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The Dust Of Years
''The Dust of Years'' is the third studio album by the British Christian metal band Seventh Angel, released on 24 June 2009 on Bombworks Records. A comeback album, ''The Dust of Years'' is the band's first studio album since 1992's '' Lament for the Weary''. While the style continues on Seventh Angel's trademark thrash and doom metal sound, the vocals are death growls as opposed to the previous thrash metal shouts. The album was produced by Esoteric member Greg Chandler who also contributed some growls. The cover art was done by Matt Vickerstaff of Darkwave Art. Track listing #"Chaos of Dreams" – 5:08 #"The Turning Tide" – 4:59 #"Exordium" – 6:05 #"Weep Not for Us" – 6:10 #"Abélard and Heloise" – 6:30 #"In Ruins" – 7:10 #"Lamentations" – 7:33 #"The Raven Sky" – 10:04 #"Oświęcim" – 5:28 Personnel ;Seventh Angel *Ian Arkley: Vocals, guitars *Tank (aka Andrew Thompson): Drums *Simon Bibby: Guitar, vocals, keyboard *Mark Broomhead: Bass, narration on "Abél ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seventh Angel
Seventh Angel are an English Christian metal band that formed in 1987 in Halesowen, West Midlands. The band was known for its combination of doom metal and thrash metal. The band initially released two albums, ''The Torment'' (1990) and '' Lament for the Weary'' (1992), before disbanding; these records achieved mainstream distribution through the Music for Nations label, making Seventh Angel label mates with such groups as Metallica, Slayer and Megadeth. ''The Daily Telegraph'' called Seventh Angel "one of the leading Christian thrash metal bands in Great Britain." The band headlined the Metal Meltdown festival in 1990, played concerts in Germany and the Netherlands, and they were featured on both Channel 4 and BBC TV for several live performances of their Greenbelt Festival concerts. Guitarist/vocalist Ian Arkley later formed the doom metal bands Ashen Mortality and My Silent Wake. In May 2008, the group announced their reforming. The current line-up consists of the orig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doom Metal
Doom metal is an extreme subgenre of heavy metal music that typically uses slower tempos, low-tuned guitars and a much "thicker" or "heavier" sound than other heavy metal genres.K. Kahn-Harris, ''Extreme Metal: Music and Culture on the Edge'' (Berg Publishers, 2007), , p. 31. Both the music and the lyrics are intended to evoke a sense of despair, dread, and impending doom. The genre is strongly influenced by the early work of Black Sabbath, who formed a prototype for doom metal. During the first half of the 1980s, a number of bands such as Witchfinder General and Pagan Altar from England, American bands Pentagram, Saint Vitus, the Obsessed, Trouble, and Cirith Ungol, and Swedish band Candlemass defined doom metal as a distinct genre. Characteristics Instrumentation The electric guitar, bass guitar, and drum kit are the most common instruments used to play doom metal (although keyboards are sometimes used), but its structures are rooted in the same scales as in blues. Guit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thrash Metal
Thrash metal (or simply thrash) is an extreme subgenre of heavy metal music characterized by its overall aggression and often fast tempo.Kahn-Harris, Keith, ''Extreme Metal: Music and Culture on the Edge'', pp. 2–3, 9. Oxford: Berg, 2007, . The songs usually use fast percussive beats and low-register guitar riffs, overlaid with shredding-style lead guitar work. The lyrical subject matter often includes criticism of The Establishment and concern over environmental destruction, and at times shares a disdain for Christian dogma with that of black metal. The language is typically direct and denunciatory, an approach borrowed from hardcore punk. The genre emerged in the early 1980s as musicians began fusing the double bass drumming and complex guitar stylings of the new wave of British heavy metal (NWOBHM) with the speed and aggression of hardcore punk. Philosophically, thrash metal developed as a backlash against both the conservatism of the Reagan Era and the much more moder ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Death Metal
Death metal is an extreme subgenre of heavy metal music. It typically employs heavily distorted and low-tuned guitars, played with techniques such as palm muting and tremolo picking; deep growling vocals; aggressive, powerful drumming, featuring double kick and blast beat techniques; minor keys or atonality; abrupt tempo, key, and time signature changes; and chromatic chord progressions. The lyrical themes of death metal may include slasher film-style violence,Moynihan, Michael, and Dirik Søderlind (1998). Lords of Chaos (2nd ed.). Feral House. , p. 27 political conflict, religion, nature, philosophy, true crime and science fiction. Building from the musical structure of thrash metal and early black metal, death metal emerged during the mid-1980s. Bands such as Venom, Celtic Frost, Slayer, and Kreator were important influences on the genre's creation. Possessed, Death, Necrophagia, Obituary, Autopsy, and Morbid Angel are often considered pioneers of the genre. In t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cross Rhythms
Cross Rhythms is a Christian media organisation based in Stoke-on-Trent, England. It operates an FM and online radio station, produces radio shows sent internationally, and its website has resources about contemporary Christian music. History 1983–2002 In 1983, Chris Cole started a 30-minute weekly Christian music radio show on Plymouth Sound FM, an Independent Local Radio station in Plymouth. Originally titled ''The Solid Rock of Jesus Christ'', the programme aired on Sunday evenings. It grew into a one-hour programme, and became one of the most listened to programmes in its time slot in South Devon. The show continued until 1996. In May 1990, music journalist Tony Cummings founded the magazine '' Cross Rhythms''. In 1991, publication of the magazine was taken over by Cole's publishing company, Cornerstone House. That same year, Cross Rhythms took over the organisation and management, of what had previously been the Umberleigh Rock Gospel Festival. The event was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christian Metal
Christian metal, also known as white metal, Jesus metal or heavenly metal, is heavy metal music distinguished by its Christian themed song lyrics and the dedication of the band members to Christianity. Christian metal is typically performed by professed Christians, principally for Christians and is often produced and distributed through various Christian networks. Christian metal bands exist in most of the subgenres of heavy metal music, and the only common link among most Christian metal bands are the lyrics. The Christian themes are often melded with the subjects of the genre the band is rooted in, regularly providing a Christian take on the subject matter. It has been argued that the marginal yet transnational Christian metal subculture provides its core members with an alternative religious expression and Christian identity, and that the music serves the purpose of offering a positive message through lyrical content. This may not necessarily show a direct connection or re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lament For The Weary
''Lament for the Weary'' is Christian thrash metal band Seventh Angel's second studio album, released in 1992 on Music for Nations. The album saw the band incorporating doom metal elements to thrash. The album garnered generous reviews from British music press at the time. Recording history The album was recorded during 4–16 July 1991 at ICC Studios with producer Roy Rowland. The album was mixed during 1–10 August 1991. The cover art was done by British fantasy artist Rodney Matthews. On the album, the style changed to a more progressive and atmospheric combination of doom metal and thrash. The guitars were tuned down to D, and the compositions include acoustic passages such as on the title track, driven with a samples of raining to create a melancholic atmosphere. The drummer Tank's musicianship is more varied compared to that on ''The Torment'' (1990). The album begins with a mid-tempo instrumental. The tempo increases as "Life in All Its Emptiness" begins. Arkley plays cur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doom Metal
Doom metal is an extreme subgenre of heavy metal music that typically uses slower tempos, low-tuned guitars and a much "thicker" or "heavier" sound than other heavy metal genres.K. Kahn-Harris, ''Extreme Metal: Music and Culture on the Edge'' (Berg Publishers, 2007), , p. 31. Both the music and the lyrics are intended to evoke a sense of despair, dread, and impending doom. The genre is strongly influenced by the early work of Black Sabbath, who formed a prototype for doom metal. During the first half of the 1980s, a number of bands such as Witchfinder General and Pagan Altar from England, American bands Pentagram, Saint Vitus, the Obsessed, Trouble, and Cirith Ungol, and Swedish band Candlemass defined doom metal as a distinct genre. Characteristics Instrumentation The electric guitar, bass guitar, and drum kit are the most common instruments used to play doom metal (although keyboards are sometimes used), but its structures are rooted in the same scales as in blues. Guit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Death Growl
A death growl, or simply growl, is an extended vocal technique usually employed in extreme styles of music, particularly in death metal and other extreme subgenres of heavy metal music. Death growl vocals are sometimes criticized for their "ugliness", but their unintelligibility contributes to death metal's abrasive style and often dark and obscene subject matter.Sharpe-Young, Garry. ''Death Metal'', Definition Death metal, in particular, is associated with growled vocals; it tends to be lyrically and thematically darker and more morbid than other forms of metal, and features vocals which attempt to evoke chaos, death, and misery by being "usually very deep, guttural, and unintelligible." Natalie Purcell notes, "Although the vast majority of death metal bands use very low, beast-like, almost indiscernible growls as vocals, many also have high and screechy or operatic vocals, or simply deep and forcefully-sung vocals."Purcell, Natalie J. ''Death Metal Music:The Passion and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Esoteric (band)
Esoteric is an English funeral doom metal band from Birmingham founded in 1992. Releasing seven studio albums, and a demo, the band is widely regarded as among the first groups to develop the funeral doom style. The band has named a variety of groups as influences, such as metal bands Morbid Angel and My Dying Bride, more "trippy" artists such as Pink Floyd, Spacemen 3, and King Crimson, and the industrial and dark ambient genres. History Esoteric was formed in 1992, and in 1993, released '' Esoteric Emotions – The Death of Ignorance'' – a demo tape containing 82 minutes of material with a total of eight tracks. Shortly thereafter they received an offer from Aesthetic Death to record a full-length CD of new material. In June 1994, Esoteric entered Rich Bitch studios in Birmingham to record six tracks to be released as a double CD, titled '' Epistemological Despondency''. Soon after the recording of this album, Stuart Blenkinsop (guitar) and Darren (drums) left the band ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roadrunner Records
Roadrunner Records is an American record label focused on heavy metal and hard rock bands. Founded in the Netherlands in 1980, it is now a division of Warner Music Group and is based in New York City. History The label was launched in 1980 in the Netherlands. Roadrunner's initial business was importing North American metal-band recordings into Europe. In 1986, Roadrunner opened its US headquarters in New York City and later opened offices in the United Kingdom, Germany, France, Japan, Australia, Denmark, Russia and Canada. Early successes included albums from King Diamond (the first Roadrunner artist to enter the Billboard Top 200 albums chart) and Annihilator. The label also handled early Metallica releases in the Scandinavian region. The end of the 1980s saw the release of two albums that are now considered classics of their respective genres: Obituary's ''Slowly We Rot'' and Sepultura's ''Beneath the Remains''. The 1990s saw the arrival of acts such as Life of Agony, Machin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
