The Entombment (Bouts)
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The Entombment (Bouts)
''The Entombment'' is a glue-size painting on linen attributed to the Early Netherlandish painter Dieric Bouts. It shows a scene from the biblical entombment of Christ, and was probably completed between 1440 and 1455Koch, 509 as a wing panel for a large hinged polyptych altarpiece. The now-lost altarpiece is thought to have contained a central crucifixion scene flanked by four wing panel works half its height – two on either side – depicting scenes from the life of Christ. The smaller panels would have been paired in a format similar to Bouts's 1464–1468 '' Altarpiece of the Holy Sacrament''. The larger work was probably commissioned for export to Italy, possibly to a Venetian patron whose identity is lost.Campbell, 44 ''The Entombment'' was first recorded in a mid-19th century Milan inventory and has been in the National Gallery, London, since its purchase on the gallery's behalf by Charles Lock Eastlake in 1861. The painting is an austere but affecting port ...
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Mary Of Clopas
According to the Gospel of John, Mary of Clopas ( grc, Μαρία ἡ τοῦ Κλωπᾶ, ''María hē tou Clōpá'') was one of the women present at the crucifixion of Jesus and bringing supplies for his funeral. The expression ''Mary of Clopas'' in the Greek text is ambiguous as to whether Mary was the daughter or wife of Clopas, but exegesis has commonly favoured the reading "wife of Clopas". Hegesippus identified Clopas as a brother of Saint Joseph. In the ''Roman Martyrology'' she is remembered with Saint Salome on April 24. Along with Mary Magdalene and Mary, mother of James, Mary of Clopas is known as one of the Three Marys at the tomb of Jesus. Her relics are said to be in France at the Church of the Saintes Maries de la Mer. Appearances in the gospels Mary of Clopas is explicitly mentioned only in John 19:25, where she is among the women present at the crucifixion of Jesus: The Gospels of Mark and Matthew each include similar passages that are nearly identical t ...
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Tabard
A tabard is a type of short coat that was commonly worn by men during the late Middle Ages and early modern period in Europe. Generally worn outdoors, the coat was either sleeveless or had short sleeves or shoulder pieces. In its more developed form it was open at the sides, and it could be worn with or without a belt. Though most were ordinary garments, often work clothes, tabards might be emblazoned on the front and back with a heraldry, coat of arms (livery), and in this form they survive as the distinctive garment of Officer of Arms, officers of arms. In modern British English, British usage, the term has been revived for what is known in American English as a Apron#Tabard, cobbler apron: a lightweight open-sided upper overgarment, of similar design to its medieval and heraldic counterpart, worn in particular by workers in the catering, cleaning and healthcare industries as Personal protective equipment, protective clothing, or outdoors by those requiring high-visibility clo ...
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Mantle (clothing)
__NOTOC__ A mantle (from old French ''mantel'', from ''mantellum'', the Latin term for a cloak) is a type of loose garment usually worn over indoor clothing to serve the same purpose as an overcoat. Technically, the term describes a long, loose cape-like cloak worn from the 12th to the 16th century by both sexes, although by the 19th century, it was used to describe any loose-fitting, shaped outer garment similar to a cape. For example, the dolman, a 19th-century cape-like woman's garment with partial sleeves is often described as a mantle. In English, the idiom "to take up/pick up/assume the mantle" is from the Bible, and means to take a position of authority, leadership or responsibility in a particular area, especially in the sense of carrying on for a previous figure. The most notable appearance in the Bible is in 2 Kings 2:13, where Elisha takes up Elijah's mantle ( ''’addereṯ''). Mantelets A variation on the mantle is the mantelet (also spelled mantelot and mantlet ...
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Mary (mother Of Jesus)
Mary; arc, ܡܪܝܡ, translit=Mariam; ar, مريم, translit=Maryam; grc, Μαρία, translit=María; la, Maria; cop, Ⲙⲁⲣⲓⲁ, translit=Maria was a first-century Jewish woman of Nazareth, the wife of Joseph and the mother of Jesus. She is a central figure of Christianity, venerated under various titles such as virgin or queen, many of them mentioned in the Litany of Loreto. The Eastern and Oriental Orthodox, Church of the East, Catholic, Anglican, and Lutheran churches believe that Mary, as mother of Jesus, is the Mother of God. Other Protestant views on Mary vary, with some holding her to have considerably lesser status. The New Testament of the Bible provides the earliest documented references to Mary by name, mainly in the canonical Gospels. She is described as a young virgin who was chosen by God to conceive Jesus through the Holy Spirit. After giving birth to Jesus in Bethlehem, she raised him in the city of Nazareth in Galilee, and was in Jerusal ...
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Simon The Pharisee
Simon was a Pharisee mentioned in the Gospel of Luke (Luke 7:36-50) as the host of a meal, who invited Jesus to eat in his house but failed to show him the usual marks of hospitality offered to visitors - a greeting kiss (v. 45), water to wash his feet (v. 44), or oil for his head (v. 46). During the meal, a tearful woman identified as a sinner anointed Jesus' feet. He contrasted her faith and care with Simon's failure to show common decency, and accused him of being forgiven little and (in consequence) loving little (v. 47). The preceding sections of Luke's gospel took place in Capernaum and in Nain, both in Galilee, suggesting Simon also lived in Galilee. Simon the Pharisee is not mentioned in the other canonical gospels, but there are similarities between this Simon and Simon the leper mentioned in Matthew's Gospel (Matt 26:6-13) and Mark's Gospel (Mk 14:3-9), not least the same name occurring. Because of these similarities, efforts have been made to reconcile the events and ...
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Pharisees
The Pharisees (; he, פְּרוּשִׁים, Pərūšīm) were a Jewish social movement and a school of thought in the Levant during the time of Second Temple Judaism. After the destruction of the Second Temple in 70 CE, Pharisaic beliefs became the foundational, liturgical, and ritualistic basis for Rabbinic Judaism. Conflicts between Pharisees and Sadducees took place in the context of much broader and longstanding social and religious conflicts among Jews, made worse by the Roman conquest. One conflict was cultural, between those who favored Hellenization (the Sadducees) and those who resisted it (the Pharisees). Another was juridical-religious, between those who emphasized the importance of the Temple with its rites and services, and those who emphasized the importance of other Mosaic Laws. A specifically religious point of conflict involved different interpretations of the Torah and how to apply it to current Jewish life, with Sadducees recognizing only the Written Torah ...
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Crown Of Thorns
According to the New Testament, a woven crown of thorns ( or grc, ἀκάνθινος στέφανος, akanthinos stephanos, label=none) was placed on the head of Jesus during the events leading up to his crucifixion. It was one of the instruments of the Passion, employed by Jesus' captors both to cause him pain and to mock his claim of authority. It is mentioned in the gospels of Matthew (Matthew 27:29), Mark (Mark 15:17) and John (John 19:2, 19:5), and is often alluded to by the early Church Fathers, such as Clement of Alexandria, Origen and others, along with being referenced in the apocryphal Gospel of Peter. Since at least around the year 400 AD, a relic believed by many to be the crown of thorns has been venerated. In 1238, the Latin Emperor Baldwin II of Constantinople yielded the relic to French King Louis IX. It was kept in the Notre-Dame Cathedral in Paris until 15 April 2019, when it was rescued from a fire and moved to the Louvre Museum. As a relic Jerusalem T ...
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Panel Painting
A panel painting is a painting made on a flat panel of wood, either a single piece or a number of pieces joined together. Until canvas became the more popular support medium in the 16th century, panel painting was the normal method, when not painting directly onto a wall (fresco) or on vellum (used for miniatures in illuminated manuscripts). Wood panels were also used for mounting vellum paintings. History Panel painting is very old; it was a very prestigious medium in Greece and Rome, but only very few examples of ancient panel paintings have survived. A series of 6th century BC painted tablets from Pitsa (Greece) represent the oldest surviving Greek panel paintings. Most classical Greek paintings that were famous in their day seem to have been of a size comparable to smaller modern works – perhaps up to a half-length portrait size. However, for a generation in the second quarter of the fifth-century BC there was a movement, called the "new painting" and led by Polygnotus, fo ...
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Joseph Of Arimathea
Joseph of Arimathea was, according to all four canonical gospels, the man who assumed responsibility for the burial of Jesus after his crucifixion. The historical location of Arimathea is uncertain, although it has been identified with several towns. A number of stories that developed during the Middle Ages connect him with Glastonbury, England and also with the Holy Grail legend. Gospel narratives describes him simply as a rich man and disciple of Jesus, but according to Joseph of Arimathea was "a respected member of the council, who was also himself looking for the kingdom of God"; adds that he "had not consented to their decision and action". According to , upon hearing of Jesus' death, this secret disciple of Jesus "asked Pilate that he might take away the body of Jesus, and Pilate gave him permission." Joseph immediately purchased a linen shroud () and proceeded to Golgotha to take the body of Jesus down from the cross. There, according to , Joseph and Nicodemus took t ...
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