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The Gallant Hussar
''The Gallant Hussar'' (german: Der fesche Husar) is a 1928 German-British romance film directed by Géza von Bolváry and starring Ivor Novello, Evelyn Holt, and Paul Hörbiger. It was based on a story by the Hungarian writer Arthur Bárdos and Margarete-Maria Langen. The film was a co-production made under an agreement between Gainsborough Pictures and the German studio Felsom-Film and was shot in Berlin. After the passage of the Cinematograph Films Act 1927 by the British Parliament it was classified under the terms of the Act as a foreign film and only received a limited release in Britain. It is also known under the alternative title ''The Bold Dragoon''. It is now considered a lost film. Along with ''A South Sea Bubble'' (1928), the film marked a significant change in the role played by Novello. He had previously appeared as unsettled, outsider figures in films such as '' The Lodger'', but from now on played more well-balanced romantic figures. Synopsis The daughter of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Géza Von Bolváry
Géza von Bolváry (born Géza Gyula Mária Bolváry Zahn, german: Géza Maria von Bolváry-Zahn; 26 December 1897 – 10 August 1961) was a Hungarians, Hungarian actor, screenwriter, and film director, who worked principally in Germany and Austria. Biography Géza von Bolváry was born in Budapest. He attended the Imperial Military Academy in Budapest and subsequently served in the Hungarian army (Honved Hussars). After World War I he left military service with the rank of Royal Hungarian ''Rittmeister''. He then earned his living in the new Hungarian film industry. He began his career in about 1920 as an actor in various silent films, but soon changed to the Star-Film company, where he was first active as a director and made his debut as director and screenwriter with ''A Kétarcú asszony''. In 1922 the film concern Emelka in Munich hired him as a director for four years. Between 1926 and 1928 he worked for the firm Felsom Film in Berlin, after which he went to London for a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romance Film
Romance films or movies involve romantic love stories recorded in visual media for broadcast in theatres or on television that focus on passion, emotion, and the affectionate romantic involvement of the main characters. Typically their journey through dating, courtship or marriage is featured. These films make the search for romantic love the main plot focus. Occasionally, romance lovers face obstacles such as finances, physical illness, various forms of discrimination, psychological restraints or family resistance. As in all quite strong, deep and close romantic relationships, the tensions of day-to-day life, temptations (of infidelity), and differences in compatibility enter into the plots of romantic films. Romantic films often explore the essential themes of love at first sight young and mature love, unrequited love, obsession, sentimental love, spiritual love, forbidden love, platonic love, sexual and passionate love, sacrificial love, explosive and destructive love, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gyula Szőreghy
Gyula Szőreghy (30 November 1887 – 22 December 1942) was a Hungarian film actor. Szőreghy was born in Algyo, Austria-Hungary (now, Hungary) and died in 1942 in Budapest. He was also credited as Julius von Szöreghy. Selected filmography * '' Mary Ann'' (1918) * ''White Rose'' (1919) * ''Oliver Twist'' (1919) * '' Serge Panine'' (1922) * ''Sodom and Gomorrah'' (1922) * '' Masters of the Sea'' (1922) * ''A Vanished World'' (1922) * '' Gypsy Love'' (1922) * '' Young Medardus'' (1923) * ''Gulliver's Travels'' (1924) * ''The Alternative Bride'' (1925) * '' Ship in Distress'' (1925) * ''Women You Rarely Greet'' (1925) * ''Cock of the Roost'' (1925) * ''The Wooing of Eve'' (1926) * ''Darling, Count the Cash'' (1926) * ''The Third Squadron'' (1926) * '' Maytime'' (1926) * ''Unmarried Daughters'' (1926) * ''German Hearts on the German Rhine'' (1926) * ''Two and a Lady'' (1926) * '' Her Highness Dances the Waltz'' (1926) * ''Dancing Vienna'' (1927) * ''The Most Beautiful Legs of Berl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernő Verebes
Ernő Verebes (born Ernst Weiss, December 6, 1902 – June 13, 1971) was a Hungarian-American actor who began his career in Hungarian silent films in 1915. During his film career he worked and lived in Hungary, Germany and in the United States. He was born into a Hungarian emigrant family in New York, but his family later returned to Austria-Hungary. Verebes was successful in Germany during the 1920s and early 1930s, often appearing in elegant and comedic roles. The Jewish actor had to leave Germany after the Nazi Party got into power.René Geoffroy: ''Ungarn als Zufluchtsort und Wirkungsstätte deutschsprachiger Emigranten (1933–1938/39)''. Frankfurt am Main: Lang 2001, p. 270 He returned to the United States in the late 1930s, but had to content himself with mostly small roles. He retired in 1953 after more than 140 films. Selected filmography In Europe: * ''Romlott emberek között'' (1915) * ''Mire megvénülünk'' (1917) - Áronffy Dezsõ as a boy * ''Oliver Twist'' (191 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Otto
Paul Otto Schlesinger (8 February 1878 – 25 or 30 November 1943) was a German film actor and director. Born in Berlin, he began a qualification as a retail merchant and made his actor's debut at the age of 17. Otto worked at Theaters in Halle, Wiesbaden and Hanover before he returned to Berlin about 1906. He first appeared in the silent film ''Ringkampf Konkurrenz'' in 1910 and in ''Arsène Lupin contra Sherlock Holmes'' (1910-11, five episode film serial) next to Viggo Larsen. In 1912 Otto directed his first own film ''Selbstgerichtet''. In the beginning of the 1930s he also appeared in successful Sound movies like '' Der Hauptmann von Köpenick''. After 1933, Otto returned to theaterstages and worked at the Deutsches Theater Berlin and the ''Kammerspiele'' Berlin. In 1937 he was awarded a ''Staatsschauspieler'' - title and in 1942 Joseph Goebbels promoted him to the head of the stagecouncil at the Reichskulturkammer. In September 1943 his Jewish descent was discovered ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Austrian Empire
The Austrian Empire (german: link=no, Kaiserthum Oesterreich, modern spelling , ) was a Central-Eastern European multinational great power from 1804 to 1867, created by proclamation out of the realms of the Habsburgs. During its existence, it was the third most populous monarchy in Europe after the Russian Empire and the United Kingdom. Along with Prussia, it was one of the two major powers of the German Confederation. Geographically, it was the third-largest empire in Europe after the Russian Empire and the First French Empire (). The empire was proclaimed by Francis II, Holy Roman Emperor, Francis II in 1804 in response to Napoleon's declaration of the First French Empire, unifying all Habsburg monarchy, Habsburg possessions under one central government. It remained part of the Holy Roman Empire until the latter's dissolution in 1806. It continued fighting against Napoleon throughout the Napoleonic Wars, except for a period between 1809 and 1813, when Austria was first all ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hussar
A hussar ( , ; hu, huszár, pl, husarz, sh, husar / ) was a member of a class of light cavalry, originating in Central Europe during the 15th and 16th centuries. The title and distinctive dress of these horsemen were subsequently widely adopted by light cavalry regiments in European armies in the late 17th and early 18th centuries. By the 19th century, hussars wore jackets decorated with braid and shako or busby hats and they developed a romanticized image of being dashing and adventurous. A small number of modern armies retain the designation of hussars for some armored (tank) units. As well, some modern armies have ceremonial mounted units which wear historical hussar uniforms on parades or to provide a VIP escort to national leaders. Historically, the term derives from the cavalry of late medieval Hungary, under Matthias Corvinus, with mainly Serb warriors. Etymology Etymologists are divided over the derivation of the word ''hussar''. Several alternative theorie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Story Of The London Fog
''The Lodger: A Story of the London Fog'' is a 1927 British silent thriller film directed by Alfred Hitchcock and starring Marie Ault, Arthur Chesney, June Tripp, Malcolm Keen and Ivor Novello. Hitchcock's third feature film, it was released on 14 February 1927 in London and on 10 June 1928 in New York City. The film is based on the 1913 novel '' The Lodger'' by Marie Belloc Lowndes and the play ''Who Is He?'' co-written by Belloc Lowndes. Its plot concerns the hunt for a Jack the Ripper-like serial killer in London. Hitchcock's first thriller, the film established him as a name director. Upon its release the trade journal ''Bioscope'' wrote: "It is possible that this film is the finest British production ever made". It also saw Hitchcock make his first cameo appearances in a film; he was depicted sitting in a newsroom, and in the second, standing in a crowd as the leading man is arrested. Plot A young blonde woman screams. She is the seventh victim of a serial killer known as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A South Sea Bubble
''A South Sea Bubble'' is a 1928 British silent comedy adventure film directed by T. Hayes Hunter and starring Ivor Novello, Benita Hume and Alma Taylor. The screenplay concerns a group of adventurers who head to the Pacific Ocean to hunt for buried treasure. It was made at Islington Studios.Wood p.66 Cast * Ivor Novello as Vernon Winslow * Benita Hume as Averil Rochester * Alma Taylor as Mary Ottery * Annette Benson as Lydia la Rue * Sydney Seaward as William Carpenter * S. J. Warmington as Frank Sullivan * Ben Field as Isinglass * Harold Huth as Pirate * John F. Hamilton as Tony Gates * Mary Dibley Mary Dibley (21 February 1883 in London – 11 September 1968) was a British film actress. She was married to the actor Gerald Ames. Selected filmography * '' The Christian'' (1915) * '' The Shulamite'' (1915) * '' The Folly of Desire'' (1915) * ... as Olive Barbary References Bibliography * Wood, Linda. ''British Films, 1927-1939''. British Film Institute, 1986. Ext ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lost Film
A lost film is a feature or short film that no longer exists in any studio archive, private collection, public archive or the U.S. Library of Congress. Conditions During most of the 20th century, U.S. copyright law required at least one copy of every American film to be deposited at the Library of Congress at the time of copyright registration, but the Librarian of Congress was not required to retain those copies: "Under the provisions of the act of March 4, 1909, authority is granted for the return to the claimant of copyright of such copyright deposits as are not required by the Library." A report created by Library of Congress film historian and archivist David Pierce claims: * 75% of original silent-era films have perished. * 14% of the 10,919 silent films released by major studios exist in their original 35 mm or other formats. * 11% survive only in full-length foreign versions or film formats of lesser image quality. Of the American sound films made from 1927 to 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alternative Title
An alternative title is a media sales device most prominently used in film distribution. Books and films are commonly released under a different title when they are screened or sold in a different country. This can vary from small change to the title, such as the addition of ''The'', to wholesale changes. Film titles are also often changed when they are released on DVD or VHS. Reasons The reasons for this are varied, but usually point towards marketable, linguistic or cultural differences. Some titles may not be easily understood in other parts of the world, and may even be considered offensive. Most title changes are commercial. An example is Italian director's Sergio Leone's 1971 film ''Duck, You Sucker!'', initially released with this title as he was convinced it was a well-known English saying. When the film performed poorly, it was subsequently rebranded as '' A Fistful of Dynamite'', similar in name to his 1964 film ''A Fistful of Dollars'', part of the successful Dollar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
