|
The Earrings Of Madame De…
''The Earrings of Madame de...'' ( ) is a 1953 romantic drama film directed by Max Ophüls from a screenplay he co-wrote with Marcel Achard and Annette Wademant, based on the 1951 novel ''Madame de...'' by Louise Lévêque de Vilmorin. The film is considered a masterpiece of 1950s French cinema. Andrew Sarris called it "the most perfect film ever made". Ophüls said the story's construction attracted him, stating "there is always the same axis around which the action continually turns like a carousel. A tiny, scarcely visible axis: a pair of earrings". The film's different titles reflect on the fact that the surname of the Madame in question – the same as that of her husband's – is never heard nor seen onscreen. The few times in the film when it might be revealed, it is eluded by noise or a camera trick. Plot Louise (Danielle Darrieux) is an aristocratic woman of ''Belle Époque'' Paris, married to André (Charles Boyer), both a count and a high-ranking French army ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Ophüls
Maximillian Oppenheimer (; 6 May 1902 – 26 March 1957), known as Max Ophüls (; ), was a German-French film director who worked in Germany (1931–1933), France (1933–1940 and 1950–1957), and the United States (1947–1950). He made nearly 30 films, the latter ones being especially notable: ''La Ronde (1950 film), La Ronde'' (1950), ''Le Plaisir'' (1952), ''The Earrings of Madame de…'' (1953) and ''Lola Montès'' (1955). He was credited as Max Opuls on several of his American films, including ''The Reckless Moment'', ''Caught (1949 film), Caught'', ''Letter from an Unknown Woman (1948 film), Letter from an Unknown Woman'', and ''The Exile (1947 film), The Exile''. The annual Filmfestival Max Ophüls Preis in Saarbrücken is named after him. Life Youth and early career Max Ophüls was born in Saarbrücken, Germany, the son of Leopold Oppenheimer, a Jewish textile manufacturer and owner of several textile shops in Germany, and his wife Helene Oppenheimer (née Bamber ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Belle Époque
The Belle Époque or La Belle Époque (; French for "Beautiful Epoch") is a period of French and European history, usually considered to begin around 1871–1880 and to end with the outbreak of World War I in 1914. Occurring during the era of the Third French Republic, it was a period characterised by optimism, regional peace, economic prosperity, colonial expansion, and technological, scientific, and cultural innovations. In this era of France's cultural and artistic climate (particularly within Paris), the arts markedly flourished, and numerous masterpieces of literature, music, theatre, and visual art gained extensive recognition. The Belle Époque was so named in retrospect, when it began to be considered a continental European "Golden Age" in contrast to the horrors of the Napoleonic Wars and World War I. The Belle Époque was a period in which, according to historian R. R. Palmer: " European civilisation achieved its greatest power in global politics, and also ex ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liebelei
' is a 1933 German period drama film directed by Max Ophüls and starring Magda Schneider, Wolfgang Liebeneiner, and Luise Ullrich. Production The film, based on a play of the same name (''Liebelei'') by Arthur Schnitzler, describes an ill-fated love affair. A 1927 silent film version was previously produced. A separate French-language version – '' A Love Story'' (1934) – was also released, using most of the original cast. The film's sets were designed by the art director Gabriel Pellon. Location shooting took place in Berlin and Vienna en, Viennese , iso_code = AT-9 , registration_plate = W , postal_code_type = Postal code , postal_code = , timezone = CET , utc_offset = +1 , timezone_DST .... Plot In Vienna during the late Imperial era, a love affair between a young lieutenant and a musician's daughter ends tragically when the lieutenant is killed in a duel, and the girl commi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Truffaut
François Roland Truffaut ( , ; ; 6 February 1932 – 21 October 1984) was a French film director, screenwriter, producer, actor, and film critic. He is widely regarded as one of the founders of the French New Wave. After a career of more than 25 years, he remains an icon of the Cinema of France, French film industry, having worked on over 25 films. Truffaut's film ''The 400 Blows'' (1959) is a defining film of the French New Wave movement, and has four sequels, ''Antoine et Colette'' (1962), ''Stolen Kisses'' (1968), ''Bed and Board (1970 film), Bed and Board'' (1970), and ''Love on the Run (1979 film), Love on the Run'' (1979). Truffaut's 1973 film ''Day for Night (film), Day for Night'' earned him critical acclaim and several awards, including the BAFTA Award for Best Film and the Academy Award for Best Foreign Language Film. His other notable films include ''Shoot the Piano Player'' (1960), ''Jules and Jim'' (1962), ''The Soft Skin'' (1964), ''The Wild Child'' (1970), ''T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lindsay Anderson
Lindsay Gordon Anderson (17 April 1923 – 30 August 1994) was a British feature-film, theatre and documentary director, film critic, and leading-light of the Free Cinema movement and of the British New Wave. He is most widely remembered for his 1968 film '' if....'', which won the ''Palme d'Or'' at Cannes Film Festival in 1969 and marked Malcolm McDowell's cinematic debut. He is also notable, though not a professional actor, for playing a minor role in the Academy Award-winning 1981 film ''Chariots of Fire''. McDowell produced a 2007 documentary about his experiences with Anderson, '' Never Apologize''. Early life Lindsay Gordon Anderson was born in Bangalore, South India, where his father had been stationed with the Royal Engineers, on 17 April 1923. His father Captain (later Major General) Alexander Vass Anderson was a British Army officer who had been born in North India, and his mother Estelle Bell Gasson was born in Queenstown, South Africa, the daughter of a wool merch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pauline Kael
Pauline Kael (; June 19, 1919 – September 3, 2001) was an American film critic who wrote for ''The New Yorker'' magazine from 1968 to 1991. Known for her "witty, biting, highly opinionated and sharply focused" reviews, Kael's opinions often ran contrary to those of her contemporaries. One of the most influential American film critics of her era, she left a lasting impression on the art form. Roger Ebert argued in an obituary that Kael "had a more positive influence on the climate for film in America than any other single person over the last three decades." Kael, he said, "had no theory, no rules, no guidelines, no objective standards. You couldn't apply her 'approach' to a film. With her it was all personal." Owen Gleiberman said she "was more than a great critic. She reinvented the form, and pioneered an entire aesthetic of writing." Early life and education Kael was born to Isaac Paul Kael and Judith Kael ( Friedman), Jewish emigrants from Poland, on a chicken farm a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Lost It At The Movies
''I Lost It at the Movies'' is a 1965 book that serves as a compendium of movie reviews written by Pauline Kael, later a film critic from ''The New Yorker'', from 1954 to 1965. The book was published prior to Kael's long stint at ''The New Yorker''; as a result, the pieces in the book are culled from radio broadcasts that she did while she was at KPFA, as well as numerous periodicals, including '' Moviegoer'', the ''Massachusetts Review'', ''Sight and Sound'', ''Film Culture'', ''Film Quarterly'' and ''Partisan Review''. It contains her negative review of the then-widely acclaimed ''West Side Story'', glowing reviews of other movies such as '' The Golden Coach'' and ''Seven Samurai'', and longer polemical essays such as her largely negative critical responses to Siegfried Kracauer's ''Theory of Film'' and Andrew Sarris's ''Film Culture'' essay " Notes on the Auteur Theory, 1962". The book was a bestseller upon its first release, and is now published by Marion Boyars Publishers. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mayerling (1936 Film)
''Mayerling'' is a 1936 French historical drama film directed by Anatole Litvak and produced by Seymour Nebenzal from a screenplay by Marcel Achard, Joseph Kessel, and Irma von Cube, based on the 1930 novel ''Idyll's End'' by Claude Anet. The film stars Charles Boyer and Danielle Darrieux with René Bergeron, Jean Davy, Jean Dax, Jean Debucourt and Gabrielle Dorziat, and Jean-Louis Barrault in a bit part. The film is based on the real-life story of Crown Prince Rudolf of Austria, his affair with the 17-year-old Baroness Maria Vetsera and their tragic end at Mayerling. The film was remade twice. Once as the 1957 film ''Mayerling'' directed by Anatole Litvak himself and starring Mel Ferrer and Audrey Hepburn. It was also remade as the 1968 film ''Mayerling'' in color by MGM, starring Omar Sharif, Catherine Deneuve, James Mason, and Ava Gardner. Plot Vienna is disturbed by protestors agitating for political change. Crown Prince Rudolph is arrested at a meeting. His father Emperor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Ronde (1950 Film)
''La Ronde'' is a 1950 French film directed by Max Ophüls and based on Arthur Schnitzler's 1897 play ''La Ronde''. Set in Vienna in 1900, it shows ten amorous encounters across the social spectrum, from a street prostitute to a nobleman, with each scene involving one character from the previous episode. The French term 'La Ronde' can mean any of the following: circling around, doing the rounds, a round of drinks, a circular dance. The film won the BAFTA award for Best Film and was nominated for two Academy Awards; for Best Writing and Best Art Direction. Plot The master of ceremonies opens proceedings by telling the audience that they will see various episodes in the endless waltz of love. A prostitute takes a soldier under a bridge. The soldier picks up a chambermaid at a dance hall. The chambermaid willingly succumbs to the son of her employers. The young man starts an affair with the young wife of an older businessman. She then has an edgy discussion in bed with her husband ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mireille Perrey
Mireille Perrey (1904–1991) was a French stage and film actress.Goble p.328 Perrey played some leading roles in the 1930s but gradually developed into a character actor, appearing in films such as the British comedy ''Hotel Sahara'' (1951). In 1964 she featured in ''The Umbrellas of Cherbourg''. Between 1942 and 1947 she was a member of the Comédie-Française The Comédie-Française () or Théâtre-Français () is one of the few state theatres in France. Founded in 1680, it is the oldest active theatre company in the world. Established as a French state-controlled entity in 1995, it is the only state .... Filmography References Bibliography * Goble, Alan. ''The Complete Index to Literary Sources in Film''. Walter de Gruyter, 1999. External links * 1904 births 1991 deaths 20th-century French actresses French stage actresses French film actresses Actresses from Bordeaux {{France-actor-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Galland
Jean Galland (1887–1967) was a French film actor. Selected filmography * ''Fantômas'' (1932) * ''The Oil Sharks'' (1933) * ''The Barber of Seville'' (1933) * '' The Scandal'' (1934) * '' Princesse Tam Tam'' (1935) * ''Whirlpool of Desire'' (1935) * '' Merchant of Love'' (1935) * ''Stradivarius'' (1935) * '' Second Bureau'' (1935) * ''The House of the Spaniard'' (1936) *'' The Unknown'' (1936) * '' 27 Rue de la Paix'' (1936) * ''The Red Dancer'' (1937) * ''The Novel of Werther'' (1938) * ''Savage Brigade'' (1939) * ''Entente cordiale'' (1939) * ''The Blue Danube'' (1940) * ''The Lost Woman'' (1942) * '' The Man Without a Name'' (1943) * '' La Fugue de Monsieur Perle'' (1952) * '' Earrings of Madame de...'' (1953) * ''Marianne of My Youth'' (1955) *''A Kiss for a Killer'' (1957) * ''The Reluctant Spy ''The Reluctant Spy'' (french: L'honorable Stanislas, agent secret, it, Spionaggio senza frontiere, also known as ''How to Be a Spy Without Even Trying'') is a French-Italian spy- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madame De
Madame may refer to: * Madam, civility title or form of address for women, derived from the French * Madam (prostitution), a term for a woman who is engaged in the business of procuring prostitutes, usually the manager of a brothel * ''Madame'' (1961 film), a Spanish-Italian-French film * ''Madame'' (2017 film), a French comedy-drama film * Madame (singer) (born 2002), Italian singer and rapper * Madame, puppet made famous by entertainer Wayland Flowers ** Madame's Place, a 1982 sitcom starring Madame * Madame (clothing), an Indian clothing company Places * Île Madame, French island on the Atlantic coast * Palazzo Madama, seat of the Senate of the Italian Republic in Rome * Palazzo Madama, Turin, Italian palace See also * Madam (other) Madam is a respectful title for a woman (often "Ma'am" or "Madame"). Madam may also refer to: * Madam (prostitution), a term for a woman who is engaged in the business of procuring prostitutes, usually the manager of a brothel * MAD ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
