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The Diabolic Tenant
''The Diabolic Tenant'' (french: Le Locataire diabolique), originally released in English-speaking countries as ''The Fiendish Tenant'', is a 1909 French short silent film directed by Georges Méliès. It was released by Méliès's Star Film Company and is numbered 1495–1501 in its catalogues. Plot A bearded stranger, carrying a single valise, arrives at a seaside boarding house. The janitor in charge shows him to an unfurnished room, still being papered. Once the janitor has left, the new tenant throws the paper hanger out the window, and fills the room with a vast assortment of things magically taken from his valise: a steamer trunk larger than the valise itself, a fireplace, chairs, a piano, various decorations and hangings, a fully set dining table, and even a whole family and a housemaid. The janitor, bringing in a small tray of food, is astonished to see the tenant and family enjoying a grand dinner in the magically furnished room. He runs away in flight. Later, the ten ...
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Georges Méliès
Marie-Georges-Jean Méliès (; ; 8 December 1861 – 21 January 1938) was a French illusionist, actor, and film director. He led many technical and narrative developments in the earliest days of cinema. Méliès was well known for the use of special effects, popularizing such techniques as substitution splices, multiple exposures, time-lapse photography, dissolves, and hand-painted colour. He was also one of the first filmmakers to use storyboards. His films include '' A Trip to the Moon'' (1902) and ''The Impossible Voyage'' (1904), both involving strange, surreal journeys somewhat in the style of Jules Verne, and are considered among the most important early science fiction films, though their approach is closer to fantasy. The 2011 film ''Hugo'' was inspired by the life and work of Méliès. Early life and education Marie-Georges-Jean Méliès was born 8 December 1861 in Paris, son of Jean-Louis Méliès and his Dutch wife, Johannah-Catherine Schuering. His father h ...
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Satan In Prison
''Satan in Prison'' (french: Satan en prison) is a 1907 French short silent film by Georges Méliès. The film tells the story of an imprisoned man (played by Méliès himself) who turns out to be the Devil in disguise. Plot The film features Méliès in a room which is intended to be a cell and he finds ways to cure his boredom by performing tricks, such as vanishing and magically appearing picture frames and sudden appearing fireplaces and dinner tables with wine. Towards the end of the film he appears as Satan and tricks his guards by disappearing in a blanket. Satan in Prison 3.jpg Satan in Prison 2.jpg Satan in Prison 1.jpg Production and release Méliès, who had begun his performing career as a successful stage magician, often featured the Devil in his films, taking advantage of the character's possibilities as a creator of strange magical happenings. In ''Satan in Prison'', as was his usual practice, Méliès himself appears as the Devil. The film's special effects wer ...
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1909 Films
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album ''Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by Slipknot ...
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Films Directed By Georges Méliès
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitized ...
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Pathé Frères
Pathé or Pathé Frères (, styled as PATHÉ!) is the name of various French businesses that were founded and originally run by the Pathé Brothers of France starting in 1896. In the early 1900s, Pathé became the world's largest film equipment and production company, as well as a major producer of phonograph records. In 1908, Pathé invented the newsreel that was shown in cinemas before a feature film. Pathé is a major film production and distribution company, owning a number of cinema chains through its subsidiary Les Cinémas Pathé Gaumont and television networks across Europe. It is the second-oldest operating film company behind Gaumont Film Company, which was established in 1895. History The company was founded as Société Pathé Frères (Pathé Brothers Company) in Paris, France on 28 September 1896, by the four brothers Charles, Émile, Théophile and Jacques Pathé. During the first part of the 20th century, Pathé became the largest film equipment and prod ...
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Centre National De La Cinématographie
Center or centre may refer to: Mathematics *Center (geometry), the middle of an object * Center (algebra), used in various contexts ** Center (group theory) ** Center (ring theory) * Graph center, the set of all vertices of minimum eccentricity Places United States * Centre, Alabama * Center, Colorado * Center, Georgia * Center, Indiana * Center, Jay County, Indiana * Center, Warrick County, Indiana * Center, Kentucky * Center, Missouri * Center, Nebraska * Center, North Dakota * Centre County, Pennsylvania * Center, Portland, Oregon * Center, Texas * Center, Washington * Center, Outagamie County, Wisconsin * Center, Rock County, Wisconsin **Center (community), Wisconsin *Center Township (other) *Centre Township (other) *Centre Avenue (other) *Center Hill (other) Other countries * Centre region, Hainaut, Belgium * Centre Region, Burkina Faso * Centre Region (Cameroon) * Centre-Val de Loire, formerly Centre, France * Centre (department), Ha ...
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Medium Shot
In a movie a medium shot, mid shot (MS), or waist shot is a camera angle shot from a medium distance. Use Medium shots are favored in sequences where dialogues or a small group of people are acting, as they give the viewer a partial view of the background, such as when the shot is 'cutting the person in half' and also show the subjects' facial expressions in the context of their body language. Medium shots are also used when the subject in the shot is delivering information, such as news presenters. It is also used in interviews. It is the most common shot in movies, and it usually follows the first establishing shots of a new scene or location. A normal lens that sees what the human eye see, is usually used for medium shots. Definition The medium shot shows equality between subjects and background. The dividing line between what constitutes a long shot and medium shot is not definite, nor is the line between medium shot and close-up. In some standard texts and professiona ...
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Long Shot
In photography, filmmaking and video production, a wide shot (sometimes referred to as a full shot or long shot) is a shot that typically shows the entire object or human figure and is usually intended to place it in some relation to its surroundings. These are typically shot now using wide-angle lenses (an approximately 25 mm lens in 35 mm photography and 10 mm lens in 16 mm photography). However, due to sheer distance, establishing shots and extremely wide shots can use almost any camera type. History This type of filmmaking was a result of filmmakers trying to retain the sense of the viewer watching a play in front of them, as opposed to just a series of pictures. The wide shot has been used since films have been made as it is a very basic type of cinematography. In 1878, one of the first true motion pictures, ''Sallie Gardner at a Gallop'', was released. Even though this wouldn't be considered a film in the current motion picture industry, it was a hug ...
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Substitution Splice
The substitution splice or stop trick is a cinematic special effect in which filmmakers achieve an appearance, disappearance, or transformation by altering one or more selected aspects of the mise-en-scène between two shots while maintaining the same framing and other aspects of the scene in both shots. The effect is usually polished by careful editing to establish a seamless cut and optimal moment of change. It has also been referred to as stop motion substitution or stop-action. The pioneering French filmmaker Georges Méliès claimed to have accidentally developed the stop trick, as he wrote in ''Les Vues Cinématographiques'' in 1907 (translated from French): According to the film scholar Jacques Deslandes, it is more likely that Méliès discovered the trick by carefully examining a print of the Edison Manufacturing Company's 1895 film ''The Execution of Mary Stuart'', in which a primitive version of the trick appears. In any case, the substitution splice was both the fir ...
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Stage Machinery
Stage machinery, also known as stage mechanics, comprises the mechanical devices used to create special effects in theatrical productions. See also * Scenic design Scenic design (also known as scenography, stage design, or set design) is the creation of theatrical, as well as film or television scenery. Scenic designers come from a variety of artistic backgrounds, but in recent years, are mostly trained ... References Scenic design {{stagecraft-stub ...
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Pyrotechnic
Pyrotechnics is the science and craft of creating such things as fireworks, safety matches, oxygen candles, explosive bolts and other fasteners, parts of automotive airbags, as well as gas-pressure blasting in mining, quarrying, and demolition. This trade relies upon self-contained and self-sustained exothermic chemical reactions to make heat, light, gas, smoke and/or sound. The name comes from the Greek words ''pyr'' ("fire") and ''tekhnikos'' ("made by art"). People responsible for the safe storage, handling, and functioning of pyrotechnic devices are known as pyrotechnicians. Proximate pyrotechnics Explosions, flashes, smoke, flames, fireworks and other pyrotechnic-driven effects used in the entertainment industry are referred to as proximate pyrotechnics. Proximate refers to the pyrotechnic device's location relative to an audience. In the majority of jurisdictions, special training and licensing must be obtained from local authorities to legally prepare and use proximate ...
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Hardly Working
''Hardly Working'' is a 1980 American comedy film directed by, co-written by and starring Jerry Lewis and Susan Oliver, filmed in 1979, released in Europe in 1980 and then in the United States on April 3, 1981 through 20th Century Fox. This film marks the final theatrical release for Oliver, as the rest of her career only featured on several television movies and series, before her death in 1990. Plot Bo Hooper, a clown, finds himself unemployed when the circus where he works suddenly closes. He winds up living with his sister, against the wishes of her husband Robert. From there he goes from job to job, wreaking havoc along the way. He finally finds some stability as a postal worker, until he finds out that his boss is his girlfriend's father. The father hates all mail carriers because his daughter's ex-husband was one, so he tries to wreck Bo's life, but Bo overcomes the odds and succeeds not only at work, but at impressing the father. Cast * Jerry Lewis as Bo Hooper * Sus ...
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