The Doctor's Secret (1909 Film)
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The Doctor's Secret (1909 Film)
''The Doctor's Secret'' (french: Hydrothérapie fantastique) is a 1909 French silent trick film by Georges Méliès. It was sold by Méliès's Star Film Company and is numbered 1476–1485 in its catalogues. Méliès appears in the film as the hydrotherapist. Photographic evidence suggests that the film was a new version of an unidentified Méliès film from around 1900, for which two stills survive at the Cinémathèque Française. The bathtub prop was reused from Méliès's 1907 film '' Rogues' Tricks''; special effects in the film were worked with substitution splices, stage machinery Stage machinery, also known as stage mechanics, comprises the mechanical devices used to create special effects in theatrical productions. See also * Scenic design Scenic design (also known as scenography, stage design, or set design) is the ..., and pyrotechnics. References External links * {{DEFAULTSORT:Doctor's Secret 1909 Film French black-and-white films Films directed ...
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Georges Méliès
Marie-Georges-Jean Méliès (; ; 8 December 1861 – 21 January 1938) was a French illusionist, actor, and film director. He led many technical and narrative developments in the earliest days of cinema. Méliès was well known for the use of special effects, popularizing such techniques as substitution splices, multiple exposures, time-lapse photography, dissolves, and hand-painted colour. He was also one of the first filmmakers to use storyboards. His films include '' A Trip to the Moon'' (1902) and ''The Impossible Voyage'' (1904), both involving strange, surreal journeys somewhat in the style of Jules Verne, and are considered among the most important early science fiction films, though their approach is closer to fantasy. The 2011 film ''Hugo'' was inspired by the life and work of Méliès. Early life and education Marie-Georges-Jean Méliès was born 8 December 1861 in Paris, son of Jean-Louis Méliès and his Dutch wife, Johannah-Catherine Schuering. His father h ...
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Star Film Company
The Manufacture de films pour cinématographes, often known as Star Film, was a French film production company run by the illusionist and film director Georges Méliès. History On 28 December 1895, Méliès attended the celebrated first public demonstration of the Lumière Brothers' Kinetoscope. The event, held in a room at 14 Boulevard des Capucines in Paris with one hundred chairs and an entry price of 1, demonstrated the practicality of film cameras and projectors. According to later recollections by Méliès, he immediately approached Antoine Lumière and offered to buy a Lumière projector for his own experimentation; Lumière refused. Méliès went on to make repeated offers, all similarly turned down. Méliès next turned to the British film experimenter Robert W. Paul, and in February 1896, obtained an Animatographe projector for 1,000, along with a collection of short films, some by Paul and some by Edison Studios. Méliès projected these for the first time at his t ...
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Silent Film
A silent film is a film with no synchronized recorded sound (or more generally, no audible dialogue). Though silent films convey narrative and emotion visually, various plot elements (such as a setting or era) or key lines of dialogue may, when necessary, be conveyed by the use of title cards. The term "silent film" is something of a misnomer, as these films were almost always accompanied by live sounds. During the silent era that existed from the mid-1890s to the late 1920s, a pianist, theater organist—or even, in large cities, a small orchestra—would often play music to accompany the films. Pianists and organists would play either from sheet music, or improvisation. Sometimes a person would even narrate the inter-title cards for the audience. Though at the time the technology to synchronize sound with the film did not exist, music was seen as an essential part of the viewing experience. "Silent film" is typically used as a historical term to describe an era of cinema pri ...
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Trick Film
In the early history of cinema, trick films were short silent films designed to feature innovative special effects. History The trick film genre was developed by Georges Méliès in some of his first cinematic experiments, and his works remain the most classic examples of the genre. Other early experimenters included the French showmen Émile and Vincent Isola, the British magicians David Devant and John Nevil Maskelyne, and the American cinematographers Billy Bitzer and James Stuart Blackton. In the first years of film, especially between 1898 and 1908, the trick film was one of the world's most popular film genres. Before 1906, it was likely the second most prevalent genre in film, surpassed only by nonfiction actuality films. Techniques explored in these trick films included slow motion and fast motion created by varying the camera cranking speed; the editing device called the substitution splice; and various in-camera effects, such as multiple exposure. "Trick novelties, ...
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Film Still
A film still (sometimes called a publicity still or a production still) is a photograph, taken on or off the set of a movie or television program during production. These photographs are also taken in formal studio settings and venues of opportunity such as film stars' homes, film debut events, and commercial settings. The photos were taken by studio photographers for promotional purposes. Such stills consisted of posed portraits, used for public display or free fan handouts, which are sometimes autographed. They can also consist of posed or candid images taken on the set during production, and may include stars, crew members or directors at work. The main purpose of such publicity stills is to help studios advertise and promote their new films and stars. Studios therefore send those photos along with press kits and free passes to as many movie-related publications as possible so as to gain free publicity. Such photos were then used by newspapers and magazines, for example, to w ...
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Cinémathèque Française
The Cinémathèque Française (), founded in 1936, is a French non-profit film organization that holds one of the largest archives of film documents and film-related objects in the world. Based in Paris's 12th arrondissement, the archive offers daily screenings of worldwide films. History The collection emerged from the efforts of Henri Langlois and Lotte H. Eisner in the mid 1930s to collect and screen films. Langlois had acquired one of the largest collections in the world by the beginning of World War II, only to have it nearly wiped out by the German authorities in occupied France, who ordered the destruction of all films made prior to 1937. He and his friends smuggled huge numbers of documents and films out of occupied France to protect them until the end of the war. After the war, the French government provided a small screening room, staff and subsidy for the collection, which was relocated to the Avenue de Messine. Significant French filmmakers of the 1940s and 1950s, ...
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Rogues' Tricks
''Rogues' Tricks'' (french: La Douche d'eau bouillante, literally "The Shower of Boiling Water"), also known as ''The Burglar's Bath'', is a 1907 French short silent comedy film by Georges Méliès. The film stars Méliès as the comic foil of two rogues who break into his house and evade his attempts to capture them. Plot Two vagrants break through a window into an opulently furnished house. They hide in a closet just as the owner of the house, a bearded gentleman, enters. The owner, astonished by the mess the vagrants have made, berates his housemaid. A glazier comes in to fix the window. As the glazier works, the vagrants escape into the bathroom. Hearing a noise, they jump into the empty bathtub and hide under the tub's wooden cover. The noise is the owner, coming in to take a bath; he lights a match to the hot water heater, and gets a jet of hot water pouring into the tub. The vagrants, taken by surprise, start to jump involuntarily, and the owner realizes they are there. ...
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Substitution Splice
The substitution splice or stop trick is a cinematic special effect in which filmmakers achieve an appearance, disappearance, or transformation by altering one or more selected aspects of the mise-en-scène between two shots while maintaining the same framing and other aspects of the scene in both shots. The effect is usually polished by careful editing to establish a seamless cut and optimal moment of change. It has also been referred to as stop motion substitution or stop-action. The pioneering French filmmaker Georges Méliès claimed to have accidentally developed the stop trick, as he wrote in ''Les Vues Cinématographiques'' in 1907 (translated from French): According to the film scholar Jacques Deslandes, it is more likely that Méliès discovered the trick by carefully examining a print of the Edison Manufacturing Company's 1895 film ''The Execution of Mary Stuart'', in which a primitive version of the trick appears. In any case, the substitution splice was both the fir ...
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Stage Machinery
Stage machinery, also known as stage mechanics, comprises the mechanical devices used to create special effects in theatrical productions. See also * Scenic design Scenic design (also known as scenography, stage design, or set design) is the creation of theatrical, as well as film or television scenery. Scenic designers come from a variety of artistic backgrounds, but in recent years, are mostly trained ... References Scenic design {{stagecraft-stub ...
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Pyrotechnics
Pyrotechnics is the science and craft of creating such things as fireworks, safety matches, oxygen candles, explosive bolts and other fasteners, parts of automotive airbags, as well as gas-pressure blasting in mining, quarrying, and demolition. This trade relies upon self-contained and self-sustained exothermic chemical reactions to make heat, light, gas, smoke and/or sound. The name comes from the Greek words ''pyr'' ("fire") and ''tekhnikos'' ("made by art"). People responsible for the safe storage, handling, and functioning of pyrotechnic devices are known as pyrotechnicians. Proximate pyrotechnics Explosions, flashes, smoke, flames, fireworks and other pyrotechnic-driven effects used in the entertainment industry are referred to as proximate pyrotechnics. Proximate refers to the pyrotechnic device's location relative to an audience. In the majority of jurisdictions, special training and licensing must be obtained from local authorities to legally prepare and use proximate ...
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French Black-and-white Films
French (french: français(e), link=no) may refer to: * Something of, from, or related to France ** French language, which originated in France, and its various dialects and accents ** French people, a nation and ethnic group identified with France ** French cuisine, cooking traditions and practices Fortnite French places Arts and media * The French (band), a British rock band * "French" (episode), a live-action episode of ''The Super Mario Bros. Super Show!'' * ''Française'' (film), 2008 * French Stewart (born 1964), American actor Other uses * French (surname), a surname (including a list of people with the name) * French (tunic), a particular type of military jacket or tunic used in the Russian Empire and Soviet Union * French's, an American brand of mustard condiment * French catheter scale, a unit of measurement of diameter * French Defence, a chess opening * French kiss, a type of kiss involving the tongue See also * France (other) * Franch, a surname * French ...
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Films Directed By Georges Méliès
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitized ...
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