The Infernal Cake Walk
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The Infernal Cake Walk
''Le Cake-Walk infernal'', sold in the United States as ''The Cake Walk Infernal'' and in Britain as ''The Infernal Cake Walk'', is a 1903 French short film, short silent film by Georges Méliès. It was sold by Méliès's Star Film Company and is numbered 453–457 in its catalogues. The film features the cakewalk, which was booming in popularity in 1903. Méliès appears in the film as Pluto (mythology), Pluto/Satan and as the grotesque dancing demon. This rhythm-dependent film was probably filmed to piano accompaniment in the studio. Special effects in the film were worked with trapdoors, stage machinery, pyrotechnics, substitution splices, and multiple exposures. ''The Infernal Cake Walk'' features several examples of elements reused from, or later reused in, other films also made by Méliès. The demon masks in the film were originally made for Méliès's ''A Trip to the Moon'' (1902), where they are worn by the Selenites (Moon dwellers); similarly, the effect of dancing lim ...
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Georges Méliès
Marie-Georges-Jean Méliès (; ; 8 December 1861 – 21 January 1938) was a French illusionist, actor, and film director. He led many technical and narrative developments in the earliest days of cinema. Méliès was well known for the use of special effects, popularizing such techniques as substitution splices, multiple exposures, time-lapse photography, dissolves, and hand-painted colour. He was also one of the first filmmakers to use storyboards. His films include '' A Trip to the Moon'' (1902) and ''The Impossible Voyage'' (1904), both involving strange, surreal journeys somewhat in the style of Jules Verne, and are considered among the most important early science fiction films, though their approach is closer to fantasy. The 2011 film ''Hugo'' was inspired by the life and work of Méliès. Early life and education Marie-Georges-Jean Méliès was born 8 December 1861 in Paris, son of Jean-Louis Méliès and his Dutch wife, Johannah-Catherine Schuering. His father h ...
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Multiple Exposure
In photography and cinematography, a multiple exposure is the superimposition of two or more exposures to create a single image, and double exposure has a corresponding meaning in respect of two images. The exposure values may or may not be identical to each other. Overview Ordinarily, cameras have a sensitivity to light that is a function of time. For example, a one-second exposure is an exposure in which the camera image is equally responsive to light over the exposure time of one second. The criterion for determining that something is a double exposure is that the sensitivity goes up and then back down. The simplest example of a multiple exposure is a double exposure without flash, i.e. two partial exposures are made and then combined into one complete exposure. Some single exposures, such as "flash and blur" use a combination of electronic flash and ambient exposure. This effect can be approximated by a Dirac delta measure (flash) and a constant finite rectangular window, i ...
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1900s Dance Films
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album '' 63/19'' by Kool A.D. * '' Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album ''Refugee A refugee, conventionally speaking, is a displaced person who has crossed national borders and who cannot or is unwilling to return home due to well-founded fear of persecution.
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French Silent Short Films
French (french: français(e), link=no) may refer to: * Something of, from, or related to France ** French language, which originated in France, and its various dialects and accents ** French people, a nation and ethnic group identified with France ** French cuisine, cooking traditions and practices Fortnite French places Arts and media * The French (band), a British rock band * "French" (episode), a live-action episode of ''The Super Mario Bros. Super Show!'' * ''Française'' (film), 2008 * French Stewart (born 1964), American actor Other uses * French (surname), a surname (including a list of people with the name) * French (tunic), a particular type of military jacket or tunic used in the Russian Empire and Soviet Union * French's, an American brand of mustard condiment * French catheter scale, a unit of measurement of diameter * French Defence, a chess opening * French kiss, a type of kiss involving the tongue See also * France (other) * Franch, a surname * French ...
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Films Directed By Georges Méliès
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitized ...
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French Black-and-white Films
French (french: français(e), link=no) may refer to: * Something of, from, or related to France ** French language, which originated in France, and its various dialects and accents ** French people, a nation and ethnic group identified with France ** French cuisine, cooking traditions and practices Fortnite French places Arts and media * The French (band), a British rock band * "French" (episode), a live-action episode of ''The Super Mario Bros. Super Show!'' * ''Française'' (film), 2008 * French Stewart (born 1964), American actor Other uses * French (surname), a surname (including a list of people with the name) * French (tunic), a particular type of military jacket or tunic used in the Russian Empire and Soviet Union * French's, an American brand of mustard condiment * French catheter scale, a unit of measurement of diameter * French Defence, a chess opening * French kiss, a type of kiss involving the tongue See also * France (other) * Franch, a surname * French ...
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The Infernal Cauldron
''Le Chaudron infernal'', released in Britain as ''The Infernal Cauldron'' and in the United States as ''The Infernal Caldron and the Phantasmal Vapors'', is a 1903 French silent trick film directed by Georges Méliès. It was released by Méliès's Star Film Company and is numbered 499–500 in its catalogues. Plot In a Renaissance chamber decorated with devilish faces and a warped coat of arms, a gleeful demon throws three human victims into a cauldron, which spews out flames. The victims rise from the cauldron as nebulous ghosts, and then turn into fireballs. The fireballs multiply and pursue the demon around the chamber. Finally the demon himself leaps into the infernal cauldron, which gives off a final burst of flame. Production Méliès plays the demon, identified in the Star Film Company's American catalogue as Belphegor. The film's special effects were created with pyrotechnics, multiple exposures, soft focus, and substitution splices. Versions Méliès's pre-1903 films ...
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Will-o'-the-wisp
In folklore, a will-o'-the-wisp, will-o'-wisp or ''ignis fatuus'' (, plural ''ignes fatui''), is an atmospheric ghost light seen by travellers at night, especially over bogs, swamps or marshes. The phenomenon is known in English folk belief, English folklore and much of European folklore by a variety of names, including jack-o'-lantern, friar's lantern, hinkypunk and is said to mislead travellers by resembling a flickering lamp or lantern. In literature, will-o'-the-wisp metaphorically refers to a hope or goal that leads one on, but is impossible to reach, or something one finds strange or sinister. Wills-o'-the-wisp appear in folk tales and traditional legends of numerous countries and cultures; notable wills-o'-the-wisp include St. Louis Light in Saskatchewan, the Spooklight in Southwestern Missouri and Northeastern Oklahoma, the Marfa lights of Texas, the Naga fireballs on the Mekong in Thailand, the Paulding Light in Upper Peninsula of Michigan and the Hessdalen light i ...
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The Damnation Of Faust (film)
''Faust aux enfers'', released in the United States as ''The Damnation of Faust'' and in Britain as ''The Condemnation of Faust'', is a 1903 French short silent film directed by Georges Méliès. Production Méliès had previously filmed two other adaptations of the Faust legend: '' Faust and Marguerite'' (1897) and '' Damnation of Faust'' (1898). The 1903 ''Damnation of Faust'' was his third version. In 1904, he would make a fourth and last straightforward adaptation, '' Faust and Marguerite'', but his later films '' The Merry Frolics of Satan'' (1905) and '' The Knight of the Snows'' (1912) are also inspired by the legend. According to Méliès's American catalogue, the direct inspiration for the 1903 version was Hector Berlioz's musical work ''La damnation de Faust''. Méliès plays Mephistopheles in the film. The dancing masked demons have the same costumes as those in '' The Infernal Cake Walk'', a Méliès film made earlier in 1903. The elaborate painted scenery for the f ...
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Dislocation Extraordinary
''Dislocation Extraordinary'' (french: Dislocation mystérieuse), also known as ''Extraordinary Illusions'', is a 1901 French silent trick film by Georges Méliès. It was sold by Méliès's Star Film Company and is numbered 335–336 in its catalogues. Production and themes The film is one of many in which Méliès plays with the idea of living body parts separated from their body; living dismembered limbs had been a feature of stage magic for some time, notably in the work of Nevil Maskelyne, one of Méliès's major influences. For ''Dislocation Extraordinary'', Méliès combined this stage-magic tradition with the stock character of Pierrot, a commedia dell'arte character. The character had been familiar in Méliès's France since Jean-Gaspard Deburau's revival of commedia techniques in the first half of the 19th century. The special effects were carried out with substitution splices and multiple exposures, aided by a black cloth background. The film's Pierrot is p ...
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A Trip To The Moon
''A Trip to the Moon'' (french: Le Voyage dans la Lune) is a 1902 French adventure short film directed by Georges Méliès. Inspired by a wide variety of sources, including Jules Verne's 1865 novel ''From the Earth to the Moon'' and its 1870 sequel ''Around the Moon'', the film follows a group of astronomers who travel to the Moon in a cannon-propelled capsule, explore the Moon's surface, escape from an underground group of Selenites (lunar inhabitants), and return to Earth with a captive Selenite. Its ensemble cast of French theatrical performers is led by Méliès himself as the main character Professor Barbenfouillis. The film features the overtly theatrical style for which Méliès became famous. Scholars have commented upon the film's extensive use of pataphysical and anti-imperialist satire, as well as on its wide influence on later filmmakers and its artistic significance within the French theatrical ''féerie'' tradition. Though the film disappeared into obscurity after ...
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Substitution Splice
The substitution splice or stop trick is a cinematic special effect in which filmmakers achieve an appearance, disappearance, or transformation by altering one or more selected aspects of the mise-en-scène between two shots while maintaining the same framing and other aspects of the scene in both shots. The effect is usually polished by careful editing to establish a seamless cut and optimal moment of change. It has also been referred to as stop motion substitution or stop-action. The pioneering French filmmaker Georges Méliès claimed to have accidentally developed the stop trick, as he wrote in ''Les Vues Cinématographiques'' in 1907 (translated from French): According to the film scholar Jacques Deslandes, it is more likely that Méliès discovered the trick by carefully examining a print of the Edison Manufacturing Company's 1895 film ''The Execution of Mary Stuart'', in which a primitive version of the trick appears. In any case, the substitution splice was both the fir ...
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