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The Great Blue Star Sessions 1952-1953
''The Great Blue Star Sessions 1952–1953'' is a compilation album by trumpeter Dizzy Gillespie featuring performances recorded in 1952 and 1953 and originally released on the French Blue Star label.Dizzy Gillespie discography accessed March 28, 2012 Many of the tracks were first released as and re-released in the US as albums on the and Fontana labels such as ''Dizzy at Home and Abroad'' and ''Dizzy Gillespie a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dizzy Gillespie
John Birks "Dizzy" Gillespie (; October 21, 1917 – January 6, 1993) was an American jazz trumpeter, bandleader, composer, educator and singer. He was a trumpet virtuoso and improviser, building on the virtuosic style of Roy Eldridge but adding layers of harmonic and rhythmic complexity previously unheard in jazz. His combination of musicianship, showmanship, and wit made him a leading popularizer of the new music called bebop. His beret and horn-rimmed spectacles, scat singing, bent horn, pouched cheeks, and light-hearted personality provided one of bebop's most prominent symbols. In the 1940s, Gillespie, with Charlie Parker, became a major figure in the development of bebop and modern jazz. He taught and influenced many other musicians, including trumpeters Miles Davis, Jon Faddis, Fats Navarro, Clifford Brown, Arturo Sandoval, Lee Morgan, Chuck Mangione, and balladeer Johnny Hartman. He pioneered Afro-Cuban jazz and won several Grammy Awards. Scott Yanow wrote, "Dizzy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mack David
Mack David (July 5, 1912 – December 30, 1993) was an American lyricist and songwriter, best known for his work in film and television, with a career spanning the period between the early 1940s and the early 1970s. David was credited with writing lyrics or music or both for over one thousand songs. , ''The New York Times'', Saturday, January 1, 1994. He was particularly well known for his work on the films '''' and '' |
I Don't Stand A Ghost Of A Chance With You
"I Don't Stand a Ghost of a Chance With You" is a 1932 song recorded by Bing Crosby with Orchestral Accompaniment. The music was composed by Victor Young, with lyrics written by Ned Washington and Bing Crosby. The song is a jazz and pop standard recorded by many different artists. The song was recorded on October 14, 1932 by Bing Crosby in New York with Orchestral Accompaniment. Bing Crosby was accompanied by the ARC Brunswick Studio Orchestra led by Lennie Hayton, who also played the piano. Two master versions were recorded: B12474-A at 3:12 and B12474-B at 3:18. The recording was released as a 78 single as Brunswick 6454, b/w "Just an Echo in the Valley", and Columbia DB-2030, b/w "Cabin in the Cotton", and as a 45, Columbia 39524, b/w "Temptation". The Brunswick recording charted on January 21, 1933, reaching no. 5 on the US chart. Crosby performed the song in the 1933 film short ''Please'' directed by Arvid E. Gillstrom and he re-recorded the song in 1954 for his album '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gil Fuller
Walter Gilbert "Gil" Fuller (April 14, 1920, Los Angeles, California – May 26, 1994, San Diego, California) was an American jazz arranger. He is no relation to the jazz trumpeter and vocalist Walter Fuller (musician), Walter "Rosetta" Fuller. In the 1930s and 1940s, Fuller did extensive work writing and arranging for bandleaders such as Les Hite, Jimmie Lunceford, Billy Eckstine, and Tiny Bradshaw; he also worked with Benny Carter, Benny Goodman, Woody Herman, Count Basie, Machito, and Tito Puente. After World War II, he found himself increasingly in demand as a bebop arranger, along with fellow modern arrangers Tadd Dameron, Gil Evans, and George Russell (composer), George Russell. Fuller's work with Dizzy Gillespie was of particular note, yielding the tunes "Manteca", "Swedish Suite", "Tin Tin Deo", and "One Bass Hit". He is the composer of the jazz standard ballad "I Waited For You", co-credited with Dizzy Gillespie. Fuller started his own publishing company in 1957, and whil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jules LeMare
Charles N. Daniels (April 12, 1878 – January 23, 1943), was a composer, occasional lyricist, and music publishing executive. He employed many pseudonyms, including Neil Moret, Jules Lemare, L'Albert, Paul Bertrand, Julian Strauss, and Sidney Carter. His creative work is generally credited as "Moret" while his business dealings and ASCAP membership were under the name Daniels. Biography Daniels was born in Leavenworth, Kansas, and brought up in Saint Joseph and Kansas City, Missouri. At 18 he won a prize for his composition "Margery", which was performed by John Philip Sousa's band. By 1899, Daniels was such a celebrity that when Carl Hoffman published the sheet music for Scott Joplin's "Original Rags," he made a point to credit Daniels as the arranger. It's not known if Daniels actually arranged the piece or merely transcribed it. In 1904 he started the Daniels and Russel publishing firm in Saint Louis, later forming his own firm and working as an executive wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harry Tobias
Harry Tobias (September 11, 1895 – December 15, 1994) was an American lyricist. Like his younger brother Charles, he is an inductee of the Songwriters Hall of Fame. Born in New York City, United States, but raised in Worcester, Massachusetts, he began writing songs in his teens. At the age of 19, he co-wrote his first successful songs, "That Girl of Mine" and "Take Me To My Alabam", with Will Dillon. After serving in the US Army, he returned to songwriting, co-writing the 1922 novelty hit, "Oo-oo, Ernest (Are You Earnest With Me?)". He often worked with his brothers Charles and Henry, writing songs with Charles for the Broadway show ''Earl Carroll's Sketch Book'' in 1929, and writing Rudy Vallee's hit "Miss You" with both brothers the same year. In 1931, he had success with the song "At Your Command", an early success for Bing Crosby, and also co-wrote " Sweet and Lovely", a hit for Russ Columbo. He wrote or co-wrote the theme songs for many films in the 1930s and 1940s, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gus Arnheim
Gus Arnheim (September 4, 1897 – January 19, 1955) was an American pianist and an early popular band leader. He is noted for writing several songs with his first hit being "I Cried for You" from 1923. He was most popular in the 1920s and 1930s. He also had a few small acting roles. Career Arnheim was born in Philadelphia, Pennsylvania, United States. In 1919, three men who all would become famous band leaders played together at the Sunset Inn in Santa Monica, California. Arnheim played piano, Abe Lyman played the drums, and Henry Halstead played violin. Arnheim grew up in Chicago and at one point was accompanist to vaudevillian Sophie Tucker. When Lyman organized a full dance orchestra, Arnheim came along as pianist, leaving to start his own group in 1927. Arnheim's orchestra made at least three film short subjects for Warner Brothers' Vitaphone Corporation in 1928–29. Arnheim first recorded for OKeh in 1928–1929, when he signed with Victor in 1929 and stayed through 1933 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sweet And Lovely
"Sweet and Lovely" is an American popular song of 1931, composed by Gus Arnheim, Charles N. Daniels, and Harry Tobias. Recordings of the song which charted in 1931 are: * Gus Arnheim & His Cocoanut Grove Orchestra with a vocal refrain by Donald Novis – #1 on the charts for 14 weeks * Guy Lombardo & His Royal Canadians – #2 * Bing Crosby – #9 – recorded September 14, 1931 with Victor Young and His Orchestra. (this was reissued in 1944 and briefly charted at No. 27) * Ben Bernie & His Orchestra – #12 * Russ Columbo – #19 Other recordings *Denny Dennis – with Jay Wilbur and his Orchestra (1940) *Flip Phillips Fliptet - recorded on October 9, 1944, released later as a 78 (Signature 90003) *Thelonious Monk – for his 1952 album ''Thelonious Monk Trio'' *Bing Crosby – for his 1954 album '' Bing: A Musical Autobiography'' *Gerry Mulligan – for his 1955 album '' Presenting the Gerry Mulligan Sextet'' *Vince Guaraldi – for his 1956 album ''Vince Guaraldi Trio'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alternate Take
A take is a single continuous recorded performance. The term is used in film and music to denote and track the stages of production. Film In cinematography, a take refers to each filmed "version" of a particular shot or "setup". Takes of each shot are generally numbered starting with "take one" and the number of each successive take is increased (with the director calling for "take two" or "take eighteen") until the filming of the shot is completed. Film takes are often designated with the aid of a clapperboard. It is also referred to as the slate. The number of each take is written or attached to the clapperboard, which is filmed briefly prior to or at the beginning of the actual take. Only those takes which are vetted by the continuity person and/or script supervisor are printed and are sent to the film editor. Single-takes A single-take or one-take occurs when the entire scene is shot satisfactorily the first time, whether by necessity (as with certain expensive special e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cole Porter
Cole Albert Porter (June 9, 1891 – October 15, 1964) was an American composer and songwriter. Many of his songs became standards noted for their witty, urbane lyrics, and many of his scores found success on Broadway and in film. Born to a wealthy family in Indiana, Porter defied his grandfather's wishes for him to practice law and took up music as a profession. Classically trained, he was drawn to musical theatre. After a slow start, he began to achieve success in the 1920s, and by the 1930s he was one of the major songwriters for the Broadway musical stage. Unlike many successful Broadway composers, Porter wrote the lyrics as well as the music for his songs. After a serious horseback riding accident in 1937, Porter was left disabled and in constant pain, but he continued to work. His shows of the early 1940s did not contain the lasting hits of his best work of the 1920s and 1930s, but in 1948 he made a triumphant comeback with his most successful musical, ''Kiss Me, Kate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Night And Day (song)
"Night and Day" is a popular song by Cole Porter that was written for the 1932 musical ''Gay Divorce''. It is perhaps Porter's most popular contribution to the Great American Songbook and has been recorded by dozens of musicians. Fred Astaire introduced "Night and Day" on stage. His studio recording of the song with the Leo Reisman orchestra was released on Victor Records on January 13, 1933, and it became a No. 1 hit, topping the charts of the day for ten weeks. In December, it beat " The Last Round-Up" by George Olsen (nine weeks) and " Stormy Weather" by Harold Arlen and Ted Koehler (eight weeks) to become the Number 1 record for the year 1933. Astaire performed it again in the 1934 film version of the show, renamed ''The Gay Divorcee'', and it became one of his signature songs. There are several accounts about the song's origin. One mentions that Porter was inspired by an Islamic prayer when he visited Morocco. Another account says he was inspired by the Moorish architect ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ira Gershwin
Ira Gershwin (born Israel Gershovitz; December 6, 1896 – August 17, 1983) was an American lyricist who collaborated with his younger brother, composer George Gershwin, to create some of the most memorable songs in the English language of the 20th century. With George, he wrote more than a dozen Broadway shows, featuring songs such as "I Got Rhythm", "Embraceable You", " The Man I Love" and " Someone to Watch Over Me". He was also responsible, along with DuBose Heyward, for the libretto to George's opera ''Porgy and Bess''. The success the Gershwin brothers had with their collaborative works has often overshadowed the creative role that Ira played. His mastery of songwriting continued after George's early death in 1937. Ira wrote additional hit songs with composers Jerome Kern, Kurt Weill, Harry Warren and Harold Arlen. His critically acclaimed 1959 book ''Lyrics on Several Occasions'', an amalgam of autobiography and annotated anthology, is an important source for studying t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
