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The John Maclean March
''The John MacLean March'' is a Scottish song written by Hamish Henderson in 1948. It eulogises the socialist organiser John Maclean, describing his funeral procession through Glasgow in 1923. Background John Maclean was a prominent socialist leader in early-20th century Glasgow, a key figure in the Red Clydeside movement, and sometimes described as the "Scottish Lenin". By the time of the First World War, he had moved towards revolutionary socialism, and strongly opposed the war as imperialist. He was imprisoned in 1916, released in 1917, and named as the Scottish consul for the revolutionary Bolshevik government in early 1918. In April 1918 he was arrested for sedition, convicted and imprisoned, then released again after the Armistice following a hunger strike. After the war, he split from the Communist Party of Great Britain to found the Scottish Communist Party, then left this to form the Scottish Workers Republican Party, calling for an independent Communist Scotland. In ...
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Hamish Henderson
Hamish Scott Henderson (11 November 1919 – 9 March 2002) was a Scottish poet, songwriter, communist, intellectual and soldier. He was a catalyst for the folk revival in Scotland. He was also an accomplished folk song collector and discovered such notable performers as Jeannie Robertson, Flora MacNeil and Calum Johnston. Early life Born on the first Armistice Day 11 November 1919, to a single mother, Janet Henderson, a Queen's Nurse who had served in France, then working in the war hospital at Blair Castle. Though he was born in Blairgowrie, Perthshire, Henderson spent his early years in nearby Glen Shee and eventually moved to England with his mother. He won a scholarship to the prestigious Dulwich School in London; however, his mother died shortly before he was due to take up his place and he was forced to live in an orphanage while studying there. He studied Modern Languages at Downing College, Cambridge in the years leading up to World War II, and as a visiting ...
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Scotland The Brave
"Scotland the Brave" ( gd, Alba an Àigh) is a Scottish patriotic song, one of three often considered an unofficial Scottish national anthem (the others being "Flower of Scotland", and "Scots Wha Hae"). History The tune probably originated in the late 19th century. The earliest known printing of the tune was in the ''Utah Musical Bouquet,'' January 1878, and the earliest known version printed in Scotland is in ''The National Choir,'' 1891. The lyrics commonly used now were written about 1950 by Scottish journalist Clifford Leonard Clark "Cliff" Hanley for singer Robert Wilson as part of an arrangement by Marion McClurg. Another set of lyrics also often heard were sung by Canadian singer John Charles McDermott; they are closely based on the poem "Let Italy Boast" by James Hyslop, which was first published in 1821 in ''The Edinburgh Magazine''. However, Hyslop intended his poem to be sung to the melody of Sir Walter Scott of Abbotsford, 1st Baronet's "Boat Song" from "The ...
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Danny Glover (musician)
Danny Lebern Glover ( ; born July 22, 1946) is an American actor, producer and political activist. Over his career he has received numerous accolades including the Jean Hersholt Humanitarian Award from the Academy of Motion Picture Arts and Sciences, the NAACP's President's Award, as well as nominations for five Emmy Awards and four Grammy Awards. Glover made his film acting debut in '' Escape from Alcatraz'' (1979). He is widely known for his lead role as Roger Murtaugh in the ''Lethal Weapon'' film series. Glover's other notable films include ''Places in the Heart'' (1984), ''The Color Purple'' (1985), ''Witness'' (1985), ''To Sleep with Anger'' (1990), ''Grand Canyon'' (1991), ''Bopha!'' (1993), '' Angels in the Outfield'' (1994), ''The Royal Tenenbaums'' (2001), ''Dreamgirls'' (2006), ''Shooter'' (2007), ''2012'' (2009), '' Death at a Funeral'' (2010), ''Beyond the Lights'' (2014), ''Sorry to Bother You'' (2018), and ''The Last Black Man in San Francisco'' (2019). He is ...
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Tonight At Noon (Band)
''Tonight at Noon'' is an album of music by the jazz bassist and composer Charles Mingus. It was released through Atlantic Records in July 1964. It compiles tracks recorded at two sessions – the 1957 sessions for the album entitled '' The Clown'' and the 1961 sessions for '' Oh Yeah''. These tracks have since been added to the CD re-releases of their respective albums as bonus tracks. Reception The AllMusic review by Thom Jurek stated: "While the former session features Mingus going for the blues via European harmonics and melodic approaches with hard bop tempos (particularly on the title track), the latter session with its nocturnal elegance and spatial irregularities comes off more as some kind of exercise in vanguard Ellington with sophisticated harmonies that give way to languid marches and gospel-tinged blues... Despite the fact that this is an assembled album, it holds plenty of magic nonetheless".Jurek, TAllMusic Reviewaccessed June 10, 2011 Track listing :''All com ...
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Dick Gaughan
Richard Peter Gaughan (born 17 May 1948) is a Scottish musician, singer and songwriter, particularly of folk and social protest songs. He is regarded as one of Scotland's leading singer-songwriters. Early years Gaughan was born in Glasgow's Royal Maternity Hospital while his father was working in Glasgow as an engine driver. He spent the first year-and-a-half of his life in Rutherglen, South Lanarkshire, after which the whole family moved to Leith, a port on the outskirts of Edinburgh. The eldest of three children, Gaughan grew up surrounded by the music of both Scotland and Ireland. His mother, a Highland Scot from Lochaber who spoke Gaelic, had as a child won a silver medal for singing at a Gaelic Mòd. His father, a native of Leith, played guitar. His Irish-born paternal grandfather (a native of Erris, County Mayo) played the fiddle and his paternal grandmother, a Glaswegian born to Irish parents, played button accordion and sang. The family experienced considerable pover ...
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The Clutha
The Clutha were a traditional Scottish band hailing from Glasgow, that released a small number of albums in the 1970s. The line-up on the Clutha's first album, ''Scotia'' (1971), was John Eaglesham (vocal, concertina), Erlend Voy (fiddle, concertina, vocals), Calum Allan (fiddle), Ronnie Alexander (vocals, guitar) and Gordeanna McCulloch (vocals). The same band members are credited on their 1974 album, ''Scots Ballads Songs & Dance Tunes''. By the time of their 1977 release, ''The Bonnie Mill Dams'', Jimmy Anderson had joined the group on chamber pipes and bagpipes, and Eaglesham had left the group. History In 1957, Norman Buchan was a teacher at Rutherglen Academy. He formed a Ballads Club. Among the pupils who joined up were Gordeanna McCulloch. She fell in love with singing, and travelled to London to attend one of Ewan MacColl's weekend seminars at his home in Beckenham, Kent. She sang briefly with the Clydesiders a group formed at school, and in 1964 joined The Clutha. ...
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Edinburgh People's Festival
The Edinburgh People's Festival is an arts festival and labour festival in Edinburgh, Scotland which is intended as a celebration of indigenous talent and cultural entertainment at venues across the city, especially in the outer schemes at prices everyone can afford. It is inspired by the 1945 Labour Government which established the Edinburgh Festival to be a celebration of the arts 'for the people, by the people'. The festival was re-established in 2002 by Colin Fox, who was later elected to parliament as a Lothian MSP in reaction to high ticket prices at the Edinburgh Festival Fringe and the lack of events away from the city centre. It was initially organised by the Scottish Socialist Party, trade unions and local artists. It carries on the tradition of the original Edinburgh People's Festival 1951–54 and acknowledges the cultural contribution made by Hamish Henderson, Ewan MacColl, Joan Littlewood, Norman Buchan, Joe Corrie and Councillor Jack Kane. History Since 2002 t ...
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British Folk Revival
The British folk revival incorporates a number of movements for the collection, preservation and performance of folk music in the United Kingdom and related territories and countries, which had origins as early as the 18th century. It is particularly associated with two movements, usually referred to as the first and second revivals, respectively in the late 19th to early 20th centuries and the mid-20th century. The first included increased interest in and study of traditional folk music, the second was a part of the birth of contemporary folk music. These had a profound impact on the development of British classical music and in the creation of a "national" or "pastoral" school and led to the creation of a sub-culture of folk clubs and folk festivals as well as influential subgenres including progressive folk music and British folk rock. Origins Social and cultural changes in British society in the early modern era, often seen as creating greater divisions between different socia ...
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Morris Blythman
Morris may refer to: Places Australia *St Morris, South Australia, place in South Australia Canada * Morris Township, Ontario, now part of the municipality of Morris-Turnberry * Rural Municipality of Morris, Manitoba ** Morris, Manitoba, a town mostly surrounded by the municipality * Morris (electoral district), Manitoba (defunct) * Rural Municipality of Morris No. 312, Saskatchewan United States ;Communities * Morris, Alabama, a town * Morris, Connecticut, a town * Morris, Georgia, an unincorporated community * Morris, Illinois, a city * Morris, Indiana, an unincorporated community * Morris, Minnesota, a city * Morristown, New Jersey, a town * Morris (town), New York ** Morris (village), New York * Morris, Oklahoma, a city * Morris, Pennsylvania, an unincorporated community * Morris, West Virginia, an unincorporated community * Morris, Kanawha County, West Virginia, a ghost town * Morris, Wisconsin, a town * Morris Township (other) ;Counties and other * Mo ...
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Sydney Goodsir Smith
Sydney Goodsir Smith (26 October 1915 – 15 January 1975) was a New Zealand-born Scottish poet, artist, dramatist and novelist. He wrote poetry in literary Scots often referred to as Lallans (Lowlands dialect), and was a major figure of the Scottish Renaissance. Life He was born in Wellington, New Zealand, the son of Catherine Goodsir Gelenick and Sydney Smith, a pioneer in forensic science who later became a Regius Professor in forensic medicine at the University of Edinburgh. He moved to Edinburgh with his family in 1928. He was educated at Malvern College. He went to the University of Edinburgh to study medicine, but abandoned that, and started to study history at Oriel College, Oxford; whence he was expelled, but managed to complete a degree. He also claimed to have studied art in Italy, wine in France and mountains in Bavaria. In the late 1930s, Smith was introduced to the works of Hugh MacDiarmid by Hector MacIver, a literary critic who taught English at Edinburgh's ...
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Hugh MacDiarmid
Christopher Murray Grieve (11 August 1892 – 9 September 1978), best known by his pen name Hugh MacDiarmid (), was a Scottish poet, journalist, essayist and political figure. He is considered one of the principal forces behind the Scottish Renaissance and has had a lasting impact on Scottish culture and politics. He was a founding member of the National Party of Scotland in 1928 but left in 1933 due to his Marxist–Leninist views. He joined the Communist Party the following year only to be expelled in 1938 for his nationalist sympathies. He would subsequently stand as a parliamentary candidate for both the Scottish National Party (1945) and British Communist Party (1964). Grieve's earliest work, including ''Annals of the Five Senses'', was written in English, but he is best known for his use of "synthetic Scots", a literary version of the Scots language that he himself developed. From the early 1930s onwards MacDiarmid made greater use of English, sometimes a "synthetic English ...
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