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The Ivory Door
''The Ivory Door'' is a three-act play by A. A. Milne. It is set in a fictional castle and the surrounding countryside. Background Milne, though he had written dozens of plays and screenplays through the 1910s and 1920s, had become best known by far for his Winnie-the-Pooh stories. He was conflicted about his success, and in the introduction to ''The Ivory Door'', he lamented what he perceived to be his new reputation for "whimsy": "I have the Whimsical label so firmly round my own neck that I can neither escape from it nor focus it... it seems to me now that if I write anything less realistic, less straightforward than 'The cat sat on the mat,' I am 'indulging in a whimsy.'" ''The Ivory Door'' premiered on Broadway on October 18, 1927 at the Punch and Judy Theater (later the Charles Hopkins Theatre), starring Henry Hull, Louise Closser Hale, and Donald Meek. The production ran for 39 weeks and 310 performances. ''The Ivory Door'' was later produced at the Haymarket Theater ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Castle
A castle is a type of fortified structure built during the Middle Ages predominantly by the nobility or royalty and by military orders. Scholars debate the scope of the word ''castle'', but usually consider it to be the private fortified residence of a lord or noble. This is distinct from a palace, which is not fortified; from a fortress, which was not always a residence for royalty or nobility; from a ''pleasance'' which was a walled-in residence for nobility, but not adequately fortified; and from a fortified settlement, which was a public defence – though there are many similarities among these types of construction. Use of the term has varied over time and has also been applied to structures such as hill forts and 19th-20th century homes built to resemble castles. Over the approximately 900 years when genuine castles were built, they took on a great many forms with many different features, although some, such as curtain walls, arrowslits, and portcullises, were ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francis Lister
Francis Lister (2 April 1899 – 28 October 1951) was a British actor. He was married to the actresses Nora Swinburne (1924–32) and Margot Grahame (1934-36). Filmography References External links * * *ThFrancis Lister Collectionis held by the Victoria and Albert Museum The Victoria and Albert Museum (often abbreviated as the V&A) in London is the world's largest museum of applied arts, decorative arts and design, housing a permanent collection of over 2.27 million objects. It was founded in 1852 and nam ... Theatre and Performance Department. 1899 births 1951 deaths English male stage actors English male film actors English male silent film actors Male actors from London 20th-century English male actors {{UK-film-actor-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plays By A
Play most commonly refers to: * Play (activity), an activity done for enjoyment * Play (theatre), a work of drama Play may refer also to: Computers and technology * Google Play, a digital content service * Play Framework, a Java framework * Play Mobile, a Polish internet provider * Xperia Play, an Android phone * Rakuten.co.uk (formerly Play.com), an online retailer * Backlash (engineering), or ''play'', non-reversible part of movement * Petroleum play, oil fields with same geological circumstances * Play symbol, in media control devices Film * ''Play'' (2005 film), Chilean film directed by Alicia Scherson * ''Play'', a 2009 short film directed by David Kaplan * ''Play'' (2011 film), a Swedish film directed by Ruben Östlund * ''Rush'' (2012 film), an Indian film earlier titled ''Play'' and also known as ''Raftaar 24 x 7'' * ''The Play'' (film), a 2013 Bengali film Literature and publications * ''Play'' (play), written by Samuel Beckett * ''Play'' (''The New York Times' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mummers
Mummers' plays are folk plays performed by troupes of amateur actors, traditionally all male, known as mummers or guisers (also by local names such as ''rhymers'', ''pace-eggers'', ''soulers'', ''tipteerers'', ''wrenboys'', and ''galoshins''). Historically, mummers' plays consisted of informal groups of costumed community members that visited from house to house on various holidays. Today the term refers especially to a play in which a number of characters are called on stage, two of whom engage in a combat, the loser being revived by a doctor character. This play is sometimes found associated with a sword dance though both also exist in Britain independently. Mumming spread from the British Isles to a number of former British colonies. It is sometimes performed in the street but more usually during visits to houses and pubs. It is generally performed seasonally or annually, often at Christmas, Easter or on Plough Monday, more rarely on Halloween or All Souls' Day, and often wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prologue
A prologue or prolog (from Greek πρόλογος ''prólogos'', from πρό ''pró'', "before" and λόγος ''lógos'', "word") is an opening to a story that establishes the context and gives background details, often some earlier story that ties into the main one, and other miscellaneous information. The Ancient Greek ''prólogos'' included the modern meaning of ''prologue'', but was of wider significance, more like the meaning of preface. The importance, therefore, of the prologue in Greek drama was very great; it sometimes almost took the place of a romance, to which, or to an episode in which, the play itself succeeded. Latin On the Latin stage the prologue was often more elaborate than it was in Athens, and in the careful composition of the poems which Plautus prefixes to his plays we see what importance he gave to this portion of the entertainment; sometimes, as in the preface to the ''Rudens'', Plautus rises to the height of his genius in his adroit and romantic prolo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New Age
''The New Age'' was a British weekly magazine (1894–1938), inspired by Fabian socialism, and credited as a major influence on literature and the arts during its heyday from 1907 to 1922, when it was edited by Alfred Richard Orage. It published work by many of the chief political commentators of the day, such as George Bernard Shaw, H. G. Wells, Hilaire Belloc, G. K. Chesterton and Arnold Bennett. History ''The New Age'' began life in 1894 as a publication of the Christian socialist movement, but in 1907, as a radical weekly edited by Joseph Clayton, it was struggling. In May of that year, Orage and Holbrook Jackson, who had been running the Leeds Arts Club, took over the journal with financial help from George Bernard Shaw. Jackson acted as co-editor only for the first year, after which Orage edited it alone until he sold it in 1922. By that time his interests had moved towards mysticism, and the quality and circulation of the journal had declined. According to a B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Statesman
The ''New Statesman'' is a British political and cultural magazine published in London. Founded as a weekly review of politics and literature on 12 April 1913, it was at first connected with Sidney and Beatrice Webb and other leading members of the socialist Fabian Society, such as George Bernard Shaw, who was a founding director. Today, the magazine is a print–digital hybrid. According to its present self-description, it has a liberal and progressive political position. Jason Cowley, the magazine's editor, has described the ''New Statesman'' as a publication "of the left, for the left" but also as "a political and literary magazine" with "sceptical" politics. The magazine was founded by members of the Fabian Society as a weekly review of politics and literature. The longest-serving editor was Kingsley Martin (1930–1960), and the current editor is Jason Cowley, who assumed the post in 2008. The magazine has recognised and published new writers and critics, as well as e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New Yorker
''The New Yorker'' is an American weekly magazine featuring journalism, commentary, criticism, essays, fiction, satire, cartoons, and poetry. Founded as a weekly in 1925, the magazine is published 47 times annually, with five of these issues covering two-week spans. Although its reviews and events listings often focus on the Culture of New York City, cultural life of New York City, ''The New Yorker'' has a wide audience outside New York and is read internationally. It is well known for its illustrated and often topical covers, its commentaries on popular culture and eccentric American culture, its attention to modern fiction by the inclusion of Short story, short stories and literary reviews, its rigorous Fact-checking, fact checking and copy editing, its journalism on politics and social issues, and its single-panel cartoons sprinkled throughout each issue. Overview and history ''The New Yorker'' was founded by Harold Ross and his wife Jane Grant, a ''The New York Times, N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sam Livesey
Samuel Livesey (14 October 1873 – 7 November 1936) was a Welsh stage and film actor. Life Livesey's father, Thomas, had been a railway engineer before leaving the industry to establish a travelling theatre with his wife Mary. The two had six children who all grew up working in the theatre. In 1893, after Thomas's death, Mary opened a purpose built theatre, the Prince of Wales in Mexborough. The family performed frequently on the stage and in touring productions. Sam and his brother Joseph married actresses who were themselves sisters: Sam married Margaret Ann Edwards in 1900 and Joseph married Mary Catherine Edwards in 1905. Sam and Margaret had two children who subsequently followed their profession, the actors Jack and Barry Livesey. But by 1913 both Joseph and Margaret Ann had died. Sam then married Mary Catherine and adopted her son Roger (his nephew) as his own. Roger Livesey also went on to become a highly successful stage and screen actor. The couple had a daughter tog ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Winnie-the-Pooh
Winnie-the-Pooh, also called Pooh Bear and Pooh, is a fictional Anthropomorphism, anthropomorphic teddy bear created by English author A. A. Milne and English illustrator E. H. Shepard. The first collection of stories about the character was the book ''Winnie-the-Pooh (book), Winnie-the-Pooh'' (1926), and this was followed by ''The House at Pooh Corner'' (1928). Milne also included a poem about the bear in the children's verse book ''When We Were Very Young'' (1924) and many more in ''Now We Are Six'' (1927). All four volumes were illustrated by E. H. Shepard. The Pooh stories have been translated into many languages, including Alexander Lenard's Latin translation, , which was first published in 1958, and, in 1960, became the only Latin book ever to have been featured on The New York Times Best Seller list, ''The New York Times'' Best Seller list. In 1961, The Walt Disney Company, Walt Disney Productions licensed certain film and other rights of Milne's Winnie-the-Pooh sto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rosina Filippi
Rosina Filippi (1866 – 1930) was an Italian-born English stage actress and acting instructor, known for adapting Jane Austen's work to the stage for the first time. Life and career Rosina Filippi was born in Venice, Italy. Her father, Filippo Filippi, was a music critic, and her mother, Vaneri Filippi, was a French singer who taught voice at the Milan Conservatoire. According to an obituary in ''The Times'', she and her grandmother on her mother's side, Georgina Colmache, left France during the Paris Commune, when Filippi was five years old, and traveled to London. Rosina Filippi had wanted to follow in her mother's footsteps and become an opera singer herself but, lacking sufficient vocal talent, pursued acting instead. She studied under Hermann Vezin and debuted at the Gaiety Theatre in 1883. Beerbohm Tree cast her in her first major role: the French maid in '' The Red Lamp''. She became a well-known character actress, with roles including Madame Vinard in ''Trilby'', Mart ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Angela Baddeley
Madeleine Angela Clinton-Baddeley, CBE (4 July 1904 – 22 February 1976) was an English stage and television actress, best-remembered for her role as household cook Mrs. Bridges in the period drama '' Upstairs, Downstairs''. Her stage career lasted more than six decades. Early life Madeleine Angela Clinton-Baddeley was born in West Ham, Essex (now London) in 1904 into a wealthy family, she would later base the character of Mrs. Bridges on one of the cooks her family employed. Her younger sister was actress Hermione Baddeley. In 1912, Angela and Hermione enrolled as pupils at Margaret Morris's dancing school in Chelsea. Angela described the school as "a wonderful foundation for all my work on the stage." In the same year, the eight-year old Angela made her stage début at the Dalston Palace of Varieties, Dalston, in a play called ''The Dawn of Happiness''. When she was nine, she auditioned at the Old Vic Theatre. In November 1915 she made her début at the Old Vic in ''Richar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
