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The Faun
''The Faun'' is a sculpture by British forger Shaun Greenhalgh. He successfully passed it off as a work by Paul Gauguin, selling it at Sotheby's for £20,700 in 1994. Three years later, in 1997, it was bought by the Art Institute of Chicago for an undisclosed sum, thought to be about $125,000. It was hailed by them as "one of its most important acquisitions in the last twenty years."Bailey, Martin (December 12, 2007)"Revealed: Art Institute of Chicago Gauguin sculpture is fake" ''The Art Newspaper''. December 12, 2007. Archived frothe originalon December 15, 2007. For a decade the sculpture remained on display, and was part of a major joint exhibition on Gauguin with the van Gogh Museum in Amsterdam. However, following revelations about its existence at Greenhalgh's trial in 2007, ''The Faun'' was tracked down by ''The Art Newspaper'' to Chicago and exposed as a fake. In October 2007, the Art Institute removed the statue from display, and announced that it was seeking compensati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sketchbook
A sketchbook is a book or pad with blank pages for sketching and is frequently used by artists for drawing or painting as a part of their creative process. Some also use sketchbooks as a sort of blueprint for future art pieces. The exhibition of sketchbooks at the Fogg Art Museum at Harvard University in 2006 suggested that there were two broad categories for classifying sketches: *Observation: this focuses on the documentation of the external world and includes many such travel and nature studies and sketches recording an artist's travels. *Invention: this follows the artists' digressions and internal journeys as they develop compositional ideas. Types of sketchbooks Sketchbooks come in a wide variety of shapes and sizes, with varied covers, and differing numbers of pages. Sketchbooks began as a way to provide a readily available supply of drawing paper in the convenient form of a book. Finish of the work found in the sketchbook varies widely depending on the artist and their ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Virility
Virility (from the Latin ''virilitas'', manhood or virility, derived from Latin ''vir'', man) refers to any of a wide range of masculine characteristics viewed positively. Virile means "marked by strength or force". Virility is commonly associated with vigour, health, sturdiness, and constitution, especially in the fathering of children. In this last sense, virility is to men as fertility is to women. ''Virile'' has become obsolete in referring to a "nubile" young woman, or "a maid that is Marriageable or ripe for a Husband, or Virill". Historically, masculine attributes such as beard growth have been seen as signs of virility and leadership (for example in ancient Egypt and Greece). Male virility Evidence shows that increased male age is associated with a decline in semen volume, sperm motility, and sperm morphology. In studies that controlled for female age, comparisons between men under 30 and men over 50 found relative decreases in pregnancy rates between 23% and 38%. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Primitivism
Primitivism is a mode of aesthetic idealization that either emulates or aspires to recreate a "primitive" experience. It is also defined as a philosophical doctrine that considers "primitive" peoples as nobler than civilized peoples and was an offshoot of nostalgia for a lost Eden or Golden Age. In Western art, primitivism typically has borrowed from non-Western or prehistoric people perceived to be "primitive", such as Paul Gauguin's inclusion of Tahitian motifs in paintings and ceramics. Borrowings from "primitive" or non-Western art have been important to the development of modern art. Primitivism has often been critiqued for reproducing the racist stereotypes about non-European peoples used by Europeans to justify colonial conquest. The term "primitivism" is often applied to the painting styles that pervaded prior to the Avant-garde. It also refers to the style of naïve or folk art produced by amateurs like Henri Rousseau without commercial intent and solely for the purpo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Curator
A curator (from la, cura, meaning "to take care") is a manager or overseer. When working with cultural organizations, a curator is typically a "collections curator" or an "exhibitions curator", and has multifaceted tasks dependent on the particular institution and its mission. In recent years the role of curator has evolved alongside the changing role of museums, and the term "curator" may designate the head of any given division. More recently, new kinds of curators have started to emerge: "community curators", "literary curators", " digital curators" and " biocurators". Collections curator A "collections curator", a "museum curator" or a "keeper" of a cultural heritage institution (e.g., gallery, museum, library or archive) is a content specialist charged with an institution's collections and involved with the interpretation of heritage material including historical artifacts. A collections curator's concern necessarily involves tangible objects of some sort—artwork, c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Dealer
An art dealer is a person or company that buys and sells works of art, or acts as the intermediary between the buyers and sellers of art. An art dealer in contemporary art typically seeks out various artists to represent, and builds relationships with collectors and museums whose interests are likely to match the work of the represented artists. Some dealers are able to anticipate market trends, while some prominent dealers may be able to influence the taste of the market. Many dealers specialize in a particular style, period, or region. They often travel internationally, frequenting exhibitions, auctions, and artists' studios looking for good buys, little-known treasures, and exciting new works. When dealers buy works of art, they resell them either in their galleries or directly to collectors. Those who deal in contemporary art in particular usually exhibit artists' works in their own galleries. They will often take part in preparing the works of art to be revealed or processe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Catalogue Raisonné
A ''catalogue raisonné'' (or critical catalogue) is a comprehensive, annotated listing of all the known artworks by an artist either in a particular medium or all media. The works are described in such a way that they may be reliably identified by third parties, and such listings play an important role in authentification. Etymology The term ''catalogue raisonné'' is French, meaning "reasoned catalogue"Catalogue raisonné , ''Online Merriam-Webster Dictionary''. (i.e. containing arguments for the information given, such as attributions), but is part of the of the English-speaking art world. The spelling is never Americanized to "catalog", even ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wildenstein Index Number
A Wildenstein Index Number refers to an item in a numerical system published in catalogues by Daniel Wildenstein, a scholar of Impressionism, who published catalogues raisonnés of artists such as Claude Monet, Édouard Manet and Paul Gauguin through his family business, Wildenstein & Company. In these catalogues, each painting by an artist was assigned a unique number. These index numbers are now used throughout the art world, in art texts, and on art websites to uniquely identify specific works of art by specific artists. An example is the ' (), which is a four volume set published in 1996 with 2,580 illustrations in 1,540 pages. In this set, volume I is a biography and volumes II-IV contain a chronological listing of Monet's work; that is to say, volume II contains Wildenstein Index No. 1 produced in 1858 through No. 968 produced in 1885. The catalogue is produced with text in French, English, and German. The original version of this set was a five-volume black-and-white edition ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Authenticity In Art
Authenticity in art is manifest in the different ways that a work of art, or an artistic performance, can be considered authentic. The initial distinction is between ''nominal authenticity'' and ''expressive authenticity''. In the first sense, nominal authenticity is the correct identification of the author of a work of art; of how closely an actor or an actress interprets a role in a stageplay as written by the playwright; of how well a musician's performance of an artistic composition corresponds to the composer's intention; and how closely an '' objet d’art'' conforms to the artistic traditions of its genre. In the second sense, expressive authenticity is how much the work of art possesses inherent authority of and about its subject, and how much of the artist's intent is in the work of art. For the spectator, the listener, and the viewer, the ''authenticity of experience'' is an emotion impossible to recapture beyond the first encounter with the work of art in its original ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Provenance
Provenance (from the French ''provenir'', 'to come from/forth') is the chronology of the ownership, custody or location of a historical object. The term was originally mostly used in relation to works of art but is now used in similar senses in a wide range of fields, including archaeology, paleontology, archives, manuscripts, printed books, the circular economy, and science and computing. The primary purpose of tracing the provenance of an object or entity is normally to provide contextual and circumstantial evidence for its original production or discovery, by establishing, as far as practicable, its later history, especially the sequences of its formal ownership, custody and places of storage. The practice has a particular value in helping Authentication, authenticate objects. Comparative techniques, expert opinions and the results of scientific tests may also be used to these ends, but establishing provenance is essentially a matter of documentation. The term dates to the 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Risley Park Lanx
The Risley Park Lanx is a large Roman silver dish (or lanx) that was discovered in 1729 in Risley Park, Derbyshire, and was later lost from view. In Roman times, a lanx was generally a large serving platter, about 15 by 20 inches in size.Lysons, Daniel; Lysons, Samuel (1817)"Antiquities: British and Roman" ''Magna Britannia'' Volume 5. pp. CCIII-CCXVIII. Retrieved 26 November 2007. Particularly ornamented ones were used to make offerings or sacrifices. The inscription on the Risley Park Lanx suggests it was used as "church plate". Subsequently, lost, the Risley Park Lanx re-emerged in the 1990s, as a supposed heirloom of the now-notorious art forger Shaun Greenhalgh and his family. Bought by private buyers and donated to the British Museum, it was on display for several years, but was removed when its authenticity became suspect. It was later determined to be a complete fabrication. The fate of the original, genuine, Risley Park Lanx is unknown. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Argenteus
The ''argenteus'' ( ''argentei'', 'of silver') was a silver coin produced by the Roman Empire from the time of Diocletian's coinage reform in AD 294 to ca. AD 310. It was of similar weight and fineness to the denarius of the time of Nero. The coin was produced at a theoretical weight of 1/96th of a Roman pound (about 3 grams), as indicated by the Roman numeral XCVI on the coin's reverse. One aureus equaled 25 argentei and one argenteus equaled 8 folles. The term ''argenteus'', meaning "of silver" in Latin, was first used in Pliny's '' Natural History'' in the phrase ''argenteus nummus'' (silver coin). The 4th-century historian Ammianus uses the same phrase, however there is no indication that this is the official name for a denomination. The ''Historia Augusta'' uses the phrase to refer to several fictitious coins. See also * Edict on Maximum Prices * Roman currency * Solidus (coin) The ''solidus'' (Latin 'solid'; ''solidi'') or nomisma ( grc-gre, νόμισμα, '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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