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The Essential Clash
''The Essential Clash'' is a career-spanning greatest hits album by The Clash first released in 2003. It is part of the ongoing 'The Essential' Sony BMG compilation series. The album is dedicated to Joe Strummer, who died during its compilation. The "This Is Radio Clash" track The B-side recording " Radio Clash" was released on the US version of this album with the incorrect A-side title of "This Is Radio Clash". The B-side is a remix of the A-side with additional lyrics. Both tracks have the same length. Reception * ''Spin'' (6/03, p. 104) – "These two discs are a pretty hot crib sheet....The first 11 cuts are a shuffle mix of highlights from the U.S. and U.K. versions of 1977's incendiary The Clash, and if they don't inspire you to punch holes in the plaster, you're too well-adjusted." * ''Uncut'' (5/03, p. 114) – 4 stars out of 5 – "They never lost sight of Britain's strange mix of supermarket torpor and multicultural high energy." *Charlotte Robinson on Popma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Clash
The Clash were an English rock band formed in London in 1976 who were key players in the original wave of British punk rock. Billed as "The Only Band That Matters", they also contributed to the and new wave movements that emerged in the wake of punk and employed elements of a variety of genres including reggae, dub, funk, ska, and rockabilly. For most of their recording career, the Clash consisted of lead vocalist and rhythm guitarist Joe Strummer, lead guitarist and vocalist Mick Jones, bassist Paul Simonon, and drummer Nicky "Topper" Headon. Headon left the group in 1982 due to internal friction surrounding his increasing heroin addiction. Further internal friction led to Jones' departure the following year. The group continued with new members, but finally disbanded in early 1986. The Clash achieved critical and commercial success in the United Kingdom with the release of their self-titled debut album, ''The Clash'' (1977) and their second album, ''Give 'Em Enough ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Remix
A remix (or reorchestration) is a piece of media which has been altered or contorted from its original state by adding, removing, or changing pieces of the item. A song, piece of artwork, book, video, poem, or photograph can all be remixes. The only characteristic of a remix is that it appropriates and changes other materials to create something new. Most commonly, remixes are a subset of audio mixing in music and song recordings. Songs may be remixed for a large variety of reasons: * to adapt or revise a song for radio or nightclub play * to create a stereo or surround sound version of a song where none was previously available * to improve the fidelity of an older song for which the original master has been lost or degraded * to alter a song to suit a specific music genre or radio format * to use some of the original song's materials in a new context, allowing the original song to reach a different audience * to alter a song for artistic purposes * to provide additional version ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I'm So Bored With The USA
"I'm So Bored with the U.S.A." is a song by British punk rock band the Clash, featured on their critically acclaimed 1977 debut album, which was released in the United States in July 1979 as their second album after ''Give 'Em Enough Rope''. It was the album's third track in the original version and second in the US version. Song information The song was originally titled "I'm So Bored With You",Related news articles: * a song written by Mick Jones. According to Keith Topping's book ''The Complete Clash'', the song was about Jones's girlfriend at the time, the same woman who was the topic of "Deny". According to the story often told by the song's authors Joe Strummer and Jones, including on the documentary ''Westway to the World'', the change came about by Strummer mishearing the song's title when Jones played it to him during their first meeting at their Davies Road squat. The band's early recordings, including the popular live bootleg ''5 Go Mad At The Roundhouse'', includ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clash City Rockers
"Clash City Rockers" is a song by English rock band the Clash. It was first released in February 1978 as a single with the B-side " Jail Guitar Doors", the latter a re-worked version of a song from Joe Strummer's pub rock days. "Clash City Rockers" was the second of three non-album singles released between the group's eponymous first album in 1977 and their second album, ''Give 'Em Enough Rope'' (1978). It was later included as the opening track of the belated US version of the band's debut album. Background The song was first played live at Mont De Marsan (Landes, France), in August 1977, and recorded the same year in the band's October and November sessions at CBS Studios. Following an argument at the end of the band's Get Out of Control Tour, Paul Simonon and Mick Jones were not on speaking terms, leaving Joe Strummer as a middle-man, relaying instructions and insults from one to the other. Composition The Clash's first overt attempt at self-mythology, "Clash City Rockers" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Complete Control
"Complete Control" is a song by The Clash, released as a 7" single and featured on the U.S. release of their debut album. Background The song is often cited as one of punk's greatest singles and is a fiery polemic on record companies, managers and the state of punk music itself, the motivation for the song being the band's label (CBS Records) releasing "Remote Control" without asking them, which infuriated the group. ''Stereogum'' described it as "this extraordinary airing of grievances, a desperately catchy cataloguing of the many ills visited upon a young band experiencing its first forays into corporate culture". The song also refers to managers of the time who sought to control their groups–Bernie Rhodes (of The Clash) and Malcolm McLaren (the Sex Pistols)–the song's title is derived from this theme. Bernie Rhodes had arranged a band meeting at the Ship, a pub in Soho's Wardour Street, where he said he wanted "complete control". The track also refers to the band's r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
London's Burning (The Clash Song)
"London's Burning" is a song by The Clash from their eponymous debut album. It is the eighth track in the U.K. version of this album, and the seventh track in the U.S. version, from 1979. It is sung by Joe Strummer (and Mick Jones, with Paul Simonon in the chorus), who starts the song shouting "London's Burning!" two times. The song continues talking about London's automobile traffic, where young people try to get their kicks driving around in their cars through the night, feeling bored and far from happy. This message is clearly seen in the next verse: "I'm up and down the Westway, in an' out the lights What a great traffic system – it's so bright I can't think of a better way to spend the night Than speeding around underneath the yellow lights" The song alludes to the boredom of TV and may also reflect the racial theme often treated by the band, notably in the first verse with the line: "Black or white turn it on, face the new religion". The song's name came from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
White Riot
"White Riot" is a song by English punk rock band the Clash, released as the band's first single in March 1977 and also included on their self-titled debut album. Versions There are two versions of the song: the single version (also appearing on the US version of the album released in 1979), was one of the first songs they recorded at CBS Studio 3 on Whitfield Street in Central London, after signing with CBS Records. However, when they were recording the debut album, they decided to use a demo version of the song that they had recorded earlier in 1976 at Beaconsfield Studios in Buckinghamshire with Julien Temple. The rest of the demo tracks would eventually be released on the '' Sound System'' compilation album. The album version has a running time of 1:58 and starts with Mick Jones counting off "1-2-3-4". The single version begins with the sound of a police siren and has a running time of 1:55. Composition Lyrically, the song is about class economics and race and thus pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mick Jones (The Clash)
Michael Geoffrey Jones (born 26 June 1955) is a British musician, singer, songwriter, and record producer best known as the lead guitarist, co-lead vocalist, co-founder and songwriter for the Clash until 1983. In 1984, he formed Big Audio Dynamite with Don Letts. Jones has played with the band Carbon/Silicon along with Tony James (formerly of Generation X and Sigue Sigue Sputnik) since 2002 and was part of the Gorillaz live band for a world tour in 2010–2011. In late 2011, Jones collaborated with Pete Wylie and members of the Farm to form the Justice Tonight Band. Early life Michael Geoffrey Jones was born on 26 June 1955 in Wandsworth, London, England, to a Welsh father, Tommy Jones, and a Russian Jewish mother, Renee Zegansky. Jones' maternal grandmother Stella was born in 1899 to Jewish parents in Russia and escaped the Russian pogroms by migrating to the United Kingdom. He spent much of his early life living with his maternal grandmother, Stella Class, in South Lond ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Popmatters
''PopMatters'' is an international online magazine of cultural criticism that covers aspects of popular culture. ''PopMatters'' publishes reviews, interviews, and essays on cultural products and expressions in areas such as music, television, films, books, video games, comics, sports, theater, visual arts, travel, and the Internet. History ''PopMatters'' was founded by Sarah Zupko, who had previously established the cultural studies academic resource site PopCultures. ''PopMatters'' launched in late 1999 as a sister site providing original essays, reviews and criticism of various media products. Over time, the site went from a weekly publication schedule to a five-day-a-week magazine format, expanding into regular reviews, features, and columns. In the fall of 2005, monthly readership exceeded one million. From 2006 onward, ''PopMatters'' produced several syndicated newspaper columns for McClatchy-Tribune News Service. By 2009 there were four different pop culture related col ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uncut Magazine
''Uncut'' is a monthly magazine based in London. It is available across the English-speaking world, and focuses on music, but also includes film and books sections. A DVD magazine under the ''Uncut'' brand was published quarterly from 2005 to 2006. The magazine was acquired in 2019 by Singaporean music company BandLab Technologies, and has been published by NME Networks since December 2021. ''Uncut'' (main magazine) ''Uncut'' was launched in May 1997 by IPC as "a monthly magazine aimed at 25- to 45-year-old men that focuses on music and movies", edited by Allan Jones (former editor of ''Melody Maker''). Jones has stated that " e idea for Uncut came from my own disenchantment about what I was doing with ''Melody Maker''. There was a publishing initiative to make the audience younger; I was getting older and they wanted to take the readers further away from me", specifically referring to the then dominant Britpop genre. According to IPC Media, 86% of the magazine's readers are mal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spin Magazine
''Spin'' (stylized in all caps) is an American music magazine founded in 1985 by publisher Bob Guccione, Jr. Now owned by Next Management Partners, the magazine is an online publication since it stopped issuing a print edition in 2012. History Early history ''Spin'' was established in 1985 by Bob Guccione, Jr. In August 1987, the publisher announced it would stop publishing ''Spin'', but Guccione Jr. retained control of the magazine and partnered with former MTV president David H. Horowitz to quickly revive the magazine. During this time, it was published by Camouflage Publishing with Guccione Jr. serving as president and chief executive and Horowitz as investor and chairman. In its early years, ''Spin'' was known for its narrow music coverage with an emphasis on college rock, grunge, indie rock, and the ongoing emergence of hip-hop, while virtually ignoring other genres, such as country and metal. It pointedly provided a national alternative to ''Rolling Stone's'' mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rolling Stone
''Rolling Stone'' is an American monthly magazine that focuses on music, politics, and popular culture. It was founded in San Francisco, San Francisco, California, in 1967 by Jann Wenner, and the music critic Ralph J. Gleason. It was first known for its coverage of rock music and political reporting by Hunter S. Thompson. In the 1990s, the magazine broadened and shifted its focus to a younger readership interested in youth-oriented television shows, film actors, and popular music. It has since returned to its traditional mix of content, including music, entertainment, and politics. The first magazine was released in 1967 and featured John Lennon on the cover and was published every two weeks. It is known for provocative photography and its cover photos, featuring musicians, politicians, athletes, and actors. In addition to its print version in the United States, it publishes content through Rollingstone.com and numerous international editions. Penske Media Corporation is the c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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