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The Dream Of The Fisherman's Wife
, also known as ''Girl Diver and Octopi'', ''Diver and Two Octopi'', etc., is a woodblock-printed design by the Japanese artist Hokusai. It is included in ('Young Pines'), a three-volume book of erotica first published in 1814, and has become Hokusai's most famous design. Playing with themes popular in Japanese art, it depicts a young diver entwined sexually with a pair of octopuses. History and description ''The Dream of the Fisherman's Wife'' is the most famous image in , published in three volumes from 1814. The book is a work of (erotic art) within the ukiyo-e genre. The image depicts a woman, evidently an (a shell diver), enveloped in the limbs of two octopuses. The larger of the two mollusks performs cunnilingus on her, while the smaller one, his offspring, assists by fondling the woman's mouth and left nipple. In the text above the image the woman and the creatures express their mutual sexual pleasure from the encounter. All designs in the publication are untitled; ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hokusai
, known simply as Hokusai, was a Japanese ukiyo-e artist of the Edo period, active as a painter and printmaker. He is best known for the woodblock printing in Japan, woodblock print series ''Thirty-Six Views of Mount Fuji'', which includes the iconic print ''The Great Wave off Kanagawa''. Hokusai was instrumental in developing ''ukiyo-e'' from a style of portraiture largely focused on courtesans and actors into a much broader style of art that focused on landscapes, plants, and animals. Hokusai created the monumental ''Thirty-Six Views of Mount Fuji'' as a response to a domestic travel boom in Japan and as part of a personal interest in Mount Fuji. It was this series, specifically, ''The Great Wave off Kanagawa'' and ''Fine Wind, Clear Morning'', that secured his fame both in Japan and overseas. Hokusai was best known for his woodblock ukiyo-e prints, but he worked in a variety of mediums including painting and book illustration. Starting as a young child, he continued workin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tide Jewels
In Japanese mythology, the two tide jewels, named and , were magical gems that the Sea God used to control the tides. The earliest pseudo-historical texts record an ancient myth that the presented the tide jewels to his son-in-law Hoori ''aka'' Yamasachihiko (Prince Luck-of-the-Mountain). Later Japanese writings refers to the tide jewels as being in the possession of the or Dragon King or being housed in his , where the myth of the loan of these jewels became attached to the pseudo-historical conquest of Korea by Empress Jingū. Terminology The Japanese compounds ''kanju'' 干珠 lit. "ebb jewel" and ''manju'' 満珠 lit. "flow jewel" combine ''kan'' 干 (cf. 乾) "dry up; drain off; ebb (tides); recede; oppose" and ''man'' 満 "fill; full; rise (tides); fulfill; satisfy" with ''ju'', ''shu'', or ''tama'' 珠 "gem; jewel; precious stone; pearl; bead". Compare the reversible compounds ''kanman'' 干満 and ''mankan'' 満干 or ''michihi'' 満ち干 meaning "ebb and flow; ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manga
Manga (Japanese: 漫画 ) are comics or graphic novels originating from Japan. Most manga conform to a style developed in Japan in the late 19th century, and the form has a long prehistory in earlier Japanese art. The term ''manga'' is used in Japan to refer to both comics and cartooning. Outside of Japan, the word is typically used to refer to comics originally published in the country. In Japan, people of all ages and walks of life read manga. The medium includes works in a broad range of genres: action, adventure, business and commerce, comedy, detective, drama, historical, horror, mystery, romance, science fiction and fantasy, erotica ('' hentai'' and ''ecchi''), sports and games, and suspense, among others. Many manga are translated into other languages. Since the 1950s, manga has become an increasingly major part of the Japanese publishing industry. By 1995, the manga market in Japan was valued at (), with annual sales of 1.9billion manga books and manga magazi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tentacle Erotica
is a type of pornography most commonly found in Japan which integrates traditional pornography with elements of bestiality and a fantasy, horror, or science-fiction theme. It is found in some horror or hentai titles, with tentacled creatures (usually fictional monsters) having sexual intercourse, predominantly with females, or to lesser extent, males. Tentacle erotica can be consensual but mostly contains elements of rape. The genre is popular in Japan to the point of it reaching the status of parody. In the 21st century, Japanese films of this genre have become recognized in the United States and Europe, although it remains a small, fetish-oriented part of the adult film industry. While most tentacle erotica is animated, there are also a few live-action films that depict it. History Some of the earliest examples of tentacle erotica were woodblock prints depicting women being violated by octopuses, such as Kitao Shigemasa's ''Programme of Erotic Noh Plays'' (1781) and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rape
Rape is a type of sexual assault usually involving sexual intercourse or other forms of sexual penetration carried out against a person without their consent. The act may be carried out by physical force, coercion, abuse of authority, or against a person who is incapable of giving valid consent, such as one who is unconscious, incapacitated, has an intellectual disability, or is below the legal age of consent. The term ''rape'' is sometimes used interchangeably with the term ''sexual assault.'' The rate of reporting, prosecuting and convicting for rape varies between jurisdictions. Internationally, the incidence of rapes recorded by the police during 2008 ranged, per 100,000 people, from 0.2 in Azerbaijan to 92.9 in Botswana with 6.3 in Lithuania as the median. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jack Hillier (art Historian)
Jack Ronald Hillier (29 August 1912 – 5 January 1995) was a British scholar of Japanese art. Hillier was born on 29 August 1912 in Fulham, England to Charles Hillier and his wife Minnie (née Davies).''Who's Who in the World'', 1976, Marquis Who's Who, p. 352 His father was a postman; one of five siblings, Hillier had a "happy, if slightly impoverished, childhood." His only early "tenuous connection with art was that his father, during his rounds, delivered the mail of Edward Burne Jones, the noted late Victorian artist, who lived in Kensington." He left Fulham Secondary School at 15 and worked for an insurance company until 1967. During World War II he served in the Royal Air Force. Although he applied to be a pilot, "regrettably, the detailed work that he carried out during the day, combined with his wood engraving, had slightly impaired his eyesight, and his application, therefore, was not accepted".Essays on Japanese Art presented to Jack Hillier, ed. Matthi Forrer, R. G. S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edmond De Goncourt
Edmond Louis Antoine Huot de Goncourt (; 26 May 182216 July 1896) was a French writer, literary critic, art critic, book publisher and the founder of the Académie Goncourt. Biography Goncourt was born in Nancy. His parents, Marc-Pierre Huot de Goncourt and Annette-Cécile de Goncourt (née Guérin) were minor aristocrats who died when he and his brother Jules de Goncourt were young adults. His father was a former cavalry officer and squadron commander in the Grande Armée of Napoleon I, and his grandfather Jean-Antoine Huot de Goncourt had been a deputy in the National Assembly of 1789. Edmond attended the pension Goubaux, the Lycée Henri IV, and the Lycée Condorcet. At the Lycée Condorcet, he studied rhetoric and philosophy from 1840 to 1842, followed by the study of law between 1842 and 1844. After their mother's death in 1848, the brothers inherited an income which enabled them to live independently and pursue their artistic interests. Edmond was able to leave a treasur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yanagawa Shigenobu
was a Japanese artist in the ukiyo-e style. He was active in Edo from the Bunka period onward. His Osaka period dated from 1822 to 1825. In Edo, he resided in Honjo Yanagawa-chō district. He was first the pupil, then son-in-law, and finally adopted son of the Edo master painter Katsushika Hokusai. He designed illustrated books, prints, and surimono. In Osaka, he worked with the gifted block cutter and printer Tani Seikō. Shigenobu focused on theatrical subjects, but some of his best work in Osaka includes a series of deluxe ōban prints depicting geisha in the Shinmachi Nerimono parade in Osaka, and approximately 30 fine surimono on various subjects (at least 18 in collaboration with the Tsuru-ren Crane Group of kyōka poets), with blocks cut and printed by Seikō. His pupils included Utagawa Kuninao; Shigeharu; Yanagawa Nobusada (Yokinobu); Shigemasa; Shigemitsu. External linksYanagawa Shigenobu Iby Honolulu Museum of Art See also *Erotic art *Shunga *Ukiyo-e Uk ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Netsuke
A is a miniature sculpture, originating in 17th century Japan. Initially a simply-carved button fastener on the cords of an box, later developed into ornately sculpted objects of craftsmanship. History Traditionally, Japanese clothing – first the and its later evolution, the kimono – did not have pockets. Though the sleeves of the kimono could be used to store small items, the men who wore kimono needed a larger and stronger container in which to store personal belongings, such as pipes, tobacco, money and seals, resulting in the development of containers known as , which were hung by cords from the robes' sashes (). These containers may have been pouches or small woven baskets, but the most popular were crafted boxes () held shut by , sliding beads on cords. Whatever the form of the container, the fastener that secured the cord at the top of the sash was a carved, button-like toggle called a . , like and , evolved over time from being strictly utilitarian into object ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Utagawa Kuniyoshi
Utagawa Kuniyoshi ( ja, 歌川 国芳, ; January 1, 1798 – April 14, 1861) was one of the last great masters of the Japanese ukiyo-e style of woodblock prints and painting.Nussbaum, Louis Frédéric ''et al'' (2005). "Kuniyoshi" in He was a member of the Utagawa school.Nussbaum, "Utagawa-ryū" in The range of Kuniyoshi's subjects included many genres: landscapes, beautiful women, Kabuki actors, cats, and mythical animals. He is known for depictions of the battles of legendary samurai heroes.Lubow, Arthur "Everything But the Robots: A Kuniyoshi Retrospective Reveals the Roots of Manga,"''New York Magazine.'' March 7, 2010. His artwork incorporated aspects of Western representation in landscape painting and caricature. Life Kuniyoshi was born on January 1, 1798, the son of a silk-dyer, Yanagiya Kichiyemon,Robinson (1961), p. 5 originally named Yoshisaburō. Apparently he assisted his father's business as a pattern designer, and some have suggested that this experience influ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ryūgū-jō
or is the supernatural undersea palace of Ryūjin or Dragon God in Japanese tradition. It is best known as the place in fairytale where Urashima Tarō was invited after saving a turtle, where he was entertained by the Dragon God's princess Oto-hime and his minions, but when Urashima returned back to land after what he thought was a few days away, centuries had passed. Overview Ryūgū or Ryūgū-jō is the fabulous mythical residence of the Ryūjin (Dragon God) or Sea God, or the princess Otohime. It is also equated with the "fish-scale palace" (''iroko no goto tsukureru miya'')" which was the Sea God Watatsumi's palace mentioned in the ''Kojiki'' (8th century). The Ryūgū is well-known as the supernatural place in the fisherman's fairytale Urashima Tarō, and most Japanese now consider it to be a place which supposed to lie under the sea. Actually, Ryūgū that appears in other narratives and fairytales (''otogi banashi'') had been considered to be underwater for a long tim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ryūjin
Ryūjin ( 龍神), which in some traditions is equivalent to Ōwatatsumi, was the tutelary deity of the sea in Japanese mythology. In many versions Ryūjin had the ability to transform into a human shape. Many believed the god had knowledge on medicine and many considered him as the bringer of rain and thunder, Ryūjin is also the patron god (''ujigami'') of several family groups. This Japanese dragon, symbolizing the power of the ocean, had a large mouth. He is considered a good god and patron of Japan, since the Japanese population has for millennia lived off the bounty of the sea. Ryūjin is also credited with the challenge of a hurricane which sank the Mongolian flotilla sent by Kublai Khan. Ryūjin lived in Ryūgū-jō, his palace under the sea built out of red and white coral, from where he controlled the tides with magical tide jewels. Sea turtles, fish, jellyfish, snakes, other sea creatures are often seen as Ryūjin's servants. Mythology How the jellyfish lost its bo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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