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The Fate Of Sparta
''The Fate of Sparta'' is a 1788 tragedy by the British writer Hannah Cowley.Nicoll p.249 It is also known by the longer title ''The Fate of Sparta, or, The Rival Kings''. The original Drury Lane cast included John Philip Kemble as Cleombrotus, Robert Bensley as Leonidas, William Barrymore as Amphares, John Whitfield as Nicrates, Matthew Williames as Mezentius and Sarah Siddons Sarah Siddons (''née'' Kemble; 5 July 1755 – 8 June 1831) was a Welsh actress, the best-known tragedienne of the 18th century. Contemporaneous critic William Hazlitt dubbed Siddons as "tragedy personified". She was the elder sister of John ... as Cherolice. References Bibliography * Nicoll, Allardyce. ''A History of English Drama 1660–1900: Volume III''. Cambridge University Press, 2009. * Hogan, C.B (ed.) ''The London Stage, 1660–1800: Volume V''. Southern Illinois University Press, 1968. 1788 plays Tragedy plays West End plays Plays by Hannah Cowley {{18thC-play-stub ...
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Hannah Cowley (writer)
Hannah Cowley (14 March 1743 – 11 March 1809) was an English playwright and poet. Although Cowley's plays and poetry did not enjoy wide popularity after the 19th century, critic Melinda Finberg rates her as "one of the foremost playwrights of the late eighteenth century" whose "skill in writing fluid, sparkling dialogue and creating sprightly, memorable comic characters compares favourably with her better-known contemporaries, Goldsmith and Sheridan." Cowley's plays were produced frequently in her lifetime. The major themes of her plays – including her first, ''The Runaway'' (1776), and her major success, which is being revived, ''The Belle's Stratagem'' (1780) – revolve around marriage and how women strive to overcome the injustices imposed by family life and social custom. Early success Born Hannah Parkhouse, she was the daughter of Hannah (née Richards) and Philip Parkhouse, a bookseller in Tiverton, Devon. Sources disagree about some details of her married life, cit ...
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Theatre Royal, Drury Lane
The Theatre Royal, Drury Lane, commonly known as Drury Lane, is a West End theatre and Grade I listed building in Covent Garden, London, England. The building faces Catherine Street (earlier named Bridges or Brydges Street) and backs onto Drury Lane. The building is the most recent in a line of four theatres which were built at the same location, the earliest of which dated back to 1663, making it the oldest theatre site in London still in use. According to the author Peter Thomson, for its first two centuries, Drury Lane could "reasonably have claimed to be London's leading theatre". For most of that time, it was one of a handful of patent theatres, granted monopoly rights to the production of "legitimate" drama in London (meaning spoken plays, rather than opera, dance, concerts, or plays with music). The first theatre on the site was built at the behest of Thomas Killigrew in the early 1660s, when theatres were allowed to reopen during the English Restoration. Initially ...
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London
London is the capital and largest city of England and the United Kingdom, with a population of just under 9 million. It stands on the River Thames in south-east England at the head of a estuary down to the North Sea, and has been a major settlement for two millennia. The City of London, its ancient core and financial centre, was founded by the Romans as '' Londinium'' and retains its medieval boundaries.See also: Independent city § National capitals The City of Westminster, to the west of the City of London, has for centuries hosted the national government and parliament. Since the 19th century, the name "London" has also referred to the metropolis around this core, historically split between the counties of Middlesex, Essex, Surrey, Kent, and Hertfordshire, which largely comprises Greater London, governed by the Greater London Authority.The Greater London Authority consists of the Mayor of London and the London Assembly. The London Mayor is distinguished fr ...
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Tragedy
Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain hatawakens pleasure", for the audience. While many cultures have developed forms that provoke this paradoxical response, the term ''tragedy'' often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it. From its origins in the theatre of ancient Greece 2500 years ago, from which there survives only a fra ...
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John Philip Kemble
John Philip Kemble (1 February 1757 – 26 February 1823) was a British actor. He was born into a theatrical family as the eldest son of Roger Kemble, actor-manager of a touring troupe. His elder sister Sarah Siddons achieved fame with him on the stage of the Theatre Royal, Drury Lane. His other siblings, Charles Kemble, Stephen Kemble, Ann Hatton, and Elizabeth Whitlock, also enjoyed success on the stage. Early life The second child of Roger Kemble – the manager of the travelling theatre company the Warwickshire Company of Comedians – he was born at Prescot, Lancashire. John Kemble
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Robert Bensley
Robert Bensley (c. 1740 – 1817) was an 18th-century English actor, of whom Charles Lamb in the ''Essays of Elia'' speaks with special praise. Life His early life is obscure, but his family was not poor: an uncle, Sir William Bensley, was among the directors of the British East India Company. Robert may have attended Westminster School. He is said to have served in America as a lieutenant of marines, attaining his commission through the influence of another relative; in this capacity, he may have participated in theatrical entertainments for soldiers; one early biography mentions a role on Thomas Otway's '' The Orphan''. He appears to have acted with troupes of strolling players, including those of Roger Kemble and another in Staffordshire. In 1768 Johan Zoffany created a painting of Charles Macklin in the role of Shylock. Macklin's daughter Maria Macklin was included as Portia and Bensley as Bassiano in the painting and Jane Lessingham is at the foot of the dias. The pai ...
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William Barrymore (stage Actor)
William Barrymore (1759–1830) was a British stage actor. Originally from Taunton he was part of a company of strolling players in the West Country, and was acting at Plymouth in 1780. He first appeared at the Theatre Royal, Drury Lane in 1782, under the management of Richard Sheridan, and became a long-standing member of the company.Highfill, Burnim & Langhams p.355-58 He is also the namesake of the famed Barrymore family. Selected roles * Lord Aimworth in '' The Maid of the Mill'' by Isaac Bickerstaffe (1782) * Osric in ''Hamlet'' by William Shakespeare (1783) * Freeman in ''The Metamorphosis'' by William Jackson (1783) * Connal in '' The Captives'' by John Delap (1786) * Amphares in '' The Fate of Sparta'' by Hannah Cowley (1788) * Alonzo in ''Marcella'' by William Hayley (1789) * Sir Charles Freemantle in ''The Impostors'' by Richard Cumberland (1789) * Mr Fashion in ''The Welch Heiress'' by Edward Jerningham (1795) * Sir Pertinax Pitiful in ''The Man of Ten Thousand'' by T ...
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John Whitfield (actor)
John Whitfield (1752–1814) was a British stage actor. He was part of the Covent Garden and Drury Lane companies, playing over two hundred roles. He often appeared alongside his wife Mary Whitfield.Cox & Gamer p.426 Selected roles * Agenor in '' Cleonice, Princess of Bithynia'' by John Hoole (1775) * Edric in ''Percy'' by Hannah More (1777) * Sir Henry Lovewit in Known Your Own Mind by Arthur Murphy (1777) * Earl of Surrey in ''Alfred'' by John Home (1778) * Don Garcia in '' A Bold Stroke for a Husband'' by Hannah Cowley (1783) * Camillo in ''Julia'' by Robert Jephson (1787) * Nicrates in '' The Fate of Sparta'' by Hannah Cowley (1788) * De Courcy in '' The Haunted Tower'' by James Cobb (1789) * Lupercio in ''Marcella'' by William Hayley (1789) * Wortimerus in ''Vortigern and Rowena'' by William Henry Ireland (1796) * Earling in '' False Impressions'' by Richard Cumberland (1797) * Sir Henry Netterville in ''The Eccentric Lover'' by Richard Cumberland Richard Cumberland ...
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Matthew Williames
Matthew may refer to: * Matthew (given name) * Matthew (surname) * ''Matthew'' (ship), the replica of the ship sailed by John Cabot in 1497 * ''Matthew'' (album), a 2000 album by rapper Kool Keith * Matthew (elm cultivar), a cultivar of the Chinese Elm ''Ulmus parvifolia'' Christianity * Matthew the Apostle, one of the apostles of Jesus * Gospel of Matthew, a book of the Bible See also * Matt (given name), the diminutive form of Matthew * Mathew, alternative spelling of Matthew * Matthews (other) * Matthew effect * Tropical Storm Matthew (other) The name Matthew was used for three tropical cyclones in the Atlantic Ocean, replacing Hurricane Mitch, Mitch after 1998 Atlantic hurricane season, 1998. * Tropical Storm Matthew (2004) - Brought heavy rain to the Gulf Coast of Louisiana, causing l ...
{{disambiguation ...
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Sarah Siddons
Sarah Siddons (''née'' Kemble; 5 July 1755 – 8 June 1831) was a Welsh actress, the best-known tragedienne of the 18th century. Contemporaneous critic William Hazlitt dubbed Siddons as "tragedy personified". She was the elder sister of John Philip Kemble, Charles Kemble, Stephen Kemble, Ann Hatton, and Elizabeth Whitlock, and the aunt of Fanny Kemble. She was most famous for her portrayal of the Shakespearean character, Lady Macbeth, a character she made her own, as well as for fainting at the sight of the Elgin Marbles in London. The Sarah Siddons Society, founded in 1952, continues to present the Sarah Siddons Award annually in Chicago to a distinguished actress. Background The 18th-century marked the 'emergence of a recognisably modern celebrity culture' and Siddons was at the heart of it. Portraits depicted actresses in aristocratic dress, the recently industrialised newspapers spread actresses' names and images and gossip about their private lives spread through the ...
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1788 Plays
Events January–March * January 1 – The first edition of ''The Times'', previously ''The Daily Universal Register'', is published in London. * January 2 – Georgia ratifies the United States Constitution, and becomes the fourth U.S. state under the new government. * January 9 – Connecticut ratifies the United States Constitution, and becomes the fifth U.S. state. * January 18 – The leading ship (armed tender HMS ''Supply'') in Captain Arthur Phillip's First Fleet arrives at Botany Bay, to colonise Australia. * January 22 – the Congress of the Confederation, effectively a caretaker government until the United States Constitution can be ratified by at least nine of the 13 states, elects Cyrus Griffin as its last president.''Harper's Encyclopaedia of United States History from 458 A. D. to 1909'', ed. by Benson John Lossing and, Woodrow Wilson (Harper & Brothers, 1910) p167 * January 24 – The La Perouse expedition in the ''Astrolabe'' and '' Boussole'' arrives ...
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Tragedy Plays
Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain hatawakens pleasure", for the audience. While many cultures have developed forms that provoke this paradoxical response, the term ''tragedy'' often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it. From its origins in the theatre of ancient Greece 2500 years ago, from which there survives only a fraction ...
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