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The Golden Ticket
''The Golden Ticket'' is an opera based on Roald Dahl, Roald Dahl's classic 1964 book ''Charlie and the Chocolate Factory'' by the contemporary American composer Peter Ash (composer and conductor), Peter Ash, with a libretto by Donald Sturrock. ''The Golden Ticket'' was commissioned by American Lyric Theater, Lawrence Edelson, Producing Artistic Director; and Felicity Dahl. It premiered at Opera Theatre of Saint Louis on June 13, 2010 in a co-production between OTSL, Ireland's Wexford Festival Opera, and American Lyric Theater. History ''The Golden Ticket'' was originally conceived as a project for London's Royal National Theatre, but early workshops initiated by the composer and librettist revealed the challenges of producing an opera under the auspices of a theater company that did not regularly employ classically trained singers. An early concert version of the score was presented by the Manchester Camerata shortly thereafter. This concert was considered by most to be a failu ...
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Roald Dahl
Roald Dahl (13 September 1916 – 23 November 1990) was a British novelist, short-story writer, poet, screenwriter, and wartime fighter ace of Norwegian descent. His books have sold more than 250 million copies worldwide. Dahl has been called "one of the greatest storytellers for children of the 20th century". Dahl was born in Wales to affluent Norwegian immigrant parents, and spent most of his life in England. He served in the Royal Air Force (RAF) during the Second World War. He became a fighter pilot and, subsequently, an intelligence officer, rising to the rank of acting wing commander. He rose to prominence as a writer in the 1940s with works for children and for adults, and he became one of the world's best-selling authors. His awards for contribution to literature include the 1983 World Fantasy Award for Life Achievement and the British Book Awards' Children's Author of the Year in 1990. Dahl and his work have been criticised for racial stereotypes, misogyny a ...
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Seán Curran (dancer)
Seán Curran is an American dancer and choreographer. Curran's dance company, the Seán Curran Company is based in New York City. As a boy in the Boston suburb of Belmont, Massachusetts, Curran began dancing by learning traditional Irish step dancing. "I used to go once a week for a dollar," Curran recalled in a 1999 New York Times profile, "I learned quickly and our teachers had us performing. The dance and performing bug bit me pretty early." Curran has performed with New York’s Danspace Project and was a lead dancer Bill T. Jones/Arnie Zane Dance Company. Curran was later an original member of the New York cast of ''"STOMP!"'', performing in the show for four years. He also created and presented a solo evening of works which has been seen in the United States, Sweden, and at France's EXIT Festival. Curran is a graduate of New York University’s Tisch School of the Arts, where he now serves as Chair of the Department of Dance. Curran has also taught at the American Dance Fes ...
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2010 Operas
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by  2, although by other definitions 1 is the second natural number, following  0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is ...
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Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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English-language Operas
English is a West Germanic language of the Indo-European language family, with its earliest forms spoken by the inhabitants of early medieval England. It is named after the Angles, one of the ancient Germanic peoples that migrated to the island of Great Britain. Existing on a dialect continuum with Scots, and then closest related to the Low Saxon and Frisian languages, English is genealogically West Germanic. However, its vocabulary is also distinctively influenced by dialects of France (about 29% of Modern English words) and Latin (also about 29%), plus some grammar and a small amount of core vocabulary influenced by Old Norse (a North Germanic language). Speakers of English are called Anglophones. The earliest forms of English, collectively known as Old English, evolved from a group of West Germanic (Ingvaeonic) dialects brought to Great Britain by Anglo-Saxon settlers in the 5th century and further mutated by Norse-speaking Viking settlers starting in the 8th and 9th ...
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Operas By Peter Ash
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of sing ...
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Frank Kelley (tenor)
Frank Kelley is an American tenor who has performed in concert and in opera throughout North America and Europe. He holds music degrees from Florida State University and the University of Cincinnati College-Conservatory of Music. Kelley has appeared with the San Francisco Opera, Brussels Opera (Professor Maginni in Hans Zender's ''Stephen Climax'', 1990), Boston Opera Theater, Boston Lyric Opera, Oper Frankfurt, Opéra de Lyon, Gran Teatre del Liceu (Barcelona), and the New Israeli Opera. The other ensembles he has sung with include Emmanuel Music, Tanglewood Festival, Ravinia Festival, Marlboro Music Festival, Orchestra of St. Luke's, New Jersey Symphony, Dallas Symphony, Dallas Bach Society, Handel and Haydn Society, Cleveland Orchestra, PepsiCo SummerFare Festival, Baldwin-Wallace Conservatory of Music Bach Festival, Next Wave Festival, Boston Symphony Orchestra, Mark Morris Dance Company, and the National Symphony Orchestra. Kelley has worked with the director Pet ...
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Jennifer Rivera
Jennifer Rivera is an American mezzo-soprano who has had an active international performance career in operas and concerts since the early 2000s. Rivera studied at the Juilliard School and appeared in several productions with the Juilliard Opera Center, including Gluck's '' Armide'' (1999) and the title role in Rossini's ''La Cenerentola'' (2000), a role that she repeated at Florida Grand Opera in 2009. Rivera performed extensively at New York City Opera early in her career, performing such roles as Hansel ''Hansel and Gretel'' (2002), Lazuli in Chabrier's '' L'étoile'' (2002), Meg in Mark Adamo's ''Little Women'' (2003), Cherubino in ''The Marriage of Figaro'' (2004), Rosina in ''The Barber of Seville'' (2005), Myrrhine in Adamo's ''Lysistrata'' (2006), and Nerone in Handel's '' Agrippina'' (2007). In 2007 Rivera created the role of Sharon Falconer in the world premiere of Robert Aldridge ''Elmer Gantry'' at the Nashville Opera, a role that she repeated at the Montclair State U ...
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Daniel Okulitch
Daniel Okulitch (born January 30, 1976) is a Canadian bass-baritone. He first came to attention on Broadway as Schaunard in Baz Luhrmann's production of ''La bohème'' in 2002/03 – a role he repeated when the production traveled to Los Angeles the following year, for which he received the Ovation Award for Best Ensemble Performance from the Los Angeles Stage Alliance. He has since begun an international career with opera companies and orchestras throughout Europe and North America, and is admired for both his singing and powerful stage presence. He is sought after for many contemporary operas and world premieres, as well as the roles of Mozart, including Figaro and Don Giovanni. Education and early career Okulitch was born in Ottawa, Ontario, and was raised in Calgary, Alberta, where he had his operatic debut at the age of 12 while still a boy soprano in the role of Amahl in ''Amahl and the Night Visitors'' with Calgary Opera, followed by one of the 3 spirits in ''The Magic F ...
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Martin Pakledinaz
Martin Pakledinaz (September 1, 1953 – July 8, 2012) was an American costume designer for stage and film. He won his Tony Awards for designing the costumes for ''Thoroughly Modern Millie'' and the 2000 revival of ''Kiss Me, Kate'', which also earned him the Drama Desk Award for Outstanding Costume Design. His most recent costume designs were for the Broadway shows '' Nice Work If You Can Get It'' (2012); ''Man and Boy'' (revival, 2011); ''Master Class'' (revival 2011) and ''The Normal Heart''. He worked on the 1995 production of ''Holiday'' at the Circle in the Square Theatre. He designed costumes for plays for the leading regional theatres of the United States, and the Royal Dramatic Theatre of Sweden.Biography at Tisch, New York University
design.tisch.nyu.edu, accessed July 3, 2009
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Charlie And The Chocolate Factory
''Charlie and the Chocolate Factory'' is a 1964 children's novel by British author Roald Dahl. The story features the adventures of young Charlie Bucket inside the chocolate factory of eccentric chocolatier Willy Wonka. The story was originally inspired by Roald Dahl's experience of chocolate companies during his schooldays at Repton School in Derbyshire. Cadbury would often send test packages to the schoolchildren in exchange for their opinions on the new products. At that time (around the 1920s), Cadbury and Rowntree's were England's two largest chocolate makers and they each often tried to steal trade secrets by sending spies, posing as employees, into the other's factory—inspiring Dahl's idea for the recipe-thieving spies (such as Wonka's rival Slugworth) depicted in the book. Because of this, both companies became highly protective of their chocolate-making processes. It was a combination of this secrecy and the elaborate, often gigantic, machines in the factory that insp ...
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Chamber Orchestra
Chamber music is a form of classical music that is composed for a small group of instruments—traditionally a group that could fit in a palace chamber or a large room. Most broadly, it includes any art music that is performed by a small number of performers, with one performer to a part (in contrast to orchestral music, in which each string part is played by a number of performers). However, by convention, it usually does not include solo instrument performances. Because of its intimate nature, chamber music has been described as "the music of friends". For more than 100 years, chamber music was played primarily by amateur musicians in their homes, and even today, when chamber music performance has migrated from the home to the concert hall, many musicians, amateur and professional, still play chamber music for their own pleasure. Playing chamber music requires special skills, both musical and social, that differ from the skills required for playing solo or symphonic works. J ...
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