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The Fifth Century
''The Fifth Century'' is a classical and choral studio album by Gavin Bryars, conducted by Donald Nally, and performed by The Crossing choir with the saxophone quartet PRISM. This album was released in the label ECM New Series in November 2016. The album won the 2018 Grammy Award for Best Choral Performance. Composition The album is divided in two parts. The first seven tracks are a named after a setting of words by the theologian and poet Thomas Traherne, and performed by the choir and saxophone quartet at the Gould Hall in the Curtis Institute of Music in July 2014. The second part, named "''Two Love Songs''" is the last two tracks of the album are an a cappella settings for the women of The Crossing. It was recorded in June 2015 at Saint Paul's Episcopal Church in Philadelphia. Reception James Manheim in his review for All Music says that "He '' avin Bryars' has not written much choral music, but this ECM release may make his fans wish he had written more." and about the ...
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Gavin Bryars
Richard Gavin Bryars (; born 16 January 1943) is an English composer and double bassist. He has worked in jazz, free improvisation, minimalism, historicism, avant-garde, and experimental music. Early life and career Born on 16 January 1943 in Goole, in the East Riding of Yorkshire, England, Bryars studied philosophy at Sheffield University but became a jazz bassist during his three years as a philosophy student. The first musical work for which he is remembered was his role as bassist in the trio Joseph Holbrooke, alongside guitarist Derek Bailey and drummer Tony Oxley. The trio began by playing relatively traditional jazz – they toured with saxophonist Lee Konitz in 1966 – before moving into free improvisation. Bryars became dissatisfied with this when he saw a young bassist (later revealed to be Johnny Dyani) play in a manner that seemed to him to be artificial, and he abandoned improvisation, becoming interested in composition instead. In 1998 the trio reformed briefly, ...
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Grammy Award For Best Choral Performance
The Grammy Award for Best Choral Performance has been awarded since 1961. There have been several minor changes to the name of the award over this time: *In 1961 the award was known as Best Classical Performance - Choral (including oratorio) *From 1962 to 1964 it was awarded as Best Classical Performance - Choral (other than opera) *In 1965, 1969, 1971, 1977 to 1978 and 1982 to 1991 it was awarded as Best Choral Performance (other than opera) *From 1966 to 1968 it was awarded as Best Classical Choral Performance (other than opera) *In 1970, 1973 to 1976 and 1979 to 1981 it was awarded as Best Choral Performance, Classical (other than opera) *In 1972 it was awarded as Best Choral Performance - Classical *From 1992 to 1994 it was awarded as Best Performance of a Choral Work *1995 to the present the award has been known as Best Choral Performance Prior to 1961 the awards for opera and choral performances were combined into a single award for Best Classical Performance, Operatic or C ...
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ECM New Series Albums
ECM may refer to: Economics and commerce * Engineering change management * Equity capital markets * Error correction model, an econometric model * European Common Market Mathematics * Elliptic curve method * European Congress of Mathematics Science and medicine * Ectomycorrhiza * Electron cloud model * Engineered Cellular Magmatics * Erythema chronicum migrans * Extracellular matrix Sport * European Championships Management Technology * Electrochemical machining * Electronic contract manufacturing * Electronic countermeasure * Electronically commutated motor * Energy conservation measure * Engine control module * Enterprise content management * Error correction mode Other uses * Editio Critica Maior, a critical edition of the Greek New Testament * ECM Records, a record label * ECM Real Estate Investments, a defunct real estate developer based in Luxembourg * Edinburgh City Mission, a Christian organization in Scotland * Elektrani na Severna Makedonija (), a ...
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ECM Records Albums
ECM may refer to: Economics and commerce * Engineering change management * Equity capital markets * Error correction model, an econometric model * European Common Market Mathematics * Elliptic curve method * European Congress of Mathematics Science and medicine * Ectomycorrhiza * Electron cloud model * Engineered Cellular Magmatics * Erythema chronicum migrans * Extracellular matrix Sport * European Championships Management Technology * Electrochemical machining * Electronic contract manufacturing * Electronic countermeasure * Electronically commutated motor * Energy conservation measure * Engine control module * Enterprise content management * Error correction mode Other uses * Editio Critica Maior, a critical edition of the Greek New Testament * ECM Records, a record label * ECM Real Estate Investments, a defunct real estate developer based in Luxembourg * Edinburgh City Mission, a Christian organization in Scotland * Elektrani na Severna Makedonija (), a pow ...
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Alto Saxophone
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in E, smaller than the B tenor but larger than the B soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, and jazz (such as big bands, jazz combos, swing music). The alto saxophone had a prominent role in the development of jazz. Influential jazz musicians who made significant contributions include Don Redman, Jimmy Dorsey, Johnny Hodges, Benny Carter, Charlie Parker, Sonny Stitt, Lee Konitz, Jackie McLean, Phil Woods, Art Pepper, Paul Desmond, and Cannonball Adderley. Although the role of the alto saxophone in classical music has been limited, influential performers include Marcel Mule, Sigurd Raschèr, Jean-Marie Londeix, Eugene Rousseau, and Frederick ...
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Baritone Saxophone
The baritone saxophone is a member of the saxophone family of instruments, larger (and lower-pitched) than the tenor saxophone, but smaller (and higher-pitched) than the bass. It is the lowest-pitched saxophone in common use - the bass, contrabass and subcontrabass saxophones are relatively uncommon. Like all saxophones, it is a single-reed instrument. It is commonly used in concert bands, chamber music, military bands, big bands, and jazz combos. It can also be found in other ensembles such as rock bands and marching bands. Modern baritone saxophones are pitched in E. History The baritone saxophone was created in 1846 by the Belgian instrument maker Adolphe Sax as one of a family of 14 instruments. Sax believed these instruments would provide a useful tonal link between the woodwinds and brasses. The family was divided into two groups of seven saxophones each, from the soprano to the contrabass. Though a design for an F baritone saxophone is included in the C and F family ...
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Soprano Saxophone
The soprano saxophone is a higher-register variety of the saxophone, a woodwind instrument invented in the 1840s. The soprano is the third-smallest member of the saxophone family, which consists (from smallest to largest) of the soprillo, sopranino, soprano, alto, tenor, baritone, bass, contrabass saxophone and tubax. Soprano saxophones are the smallest and thus highest-pitched saxophone in common use. The instrument A transposing instrument pitched in the key of B, modern soprano saxophones with a high F key have a range from concert A3 to E6 (written low B to high F) and are therefore pitched one octave above the tenor saxophone. There is also a soprano saxophone pitched in C, which is uncommon; most examples were produced in America in the 1920s. The soprano has all the keys of other saxophone models (with the exception of the low A on some baritones and altos). Soprano saxophones were originally keyed from low B to high E, but a low B mechanism was patented in 1887 and ...
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Timothy McAllister
Timothy McAllister (born October 21, 1972) is an American classical saxophonist and music educator, who, as of 2014, is Professor of Saxophone at the University of Michigan School of Music, Theatre & Dance. Career Born in 1972, he gave his solo debut at age 16 with the Houston Civic Symphony. As a teenager he attended the Interlochen Center for the Arts, where he studied with John Sampen. McAllister studied saxophone with Donald Sinta and conducting with H. Robert Reynolds at the University of Michigan. He holds a Bachelor of Music (1995), the Albert A. Stanley Medal (1995), Masters of Music (1997), and a Doctor of Musical Arts (2002). As of 2014, McAllister has been Professor of Saxophone at the University of Michigan School of Music, Theatre & Dance, a role held previously by Donald Sinta and Larry Teal. Each summer he teaches saxophone at Interlochen, the MPulse Saxophone Institute, Arosa Music Course in Switzerland, and the Orford Music Academy in Canada. From 2012 to 2014, ...
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Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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Conducting
Conducting is the art of directing a musical performance, such as an orchestral or choral concert. It has been defined as "the art of directing the simultaneous performance of several players or singers by the use of gesture." The primary duties of the conductor are to interpret the score in a way which reflects the specific indications in that score, set the tempo, ensure correct entries by ensemble members, and "shape" the phrasing where appropriate. Conductors communicate with their musicians primarily through hand gestures, usually with the aid of a baton, and may use other gestures or signals such as eye contact. A conductor usually supplements their direction with verbal instructions to their musicians in rehearsal. The conductor typically stands on a raised podium with a large music stand for the full score, which contains the musical notation for all the instruments or voices. Since the mid-19th century, most conductors have not played an instrument when conducting, ...
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Choir
A choir ( ; also known as a chorale or chorus) is a musical ensemble of singers. Choral music, in turn, is the music written specifically for such an ensemble to perform. Choirs may perform music from the classical music repertoire, which spans from the medieval era to the present, or popular music repertoire. Most choirs are led by a conductor, who leads the performances with arm, hand, and facial gestures. The term ''choir'' is very often applied to groups affiliated with a church (whether or not they actually occupy the quire), whereas a ''chorus'' performs in theatres or concert halls, but this distinction is not rigid. Choirs may sing without instruments, or accompanied by a piano, pipe organ, a small ensemble, or an orchestra. A choir can be a subset of an ensemble; thus one speaks of the "woodwind choir" of an orchestra, or different "choirs" of voices or instruments in a polychoral composition. In typical 18th century to 21st century oratorios and masses, 'choru ...
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