque pop and music hall-influenced style defined by Ray Davies' observational and introspective lyrics. It also marks the final involvement of American producer Shel Talmy in the Kinks' 1960s studio recordings; henceforth Ray Davies would produce the group's recordings. Many of the songs feature the keyboard work of Nicky Hopkins and the backing vocals of Davies's wife, Rasa. The album was preceded by the singles "Waterloo Sunset", one of the group's most acclaimed songs, and the Dave Davies solo record "Death of a Clown", both of which charted in the UK top 3. Though it contained two major European hits and earned positive notices from the music press in both the UK and US, ''Something Else'' sold poorly and became the Kinks' lowest-charting album in both countries at th ...
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