|
The Four Winds (Mesopotamian)
The four winds are a group of mythical figures in Mesopotamian mythology whose names and functions correspond to four cardinal directions of wind. They were both cardinal concepts (used for mapping and understanding geographical features in relation to each other) as well as characters with personality, who could serve as antagonistic forces or helpful assistants in myths. Functions and Iconography The concept of the Four Winds originated in Sumer, before 3000 BCE. While older theories posited that the ancient Mesopotamians had a concept of cardinality similar to modern day with a North, East, South, and West, it was more likely that their directions were framed around these four "principle winds". The Akkadian word for cardinality is equivalent to the word for wind. J. Neumann names these winds as "The regular wind" (NW), "The mountain wind" (NE), "The cloud wind" (SE), and "The Amorite Wind" (SW). These wind directions could be used to establish the presence of astrological b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ursa Major
Ursa Major (; also known as the Great Bear) is a constellation in the northern sky, whose associated mythology likely dates back into prehistory. Its Latin name means "greater (or larger) bear," referring to and contrasting it with nearby Ursa Minor, the lesser bear. In antiquity, it was one of the original 48 constellations listed by Ptolemy in the 2nd century AD, drawing on earlier works by Greek, Egyptian, Babylonian, and Assyrian astronomers. Today it is the third largest of the 88 modern constellations. Ursa Major is primarily known from the asterism of its main seven stars, which has been called the "Big Dipper," "the Wagon," "Charles's Wain," or "the Plough," among other names. In particular, the Big Dipper's stellar configuration mimics the shape of the "Little Dipper." Two of its stars, named Dubhe and Merak ( α Ursae Majoris and β Ursae Majoris), can be used as the navigational pointer towards the place of the current northern pole star, Polaris in Ursa Mino ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marduk
Marduk (Cuneiform: dAMAR.UTU; Sumerian: ''amar utu.k'' "calf of the sun; solar calf"; ) was a god from ancient Mesopotamia and patron deity of the city of Babylon. When Babylon became the political center of the Euphrates valley in the time of Hammurabi (18th century BC), Marduk slowly started to rise to the position of the head of the Babylonian pantheon, a position he fully acquired by the second half of the second millennium BCE. In the city of Babylon, Marduk was worshipped in the temple Esagila. Marduk is associated with the divine weapon Imhullu. His symbolic animal and servant, whom Marduk once vanquished, is the dragon Mušḫuššu. "Marduk" is the Babylonian form of his name. The name ''Marduk'' was probably pronounced ''Marutuk''. The etymology of the name ''Marduk'' is conjectured as derived from ''amar-Utu'' ("immortal son of Utu" or "bull calf of the sun god Utu"). The origin of Marduk's name may reflect an earlier genealogy, or have had cultural ties to the anc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mesopotamian Demons
Mesopotamia ''Mesopotamíā''; ar, بِلَاد ٱلرَّافِدَيْن or ; syc, ܐܪܡ ܢܗܪ̈ܝܢ, or , ) is a historical region of Western Asia situated within the Tigris–Euphrates river system, in the northern part of the Fertile Crescent. Today, Mesopotamia occupies modern Iraq. In the broader sense, the historical region included present-day Iraq and Kuwait and parts of present-day Iran, Syria and Turkey. The Sumerians and Akkadians (including Assyrians and Babylonians) originating from different areas in present-day Iraq, dominated Mesopotamia from the beginning of written history () to the fall of Babylon in 539 BC, when it was conquered by the Achaemenid Empire. It fell to Alexander the Great in 332 BC, and after his death, it became part of the Greek Seleucid Empire. Later the Arameans dominated major parts of Mesopotamia (). Mesopotamia is the site of the earliest developments of the Neolithic Revolution from around 10,000 BC. It has been identifie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mesopotamian Gods
Deities in ancient Mesopotamia were almost exclusively anthropomorphic. They were thought to possess extraordinary powers and were often envisioned as being of tremendous physical size. The deities typically wore ''melam'', an ambiguous substance which "covered them in terrifying splendor" and which could also be worn by heroes, kings, giants, and even demons. The effect that seeing a deity's ''melam'' has on a human is described as ''ni'', a word for the " physical creeping of the flesh". Both the Sumerian and Akkadian languages contain many words to express the sensation of ''ni'', including the word ''puluhtu'', meaning "fear". Deities were almost always depicted wearing horned caps, consisting of up to seven superimposed pairs of ox-horns. They were also sometimes depicted wearing clothes with elaborate decorative gold and silver ornaments sewn into them. The ancient Mesopotamians believed that their deities lived in Heaven, but that a god's statue was a physical embodiment ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ugallu
A panel with two divine palace guards, one of which is Ugallu. Ugallu, the "Big Weather-Beast", ( Sumerian inscribed 𒌓𒃲U4/UD.GAL-˹''la''˺, Akkadian: ''ūmu rabû'', meaning "big day"), was a lion-headed storm-demon and has the feet of a bird who is featured on protective amulets and apotropaic yellow clay or tamarisk figurines of the first millennium BC but had its origins in the early second millennium. The iconography changed over time, with the human feet morphing into an eagle's talons and dressing him in a short skirt. He was one of the class of ud-demons (day-demons), personifying moments of divine intervention in human life. Function As an ud-demon, Ugallu's function is to intervene in moments of disaster in a person's life, such as saving them from death. His affiliation with the day compares him with other light related deities, Shamash the sun, the star of Sirius, and Nuska, god of the lamp. Many of his rituals as described are to be performed at night. Iconogr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Book Of The Dead
The ''Book of the Dead'' ( egy, 𓂋𓏤𓈒𓈒𓈒𓏌𓏤𓉐𓂋𓏏𓂻𓅓𓉔𓂋𓅱𓇳𓏤, ''rw n(y)w prt m hrw(w)'') is an ancient Egyptian funerary text generally written on papyrus and used from the beginning of the New Kingdom (around 1550 BCE) to around 50 BCE. The original Egyptian name for the text, transliterated ''rw nw prt m hrw'', is translated as ''Book of Coming Forth by Day'' or ''Book of Emerging Forth into the Light''. "Book" is the closest term to describe the loose collection of texts consisting of a number of magic spells intended to assist a dead person's journey through the ''Duat'', or underworld, and into the afterlife and written by many priests over a period of about 1,000 years. Karl Richard Lepsius introduced for these texts the German name ''Todtenbuch'' (modern spelling ''Totenbuch''), translated to English as Book of the Dead. The ''Book of the Dead'', which was placed in the coffin or burial chamber of the deceased, was part of a trad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coffin Texts
The Coffin Texts are a collection of ancient Egyptian funerary spells written on coffins beginning in the First Intermediate Period. They are partially derived from the earlier Pyramid Texts, reserved for royal use only, but contain substantial new material related to everyday desires, indicating a new target audience of common people. Coffin texts are dated back to 2100 BCE. Ordinary Egyptians who could afford a coffin had access to these funerary spells and the pharaoh no longer had exclusive rights to an afterlife. As the modern name of this collection of some 1,185 spells implies, they were mostly inscribed on Middle Kingdom coffins. They were also sometimes written on tomb walls, stelae, canopic chests, papyri and mummy masks. Due to the limited writing surfaces of some of these objects, the spells were often abbreviated, giving rise to long and short versions, some of which were later copied in the Book of the Dead. Content In contrast to the Pyramid Texts which focus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lilu (mythology)
A lilu or lilû is a masculine Akkadian word for a spirit or demon. History Jo Ann Scurlock and Burton R. Andersen (2005) see the origin of ''lilu'' in treatment of mental illness. In Sumerian and Akkadian literature In Akkadian literature hlilu occurs. In Sumerian literature lili occurs. Dating of specific Akkadian, Sumerian, and Babylonian texts mentioning ''lilu'' (masculine), ''lilitu'' (female) and ''lili'' (female) are haphazard. In older scholarship, such as R. Campbell Thompson's ''The Devils and Evil Spirits of Babylonia'' (1904), specific text references are rarely given. An exception is K156 which mentions an ''ardat lili'' Heinrich Zimmern (1917) tentatively identified ''vardat lilitu'' KAT3, 459 as paramour of ''lilu''. A cuneiform inscription lists ''lilû'' alongside other wicked beings from Mesopotamian mythology and folklore: Sumerian King List In the '' Sumerian King List'' the father of Gilgamesh is said to be a ''lilu''. 'Spirit in the tree' in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iron Age
The Iron Age is the final epoch of the three-age division of the prehistory and protohistory of humanity. It was preceded by the Stone Age (Paleolithic, Mesolithic, Neolithic) and the Bronze Age (Chalcolithic). The concept has been mostly applied to Iron Age Europe and the Ancient Near East, but also, by analogy, to other parts of the Old World. The duration of the Iron Age varies depending on the region under consideration. It is defined by archaeological convention. The "Iron Age" begins locally when the production of iron or steel has advanced to the point where iron tools and weapons replace their bronze equivalents in common use. In the Ancient Near East, this transition took place in the wake of the Bronze Age collapse, in the 12th century BC. The technology soon spread throughout the Mediterranean Basin region and to South Asia (Iron Age in India) between the 12th and 11th century BC. Its further spread to Central Asia, Eastern Europe, and Central Europe is somewhat dela ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Enkidu
Enkidu ( sux, ''EN.KI.DU10'') was a legendary figure in ancient Mesopotamian mythology, wartime comrade and friend of Gilgamesh, king of Uruk. Their exploits were composed in Sumerian poems and in the Akkadian ''Epic of Gilgamesh'', written during the 2nd millennium BC. He is the oldest literary representation of the wild man, a recurrent motif in artistic representations in Mesopotamia and in Ancient Near East literature. The apparition of Enkidu as a primitive man seems to be a potential parallel of the Old Babylonian version (1300–1000 BC), in which he was depicted as a servant-warrior in the Sumerian poems. There have been suggestions that he may be the "bull-man" shown in Mesopotamian art, having the head, arms, and body of a man, and the horns, ears, tail and legs of a bull. Thereafter a series of interactions with humans and human ways bring him closer to civilization, culminating in a wrestling match with Gilgamesh, king of Uruk. Enkidu embodies the wild or natura ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gilgamesh
sux, , label=none , image = Hero lion Dur-Sharrukin Louvre AO19862.jpg , alt = , caption = Possible representation of Gilgamesh as Master of Animals, grasping a lion in his left arm and snake in his right hand, in an Assyrian palace relief (713–706 BC), from Dur-Sharrukin, now held in the Louvre , reign=c. 2900–2700 BC ( EDI), predecessor = Dumuzid, the Fisherman (as Ensi of Uruk) , consort = , siblings = , successor = Ur-Nungal Gilgamesh ( akk, , translit=Gilgameš; originally sux, , translit= Bilgames)). His name translates roughly as "The Ancestor is a Young-man", from ''Bil.ga'' "Ancestor", Elder and ''Mes/Mesh3'' "Young-Man". See also . was a hero in ancient Mesopotamian mythology and the protagonist of the ''Epic of Gilgamesh'', an epic poem written in Akkadian during the late 2nd millennium BC. He was possibly a historical king of the Sumerian city-state of Uruk, who was posthumously deified. His rule probably would have taken p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adapa
Adapa was a Mesopotamian mythical figure who unknowingly refused the gift of immortality. The story, commonly known as "Adapa and the South Wind", is known from fragmentary tablets from Tell el-Amarna in Egypt (around 14th century BC) and from finds from the Library of Ashurbanipal, Assyria (around 7th century BC). Adapa was an important figure in Mesopotamian religion. His name would be used to invoke power in exorcism rituals. He also became an archetype for a wise ruler. In that context, his name would be invoked to evoke favorable comparisons. Some scholars conflate Adapa and the Apkallu known as Uanna. There is some evidence for that connection, but the name "adapa" may have also been used as an epithet, meaning "wise". Overview Adapa's story was initially known from a find at Amarna in Egypt from the archives of Egyptian King Amenophis IV (1377–1361 BC). By 1912, three finds from the Library of Ashurbanipal (668–626 BC) had been interpreted and found to contain par ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_-_EnKi_(Sumerian).jpg "Click for more on -> Mesopotamian Gods")
