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The Gentle Harm Of The Bourgeoisie
''The Gentle Harm of the Bourgeoisie'' is a live solo trombone album by Paul Rutherford, his first release under his own name. It was recorded at Unity Theatre, London during 1974, and was initially released on LP in 1976 by Emanem Records. In 1986, Emanem reissued the album on LP, and, in 1997, the label reissued it on CD with an additional track. According to the album liner notes, no "electronic trickery" was involved in the recording, and the only sounds that are heard involve "one man, a trombone and some mutes." Upon its release, the album, which features extensive use of extended techniques such as multiphonics, proved to be influential within the world of improvisers. Reception In a review for AllMusic, François Couture noted that Rutherford "never falls into the pit of extended techniques demonstration," and wrote: "The trombonist follows his own agenda, constantly choosing the direction the listener didn't think of, slipping from one approach to the next, adding color ...
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Paul Rutherford (trombonist)
Paul William Rutherford (29 February 1940 – 5 August 2007) was an English free improvising trombonist. Biography Born in Greenwich, South East London, England, Rutherford initially played saxophone but switched to trombone. During the 1960s, he taught at the Guildhall School of Music and Drama. In 1970, Rutherford, guitarist Derek Bailey and bassist Barry Guy formed the improvising group Iskra 1903, which lasted until 1973. The formation was documented on a double album from Incus, later reissued with much bonus material on the three-CD set ''Chapter One'' (Emanem, 2000). A film soundtrack was separately released as ''Buzz Soundtrack''. Iskra 1903 was one of the earliest free improvising groups to omit a drummer/percussionist, permitting the players to explore a range of textures and dynamics which set it apart from such other contemporary improvising ensembles as SME and AMM. The group's unusual name is the Slavic word for "spark"; it was the title of the ''Iskra'' re ...
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Unity Theatre, London
Unity Theatre was a theatre club formed in 1936, and initially based in St Judes Hall, Britannia Street, Somers Town, London NW1. In 1937, it moved to a former chapel in Goldington Street, also in Somers Town, an area which is part of the present day London Borough of Camden. Although the theatre was destroyed by fire in 1975, productions continued sporadically until 1994, when the site was sold for social housing."The View from stage Left"
''New York Times'' review 28 January 1990 accessed 26 June 2007
Unity Mews is today on the site and a bronze plaque commemorates the theatre. It had links to the Left Book Club Theatre Guild and the
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Free Jazz
Free jazz is an experimental approach to jazz improvisation that developed in the late 1950s and early 1960s when musicians attempted to change or break down jazz conventions, such as regular tempos, tones, and chord changes. Musicians during this period believed that the bebop, hard bop, and modal jazz that had been played before them was too limiting. They became preoccupied with creating something new and exploring new directions. The term "free jazz" has often been combined with or substituted for the term "avant-garde jazz". Europeans tend to favor the term "free improvisation". Others have used "modern jazz", "creative music", and "art music". The ambiguity of free jazz presents problems of definition. Although it is usually played by small groups or individuals, free jazz big bands have existed. Although musicians and critics claim it is innovative and forward-looking, it draws on early styles of jazz and has been described as an attempt to return to primitive, often ...
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Emanem Records
Emanem Records is a record company and independent record label founded in London, England in 1974 by Martin Davidson and Madelaine Davidson to record free improvisation. Its headquarters moved to New York City (1975–76), New Jersey (1979, recordings released as Quark Records), Massachusetts (1979, recordings released as QED Records), and Sydney (1986–88), releasing about 25 records before returning to London in the 1990s and issuing compact discs. Since 2013 it has been based in Spain. The slogan of the label is "Unadulterated New Music For People Who Like New Music Unadulterated". It has become a prolific source of both new recordings and archival recordings, notably its extensive documentation of the work of John Stevens and the Spontaneous Music Ensemble. In the 2000s, Emanem joined Evan Parker's Psi and Eddie Prévost's Matchless label to present Freedom of the City, an annual improvised-music festival in London. Though its size and scope vary from year to year ...
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Extended Technique
In music, extended technique is unconventional, unorthodox, or non-traditional methods of singing or of playing musical instruments employed to obtain unusual sounds or timbres.Burtner, Matthew (2005).Making Noise: Extended Techniques after Experimentalism, ''NewMusicBox.org''. Composers’ use of extended techniques is not specific to contemporary music (for instance, Hector Berlioz’s use of ''col legno'' in his ''Symphonie Fantastique'' is an extended technique) and it transcends compositional schools and styles. Extended techniques have also flourished in popular music. Nearly all jazz performers make significant use of extended techniques of one sort or another, particularly in more recent styles like free jazz or avant-garde jazz. Musicians in free improvisation have also made heavy use of extended techniques. Examples of extended techniques include bowing under the bridge of a string instrument or with two different bows, using key clicks on a wind instrument, blowing and ...
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Multiphonic
A multiphonic is an extended technique on a monophonic musical instrument (one that generally produces only one note at a time) in which several notes are produced at once. This includes wind, reed, and brass instruments, as well as the human voice. Multiphonic-like sounds on string instruments, both bowed and hammered, have also been called multiphonics, for lack of better terminology and scarcity of research. Multiphonics on wind instruments are primarily a 20th-century technique, though the brass technique of singing while playing has been known since the 18th century and used by composers such as Carl Maria von Weber. Commonly, no more than four notes will be produced at once, though for some chords on some instruments it is possible to get several more. Technique Woodwind instruments On woodwind instruments—e.g., saxophone, clarinet, oboe, bassoon, flute, and recorder—multiphonics can be produced either with new fingerings, by using different embouchures, or voicing ...
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AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Gui ...
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The Penguin Guide To Jazz
''The Penguin Guide to Jazz'' is a reference work containing an encyclopedic directory of jazz recordings on CD which were (at the time of publication) currently available in Europe or the United States. The first nine editions were compiled by Richard Cook and Brian Morton, two chroniclers of jazz resident in the United Kingdom. History The first edition was published in Britain by Penguin Books in 1992. Every subsequent two years, through 2010, a new edition was published with updated entries. The eighth and ninth editions, published in 2006 and 2008, respectively, each included 2,000 new CD listings. The title took on different forms over the lifetime of the work, as audio technology changed. The seventh edition was known as ''The Penguin Guide to Jazz on CD'' while subsequent editions were titled ''The Penguin Guide to Jazz Recordings''. The earliest edition had the title ''The Penguin Guide to Jazz on CD, LP and Cassette''. Richard Cook died in 2007, prior to the com ...
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The Penguin Guide To Jazz Recordings
''The Penguin Guide to Jazz'' is a reference work containing an encyclopedic directory of jazz recordings on CD which were (at the time of publication) currently available in Europe or the United States. The first nine editions were compiled by Richard Cook and Brian Morton, two chroniclers of jazz resident in the United Kingdom. History The first edition was published in Britain by Penguin Books in 1992. Every subsequent two years, through 2010, a new edition was published with updated entries. The eighth and ninth editions, published in 2006 and 2008, respectively, each included 2,000 new CD listings. The title took on different forms over the lifetime of the work, as audio technology changed. The seventh edition was known as ''The Penguin Guide to Jazz on CD'' while subsequent editions were titled ''The Penguin Guide to Jazz Recordings''. The earliest edition had the title ''The Penguin Guide to Jazz on CD, LP and Cassette''. Richard Cook died in 2007, prior to the co ...
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The Wire (magazine)
''The Wire'' (or simply ''Wire'') is a British music magazine publishing out of London, which has been issued monthly in print since 1982. Its website launched in 1997, and an online archive of its entire back catalog became available to subscribers in 2013. Since 1985, the magazine's annual year-in-review issue, Rewind, has named an album or release of the year based on critics' ballots. Originally, ''The Wire'' covered the British jazz scene with an emphasis on avant-garde and free jazz. It was marketed as a more adventurous alternative to its conservative competitor '' Jazz Journal'', and targeted younger readers at a time when ''Melody Maker'' had abandoned jazz coverage. In the late 1980s and 1990s, the magazine expanded its scope until it included a broad range of musical genres under the umbrella of non-mainstream or experimental music. Since then, ''The Wire''s coverage has included experimental rock, electronica, alternative hip hop, modern classical, free i ...
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Derek Bailey (guitarist)
Derek Bailey (29 January 1930 – 25 December 2005) was an English avant-garde guitarist and an important figure in the free improvisation movement. Bailey abandoned conventional performance techniques found in jazz, exploring atonality, noise in music, noise, and whatever unusual sounds he could produce with the guitar. Much of his work was released on his own label Incus Records. In addition to solo work, Bailey collaborated frequently with other musicians and recorded with collectives such as Spontaneous Music Ensemble and Company (free improvisation group), Company. Career Bailey was born in Sheffield, England. A third-generation musician, he began playing guitar at the age of ten. He studied with Sheffield City organist C. H. C. Biltcliffe, an experience he disliked, and with his uncle George Wing and John W. Duarte, John Duarte. As an adult he worked as a guitarist and session musician in clubs, radio, and dance hall bands, playing with Morecambe and Wise, Gracie Fields, ...
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Chicago Reader
The ''Chicago Reader'', or ''Reader'' (stylized as ЯEADER), is an American alternative weekly newspaper in Chicago, Illinois, noted for its literary style of journalism and coverage of the arts, particularly film and theater. It was founded by a group of friends from Carleton College. The ''Reader'' is recognized as a pioneer among alternative weeklies for both its creative nonfiction and its commercial scheme. Richard Karpel, then-executive director of the Association of Alternative Newsweeklies, wrote: e most significant historical event in the creation of the modern alt-weekly occurred in Chicago in 1971, when the ''Chicago Reader'' pioneered the practice of free circulation, a cornerstone of today's alternative papers. The ''Reader'' also developed a new kind of journalism, ignoring the news and focusing on everyday life and ordinary people. After being owned by same four founders since 1971, by the early 2000s profits and readership of the ''Reader'' were dropping, and o ...
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