The Desertshore Installation
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The Desertshore Installation
''The Desertshore Installation'' is a box set that was released by Throbbing Gristle. The 12-CDr set documents the recording sessions of the cover version of Nico's third studio album, ''Desertshore''. These recordings were made as a document of TG's Desertshore Installation. These sessions were open to the public and a short question and answer session is included in the recordings. Each session lasted for approximately two hours and there were two sessions per day, an afternoon and an evening session. The box set only had one pressing. A number of jams recorded during the installation appear on Throbbing Gristle's tour-only album release ''The Third Mind Movements''. CDr information # Friday Afternoon Disc A - (1:09:02) # Friday Afternoon Disc B - (1:04:30) # Friday Evening Disc A - (1:02:47) # Friday Evening Disc B - (0:54:06) # Saturday Afternoon Disc A - (0:48:08) # Saturday Afternoon Disc B - (0:47:36) # Saturday Evening Disc A - (1:07:58) # Saturday Evening Disc B - (0:5 ...
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Throbbing Gristle
Throbbing Gristle were an English music and visual arts group formed in 1975 in Kingston upon Hull by Genesis P-Orridge, Cosey Fanni Tutti, Peter Christopherson, and Chris Carter (British musician), Chris Carter. They are widely regarded as pioneers of industrial music. Evolving from the experimental performance art group COUM Transmissions, Throbbing Gristle made their public debut in October 1976 on COUM exhibition ''Prostitution'', and released their debut single "United/Zyklon B Zombie" and debut album ''The Second Annual Report'' the following year. Lyrical themes mainly revolved around mysticism, extremist political ideologies, sexuality, dark or underground aspects of society, and idiosyncratic manipulation of language. The band released several subsequent studio and live albums—including ''D.o.A: The Third and Final Report of Throbbing Gristle'' (1978), ''20 Jazz Funk Greats'' (1979), and ''Heathen Earth'' (1980)—on their own record label Industrial Records, buildin ...
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Industrial Music
Industrial music is a genre of music that draws on harsh, mechanical, transgressive or provocative sounds and themes. AllMusic defines industrial music as the "most abrasive and aggressive fusion of rock and electronic music" that was "initially a blend of avant-garde electronics experiments (tape music, musique concrète, white noise, synthesizers, sequencers, etc.) and punk provocation". The term was coined in the mid-1970s with the founding of Industrial Records by members of Throbbing Gristle and Monte Cazazza. While the genre name originated with Throbbing Gristle's emergence in the United Kingdom, artists and labels vital to the genre also emerged in the United States and other countries. The first industrial artists experimented with noise and aesthetically controversial topics, musically and visually, such as fascism, sexual perversion, and the occult. Prominent industrial musicians include Throbbing Gristle, Monte Cazazza, SPK, Boyd Rice, Cabaret Voltaire, and Z'E ...
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Industrial Records
Industrial Records is a record label established in 1976 by industrial music and visual arts group Throbbing Gristle. The group created the label primarily for self-releases but also signed several other groups and artists. The label gave a name to the industrial music genre. Background Artists released through the label included Cabaret Voltaire, Clock DVA, SPK, Thomas Leer & Robert Rental, The Leather Nun, plus ''outrage'' artist Monte Cazazza, the author William S. Burroughs' auditory works, and a solo album by Throbbing Gristle member Chris Carter. A notable departure from the ''industrial'' form of the label was the blues standard " Stormy Weather" sung by Elisabeth Welch, taken from the soundtrack of Derek Jarman's film '' The Tempest''. The label's first LP was Throbbing Gristle's debut LP ''The Second Annual Report'' which was limited to 786 copies. It came in bootleg-like packaging: a plain white card sleeve with glued-on xerox information strips. The Industrial R ...
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The Endless Not
''Part Two'' (also known as ''Part Two: The Endless Not'') is an album by English industrial band Throbbing Gristle, released in 2007 through record label Mute Records. Background In a similar vein to the band's 1978 album '' D.o.A: The Third and Final Report'', the album features four tracks each created by each individual member of the group. Bryin Dall was the co-writer and performer on the track by Genesis P-Orridge. The cover image is a picture of Mount Kailash taken by Martin Gray. Release ''Part Two: The Endless Not'' was released in 2007 through record label Mute Records. Included with the first 4000 copies is one of four "totemic gifts", each made from one of the following materials: bone, wood, rubber and copper. A fifth stainless steel totem was made available in a Japanese edition of the CD. A sixth totemic gift is made of 23 carat gold. The gifts were handmade under the supervision of Peter Christopherson in Thailand. Critical reception ''Part Two: The ...
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TGV (Throbbing Gristle DVD Set)
''TGV'' is a limited edition 7 DVD set of archival footage of the English industrial band Throbbing Gristle. Included in this set were some of Throbbing Gristle's live performances, as well as rehearsals and short films. The release was limited to 2,000 copies and was initially only available direct from the band's website, but later some sellers were offering it online. Contents From 1979–81 shows at: *Oundle School *Recording Heathen Earth at the Industrial Records Studios, Martello St. London *Sheffield University *Rafters Club, Manchester *The Lyceum, London *Kezar Pavilion, San Francisco From 2004–05: *A short film of the Cabinet Gallery Exhibition "TG24" by Andrew Wheatley *Rare footage of TG rehearsing at Mute Studios in February 2004. *The band's performance at the Astoria Theatre 2004 *All Tomorrow’s Parties performance at Camber Sands 2004 *Both performances from Turin, Italy 2005 Also: *Derek Jarman Michael Derek Elworthy Jarman (31 January 1942 – 19 Febru ...
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Cover Version
In popular music, a cover version, cover song, remake, revival, or simply cover, is a new performance or recording by a musician other than the original performer or composer of the song. Originally, it referred to a version of a song released around the same time as the original in order to compete with it. Now, it refers to any subsequent version performed after the original. History The term "cover" goes back decades when cover version originally described a rival version of a tune recorded to compete with the recently released (original) version. Examples of records covered include Paul Williams' 1949 hit tune "The Hucklebuck" and Hank Williams' 1952 song "Jambalaya". Both crossed over to the popular hit parade and had numerous hit versions. Before the mid-20th century, the notion of an original version of a popular tune would have seemed slightly odd – the production of musical entertainment was seen as a live event, even if it was reproduced at home via a cop ...
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Nico
Naftiran Intertrade Company Société à responsabilité limitée#In Switzerland, limited (NICO) is a Switzerland, Swiss-based subsidiary of the National Iranian Oil Company (NIOC). NICO is a general contractor for the oil and gas industry. NIOC buys the vast majority of National Iranian Oil Refining and Distribution Company#Fuel imports, Iran's gasoline imports. NICO is a key player in Energy in Iran, Iran's energy sector. History ''Naftiran Trading Services (NTS)'' was established in the Jersey, Jersey Channel Islands (United Kingdom) in 1991. The intention was to start trading crude oil and products, as well as to create a competitive opportunity for the investment in oil and gas projects, as well as to play an active role in world energy security. In June 2003, a decision was made by NICOs management to transfer the whole NTS activities to a newly established company named Naftiran Intertrade Co (Société à responsabilité limitée#In Switzerland, Sàrl), in Lausanne, Switzerl ...
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Desertshore
''Desertshore'' is the third studio album by German musician Nico. It was released in December 1970 on the Reprise label. Recording ''Desertshore'' was co-produced by John Cale and Joe Boyd. Unlike its predecessor ''The Marble Index'' it incorporates elements from Western traditional pop. "Janitor of Lunacy" was composed as a tribute to her friend Brian Jones who died the previous year. The back and front covers feature stills from the film The Inner Scar by Philippe Garrel which starred Nico, Garrel and her son Ari Boulogne. A few of the songs from the album were included on the film's soundtrack. Legacy Like ''The Marble Index, Desertshore'' obtained a small cult following upon its release but was overlooked by most large publications and the public in general. However it has received mainstream praise from critics in subsequent years with AllMusic and The New Rolling Stone Album Guide in particular providing a strong and positive reception. Tiny Mix Tapes rated ''Desert ...
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The Third Mind Movements
''The Third Mind Movements'' is the final album released by British industrial Industrial may refer to: Industry * Industrial archaeology, the study of the history of the industry * Industrial engineering, engineering dealing with the optimization of complex industrial processes or systems * Industrial city, a city dominate ... group Throbbing Gristle in April 2009 from recordings made at the 2007 '' Desertshore Installation'' at the Institute of Contemporary Art on 1 to 3 June 2007 - all of the original line-up were present. It was for sale only at the 2009 USA tour venues and was later sold through the band's website. Track listing #"The Man from Nowhere" – 7:20 #"Premature" – 8:36 #"Secluded" – 7:08 #"Perception is the Only Reality" – 9:51 #"Not That I Am" – 4:33 #"First Movement" – 8:00 #"Second Movement" – 7:07 #"Third Movement" – 7:29 See also * Throbbing Gristle discography References *CD entries at Discogs 2009 albums Throbbing Gristle albums ...
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2007 Compilation Albums
7 (seven) is the natural number following 6 and preceding 8. It is the only prime number preceding a cube. As an early prime number in the series of positive integers, the number seven has greatly symbolic associations in religion, mythology, superstition and philosophy. The seven Classical planets resulted in seven being the number of days in a week. It is often considered lucky in Western culture and is often seen as highly symbolic. Unlike Western culture, in Vietnamese culture, the number seven is sometimes considered unlucky. It is the first natural number whose pronunciation contains more than one syllable. Evolution of the Arabic digit In the beginning, Indians wrote 7 more or less in one stroke as a curve that looks like an uppercase vertically inverted. The western Ghubar Arabs' main contribution was to make the longer line diagonal rather than straight, though they showed some tendencies to making the digit more rectilinear. The eastern Arabs developed the digit fr ...
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