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The Gambler (Prokofiev)
''The Gambler'' (Russian: Игрок — ''Igrok'' in transliteration) is an opera in four acts by Sergei Prokofiev to a Russian libretto by the composer, based on the 1866 story of the same name by Fyodor Dostoyevsky. Prokofiev had decided on this story as an operatic subject in 1914, and the conductor Albert Coates, of the Mariinsky Theatre, encouraged Prokofiev to compose this opera and assured him of a production at that theatre. Prokofiev wrote the opera in piano score between November 1915 and April 1916, and completed the orchestration in January 1917. Vsevolod Meyerhold was engaged as stage director. However, in the wake of the 1917 February Revolution, that production never occurred. Performance history The opera did not receive its first performance until 1929, after it had been extensively revised (in 1927), at the Théâtre Royal de la Monnaie, Brussels. Prokofiev prepared an orchestral suite based on the opera in 1931 (see below). The Bolshoi Opera perform ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sergei Prokofiev
Sergei Sergeyevich Prokofiev; alternative transliterations of his name include ''Sergey'' or ''Serge'', and ''Prokofief'', ''Prokofieff'', or ''Prokofyev''., group=n (27 April .S. 15 April1891 – 5 March 1953) was a Russian composer, pianist, and conductor who later worked in the Soviet Union. As the creator of acknowledged masterpieces across numerous music genres, he is regarded as one of the major composers of the 20th century. His works include such widely heard pieces as the March from ''The Love for Three Oranges,'' the suite ''Lieutenant Kijé'', the ballet ''Romeo and Juliet''—from which "Dance of the Knights" is taken—and ''Peter and the Wolf.'' Of the established forms and genres in which he worked, he created—excluding juvenilia—seven completed operas, seven symphonies, eight ballets, five piano concertos, two violin concertos, a cello concerto, a symphony-concerto for cello and orchestra, and nine completed piano sonatas. A graduate of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kristīne Opolais
Kristīne Opolais (born 12 November 1979) is a Latvian operatic soprano. Biography Opolais was born in Rēzekne, Latvia, and studied at the Latvian Academy of Music. Opolais started her career as a member of the chorus with Latvian National Opera in 2001, and in 2003 became a soloist. It was there that she met her future husband, the conductor Andris Nelsons. She first achieved wider recognition in 2006, when she made her debut at the Staatsoper Unter den Linden in Berlin, followed by debuts at 2008 at La Scala in Milan and the Vienna State Opera in 2008, and in October 2010 the Bavarian State Opera in the title role of Dvořák's '' Rusalka'' in a new production directed by Martin Kušej. In 2011, Opolais made her debut with London's Royal Opera, singing the title role in Puccini's ''Madama Butterfly'', conducted by Nelsons. In 2013, she made her debut at The Proms in London's Royal Albert Hall, singing arias by Verdi and Tchaikovsky, with the City of Birmingham Symphony Orche ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elena Manistina
Elena Manistina (russian: Елена Манистина, born 1973) is a Russian operatic mezzo-soprano. She is a member of the Bolshoi Theatre and has appeared in many operas internationally. She also appeared as Verdi's Azucena at the Metropolitan Opera, the Deutsche Oper Berlin and Opéra Bastille, and as Amneris at the Arena di Verona. Early life Manistina was born in Saratov in 1973 and studied at the Saratov Conservatory. Her parents were both singers: her mother was a soprano and her father was a bass soloist. While a student at the conservatory, she performed at the Saratov Opera, and made her debut as Marfa in Mussorgsky's ''Khovanshchina''. After graduation, she studied at the Moscow Conservatory, and graduated in 2000. Career In 2002 she competed in the Operalia competition and won first prize: the competition was also known as the 10th International Placido Domingo competition. In 2003 she was a finalist in the BBC Cardiff Singer of the World competition. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Valery Gergiev
Valery Abisalovich Gergiev (russian: Вале́рий Абиса́лович Ге́ргиев, ; os, Гергиты Абисалы фырт Валери, Gergity Abisaly fyrt Valeri; born 2 May 1953) is a Russian conductor and opera company director. In 1988 he became general director and artistic director of the Mariinsky Theatre and artistic director of the White Nights Festival in St. Petersburg. He was chief conductor of the Munich Philharmonic from September 2015 until he was dismissed on 1 March 2022. Early life Gergiev was born in Moscow. He is the son of Tamara Timofeevna (Tatarkanovna) Lagkueva and Abisal Zaurbekovich Gergiev, both of Ossetian origin. He and his siblings were raised in Vladikavkaz in North Ossetia in the Caucasus. He had his first piano lessons in secondary school before going on to study at the Leningrad Conservatory from 1972 to 1977. His principal conducting teacher was Ilya Musin. His sister, Larissa, is a pianist and director of the Marii ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphony Orchestra Of All-Union Radio And Television
The Tchaikovsky Symphony Orchestra is a Russian classical music radio orchestra established in 1930. It was founded as the Moscow Radio Symphony Orchestra, and served as the official symphony for the Soviet All-Union Radio network. History Following the dissolution of the Soviet Union in 1991, the orchestra was renamed in 1993 by the Russian Ministry of Culture in recognition of the central role the music of Tchaikovsky plays in its repertoire. The current music director is Vladimir Fedoseyev, who has been in that position since 1974. During Soviet times, the orchestra was sometimes known as the USSR State Radio and Television Symphony Orchestra, the USSR State Radio Symphony Orchestra, or the USSR All-Union National Radio and Central Television Symphony Orchestra. Music Directors *Vladimir Fedoseyev (1974–) *Gennady Rozhdestvensky (1961–1974) *Alexander Gauk (1953–1961) *Nikolai Golovanov (1937–1953) * Alexander Orlov (1930–1937) Selected discogra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roulette
Roulette is a casino game named after the French word meaning ''little wheel'' which was likely developed from the Italian game Biribi''.'' In the game, a player may choose to place a bet on a single number, various groupings of numbers, the color red or black, whether the number is odd or even, or if the numbers are high (19–36) or low (1–18). To determine the winning number, a croupier spins a wheel in one direction, then spins a ball in the opposite direction around a tilted circular track running around the outer edge of the wheel. The ball eventually loses momentum, passes through an area of deflectors, and falls onto the wheel and into one of thirty-seven (single-zero, French or European style roulette) or thirty-eight (double-zero, American style roulette) or thirty-nine (triple-zero, "Sands Roulette") colored and numbered pockets on the wheel. The winnings are then paid to anyone who has placed a successful bet. History The first form of roulette was devised in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Casino
A casino is a facility for certain types of gambling. Casinos are often built near or combined with hotels, resorts, restaurants, retail shopping, cruise ships, and other tourist attractions. Some casinos are also known for hosting live entertainment, such as stand-up comedy, concerts, and sports. and usage ''Casino'' is of Italian origin; the root means a house. The term ''casino'' may mean a small country villa, summerhouse, or social club. During the 19th century, ''casino'' came to include other public buildings where pleasurable activities took place; such edifices were usually built on the grounds of a larger Italian villa or palazzo, and were used to host civic town functions, including dancing, gambling, music listening, and sports. Examples in Italy include Villa Farnese and Villa Giulia, and in the US the Newport Casino in Newport, Rhode Island. In modern-day Italian, a is a brothel (also called , literally "closed house"), a mess (confusing situation), or a noisy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Simone Ballard
Simone Berthe Ballard (26 March 1895 – 8 October 1978) was a French operatic mezzo-soprano and contralto who sang leading parts, including premieres, at La Monnaie in Brussels. Career Simone Ballard was born in Sannois, Paris. Both her parents were engaged at the Paris Opera, her father Louis Ballard as a bass from 1894 to 1897, while her mother, Berthe Bronville (born 6 March 1865 in Paris), made her debut as a soprano in the role of Alice in Meyerbeer's ''Robert le diable'' but gave up her career when she married in 1891. Ballard received early piano education and studied voice at the Conservatoire national de Paris with Eugène Lorrain and Jacques Isnardon. She made her debut at the Opera at La Monnaie in 1921 as Amneris in Verdi's ''Aida''. The performance won her an engagement at the house, where she sang until 1940. She took part in premieres, appearing on 2 May 1926 as the sister-in-law in Milhaud's '' Les malheurs d'Orphée''; on 28 December 1927 in the title role of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contralto
A contralto () is a type of classical female singing voice whose vocal range is the lowest female voice type. The contralto's vocal range is fairly rare; similar to the mezzo-soprano, and almost identical to that of a countertenor, typically between the F below middle C (F3 in scientific pitch notation) to the second F above middle C (F5), although, at the extremes, some voices can reach the D below middle C (D3) or the second B above middle C (B5). The contralto voice type is generally divided into the coloratura, lyric, and dramatic contralto. History "Contralto" is primarily meaningful only in reference to classical and operatic singing, as other traditions lack a comparable system of vocal categorization. The term "contralto" is only applied to female singers; men singing in a similar range are called "countertenors". The Italian terms "contralto" and "alto" are not synonymous, "alto" technically denoting a specific vocal range in choral singing without regard to factors ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
