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The Embarkation Of The Queen Of Sheba
''Seaport with the Embarkation of the Queen of Sheba'' is an oil painting by Claude Lorrain (born Claude Gellée, traditionally known as Claude), in the National Gallery, London, signed and dated 1648. The large oil-on-canvas painting was commissioned by Frédéric Maurice de La Tour d'Auvergne, Duc de Bouillon, general of the Papal army, together with Claude's ''Landscape with the Marriage of Isaac and Rebecca'', also now in the National Gallery. It depicts the departure of the Queen of Sheba to visit King Solomon in Jerusalem, described in the tenth chapter of the First Book of Kings. A more usual subject would be their meeting; this is one of many harbour scenes painted by Claude. The Queen is departing from a city with classical buildings, with the early morning Sun lighting the sea, as vessels are loaded. The composition draws the eye to a group of people on the steps to the right, at the intersection of a line of perspective (the steps) and a strong vertical (the left col ...
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Oil Painting
Oil painting is the process of painting with pigments with a medium of drying oil as the binder. It has been the most common technique for artistic painting on wood panel or canvas for several centuries, spreading from Europe to the rest of the world. The advantages of oil for painting images include "greater flexibility, richer and denser colour, the use of layers, and a wider range from light to dark". But the process is slower, especially when one layer of paint needs to be allowed to dry before another is applied. The oldest known oil paintings were created by Buddhist artists in Afghanistan and date back to the 7th century AD. The technique of binding pigments in oil was later brought to Europe in the 15th century, about 900 years later. The adoption of oil paint by Europeans began with Early Netherlandish painting in Northern Europe, and by the height of the Renaissance, oil painting techniques had almost completely replaced the use of tempera paints in the majority ...
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Vanishing Point
A vanishing point is a point on the image plane of a perspective drawing where the two-dimensional perspective projections of mutually parallel lines in three-dimensional space appear to converge. When the set of parallel lines is perpendicular to a picture plane, the construction is known as one-point perspective, and their vanishing point corresponds to the oculus, or "eye point", from which the image should be viewed for correct perspective geometry.Kirsti Andersen (2007) ''Geometry of an Art'', p. xxx, Springer, Traditional linear drawings use objects with one to three sets of parallels, defining one to three vanishing points. Italian humanist polymath and architect Leon Battista Alberti first introduced the concept in his treatise on perspective in art, '' De pictura'', written in 1435. Vector notation The vanishing point may also be referred to as the "direction point", as lines having the same directional vector, say ''D'', will have the same vanishing point. Mathem ...
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Collections Of The National Gallery, London
Collection or Collections may refer to: * Cash collection, the function of an accounts receivable department * Collection (church), money donated by the congregation during a church service * Collection agency, agency to collect cash * Collections management (museum) ** Collection (museum), objects in a particular field forms the core basis for the museum ** Fonds in archives ** Private collection, sometimes just called "collection" * Collection (Oxford colleges), a beginning-of-term exam or Principal's Collections * Collection (horse), a horse carrying more weight on his hindquarters than his forehand * Collection (racehorse), an Irish-bred, Hong Kong based Thoroughbred racehorse * Collection (publishing), a gathering of books under the same title at the same publisher * Scientific collection, any systematic collection of objects for scientific study Collection may also refer to: Computing * Collection (abstract data type), the abstract concept of collections in computer science ...
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Paintings By Claude Lorrain
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, sy ...
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1648 Paintings
1648 has been suggested as possibly the last year in which the overall human population declined, coming towards the end of a broader period of global instability which included the collapse of the Ming dynasty and the Thirty Years' War, the latter of which ended in 1648 with the Peace of Westphalia. Events January–March * January 15 – Manchu invaders of China's Fujian province capture Spanish Dominican priest Francisco Fernández de Capillas, torture him and then behead him. Capillas will be canonized more than 350 years later in 2000 in the Roman Catholic Church as one of the Martyr Saints of China. * January 15 – Alexis, Tsar of Russia, marries Maria Miloslavskaya, who later gives birth to two future tsars (Feodor III and Ivan V) as well as Princess Sophia Alekseyevna, the regent for Peter I. * January 17 – By a vote of 141 to 91, England's Long Parliament passes the Vote of No Addresses, breaking off negotiations with King Charles I, ...
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Liber Veritatis
The ''Liber Veritatis'', meaning ''Book of Truth'' in Latin, is a book of drawings recording his completed paintings made by Claude Lorrain, known in English as "Claude". Claude was a landscape painter in Rome, who began keeping this record in 1635/6, as he began to be highly successful, and maintained it until his death in 1682. The book is now in the British Museum, and was owned by the Dukes of Devonshire from the 1720s until 1957. It was reproduced in print form from 1774 to 1777 by Richard Earlom and had a considerable influence on British landscape art. The title ''Liber Veritatis'' was apparently invented for these reproductions, but is now also used for the original. The drawings, like most by Claude, combine pen and wash (watercolour), the latter brown or grey, and often both. There are often highlights added in white bodycolour, and less often touches in other colours, such as gold and blue. The original book was a sketchbook made up of alternating groups of white a ...
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Frances Lincoln Ltd
The Quarto Group is a global illustrated book publishing group founded in 1976. It is domiciled in the United States and listed on the London Stock Exchange. Quarto creates and sells illustrated books for adults and children, across 50 countries and in 40 languages through a variety of traditional and non-traditional channels. Quarto employs c.330 people in eight offices in London, Brighton, New York City, Boston, Seattle, Southern California and Hong Kong. In July 2020, its publication ''This Book Is Anti-Racist'' by Tiffany Jewell reached the Number 1 position on The New York Times bestseller list. The group was established by co-founders Laurence Orbach and Robert Morley and was listed on the London Stock Exchange in 1986. Laurence Orbach was chairman and CEO until November 2012, when he was replaced as chairman by Tim Chadwick and Marcus Leaver as CEO. Chuk Kin Lau, the principal shareholder, became Group CEO in July 2018. In February 2020, the Italian publisher, Giunti t ...
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Dido Building Carthage
''Dido building Carthage, or The Rise of the Carthaginian Empire'' is an oil on canvas painting by J. M. W. Turner. The painting is one of Turner's most important works, greatly influenced by the luminous classical landscapes of Claude Lorrain. Turner described it as his chef d'oeuvre. First exhibited at the Royal Academy summer exhibition in 1815, Turner kept the painting until he left it to the nation in the Turner Bequest. It has been held by the National Gallery in London since 1856. The subject is a classical landscape taken from Virgil's ''Aeneid''. The figure in blue and white on the left is Dido, directing the builders of the new city of Carthage. The figure in front of her, wearing armour and facing away from the viewer, may be her Trojan lover Aeneas. Some children are playing with a flimsy toy boat in the water, symbolising the growing but fragile naval power of Carthage, while the tomb of her dead husband Sychaeus, on the right side of the painting, on the ...
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John Julius Angerstein
John Julius Angerstein (1735 – 22 January 1823) was a London businessman and Lloyd's underwriter, a patron of the fine arts and a collector. It was the prospect that his collection of paintings was about to be sold by his estate in 1824 that suddenly galvanised the King, George IV, and the prime minister, Lord Liverpool, into purchasing his collection for the nation and led to the founding of the British National Gallery in Angerstein's house at 100 Pall Mall. Parentage John Julius Angerstein was born in St Petersburg, Russia, in 1735. It has wrongly been suggested that he was a natural son of Empress Catherine II or of Elizabeth, Empress of Russia. Family tradition holds that his true parents were Empress Anna of Russia and the London businessman Andrew Poulett Thompson; his first position after arriving in London at the age of fifteen was in Thompson's counting-house. Family In 1771 Angerstein married Anna Crockett (widow of Charles Crockett and daughter of Henry Mu ...
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Books Of Kings
The Book of Kings (, '' Sēfer Məlāḵīm'') is a book in the Hebrew Bible, found as two books (1–2 Kings) in the Old Testament of the Christian Bible. It concludes the Deuteronomistic history, a history of Israel also including the books of Joshua, Judges and Samuel. Biblical commentators believe the Books of Kings were written to provide a theological explanation for the destruction of the Kingdom of Judah by Babylon in c. 586 BCE and to provide a foundation for a return from Babylonian exile.Sweeney, p1/ref> The two books of Kings present a history of ancient Israel and Judah, from the death of King David to the release of Jehoiachin from imprisonment in Babylon—a period of some 400 years (). Scholars tend to treat the books as consisting of a first edition from the late 7th century BCE and of a second and final edition from the mid-6th century BCE.Fretheim, p. 7 Contents The Jerusalem Bible divides the two Books of Kings into eight sections: *1 Kings 1:1 ...
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Claude Lorrain
Claude Lorrain (; born Claude Gellée , called ''le Lorrain'' in French; traditionally just Claude in English; c. 1600 – 23 November 1682) was a French painter, draughtsman and etcher of the Baroque era. He spent most of his life in Italy, and is one of the earliest important artists, apart from his contemporaries in Dutch Golden Age painting, to concentrate on landscape painting. His landscapes are usually turned into the more prestigious genre of history paintings by the addition of a few small figures, typically representing a scene from the Bible or classical mythology. By the end of the 1630s he was established as the leading landscapist in Italy, and enjoyed large fees for his work. His landscapes gradually became larger, but with fewer figures, more carefully painted, and produced at a lower rate.Kitson, 6 He was not generally an innovator in landscape painting, except in introducing the sun and streaming sunlight into many paintings, which had been rare befor ...
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1 Kings 10
1 Kings 10 is the tenth chapter of the Books of Kings in the Hebrew Bible or the First Book of Kings in the Old Testament of the Christian Bible. The book is a compilation of various annals recording the acts of the kings of Israel and Judah by a Deuteronomic compiler in the seventh century BCE, with a supplement added in the sixth century BCE. This chapter belongs to the section focusing on the reign of Solomon over the unified kingdom of Judah and Israel (1 Kings 1 to 11). The focus of this chapter is the Solomon's achievements. Text This chapter was originally written in the Hebrew language and since the 16th century is divided into 29 verses. Textual witnesses Some early manuscripts containing the text of this chapter in Hebrew are of the Masoretic Text tradition, which includes the Codex Cairensis (895), Aleppo Codex (10th century), and Codex Leningradensis (1008). There is also a translation into Koine Greek known as the Septuagint, made in the last few centuries BCE. Ext ...
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