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The Great Lost Kinks Album
''The Great Lost Kinks Album'' is a compilation album by the English rock band the Kinks. Released in the United States in January1973, it features material recorded by the group between 1966 and 1970 that had mostly gone unreleased. The compilation served to satisfy Reprise Records after executives determined that the Kinks contractually owed them one more album, despite the band's departure from the label in 1971. ''The Great Lost Kinks Album'' offered the debut of many previously unreleased tracks, while others had only been released as non-album singles. Most of its songs date to the sessions for the 1968 album '' The Kinks Are the Village Green Preservation Society'' and were delivered by Ray Davies to Reprise in July1969 out of a contractual obligation. Musician John Mendelsohn wrote liner notes for the album which extensively derided Davies' contemporary songwriting in comparison to his late 1960s work. Both contemporary and retrospective critics have generally describe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Kinks
The Kinks were an English rock band formed in Muswell Hill, north London, in 1963 by brothers Ray and Dave Davies. They are regarded as one of the most influential rock bands of the 1960s. The band emerged during the height of British rhythm and blues and Merseybeat, and were briefly part of the British Invasion of the United States until their touring ban in 1965. Their third single, the Ray Davies-penned "You Really Got Me", became an international hit, topping the charts in the United Kingdom and reaching the Top 10 in the United States. The Kinks' music drew from a wide range of influences, including American R&B and rock and roll initially, and later adopting British music hall, folk, and country. The band gained a reputation for reflecting English culture and lifestyle, fuelled by Ray Davies' wittily observational writing style, and made apparent in albums such as '' Face to Face'' (1966), '' Something Else'' (1967), ''The Village Green Preservation Society'' (1968), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Record World
''Record World'' magazine was one of the three main music industry trade magazines in the United States, along with '' Billboard'' and '' Cashbox''. It was founded in 1946 under the name ''Music Vendor'', but in 1964 it was changed to ''Record World'', under the ownership of Sid Parnes and Bob Austin. It ceased publication on April 10, 1982. Many music industry personalities, writers, and critics began their careers there in the early 1970s to 1980s. History Growth ''Record World'' has been considered the hipper, faster-moving music industry publication, in contrast to the stodgier ''Billboard'' and ''Cashbox'', its sister magazine. ''Music Vendor'', as it was then known, published its first music chart for the week ending October 4, 1954. A weekly, like its competitors, it was housed in New York City at 1700 Broadway, at 53rd Street, just across the street from the Ed Sullivan Theater, and West Coast editorial offices in Los Angeles on Sunset and Vine. Rock bands frequented '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
B-side
The A-side and B-side are the two sides of phonograph records and cassettes; these terms have often been printed on the labels of two-sided music recordings. The A-side usually features a recording that its artist, producer, or record company intends to be the initial focus of promotional efforts and radio airplay and hopefully become a hit record. The B-side (or "flip-side") is a secondary recording that typically receives less attention, although some B-sides have been as successful as, or more so than, their A-sides. Use of this language has largely declined in the 21st century as the music industry has transitioned away from analog recordings towards digital formats without physical sides, such as CDs, downloads and streaming. Nevertheless, some artists and labels continue to employ the terms ''A-side'' and ''B-side'' metaphorically to describe the type of content a particular release features, with ''B-side'' sometimes representing a "bonus" track or other material. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I'm Not Like Everybody Else
"I'm Not Like Everybody Else" is a song written by Ray Davies and first recorded by the Kinks in 1966 and released that year as the B-side of "Sunny Afternoon". The lead vocal is sung by Dave Davies, with occasional parts vocalized by his brother Ray, the band's usual lead singer. The song is a defiant anthem of non-conformity. It has been covered by various artists, notably the Chocolate Watchband in their 1968 rendition of the song. History Davies had written the song for the Animals, but it was turned down, so the Kinks released their own version with guitarist Dave Davies on lead vocals. This went against the norm where each brother usually sang songs they had written themselves. Later performances of the song were sung by Ray, with Dave providing backing vocals and Eric Clapton-influenced guitar solos. Both the Davies brothers continue to perform the song in their solo concerts. Dave Davies described the song as "a Kinks fans favourite." He also said, " was never a hit for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Four More Respected Gentlemen
''Four More Respected Gentlemen'' is an unreleased album by the English rock band the Kinks. The project arose out of the band's different American contract schedule, which obligated them to submit a new LP to Reprise Records in June1968. As the band continued recording their next album, released later in the year as '' The Kinks Are the Village Green Preservation Society'', bandleader Ray Davies submitted fifteen completed master tapes to Reprise. The label planned to issue the LP in the US in November1968 but abandoned the project only a month beforehand for unclear reasons. Reprise initially expected to include twelve tracks on ''Four More Respected Gentlemen'', but later resequenced it to have eleven. The eleven tracks were mostly recorded between late1967 and June1968 and are generally fast rock songs. Davies later stated that he intended the album to satirise English social etiquette, though commentators dispute his characterisation. Following Reprise's abandonment of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bootleg Recordings
A bootleg recording is an audio or video recording of a performance not officially released by the artist or under other legal authority. Making and distributing such recordings is known as ''bootlegging''. Recordings may be copied and traded among fans without financial exchange, but some bootleggers have sold recordings for profit, sometimes by adding professional-quality sound engineering and packaging to the raw material. Bootlegs usually consist of unreleased studio recordings, live performances or interviews without the quality control of official releases. The practice of releasing unauthorised performances had been established before the 20th century, but reached new popularity with Bob Dylan's ''Great White Wonder'', a compilation of studio outtakes and demos released in 1969 using low-priority pressing plants. The following year, the Rolling Stones' ''Live'r Than You'll Ever Be'', an audience recording of a late 1969 show, received a positive review in ''Rolling Sto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Kink Kronikles
''The Kink Kronikles'' is a compilation double album by the Kinks, released on Reprise Records in 1972, after the band had signed with RCA Records in 1971. It contains thirteen non-album singles, fourteen tracks taken from five albums released by the band from 1966 to 1971 (including the UK-only ''Percy''), and one track previously unreleased. Designed specifically for the American market, it peaked at No. 94 on the Billboard 200. The single versions and mixes were not necessarily used for each track. Content After the Kinks failed to renew their American distribution contract with Reprise, the label assembled this compilation without input from the band. Instead, Reprise invited rock journalist and noted Kinks fan John Mendelsohn to compile this package, ignoring the band's early trademark hits already appearing on ''The Kinks Greatest Hits!''. Mendelsohn also contributed the liner notes. The album contains all five singles that charted on the Billboard Hot 100 during the ti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimi Hendrix
James Marshall "Jimi" Hendrix (born Johnny Allen Hendrix; November 27, 1942September 18, 1970) was an American guitarist, singer and songwriter. Although his mainstream career spanned only four years, he is widely regarded as one of the most influential electric guitarists in the history of popular music, and one of the most celebrated musicians of the 20th century. The Rock and Roll Hall of Fame describes him as "arguably the greatest instrumentalist in the history of rock music." Born in Seattle, Washington, Hendrix began playing guitar at the age of 15. In 1961, he enlisted in the US Army, but was discharged the following year. Soon afterward, he moved to Clarksville then Nashville, Tennessee, and began playing gigs on the chitlin' circuit, earning a place in the Isley Brothers' backing band and later with Little Richard, with whom he continued to work through mid-1965. He then played with Curtis Knight and the Squires before moving to England in late 1966 after bassis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Percy (soundtrack Album)
''Percy'' is a 1971 film soundtrack for the British comedy film ''Percy'' performed by the English rock group the Kinks with additional orchestral arrangements conducted by Stanley Myers. It was released as the band’s ninth official studio album. The songs were written by Ray Davies and include both standard rock/pop songs and instrumental numbers. Singles and compilations " God's Children" was issued as a single (b/w either "Moments" or "The Way Love Used to Be", depending on the country) in April 1971. In the UK a 4-track EP was also released featuring "God's Children", "The Way Love Used To Be", "Moments" and "Dreams". This was the Kinks' last release with Pye while they were still under contract. Unlike the album, the single was released in the US (in July) but failed to chart there or in the UK. It was a minor hit in Australia (reaching #53) and New Zealand (#21). In the US the tracks "God's Children" and "Willesden Green" were included on ''The Kink Kronikles'' compila ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
RCA Records
RCA Records is an American record label currently owned by Sony Music Entertainment, a subsidiary of Sony Corporation of America. It is one of Sony Music's four flagship labels, alongside RCA's former long-time rival Columbia Records; also Arista Records, and Epic Records. The label has released multiple genres of music, including pop, classical, rock, hip hop, afrobeat, electronic, R&B, blues, jazz, and country. Its name is derived from the initials of its defunct parent company, the Radio Corporation of America (RCA). RCA Records was fully acquired by Bertelsmann in 1987, making it a part of Bertelsmann Music Group (BMG) and became a part of Sony BMG Music Entertainment after the 2004 merger of BMG and Sony; it was acquired by the latter in 2008, after the dissolution of Sony/BMG and the restructuring of Sony Music. RCA Records is the corporate successor of the Victor Talking Machine Company, founded in 1901, making it the second-oldest record label in American his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plastic Man (song)
"Plastic Man" is a song written by Ray Davies and recorded by the Kinks in 1969. It was written and recorded specifically as an attempt at a hit single, released only days after being recorded. The previous year had been commercially disastrous for The Kinks. Their two singles had failed to reach the top 10 in the UK and failed to chart at all in the US. The album '' The Kinks Are the Village Green Preservation Society'' had also failed to chart in both the UK and US. History The plan for a hit backfired when the use of the word ' bum' (in the line "...plastic legs that reach up to his plastic bum") meant that the BBC refused to play the song. The single only managed to reach No. 31 in the UK and the following two Kinks singles failed to chart altogether. The single was not initially released in the US, and remained unreleased there until '' The Great Lost Kinks Album'' in 1973. Both sides of the single were the final songs to be recorded with founding bassist Pete Quaife an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mastering (audio)
Mastering, a form of audio post production, is the process of preparing and transferring recorded audio from a source containing the final mix to a data storage device (the master), the source from which all copies will be produced (via methods such as pressing, duplication or replication). In recent years digital masters have become usual, although analog masters—such as audio tapes—are still being used by the manufacturing industry, particularly by a few engineers who specialize in analog mastering. Mastering requires critical listening; however, software tools exist to facilitate the process. Results depend upon the intent of the engineer, the skills of the engineer, the accuracy of the speaker monitors, and the listening environment. Mastering engineers often apply equalization and dynamic range compression in order to optimize sound translation on all playback systems. It is standard practice to make a copy of a master recording—known as a safety copy—in case ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
