The Enchanted Lake (Lyadov)
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The Enchanted Lake (Lyadov)
''The Enchanted Lake'', Op. 62, is a symphonic poem A symphonic poem or tone poem is a piece of orchestral music, usually in a single continuous movement, which illustrates or evokes the content of a poem, short story, novel, painting, landscape, or other (non-musical) source. The German term ''T ... by Anatoly Lyadov, subtitled "fairy tale scene", dedicated to Nikolai Tcherepnin and premiered on 21 February 1909 in Saint Petersburg under the baton of the dedicatee. On the borders of symbolism and impressionism, ''The Enchanted Lake'' is a single work, not built on a musical theme. André Lischke said of it that "The whole bewitching effect is due to the texture of the instrumentation, to the harmonic metamorphoses, and to the figurations which translate the quivering of the water (divided strings) and the sparkling of the stars which are reflected there (flute, celesta), harp)".François-René Tranchefort, ''Guide to Symphonic Music'', Paris, Fayard, 1986, p. 412 The dura ...
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Opus Number
In musicology, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's production. Opus numbers are used to distinguish among compositions with similar titles; the word is abbreviated as "Op." for a single work, or "Opp." when referring to more than one work. To indicate the specific place of a given work within a music catalogue, the opus number is paired with a cardinal number; for example, Beethoven's Piano Sonata No. 14 in C-sharp minor (1801, nicknamed ''Moonlight Sonata'') is "Opus 27, No. 2", whose work-number identifies it as a companion piece to "Opus 27, No. 1" ( Piano Sonata No. 13 in E-flat major, 1800–01), paired in same opus number, with both being subtitled ''Sonata quasi una Fantasia'', the only two of the kind in all of Beethoven's 32 piano sonatas. Furthermore, the ''Piano Sonata, Op. 27 No. 2, in C-sharp minor'' is also catalogued as "Sonata No. 14", ...
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Symphonic Poem
A symphonic poem or tone poem is a piece of orchestral music, usually in a single continuous movement, which illustrates or evokes the content of a poem, short story, novel, painting, landscape, or other (non-musical) source. The German term ''Tondichtung (tone poem)'' appears to have been first used by the composer Carl Loewe in 1828. The Hungarian composer Franz Liszt first applied the term ''Symphonische Dichtung'' to his 13 works in this vein. While many symphonic poems may compare in size and scale to symphonic movements (or even reach the length of an entire symphony), they are unlike traditional classical symphonic movements, in that their music is intended to inspire listeners to imagine or consider scenes, images, specific ideas or moods, and not (necessarily) to focus on following traditional patterns of musical form such as sonata form. This intention to inspire listeners was a direct consequence of Romanticism, which encouraged literary, pictorial and dramatic ...
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Anatoly Lyadov
Anatoly Konstantinovich Lyadov (russian: Анато́лий Константи́нович Ля́дов; ) was a Russian composer, teacher, and conductor (music), conductor. Biography Lyadov was born in 1855 in Saint Petersburg, St. Petersburg, into a family of eminent Russian musicians. He was taught informally by his conductor step-father Konstantin Lyadov from 1860 to 1868, and then in 1870 entered the Saint Petersburg Conservatory, St. Petersburg Conservatory to study piano and violin. He soon gave up instrumental study to concentrate on counterpoint and fugue, although he remained a fine pianist. His natural musical talent was highly thought of by, among others, Modest Mussorgsky, and during the 1870s he became associated with the group of composers known as The Five (composers), The Five. He entered the composition classes of Nikolai Rimsky-Korsakov, but was expelled for absenteeism in 1876. In 1878 he was readmitted to these classes to help him complete his graduatio ...
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Nikolai Tcherepnin
Nikolai Nikolayevich Tcherepnin (Russian: Николай Николаевич Черепнин; – 26 June 1945) was a Russian composer, pianist, and conductor. He was born in Saint Petersburg and studied under Nikolai Rimsky-Korsakov at the Saint Petersburg Conservatory. He conducted for the first Paris season of Sergei Diaghilev's Ballets Russes. Life Nikolai Tcherepnin was born in 1873 to a well-known and wealthy physician of the same name. The elder Nikolai moved in elite circles of artists including Fyodor Dostoyevsky and Modest Mussorgsky. Young Nikolai's mother died when he was a baby, and when his father remarried, was replaced by an ambivalent stepmother. As a child, Nikolai's father beat him regularly and enforced a general code of strict discipline. At his father's insistence, Nikolai earned a law degree, though during this time he composed steadily. In 1895 he graduated with his degree in law from the University of Saint Petersburg. In 1898, he earned a degre ...
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André Lischke
André Lischke (born 1952 in Paris) is a French musicologist and translator, specialising in Russian classical music. Biography André Lischke was born into a family of Russian immigrant musicians. He began his musical education at the piano. After courses in musical composition, he turned to musicology with Michel Guiomar at the Schola Cantorum, then with Norbert Dufourcq and Yves Gérard at the Conservatoire de Paris, where he obtained his first prize. He specialized in Russian music and passed his doctoral thesis at the Sorbonne with ''Tchaikovski au miroir de ses écrits'' for subject (1996). As a journalist and music critic, he collaborates with magazines such as '' Diapason'', '' L'Avant-scène opéra'' and ''Lyrica''. He is also a producer of radio programs. Between 1989 and 1997, he was artistic director of the record label Le Chant du Monde, a company soon bought over by Harmonia Mundi. Since 2001, André Lischke has been teaching at the University of Evry
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Symphonic Poems
A symphonic poem or tone poem is a piece of orchestral music, usually in a single continuous movement, which illustrates or evokes the content of a poem, short story, novel, painting, landscape, or other (non-musical) source. The German term ''Tondichtung (tone poem)'' appears to have been first used by the composer Carl Loewe in 1828. The Hungarian composer Franz Liszt first applied the term ''Symphonische Dichtung'' to his 13 works in this vein. While many symphonic poems may compare in size and scale to symphonic movements (or even reach the length of an entire symphony), they are unlike traditional classical symphonic movements, in that their music is intended to inspire listeners to imagine or consider scenes, images, specific ideas or moods, and not (necessarily) to focus on following traditional patterns of musical form such as sonata form. This intention to inspire listeners was a direct consequence of Romanticism, which encouraged literary, pictorial and dramatic a ...
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1909 Compositions
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album ''Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by Slipknot. ...
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Music Dedicated To Ensembles Or Performers
Music is generally defined as the art of arranging sound to create some combination of form, harmony, melody, rhythm or otherwise expressive content. Exact definitions of music vary considerably around the world, though it is an aspect of all human societies, a cultural universal. While scholars agree that music is defined by a few specific elements, there is no consensus on their precise definitions. The creation of music is commonly divided into musical composition, musical improvisation, and musical performance, though the topic itself extends into academic disciplines, criticism, philosophy, and psychology. Music may be performed or improvised using a vast range of instruments, including the human voice. In some musical contexts, a performance or composition may be to some extent improvised. For instance, in Hindustani classical music, the performer plays spontaneously while following a partially defined structure and using characteristic motifs. In modal jazz the p ...
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