The Eleventh-Hour Shine-On
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The Eleventh-Hour Shine-On
''The Eleventh-Hour Shine-On'' is an album by the free jazz ensemble Universal Congress Of. It was released in 1992 through Enemy Records. "Broad Way Blues" is a cover of the Ornette Coleman song. Critical reception The ''Los Angeles Times'' wrote: "Their rough, occasionally ragged style is tempered by an awareness of their limitations, the tart blend of Joe Baiza's guitar and Steve Moss' tenor, and a particular flair for slow grooves such as 'Gaetasaurus'." Track listing Personnel ;Universal Congress Of * Joe Baiza – guitar, vocals, production, illustrations *Steve Gaeta – bass guitar *A.P. Gonzalez – drums * Steve Moss – tenor saxophone, vocals and harp on "Mud Man Blues" ;Additional musicians and production *Thomas Brick – mastering *Rick Cox – tenor saxophone *Danny Frankel – percussion *David Gaeta – congas on "Gaetasaurus" and "Full-Bodied Naked Hug" *Konan Kelley – engineering *Michael Knuth  ...
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Universal Congress Of
Universal Congress Of are an American jazz ensemble from Los Angeles, formed in 1986. History The project was started by Joe Baiza and continued to develop his own fusion of free jazz and punk rock after his previous band, Saccharine Trust, went on hiatus. Congress' approach to free jazz has earned them comparisons to Ornette Coleman and James Blood Ulmer, while the group themselves have pointed to Albert Ayler as a primary source of inspiration. The band's name was chosen "to reflect the open-ended nature of its music." The original line-up consisted of Baiza, Ralph Gorodetsky (bass), Jason Kahn (drums), Steve Moss (saxophone). Moss had played in an earlier incarnation of Baiza's previous band, Saccharine Trust. Legacy In an issue of ''Mountain Bike'', bassist Tim Commerford of Rage Against the Machine spoke of his admiration of the band's funky and jazz tinged style. Discography ;Studio albums *'' Joe Baiza & The Universal Congress Of'' (1987, SST) *''Prosper ...
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Africa/Brass
''Africa/Brass'' is the eighth studio album by jazz musician John Coltrane, released on September 1, 1961 on Impulse! Records. The sixth release for the fledgling label and Coltrane's first for Impulse!, it features Coltrane's working quartet augmented by a larger ensemble to bring the total number of participating musicians to 21. Its big band sound, with the unusual instrumentation of French horns and euphonium, presented music very different from anything that had been associated with Coltrane to date. While critics originally gave it poor ratings, more recent jazz commentators have described it as "amazing" and as a "key work in understanding the path that John Coltrane's music took in its final phases." Background In 1961, Coltrane came into his own as a front-rank force in jazz, his influence growing from years of live performances with Thelonious Monk, Miles Davis and leading his own groups, and from the impact of the albums ''Giant Steps'' and '' My Favorite Things''. ...
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Universal Congress Of Albums
Universal is the adjective for universe. Universal may also refer to: Companies * NBCUniversal, a media and entertainment company ** Universal Animation Studios, an American Animation studio, and a subsidiary of NBCUniversal ** Universal TV, a television channel owned by NBCUniversal ** Universal Kids, an American current television channel, formerly known as Sprout, owned by NBCUniversal ** Universal Pictures, an American film studio, and a subsidiary of NBCUniversal ** Universal Television, a television division owned by NBCUniversal Content Studios ** Universal Parks & Resorts, the theme park unit of NBCUniversal * Universal Airlines (other) * Universal Avionics, a manufacturer of flight control components * Universal Corporation, an American tobacco company * Universal Display Corporation, a manufacturer of displays * Universal Edition, a classical music publishing firm, founded in Vienna in 1901 * Universal Entertainment Corporation, a Japanese software ...
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Audio Mixing (recorded Music)
In sound recording and reproduction, audio mixing is the process of optimizing and combining multitrack recordings into a final mono, stereo or surround sound product. In the process of combining the separate tracks, their relative levels are adjusted and balanced and various processes such as equalization and compression are commonly applied to individual tracks, groups of tracks, and the overall mix. In stereo and surround sound mixing, the placement of the tracks within the stereo (or surround) field are adjusted and balanced. Audio mixing techniques and approaches vary widely and have a significant influence on the final product. Audio mixing techniques largely depend on music genres and the quality of sound recordings involved. The process is generally carried out by a mixing engineer, though sometimes the record producer or recording artist may assist. After mixing, a mastering engineer prepares the final product for production. Audio mixing may be performed on a mixing ...
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Audio Engineering
Audio most commonly refers to sound, as it is transmitted in signal form. It may also refer to: Sound * Audio signal, an electrical representation of sound *Audio frequency, a frequency in the audio spectrum * Digital audio, representation of sound in a form processed and/or stored by computers or digital electronics *Audio, audible content (media) in audio production and publishing *Semantic audio, extraction of symbols or meaning from audio * Stereophonic audio, method of sound reproduction that creates an illusion of multi-directional audible perspective * Audio equipment Entertainment *AUDIO (group), an American R&B band of 5 brothers formerly known as TNT Boyz and as B5 * ''Audio'' (album), an album by the Blue Man Group * ''Audio'' (magazine), a magazine published from 1947 to 2000 *Audio (musician), British drum and bass artist * "Audio" (song), a song by LSD Computing *, an HTML element, see HTML5 audio See also *Acoustic (other) *Audible (other) *A ...
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Congas
The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas are staved like barrels and classified into three types: quinto (lead drum, highest), tres dos or tres golpes (middle), and tumba or salidor (lowest). Congas were originally used in Afro-Cuban music genres such as conga (hence their name) and rumba, where each drummer would play a single drum. Following numerous innovations in conga drumming and construction during the mid-20th century, as well as its internationalization, it became increasingly common for drummers to play two or three drums. Congas have become a popular instrument in many forms of Latin music such as son (when played by conjuntos), descarga, Afro-Cuban jazz, salsa, songo, merengue and Latin rock. Although the exact origins of the conga drum are unknown, researchers agree that it was developed by Cuban people of African descent during the late 19th century or early 20th century. Its direct ancestors are thought to b ...
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Audio Mastering
Mastering, a form of audio post production, is the process of preparing and transferring recorded audio from a source containing the final mix to a data storage device (the master), the source from which all copies will be produced (via methods such as pressing, duplication or replication). In recent years digital masters have become usual, although analog masters—such as audio tapes—are still being used by the manufacturing industry, particularly by a few engineers who specialize in analog mastering. Mastering requires critical listening; however, software tools exist to facilitate the process. Results depend upon the intent of the engineer, the skills of the engineer, the accuracy of the speaker monitors, and the listening environment. Mastering engineers often apply equalization and dynamic range compression in order to optimize sound translation on all playback systems. It is standard practice to make a copy of a master recording—known as a safety copy—in cas ...
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Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ...
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Illustrations
An illustration is a decoration, interpretation or visual explanation of a text, concept or process, designed for integration in print and digital published media, such as posters, flyers, magazines, books, teaching materials, animations, video games and films. An illustration is typically created by an illustrator. Digital illustrations are often used to make websites and apps more user-friendly, such as the use of emojis to accompany digital type. llustration also means providing an example; either in writing or in picture form. The origin of the word "illustration" is late Middle English (in the sense ‘illumination; spiritual or intellectual enlightenment’): via Old French from Latin ''illustratio''(n-), from the verb ''illustrare''. Illustration styles Contemporary illustration uses a wide range of styles and techniques, including drawing, painting, printmaking, collage, montage, digital design, multimedia, 3D modelling. Depending on the purpose, illustration m ...
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New York Is Now!
__NOTOC__ ''New York Is Now!'' is an album by the American jazz saxophonist and composer Ornette Coleman released on the Blue Note label in 1968.Ornette Coleman discography
accessed November 11, 2010
The album sees Coleman accompanied by John Coltrane's former bandmates, Elvin Jones and

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John Coltrane
John William Coltrane (September 23, 1926 – July 17, 1967) was an American jazz saxophonist The saxophone (often referred to colloquially as the sax) is a type of single-reed woodwind instrument with a conical body, usually made of brass. As with all single-reed instruments, sound is produced when a reed on a mouthpiece vibrates to pro ..., bandleader and composer. He is among the most influential and acclaimed figures in the Jazz#Post-war jazz, history of jazz and 20th-century music. Born and raised in North Carolina, Coltrane moved to Philadelphia after graduating high school, where he studied music. Working in the bebop and hard bop idioms early in his career, Coltrane helped pioneer the use of Modal jazz, modes and was one of the players at the forefront of free jazz. He led at least fifty recording sessions and appeared on many albums by other musicians, including trumpeter Miles Davis and pianist Thelonious Monk. Over the course of his career, Coltrane's music t ...
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Steve Moss (musician)
Steve Moss is an American multi-instrumentalist best recognized for his work with guitarist Joe Baiza and his involvement in the band Universal Congress Of. He has also collaborated frequently with jazz saxophonist Gary Thomas and has appeared on albums by Firehose and Public Enemy. Discography ;Saccharine Trust ;Universal Congress Of Universal Congress Of are an American jazz ensemble from Los Angeles, formed in 1986. History The project was started by Joe Baiza and continued to develop his own fusion of free jazz and punk rock after his previous band, Saccharine Trust, ... ;Other appearances References {{DEFAULTSORT:Moss, Steve Living people American jazz saxophonists American male saxophonists American punk rock saxophonists Hardcore punk musicians Post-hardcore musicians Universal Congress Of members 21st-century American saxophonists 21st-century American male musicians American male jazz musicians Year of birth missing (living people ...
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