HOME
*





The Joy Luck Club (play)
''The Joy Luck Club'' may refer to: * ''The Joy Luck Club'' (novel), a 1989 novel written by Amy Tan * ''The Joy Luck Club'' (film), a 1993 film adaptation of the above novel * ''The Joy Luck Club'', a production by TheatreWorks in Silicon Valley, California {{DEFAULTSORT:Joy Luck Club, The ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

The Joy Luck Club (novel)
''The Joy Luck Club'' is a 1989 novel written by Amy Tan. It focuses on four Chinese immigrant families in San Francisco who start a club known as The Joy Luck Club, playing the Chinese game of mahjong for money while feasting on a variety of foods. The book is structured similarly to a mahjong game, with four parts divided into four sections to create sixteen chapters. The three mothers and four daughters (one mother, Suyuan Woo, dies before the novel opens) share stories about their lives in the form of short vignettes. Each part is preceded by a parable relating to the themes within that section. In 1993, the novel was adapted into a feature film directed by Wayne Wang and starring Ming-Na Wen, Lauren Tom, Tamlyn Tomita, France Nguyen, Rosalind Chao, Kieu Chinh, Tsai Chin, Lisa Lu, and Vivian Wu. The screenplay was written by the author Amy Tan along with Ronald Bass. The novel was also adapted into a play, by Susan Kim, which premiered at Pan Asian Repertory Theatre in New Y ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


The Joy Luck Club (film)
''The Joy Luck Club'' () is a 1993 American drama film about the relationships between Chinese-American women and their Chinese immigrant mothers. It was directed by Wayne Wang and stars Tsai Chin, Kieu Chinh, Lisa Lu, France Nuyen, Rosalind Chao, Lauren Tom, Tamlyn Tomita, and Ming-Na Wen. The film is based on the 1989 novel of the same name by Amy Tan, who co-wrote the screenplay with Ronald Bass. The film was produced by Bass, Tan, Wang and Patrick Markey while Oliver Stone served as an executive producer. Four older women, all Chinese immigrants living in San Francisco, meet regularly to play mahjong, eat, and tell stories. Each of these women has an adult Chinese-American daughter. The film reveals the hidden pasts of the older women and their daughters and how their lives are shaped by the clash of Chinese and American cultures as they strive to understand their family bonds and one another. Development of the project began when Wang approached Tan in 1989 at the time of ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]