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The Fabulous Shirley Bassey
''The Fabulous Shirley Bassey'' is the third studio album by Welsh singer Shirley Bassey, and her first for Columbia Records. It was recorded with Geoff Love and his orchestra, and peaked at #12 in the UK album chart in early 1961. Released in 1959, this was the first studio album from Shirley Bassey with completely new material. Her two previous albums issued on the Philips label were collections of new recordings and previously released material, recorded between 1956 and 1958. The album was issued in mono and stereo. In 1997 the Dutch company Disky Records issued a 2-CD set entitled ''Original Gold'', four tracks from the album "A Foggy Day in London Town", "April In Paris", "The Man That Got Away" and "They Can't Take that Away from Me" were included, all were previously unavailable on CD at this time. EMI at Abbey Road, London provided the mono masters, instead of stereo, for this release. Unlike other artists, such as Cliff Richard and the Beatles, EMI has not re-issued any ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Studio Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
April In Paris (song)
"April in Paris" is a popular song composed by Vernon Duke with lyrics by Yip Harburg in 1932 for the Broadway musical '' Walk a Little Faster''. The original 1933 hit was performed by Freddy Martin, and the 1952 remake (inspired by the movie of the same name) was by the Sauter-Finegan Orchestra, whose version made the Cashbox Top 50. Composer Alec Wilder writes, "There are no two ways about it: this is a perfect theater song. If that sounds too reverent, then I'll reduce the praise to 'perfectly wonderful,' or else say that if it's not perfect, show me why it isn't." Recordings Count Basie version Count Basie's 1955 recording on the album of the same name is the most famous, and that particular performance was inducted into the Grammy Hall of Fame. The arrangement was by Wild Bill Davis. On this recording, trumpeter Thad Jones played his famous "Pop Goes the Weasel" solo, trombonist Benny Powell performed his much noted bridge, and Basie directs the band to play the shout ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
They Can't Take That Away From Me
"They Can't Take That Away from Me" is a 1937 popular song with music by George Gershwin and lyrics by Ira Gershwin. It was introduced by Fred Astaire in the 1937 film ''Shall We Dance'' and gained huge success. Overview The song is performed by Astaire on the lonely foggy deck of a ferry from New Jersey to Manhattan. It is sung to Ginger Rogers, who remains silent listening throughout. No dance sequence follows, which was unusual for the Astaire-Rogers numbers. Astaire and Rogers did dance to it later in their last movie ''The Barkleys of Broadway'' (1949) in which they played a married couple with marital issues. The song, in the context of ''Shall We Dance'', notes some of the things that Peter (Astaire) will miss about Linda (Rogers). The lyrics include "the way you wear your hat, the way you sip your tea", and "the way you hold your knife, the way we danced till three". Each verse is followed by the line "no, no, they can't take that away from me". The basic meaning of the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carroll Coates
Carroll Coates (born 23 September 1929 in Old Bridge, Huntingdon, England) is a songwriter, composer and lyricist whose works have been produced commercially from the 1950s to the 1990s. His songs have been recorded by Frank Sinatra, Carmen McRae, Tony Bennett, Sarah Vaughan, Shirley Horn, Mel Tormé, Nancy Wilson and others. His jazz ballad "You'll See" has been recorded by more than a dozen artists. Coates has written at least nine songs for film, including ''Sunday in New York''. Biography In 1996, he reportedly lived in the San Francisco Bay Area. Following Sarah Vaughan's death in April 1990, Coates composed a song in tribute to her, called "Sarah". In a tribute concert for Sarah Vaughan on 25 June 1991, the Shirley Horn Trio performed "Sarah". Reviewing the concert, ''The New York Times'' reported: :Carroll Coates's affectionate tribute...praises Vaughan as one who "could do more with a melody than a hip whippoorwill." The final verse imagines Vaughan in heaven, in a quar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
You'd Be So Easy To Love
"(You'd Be So) Easy to Love" is a popular song written by Cole Porter for William Gaxton to sing in the 1934 Broadway show ''Anything Goes''. However Gaxton was unhappy about its wide vocal range and it was cut from the musical. Porter re-wrote it for the 1936 film ''Born to Dance'', where it was introduced by Eleanor Powell, James Stewart, and Frances Langford under its alternate title, "Easy to Love". The song was later added to the 1987 and 2011 revivals of ''Anything Goes'' under the complete title "You’d Be So Easy to Love". Early hit versions were by Shep Fields, Frances Langford and Ray Noble. Other Notable recordings * Shep Fields - recorded with his Rippling Rhythm Orchestra (1936) *Billie Holiday - ''Quintessential Billie Holiday: Vol. II'' (1936) (recorded with Teddy Wilson and His Orchestra, October 21, 1936). *Josephine Baker - ''C'est si facile de vous aimer'' (1937) *Maxine Sullivan - recorded for Vocalion on October 22, 1937. *Lee Wiley - recorded April 15, 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Patricia Johnston
"I'll Remember April" is a popular song and jazz standard with music written in 1941 by Gene de Paul, and lyrics by Patricia Johnston and Don Raye. It made its debut in the 1942 Abbott and Costello comedy '' Ride 'Em Cowboy'', being sung by Dick Foran. The lyric uses the seasons of the year metaphorically to illustrate the growth and death of a romance. The lyric also uses the ideas of the hours in a day and the flames of a fire to illustrate a relationship growing stronger and subsequently losing strength. Another interpretation is the use of spring (the month of April) to express the loves that were had in youth and remember them when the autumn of life arrives with affection and nostalgia, smiling: "I'll remember April and I smile". The song has been described as one which makes use of nostalgia. Since then, a number of artists have covered the song as listed below. One of the most notable live renditions of the song is a radio performance by Judy Garland, on a broadcast of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gene De Paul
Gene Vincent de Paul (June 17, 1919 – February 27, 1988) was an American pianist, composer and songwriter. Biography Born in New York City, he served in the United States Army during World War II. He was married to Billye Louise Files (November 23, 1924 – January 30, 1977) of Jack County, Texas. He joined the American Society of Composers, Authors and Publishers (ASCAP) in 1941, and went on to compose the music for many motion pictures. He was nominated (with Don Raye) for an Academy Award for Best Music, Original Song in 1942 for the song "Pig Foot Pete" from the movie '' Hellzapoppin''. The song actually was not included in that movie, but in the 1941 feature, ''Keep 'Em Flying'', and was thus ineligible for the nomination and award. The award was given to " White Christmas". De Paul collaborated with Johnny Mercer, Don Raye, Carolyn Leigh, Charles Rinker and others at Universal Studios, Walt Disney Studios and other Hollywood companies. De Paul composed the 1953 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Raye
Don Raye (born Donald MacRae Wilhoite Jr., March 16, 1909 – January 29, 1985) was an American songwriter, best known for his songs for The Andrews Sisters such as "Beat Me Daddy, Eight to the Bar", " The House of Blue Lights", "Just for a Thrill" and "Boogie Woogie Bugle Boy." The latter was co-written with Hughie Prince. While known for such wordy novelty numbers, he also wrote the lyrics to "You Don't Know What Love Is," a simple, poetic lament of unusual power. He also composed the song "(That Place) Down the Road a Piece," one of his boogie woogie songs, which has a medium bright boogie tempo. It was written for the Will Bradley Orchestra, who recorded it in 1940, but the song was destined to become a rock and roll standard, recorded by The Rolling Stones, Chuck Berry, Jerry Lee Lewis, Foghat, Amos Milburn, Harry Gibson, and countless others. In 1940, he wrote the lyrics for the patriotic song "This Is My Country". In 1985, Don Raye was inducted into the Songwriters Hall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I'll Remember April (song)
"I'll Remember April" is a popular song and jazz standard with music written in 1941 by Gene de Paul, and lyrics by Patricia Johnston and Don Raye. It made its debut in the 1942 Abbott and Costello comedy '' Ride 'Em Cowboy'', being sung by Dick Foran. The lyric uses the seasons of the year metaphorically to illustrate the growth and death of a romance. The lyric also uses the ideas of the hours in a day and the flames of a fire to illustrate a relationship growing stronger and subsequently losing strength. Another interpretation is the use of spring (the month of April) to express the loves that were had in youth and remember them when the autumn of life arrives with affection and nostalgia, smiling: "I'll remember April and I smile". The song has been described as one which makes use of nostalgia. Since then, a number of artists have covered the song as listed below. One of the most notable live renditions of the song is a radio performance by Judy Garland, on a broadcast of ''Lux ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
'S Wonderful
"S Wonderful" is a 1927 popular song composed by George Gershwin, with lyrics written by Ira Gershwin. It was introduced in the Broadway musical ''Funny Face'' (1927) by Adele Astaire and Allen Kearns. The song is considered a standard and has been recorded by many artists, especially jazz artists. In 1928, Adele Astaire, who introduced the song on stage the previous year, recorded one of the earliest versions with Bernard Clifton. The most successful recordings in 1928 were however by Frank Crumit and by the Ipana Troubadors. Other recordings Other vocal versions include those of Bing Crosby (recorded in 1954 for use on his radio show and it was subsequently included in the box set ''The Bing Crosby CBS Radio Recordings (1954-56)'' issued by Mosaic Records (catalog MD7-245) in 2009.), Sun Ra, Brian Wilson, Anita O'Day, Gene Kelly, Ella Fitzgerald (for her album ''Ella Fitzgerald Sings the George and Ira Gershwin Song Book''), Michael Feinstein (for his album ''Pure Gershwin''), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harold Arlen
Harold Arlen (born Hyman Arluck; February 15, 1905 – April 23, 1986) was an American composer of popular music, who composed over 500 songs, a number of which have become known worldwide. In addition to composing the songs for the 1939 film '' The Wizard of Oz'' (lyrics by Yip Harburg), including " Over the Rainbow", Arlen is a highly regarded contributor to the Great American Songbook. "Over the Rainbow" was voted the 20th century's No. 1 song by the RIAA and the NEA. Life and career Arlen was born in Buffalo, New York, the child of a Jewish cantor. His twin brother died the next day. He learned to play the piano as a youth, and formed a band as a young man. He achieved some local success as a pianist and singer before moving to New York City in his early twenties, where he worked as an accompanist in vaudeville and changed his name to Harold Arlen. Between 1926 and about 1934, Arlen appeared occasionally as a band vocalist on records by The Buffalodians, Red Nichols, Joe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Man That Got Away
"The Man that Got Away" is a torch song, published in 1953 and written for the 1954 version of the film '' A Star Is Born.'' The music was written by Harold Arlen, and the lyrics by Ira Gershwin. In 1954, it was nominated for the Academy Award for Best Original Song. In 2004, Judy Garland's performance of the song was selected by the American Film Institute as the eleventh greatest song in American cinema history. Composition "The Man That Got Away" was one of several songs composed by Harold Arlen and Ira Gershwin for the 1954 film '' A Star is Born'', a vehicle for Judy Garland, whom Arlen had already provided with the career-defining songs " Over the Rainbow" and " Get Happy". Arlen and Gershwin would collaborate on songs for ''A Star is Born'' afternoons at Gershwin's Beverly Hills mansion, Arlen being seated at a Steinway while Gershwin would work on the lyrics seated at a card table. "The Man That Got Away" was written in response to screenwriter Moss Hart's request for a " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
