|
The False Count
''The False Count, Or, A New Way to play An Old Game,'' is a comedic play written by Aphra Behn, first performed in 1681 and published in 1682. It was staged by the Duke's Company at the Dorset Garden Theatre in London. The cast included William Smith as Don Carlos, James Nokes as Francisco, John Freeman as Sebastian, John Wiltshire as Antonio, George Bright as Baltazer, Cave Underhill as Guzman, Anthony Leigh as Guilion, Elizabeth Currer as Isabella and Margaret Osborne as Jacinta. Plot Julia is in love with Don Carlos, the Governor of Cadiz. The couple have secretly exchanged private vows of love, but Julia's father then coerces her into marrying Don Francisco, an old Englishman who now lives in Spain. Francisco proves to be a jealous and oppressive husband. After they are taken prisoner by supposed corsairs, the terrified Francisco relinquishes Julia to their captor, a 'Turkish Sultan'. The Sultan is actually Carlos in disguise, and he and Julia are able to consummate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aphra Behn
Aphra Behn (; bapt. 14 December 1640 – 16 April 1689) was an English playwright, poet, prose writer and translator from the Restoration era. As one of the first English women to earn her living by her writing, she broke cultural barriers and served as a literary role model for later generations of women authors. Rising from obscurity, she came to the notice of Charles II, who employed her as a spy in Antwerp. Upon her return to London and a probable brief stay in debtors' prison, she began writing for the stage. She belonged to a coterie of poets and famous libertines such as John Wilmot, Lord Rochester. Behn wrote under the pastoral pseudonym Astrea. During the turbulent political times of the Exclusion Crisis, she wrote an epilogue and prologue that brought her into legal trouble; she thereafter devoted most of her writing to prose genres and translations. A staunch supporter of the Stuart line, she declined an invitation from Bishop Burnet to write a welcoming p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anthony Leigh
Anthony Leigh (died 1692) was a celebrated English comic actor. Life He was from a Northamptonshire family, and was not closely related to the actor John Leigh (c.1689–1726?). He joined the Duke of York's company about 1672, and appeared in that year at the recently opened theatre in Dorset Garden, as the original Pacheco in ''The Reformation'' (1673), a comedy ascribed by Gerard Langbaine to one Arrowsmith, a Cambridge M.A. graduate. At Dorset Garden, Leigh played many original parts. After the merger of the duke's company with the king's in 1682, Leigh did not immediately go to the Theatre Royal. He was in 1683, however, at that theatre the original Bartoline in John Crowne's ''City Politics'', and played Bessus in a revival of ''A King and No King''. Here he remained until his death, creating many characters.They included: Beaugard's Father in Otway's ''The Atheist'', Rogero in Thomas Southerne's ''The Disappointment'', Sir Paul Squelch in Richard Brome's ''Northern Lass'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plays By Aphra Behn
Play most commonly refers to: * Play (activity), an activity done for enjoyment * Play (theatre), a work of drama Play may refer also to: Computers and technology * Google Play, a digital content service * Play Framework, a Java framework * Play Mobile, a Polish internet provider * Xperia Play, an Android phone * Rakuten.co.uk (formerly Play.com), an online retailer * Backlash (engineering), or ''play'', non-reversible part of movement * Petroleum play, oil fields with same geological circumstances * Play symbol, in media control devices Film * ''Play'' (2005 film), Chilean film directed by Alicia Scherson * ''Play'', a 2009 short film directed by David Kaplan * ''Play'' (2011 film), a Swedish film directed by Ruben Östlund * ''Rush'' (2012 film), an Indian film earlier titled ''Play'' and also known as ''Raftaar 24 x 7'' * ''The Play'' (film), a 2013 Bengali film Literature and publications * ''Play'' (play), written by Samuel Beckett * ''Play'' (''The New York Times'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cuckold
A cuckold is the husband of an adulterous wife; the wife of an adulterous husband is a cuckquean. In biology, a cuckold is a male who unwittingly invests parental effort in juveniles who are not genetically his offspring. A husband who is aware of and tolerates his wife's infidelity is sometimes called a wittol or wittold. History of the term The word ''cuckold'' derives from the cuckoo bird, alluding to its habit of laying its eggs in other birds' nests. The association is common in medieval folklore, literature, and iconography. English usage first appears about 1250 in the medieval debate poem ''The Owl and the Nightingale''. It was characterized as an overtly blunt term in John Lydgate's "Fall of Princes", . Shakespeare's writing often referred to cuckolds, with several of his characters suspecting they had become one. The word often implies that the husband is deceived; that he is unaware of his wife's unfaithfulness and may not know until the arrival or growth o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adultery
Adultery (from Latin ''adulterium'') is extramarital sex that is considered objectionable on social, religious, moral, or legal grounds. Although the sexual activities that constitute adultery vary, as well as the social, religious, and legal consequences, the concept exists in many cultures and is similar in Christianity, Judaism and Islam. Adultery is viewed by many jurisdictions as offensive to public morals, undermining the marriage relationship. Historically, many cultures considered adultery a very serious crime, some subject to severe punishment, usually for the woman and sometimes for the man, with penalties including capital punishment, mutilation, or torture. Such punishments have gradually fallen into disfavor, especially in Western countries from the 19th century. In countries where adultery is still a criminal offense, punishments range from fines to caning and even capital punishment. Since the 20th century, criminal laws against adultery have become controversi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piracy
Piracy is an act of robbery or criminal violence by ship or boat-borne attackers upon another ship or a coastal area, typically with the goal of stealing cargo and other valuable goods. Those who conduct acts of piracy are called pirates, vessels used for piracy are pirate ships. The earliest documented instances of piracy were in the 14th century BC, when the Sea Peoples, a group of ocean raiders, attacked the ships of the Aegean and Mediterranean civilisations. Narrow channels which funnel shipping into predictable routes have long created opportunities for piracy, as well as for privateering and commerce raiding. Historic examples include the waters of Gibraltar, the Strait of Malacca, Madagascar, the Gulf of Aden, and the English Channel, whose geographic structures facilitated pirate attacks. The term ''piracy'' generally refers to maritime piracy, although the term has been generalized to refer to acts committed on land, in the air, on computer networks, and (in scie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cádiz
Cádiz (, , ) is a city and port in southwestern Spain. It is the capital of the Province of Cádiz, one of eight that make up the autonomous community of Andalusia. Cádiz, one of the oldest continuously inhabited cities in Western Europe, was founded by the Phoenicians.Strabo, '' Geographica'' 3.5.5 In the 18th century, the Port in the Bay of Cádiz consolidated as the main harbor of mainland Spain, enjoying the virtual monopoly of trade with the Americas until 1778. It is also the site of the University of Cádiz. Situated on a narrow slice of land surrounded by the sea‚ Cádiz is, in most respects, a typically Andalusian city with well-preserved historical landmarks. The older part of Cádiz, within the remnants of the city walls, is commonly referred to as the Old Town (Spanish: ''Casco Antiguo''). It is characterized by the antiquity of its various quarters (''barrios''), among them ''El Pópulo'', ''La Viña'', and ''Santa María'', which present a marked contr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Margaret Osborne (actress)
Margaret Osborne or Osborn was an English stage actress of the seventeenth centuryLanier p.98 She was a long-standing member of the Duke's Company from 1671, acting at Lincoln's Inn Fields and the Dorset Garden Theatre. She went to Dublin to work at the Smock Alley Theatre in 1677, but returned to the Duke's Company around two years later She subsequently joined the merged United Company in 1682 and was still acting in the 1690s. Selected roles * Alexandra in ''Herod and Mariamne'' by Samuel Pordage (1671) * Cornelia in ''Charles VIII of France'' by John Crowne (1671) * Lady Turnup in ''The Morning Ramble'' by Henry Nevil Payne (1672) * Flora in ''The Fatal Jealousy'' by Henry Nevil Payne (1672) * Old Lady in ''The Duchess of Malfi'' by John Webster (1672) * Mrs Clappam in ''The Careless Lovers'' by Edward Ravenscroft (1673) * Lelia in ''The Reformation'' by Joseph Arrowsmith (1673) * Fredigond in '' Love and Revenge'' by Elkanah Settle (1674) * Elvira in ''Abdelazer'' by Aphra Beh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elizabeth Currer
Elizabeth Currer was an Irish stage actress of the Restoration Era. She was a member of the Duke's Company during the 1670s and subsequently part of the merged United Company from 1682. Although she was likely acting in London several years earlier than this, her first known role was in '' The Conquest of China'' in 1675. Due to the irregular spelling of the time her surname is sometimes written as Carrier, Corer and Currier amongst other variants.Highfill, Burnim & Langhans p.98-99 Selected roles * Alcinda in '' The Conquest of China'' by Elkanah Settle (1675) * Betty Frisque in ''The Country Wit'' by John Crowne (1676) * Asteria in ''Ibrahim'' by Elkanah Settle (1676) * Clarinda in '' The Virtuoso'' by Thomas Shadwell (1676) * Mrs Hadland in ''The Counterfeit Bridegroom'' by Aphra Behn (1677) * Lady Fancy in ''Sir Patient Fancy'' by Aphra Behn (1678) * Madame Tricklove in '' Squire Oldsapp'' by Thomas Durfey (1678) * Marcella in ''The Feign'd Curtizans'' by Aphra Behn (1679) * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cave Underhill
Cave Underhill (1634–1710?) was an English actor in comedy roles. Underhill entertained three generations of London theatre-goers. For over 40 years, as a member of the Duke's Company, Underhill played the first Gravedigger in ''Hamlet''. He was also successful in playing Gregory in ''Romeo and Juliet'', the clown in ''Twelfth Night'', and Trinculo in '' The Tempest''. Early life The son of Nicholas Underhill, a clothworker, he was born in St. Andrew's parish, Holborn, London, on 17 March 1634, and was admitted to Merchant Taylors' School in January 1645. He became first a member of the acting company which was gathered by John Rhodes. around Thomas Betterton. He was then recruited for Sir William D'Avenant and the Duke of York's company at the theatre in Lincoln's Inn Fields. In 1663 he was fined in an assault case, with Betterton and James Noke. Stage career The first character to which Underhill's name appears is Sir Morglay Thwack in D'Avenant's comedy ''The Wits'', re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dorset Garden Theatre
The Dorset Garden Theatre in London, built in 1671, was in its early years also known as the Duke of York's Theatre, or the Duke's Theatre. In 1685, King Charles II died and his brother, the Duke of York, was crowned as James II. When the Duke became King, the theatre became the Queen's Theatre in 1685, referring to James' second wife, Mary of Modena. The name remained when William III and Mary II came to the throne in 1689. It was the fourth home of the Duke's Company, one of the two patent theatre companies in Restoration London, and after 1682 continued to be used by the company's successor, the United Company. It was demolished in 1709. Background After years of being banned during the Interregnum, theatre performances were again permitted on the Restoration of Charles II with the grant of Letters Patent to two companies to perform "legitimate drama" in London. The Duke's Company was patronised by the Duke of York (later James II); the other patent theatre company, t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Bright (actor)
George Bright was an English stage actor of the seventeenth and early eighteenth century. He specialised in playing "comic dullards, fops and bouncy servants".Hughes p.197 After beginning his career in Dublin he joined the Duke's Company at the Dorset Garden Theatre in 1679 and then became part of the merged United Company in 1682. Selected roles * Ajax in ''Troilus and Cressida'' by John Dryden (1679) * Glisten in '' The Revenge'' by Aphra Behn (1680) * Baltazer in ''The False Count'' by Aphra Behn (1681) * Slouch in ''The Royalist'' by Thomas D'Urfey (1682) * Sheriff in '' The Duke of Guise'' by John Dryden (1682) * Farmer in ''Dame Dobson'' by Edward Ravenscroft (1683) * Martin in ''A Jovial Crew'' by Richard Brome (1683) * Howdee in ''The Northern Lass'' by Richard Brome (1684) * Captain Hackum in ''The Squire of Alsatia'' by Thomas Shadwell (1688) * Dullman in ''The Widow Ranter'' by Aphra Behn (1689) * Don Pedro in ''The Successful Strangers'' by William Mountfort (1690) * D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
