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The First Nowell
"The First Nowell", also known as "The First Noel (or Noël)", is a traditional English Christmas carol with Cornish origins, most likely from the early modern period, although possibly earlier.The First Nowell ''Hymns and Carols of Christmas''. "carol of the 16th or 17th century, but possibly dating from as early as the 13th Century." Barrie Jones (ed.), ''The Hutchinson Concise Dictionary of Music'', Routledge, 2014, s.v. "carol", "Christmas carols were common as early as the 15th century. ..Many carols, such as '' and 'The First Nowell', date from the 16th century ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
First Nowell Stainer Complete
First or 1st is the ordinal form of the number one (#1). First or 1st may also refer to: *World record, specifically the first instance of a particular achievement Arts and media Music * 1$T, American rapper, singer-songwriter, DJ, and record producer Albums * ''1st'' (album), a 1983 album by Streets * ''1st'' (Rasmus EP), a 1995 EP by The Rasmus, frequently identified as a single * '' 1ST'', a 2021 album by SixTones * ''First'' (Baroness EP), an EP by Baroness * ''First'' (Ferlyn G EP), an EP by Ferlyn G * ''First'' (David Gates album), an album by David Gates * ''First'' (O'Bryan album), an album by O'Bryan * ''First'' (Raymond Lam album), an album by Raymond Lam * ''First'', an album by Denise Ho Songs * "First" (Cold War Kids song), a song by Cold War Kids * "First" (Lindsay Lohan song), a song by Lindsay Lohan * "First", a song by Everglow from ''Last Melody'' * "First", a song by Lauren Daigle * "First", a song by Niki & Gabi * "First", a song by Jonas Brot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
English Folk Dance And Song Society
The English Folk Dance and Song Society (EFDSS, or pronounced 'EFF-diss') is an organisation that promotes English folk music and folk dance. EFDSS was formed in 1932 when two organisations merged: the Folk-Song Society and the English Folk Dance Society. Karpeles, Maud and Frogley, Alain (2007–2011)'English Folk Dance and Song Society' In: ''Grove Music Online'', Oxford Music Online. Retrieved 24 October 2011. . The EFDSS, a member-based organisation, was incorporated in 1935 and became a registered charity in 1963. History The Folk-Song Society, founded in London in 1898, focused on collecting and publishing folk songs, primarily of Britain and Ireland although there was no formal limitation. Participants included: Lucy Broadwood, Kate Lee, Cecil Sharp, Percy Grainger, Ralph Vaughan Williams, George Butterworth, George Gardiner, Henry Hammond, Anne Gilchrist, Mary Augusta Wakefield, and Ella Leather. The English Folk Dance Society was founded in 1911 by Cecil Sharp. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ralph Dunstan
Ralph Dunstan (born 17 Nov 1857; died 2 Apr 1933) was born at Carnon Downs in the parish of Feock, Cornwall and is buried at Perranzabuloe. He is honoured now as one of the greatest song collectors in the Cornish musical tradition. Dunstan is best known for his work ''The Cornish Song Book'' (''Lyver Canow Kernewek'') published by Reid Bros Ltd of London in 1929. He also wrote a requiem for his son and son-in-law who were killed in the First World War World War I (28 July 1914 11 November 1918), often abbreviated as WWI, was one of the deadliest global conflicts in history. Belligerents included much of Europe, the Russian Empire, the United States, and the Ottoman Empire, with fightin .... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Ramsden Bramley
Henry Ramsden Bramley (4 June 1833 – February 1917) was an English clergyman and hymnologist perhaps best known for his collaborations with the composer Sir John Stainer.Birth and death hymntime.com, retrieved 15 November 2014 Along with earlier 19th-century composers such as William Sandys and John Mason Neale, Bramley and Stainer are credited with fuelling a Victorian revival of Christmas carols with their 1871 publication of ''Christmas Carols, New and Old'', which popularised carols such as " |
New English Hymnal
''The New English Hymnal'' is a hymn book and liturgical source aimed towards the Church of England. First published in 1986, it is a successor to, and published in the same style as, the 1906 ''English Hymnal''. It is published today by SCM Canterbury Press, an imprint of Hymns Ancient and Modern Ltd. Origin ''The New English Hymnal'' inherits much music from the original 1906 ''English Hymnal'', its 1933 revision, and the 1975 supplement ''English Praise'', although a few hymns are re-written or dropped in favor of newly added hymns. The words of several hymns have been altered slightly, although it nonetheless enjoys continuing favour in a considerable number of cathedrals and collegiate chapels worldwide and it is a significant publication in Anglican church music. Its extensive provision of hymns for saints' days and mid-week religious festivals has proved popular with those schools still maintaining hymn-singing in daily acts of worship. The copyright is held by The Eng ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vaughan Williams Memorial Library
The Vaughan Williams Memorial Library (VWML) is the library and archive of the English Folk Dance and Song Society (EFDSS), located in the society's London headquarters, Cecil Sharp House. It is a multi-media library comprising books, periodicals, audio-visual materials, photographic images and sound recordings, as well as manuscripts, field notes, transcriptions etc. of a number of collectors of folk music and dance traditions in the British Isles. According to ''A Dictionary of English Folklore'', "... by a gradual process of professionalization the VWML has become the most important concentration of material on traditional song, dance, and music in the country." It is named after Ralph Vaughan Williams, the composer, collector and past president of the EFDSS, who died in 1958. Prior to that it was known as the Cecil Sharp Library, since his books constituted the bulk of the original holdings, but over the years the library has added literature, sound and manuscript col ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Madison Carpenter
James Madison Carpenter, born in 1888 in Blacklands, Mississippi, near Booneville, in Prentiss County, was a Methodist minister and scholar of American and British folklore. He received his Bachelor of Arts and Master of Arts degrees from the University of Mississippi, and the Doctor of Philosophy degree from Harvard in 1929. He is best known for his substantial work collecting folk songs in England, Scotland and Wales. He recorded well-known singers and musicians that other folklorists had documented, as well as some never recorded before or since such as Bell Duncan, whose repertoire (according to Carpenter) consisted of some 300 songs, including 65 Child ballads. His collection methods included Dictaphone recordings as well as transcriptions of lyrics. Carpenter's method of collecting songs often involved recording several verses using the Dictaphone cylinder machine, then asking the singer to start again and dictate the words of the song, two lines at a time, while he type ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carol Symphony
''Carol Symphony'' is a collection of four preludes, written by Victor Hely-Hutchinson in 1927. It is based on five Christmas carols, given additional orchestration and counterpoint arrangements. The four movements are written to be played uninterrupted consecutively. History ''Carol Symphony'' was first performed by the Wireless Symphony Orchestra (the predecessor to the BBC Symphony Orchestra) on the BBC's 2LO radio station on 18 December 1927 conducted by John Barbirolli. The ''Radio Times'' describes the work thus: The composer tells us that in this last work he has tried to express the spirit of joy which is called up by the memories of the romance and mystery of the manger. All the four Movements are based on Christmas tunes, and are played without break. The First Movement, sedate in style and modelled closely on the Choral Preludes of Bach, treats the old tune we sing to ''O come, all ye faithful''. The Second Movement, the Scherzo, alternates between slow and fast treatm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Stainer
Sir John Stainer (6 June 1840 – 31 March 1901) was an English composer and organist whose music, though seldom performed today (with the exception of ''The Crucifixion'', still heard at Passiontide in some churches of the Anglican Communion), was very popular during his lifetime. His work as choir trainer and organist set standards for Anglican church music that are still influential. He was also active as an academic, becoming Heather Professor of Music at Oxford. Stainer was born in Southwark, London, in 1840, the son of a schoolmaster. He became a chorister at St Paul's Cathedral when aged ten and was appointed to the position of organist at St Michael's College, Tenbury at the age of sixteen. He later became organist at Magdalen College, Oxford, and subsequently organist at St Paul's Cathedral. When he retired owing to his poor eyesight and deteriorating health, he returned to Oxford to become Professor of Music at the university. He died unexpectedly while on holiday ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Oxford Book Of Carols
''The New Oxford Book of Carols'' is a collection of vocal scores of Christmas carols. It was first published in 1992 by Oxford University Press (OUP) and was edited by Hugh Keyte and Andrew Parrott. It is a widely used source of carols in among choirs and church congregations in Britain. The collection was published as a successor to the '' Oxford Book of Carols'', originally published in 1928. This thoroughly documented text contains notes on sources, histories and variants of carols from a wide variety of sources; it is usable not only as a book for carol singing, but as a reference book as well. A ''Shorter New Oxford Book of Carols'' was issued in 1992, and other selections have been made. History The original ''Oxford Book of Carols'' was first published in 1928 by OUP. It was edited by Percy Dearmer, Martin Shaw, and the noted composer and scholar of English folk-song Ralph Vaughan Williams. The book was highly influential as it introduced British choirs and church ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oral Tradition
Oral tradition, or oral lore, is a form of human communication wherein knowledge, art, ideas and cultural material is received, preserved, and transmitted orally from one generation to another. Vansina, Jan: ''Oral Tradition as History'' (1985), reported statements from present generation which "specifies that the message must be oral statements spoken, sung or called out on musical instruments only"; "There must be transmission by word of mouth over at least a generation". He points out, "Our definition is a working definition for the use of historians. Sociologists, linguists or scholars of the verbal arts propose their own, which in, e.g., sociology, stresses common knowledge. In linguistics, features that distinguish the language from common dialogue (linguists), and in the verbal arts features of form and content that define art (folklorists)."Ki-Zerbo, Joseph: "Methodology and African Prehistory", 1990, ''UNESCO International Scientific Committee for the Drafting of a Gene ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boy Soprano
A boy soprano (British and especially North American English) or boy treble (only British English) is a young male singer with an unchanged voice in the soprano range, a range that is often still called the treble voice range (in North America too) when talking about children. Origins In the Anglican and English Catholic liturgical traditions (in which girls and women did not sing in church choirs), young male choristers were normally referred to as "trebles" rather than as boy sopranos, but today the term "boy trebles" is increasingly common (girls with high voices are trebles too). The term "treble" derives from the Latin ', used in 13th and 14th century motets to indicate the third and highest range, which was sung above the tenor part (which carried the tune) and the alto part. Another term for that range is '. The term "treble" itself was first used in the 15th century. Trebles have an average range of A3 to F5 (220–700 Hz). The term ''boy soprano'' originated w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
