The John B. Sails
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The John B. Sails
"Sloop John B" (originally published as "The John B. Sails") is a Bahamian folk song from Nassau, Bahamas, Nassau. A transcription by Richard Le Gallienne was published in 1916, and a version was included in Carl Sandburg's ''The American Songbag'' in 1927. Since the early 1950s there have been many recordings of the song with variant titles including "I Want to Go Home" and "Wreck of the John B". In 1966, the Beach Boys recorded a folk rock adaptation that was produced and arranged by their ''de facto'' leader, Brian Wilson. Released as the second single from their album ''Pet Sounds'', the record peaked at number three in the U.S., number two in the UK, and topped the charts in several other countries. It was innovative for containing an elaborate a cappella vocal section not found in other pop music of the era, and it remains one of the group's biggest hits. In 2011, the Beach Boys' version of "Sloop John B" was ranked on ''Rolling Stone''s list of "The 500 Greatest Songs of ...
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Folk Music
Folk music is a music genre that includes traditional folk music and the contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has been defined in several ways: as music transmitted orally, music with unknown composers, music that is played on traditional instruments, music about cultural or national identity, music that changes between generations (folk process), music associated with a people's folklore, or music performed by custom over a long period of time. It has been contrasted with commercial and classical styles. The term originated in the 19th century, but folk music extends beyond that. Starting in the mid-20th century, a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith in the 1960s. This form of music is sometimes called contemporary folk music or folk rev ...
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You're So Good To Me
"You're So Good to Me" is a song written by Brian Wilson and Mike Love for the American rock band the Beach Boys, released on July 5, 1965, on their ninth studio album ''Summer Days (And Summer Nights!!)''. It was later included as the B-side of the group's single "Sloop John B", which was released on March 21, 1966. '' Mojo'' later wrote that the song was the closest the group had come to northern soul. Background and recording Brian Wilson wrote "You're So Good to Me" while in Hawaii. He commented on the song, "The ones that aren't the hardest, right, they're the best… 'You're So Good to Me' was written in 20 minutes. I knew it was special. The songs that come the fastest are the ones I like the most." The basic track for "You're So Good to Me" was recorded at Western Studios in early May 1965. Take 24 was used as the master. On May 24, the lead and backing vocals for the song were recorded at Columbia Studios. Wilson wrote in 1990 that the track was "spearheaded by a guit ...
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Subdominant
In music, the subdominant is the fourth tonal degree () of the diatonic scale. It is so called because it is the same distance ''below'' the tonic as the dominant is ''above'' the tonicin other words, the tonic is the dominant of the subdominant. It also happens to be the note one step below the dominant. In the movable do solfège system, the subdominant note is sung as ''fa''. The triad built on the subdominant note is called the subdominant chord. In Roman numeral analysis, the subdominant chord is typically symbolized by the Roman numeral "IV" in a major key, indicating that the chord is a major triad. In a minor key, it is symbolized by "iv", indicating that the chord is a minor triad In music theory, a minor chord is a chord that has a root, a minor third, and a perfect fifth. When a chord comprises only these three notes, it is called a minor triad. For example, the minor triad built on C, called a C minor triad, has pitc .... These chords may also appear a ...
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Chord Progression
In a musical composition, a chord progression or harmonic progression (informally chord changes, used as a plural) is a succession of chords. Chord progressions are the foundation of harmony in Western musical tradition from the common practice era of Classical music to the 21st century. Chord progressions are the foundation of Western popular music styles (e.g., pop music, rock music), traditional music, as well as genres such as blues and jazz. In these genres, chord progressions are the defining feature on which melody and rhythm are built. In tonal music, chord progressions have the function of either establishing or otherwise contradicting a tonality, the technical name for what is commonly understood as the " key" of a song or piece. Chord progressions, such as the common chord progression I–vi–ii–V, are usually expressed by Roman numerals in Classical music theory. In many styles of popular and traditional music, chord progressions are expressed using the name and " ...
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Folk Music
Folk music is a music genre that includes traditional folk music and the contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has been defined in several ways: as music transmitted orally, music with unknown composers, music that is played on traditional instruments, music about cultural or national identity, music that changes between generations (folk process), music associated with a people's folklore, or music performed by custom over a long period of time. It has been contrasted with commercial and classical styles. The term originated in the 19th century, but folk music extends beyond that. Starting in the mid-20th century, a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith in the 1960s. This form of music is sometimes called contemporary folk music or folk rev ...
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Al Jardine
Alan Charles Jardine (born September 3, 1942) is an American musician, singer, and songwriter who co-founded the Beach Boys. He is best known as the band's rhythm guitarist and for occasionally singing lead vocals on singles such as " Help Me, Rhonda" (1965), " Then I Kissed Her" (1965), "Cotton Fields" (1970), and "Come Go with Me" (1978). His song " Lady Lynda" was also a UK top 10 hit for the group in 1978. Other Beach Boys songs that feature Jardine on lead include "I Know There's an Answer" (1966), "Vegetables" (1967), and "From There to Back Again" (2012). Following the death of fellow band member Carl Wilson in 1998, Jardine left the touring Beach Boys and has since performed as a solo artist, rejoining the band only for their 2012 50th anniversary tour. Since 2013, Jardine has toured as part of Beach Boys founder Brian Wilson’s band. He has released one solo studio album, '' A Postcard from California'' (2010). Jardine was inducted into the Rock and Roll Hall of Fame as ...
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The Kingston Trio
The Kingston Trio is an American folk and pop music group that helped launch the folk revival of the late 1950s to the late 1960s. The group started as a San Francisco Bay Area nightclub act with an original lineup of Dave Guard, Bob Shane, and Nick Reynolds. It rose to international popularity fueled by unprecedented sales of LP records and helped alter the direction of popular music in the U.S. The Kingston Trio was one of the most prominent groups of the era's folk-pop boom, which they kick-started in 1958 with the release of the Trio's eponymous first album and its hit recording of " Tom Dooley", which became a number one hit and sold over three million copies as a single. The Trio released nineteen albums that made ''Billboard''s Top 100, fourteen of which ranked in the top 10, and five of which hit the number 1 spot. Four of the group's LPs charted among the 10 top-selling albums for five weeks in November and December 1959, a record unmatched for more than 50 years, ...
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Wouldn't It Be Nice
"Wouldn't It Be Nice" is a song by the American rock band the Beach Boys and the opening track from their 1966 album '' Pet Sounds''. Written by Brian Wilson, Tony Asher, and Mike Love, it is distinguished for its sophisticated Wall of Sound-style arrangement and refined vocal performances, and is regarded among the band's finest songs. With its juxtaposition of joyous-sounding music and melancholic lyrics, it is considered a formative work of power pop, and with respect to musical innovation, progressive pop. The song was inspired by Wilson's confused infatuations for his sister-in-law, who projected an "innocent aura" that he wished to capture in "Wouldn't It Be Nice". Lyrically, the song describes a young couple who feel empowered by their monogamous relationship and fantasize about the romantic freedom they would earn as adults. Like the other tracks on ''Pet Sounds'', it subverted listeners' expectations, as past Beach Boys songs had normally celebrated superficial concei ...
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Barbara Ann
"Barbara Ann" is a song written by Fred Fassert that was first recorded by the Regents as "Barbara-Ann". Their version was released in 1961 and reached number 13 on the ''Billboard'' Hot 100 chart. The more famous version was recorded by the Beach Boys for their 1965 in-house live album '' Beach Boys' Party!''. In December, "Barbara Ann" was issued as a single with the B-side " Girl Don't Tell Me", peaking at number 2 in the U.S. and number 3 in the UK. The Regents' original version was featured in the 1973 film '' American Graffiti'' and later included on the soundtrack album. The Beach Boys version The Beach Boys recorded their version on September 23, 1965. Dean Torrence of Jan and Dean is featured on lead vocals along with Brian Wilson. Torrence is not credited on the album, but Carl Wilson is heard saying "Thanks, Dean" at the song's conclusion. Capitol's Al Coury rush-released "Barbara Ann" as a single without informing the band, after the relatively poor performanc ...
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Capitol Records
Capitol Records, LLC (known legally as Capitol Records, Inc. until 2007) is an American record label distributed by Universal Music Group through its Capitol Music Group imprint. It was founded as the first West Coast-based record label of note in the United States in 1942 by Johnny Mercer, Buddy DeSylva, and Glenn E. Wallichs. Capitol was acquired by British music conglomerate EMI as its North American subsidiary in 1955. EMI was acquired by Universal Music Group in 2012, and was merged with the company a year later, making Capitol and the Capitol Music Group both distributed by UMG. The label's circular headquarters building is a recognized landmark of Hollywood, California. Both the label itself and its famous building are sometimes referred to as "The House That Nat Built." This refers to one of Capitol's most famous artists, Nat King Cole. Capitol is also well known as the U.S. record label of the Beatles, especially during the years of Beatlemania in America from 19 ...
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Sea Shanty
A sea shanty, chantey, or chanty () is a genre of traditional Folk music, folk song that was once commonly sung as a work song to accompany rhythmical labor aboard large Merchant vessel, merchant Sailing ship, sailing vessels. The term ''shanty'' most accurately refers to a specific style of work song belonging to this historical Musical repertoire, repertoire. However, in recent, popular usage, the scope of its definition is sometimes expanded to admit a wider range of repertoire and characteristics, or to refer to a "maritime work song" in general. From Latin ''cantare'' via French ''chanter'', the word ''shanty'' emerged in the mid-19th century in reference to an appreciably distinct genre of work song, developed especially on merchant vessels, that had come to prominence in the decades prior to the American Civil War although found before this. Shanty songs functioned to synchronize and thereby optimize labor, in what had then become larger vessels having smaller crews and o ...
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Chamber Pop
Chamber pop (or Chamber rock; also called baroque pop and sometimes conflated with orchestral pop or symphonic pop) is a music genre that combines rock music with the intricate use of strings, horns, piano, and vocal harmonies, and other components drawn from the orchestral and lounge pop of the 1960s, with an emphasis on melody and texture. During chamber pop's initial emergence in the 1960s, producers such as Burt Bacharach, Lee Hazlewood, and the Beach Boys' Brian Wilson served as formative artists of the genre. Wilson's productions of the Beach Boys' albums '' Pet Sounds'' and ''Smile'' are cited as particularly influential to the genre. From the early 1970s to early 1990s, most chamber pop acts saw little to no mainstream success. The genre's decline was attributed to costly touring and recording logistics and a reluctance among record labels to finance instruments like strings, horns, and keyboards on artists' albums. In the mid-1990s, chamber pop developed as a subgenr ...
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