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The Genius Of Victory
''The Genius of Victory'' is a 1532–1534 marble sculpture by Michelangelo, produced as part of a design for the tomb of Pope Julius II. It is 2.61 m high and is now in the Salone dei Cinquecento of the Palazzo Vecchio in Florence. History The exact date of execution of the statue is unknown, but it is usually related to the project for the tomb of Julius II. It is thought to have been intended for one of the lower niches of one of the last projects for the tomb, perhaps that of 1532 for which the so-called ''Captives'' or "Provinces" now in the Galleria dell'Accademia of Florence may have also been made. On the other hand, the monument may have been coupled with a similar pair of fighters, a clay model in the Casa Buonarroti – the so-called Hercules-Samson. With the famous statue unfinished, ''Victory'' forms an interesting footnote in history: left in the artist's studio after his final departure from Florence in 1534, it became the property of his nephew Leonardo Buonar ...
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Michelangelo
Michelangelo di Lodovico Buonarroti Simoni (; 6 March 1475 – 18 February 1564), known as Michelangelo (), was an Italian sculptor, painter, architect, and poet of the High Renaissance. Born in the Republic of Florence, his work was inspired by models from classical antiquity and had a lasting influence on Western art. Michelangelo's creative abilities and mastery in a range of artistic arenas define him as an archetypal Renaissance man, along with his rival and elder contemporary, Leonardo da Vinci. Given the sheer volume of surviving correspondence, sketches, and reminiscences, Michelangelo is one of the best-documented artists of the 16th century. He was lauded by contemporary biographers as the most accomplished artist of his era. Michelangelo achieved fame early; two of his best-known works, the ''Pietà'' and ''David'', were sculpted before the age of thirty. Although he did not consider himself a painter, Michelangelo created two of the most influential frescoes i ...
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Giorgio Vasari
Giorgio Vasari (, also , ; 30 July 1511 – 27 June 1574) was an Italian Renaissance Master, who worked as a painter, architect, engineer, writer, and historian, who is best known for his work ''The Lives of the Most Excellent Painters, Sculptors, and Architects'', considered the ideological foundation of all art-historical writing, and the basis for biographies of several Renaissance artists, including Leonardo da Vinci and Michelangelo. Vasari designed the ''Tomb of Michelangelo'' in the Basilica of Santa Croce, Florence that was completed in 1578. Based on Vasari's text in print about Giotto's new manner of painting as a ''rinascita'' (rebirth), author Jules Michelet in his ''Histoire de France'' (1835) suggested adoption of Vasari's concept, using the term ''Renaissance'' (rebirth, in French) to distinguish the cultural change. The term was adopted thereafter in historiography and still is in use today. Life Vasari was born prematurely on 30 July 1511 in Arezzo, Tuscany. ...
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Marble Sculptures In Italy
Marble is a metamorphic rock composed of recrystallized carbonate minerals, most commonly calcite or dolomite. Marble is typically not foliated (layered), although there are exceptions. In geology, the term ''marble'' refers to metamorphosed limestone, but its use in stonemasonry more broadly encompasses unmetamorphosed limestone. Marble is commonly used for sculpture and as a building material. Etymology The word "marble" derives from the Ancient Greek (), from (), "crystalline rock, shining stone", perhaps from the verb (), "to flash, sparkle, gleam"; R. S. P. Beekes has suggested that a "Pre-Greek origin is probable". This stem is also the ancestor of the English word "marmoreal," meaning "marble-like." While the English term "marble" resembles the French , most other European languages (with words like "marmoreal") more closely resemble the original Ancient Greek. Physical origins Marble is a rock resulting from metamorphism of sedimentary carbonate rocks, most ...
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Sculptures By Michelangelo
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramic art, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or Molding (process), moulded or Casting, cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, ...
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Tomb Of Pope Julius II
The Tomb of Pope Julius II is a sculptural and architectural ensemble by Michelangelo and his assistants, originally commissioned in 1505 but not completed until 1545 on a much reduced scale. Originally intended for St. Peter's Basilica, the structure was instead placed in the church of San Pietro in Vincoli on the Esquiline in Rome after the pope's death. This church was patronized by the Della Rovere family from which Julius came, and he had been titular cardinal there. Julius II, however, is buried next to his uncle Sixtus IV in St. Peter's Basilica, so the final structure does not actually function as a tomb. As originally conceived, the tomb would have been a colossal structure that would have given Michelangelo the room he needed for his superhuman, tragic beings. This project became one of the great disappointments of Michelangelo's life when the pope, for unexplained reasons, interrupted the commission, possibly because funds had to be diverted for Bramante's rebuilding o ...
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List Of Works By Michelangelo
The following is a list of works of painting, sculpture and architecture by the Italian Renaissance artist Michelangelo. Lost works are included, but not commissions that Michelangelo never made. Michelangelo also left many drawings, sketches, and some works in poetry. Sculpture Attributed sculpture Painting Attributed paintings Architecture Presentation drawings and cartoons Notes External links {{DEFAULTSORT:List Of Works By Michelangelo Michelangelo Michel Michel may refer to: * Michel (name), a given name or surname of French origin (and list of people with the name) * Míchel (nickname), a nickname (a list of people with the nickname, mainly Spanish footballers) * Míchel (footballer, born 1963), ... * he:מיכלאנג'לו#רשימת יצירותיו ...
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Tommaso Dei Cavalieri
Tommaso dei Cavalieri (—1587) was an Italian nobleman, who was the object of the greatest expression of Michelangelo's love. Michelangelo was 57 years old when he met Cavalieri in 1532. The young noble was exceptionally handsome, and his appearance seems to have fit the artist's notions of ideal masculine beauty, for Michelangelo described him as "light of our century, paragon of all the world." The two men remained close to each other throughout their lives, and Cavalieri was present at the artist's death. Biography Tommaso dei Cavalieri was the son of Mario de' Cavalieri and Cassandra Bonaventura. Cavalieri was born between 1512 and 1519, but the exact date of his birth is unknown. Cavalieri paid for the mass in the memory of his brother Emilio on 6 September 1536, which is mentioned in an official document, translated by Gerda Panofsky-Soergel. This is the only document that mentions the age of Cavalieri, stating "he is older than 16, but younger than 25". Warren Kirkendale ...
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Monument To Savonarola In Piazza Savonarola
The Monument to Savonarola in Piazza Savonarola is an outdoor marble statue on a plinth in honor of the 15th-century Dominican friar Girolamo Savonarola; it is located in a piazza of the same name a few blocks outside of the Viali di Circonvallazione, in Northeastern Florence, region of Tuscany, Italy. This monument has a colorful history of migrations. The statue was completed circa 1875 by Enrico Pazzi, a native of Ravenna, at a time, when anti-papal feelings ran high in Italy. However, Savonarola has always been a polarizing historic figure, maniacal in his faith, and the perpetrator of the original ''Bonfire of the Vanities''. His theology was not compatible with contemporary liberal thought. The statue was conceived by Pazzi in 1861, who habitually created public monuments before they were requisitioned. A committee was formed in 1869 to commission a monument to Savonarola, which was to be placed in the convent of San Marco; however, they did not choose Pazzi's model, but in ...
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Bargello
The Bargello, also known as the Palazzo del Bargello, Museo Nazionale del Bargello, or Palazzo del Popolo (Palace of the People), was a former barracks and prison, now an art museum, in Florence, Italy. Terminology The word ''bargello'' appears to come from the late Latin ''bargillus'' (from Gothic ''bargi'' and German ''burg''), meaning "castle" or "fortified tower". During the Italian Middle Ages it was the name given to a military captain in charge of keeping peace and justice (hence "Captain of justice") during riots and uproars. In Florence he was usually hired from a foreign city to prevent any appearance of favoritism on the part of the Captain. The position could be compared with that of a current Chief of police. The name Bargello was extended to the building which was the office of the captain. The palace Construction began in 1255. The palace was built to house first the Capitano del Popolo and later, in 1261, the 'podestà', the highest magistrate of the Florence C ...
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Vincenzo De' Rossi
Vincenzo de' Rossi (b. Fiesole, 1525. d. Florence, 1587) was an Italian sculptor. Work Rossi was mentored by Baccio Bandinelli. Many of Rossi's works historically were incorrectly attributed to Michelangelo, such as ''Dying Adonis''. Some of his most famous works were his sculptures of the Twelve Labours of Hercules, of which he only completed seven. Six of these sculptures are located in at the Palazzo Vecchio. The seventh labour, Hercules with Atlas, is located at the Villa di Poggio Imperiale Villa del Poggio Imperiale (English: Villa of the Imperial Hill) is a predominantly neoclassical former grand ducal villa in Arcetri, just to the south of Florence in Tuscany, Central Italy. Beginning as a villa of the Baroncelli of Florence, .... References 16th-century Italian sculptors 1525 births 1587 deaths Sculptors from Florence {{Italy-sculptor-stub ...
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Boboli Gardens
The Boboli Gardens ( it, Giardino di Boboli) is a historical park of the city of Florence that was opened to the public in 1766. Originally designed for the Medici, it represents one of the first and most important examples of the Italian garden, which later served as inspiration for many European courts. The large green area is a real open-air museum with statues of various styles and periods, ancient and Renaissance that are distributed throughout the garden. It also has large fountains and caves, among them the splendid Buontalenti grotto built by the artist, architect, and sculptor Bernardo Buontalenti between 1536 and 1608. History and layout The Gardens, directly behind the Pitti Palace, the main seat of the Medici grand dukes of Tuscany at Florence, are some of the first and most familiar formal 16th-century Italian gardens. The mid-16th-century garden style, as it was developed here, incorporated longer axial developments, wide gravel avenues, a considerable "built" elem ...
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Daniele Da Volterra
Daniele Ricciarelli (; 15094 April 1566), better known as Daniele da Volterra (, ), was a Mannerist Italian painter and sculptor. He is best remembered for his association with the late Michelangelo. Several of Daniele's most important works were based on designs made for that purpose by Michelangelo. After Michelangelo's death, Daniele was hired to cover the genitals in his '' Last Judgment'' with vestments and loincloths. This earned him the nickname ("the breeches maker"). Biography Daniele Ricciarelli was born in Volterra (in present-day Tuscany). As a boy, he initially studied with the Sienese artists Il Sodoma and Baldassare Peruzzi, but he was not well received and left them. He appears to have accompanied the latter to Rome in 1535, and helped paint the frescoes in the Palazzo Massimo alle Colonne. He then became an apprentice to Perino del Vaga. From 1538 to 1541 he helped Perino with the painting of frescoes in the villa of Cardinal Trivuzio at Salone, in the Ma ...
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