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The Deposition From The Cross (Stavrakis)
The Deposition from the Cross or Descent from the Cross is a tempera painting created by Greek painter Stylianos Stavrakis. He was active during the early part of the 1700s. His nephew and brother were also famous painters. His nephew Demetrios Stavrakis was also his pupil. He was also a goldsmith. Most of his works were completed on the island of Zakynthos. He was a representative of the Heptanese school and Greek Rococo. Fourteen of his paintings survived. Countless Greek and Italian paintings have been created representing Christ on the cross. The Descent from the Cross is part of the Passion series. The Deposition from the Cross shows the moment when Christ's body is removed from the cross and taken for burial. Artists have artistically reanimated the event in paintings. Well-known versions include works by Duccio, Ioannis Apakas, and Nikolaos Kantounis. Stavraki's painting can be found in Athens Greece at the Benaki Museum. History The ''Descent from the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stylianos Stavrakis
Stylianos Stavrakis ( el, Στυλιανός Σταυράκης, 1709/1714 – 1786), was a Greek painter during the Neo-Hellenic Enlightenment era in art. He was a goldsmith and painter. He was very active on the Ionian Islands. Nikolaos Koutouzis, Nikolaos Doxaras and Nikolaos Kallergis were all active in Zakynthos during the same period. He is a prominent member of the coveted Heptanese painting style. He comes from a family of painters. His brother Andreas Stavrakis and nephew Demetrios Stavrakis were both famous painters. He influenced countless artists. Konstantinos Kontarinis and other artists of the Ionian Islands began to emulate his work. His most notable work is '' The Deposition from the Cross (Stavrakis)''. Fourteen of his paintings survived. Most of them can be found in Zakynthos, Greece. History Stavrakis was born in Zakynthos. He was a priest. His father's name was Emmanuel and his mother was Catherine Theodosi. His brother Andreas Stavrakis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heptanese School (painting)
The Heptanese School of painting ( el, Επτανησιακή Σχολή, , The School of the Seven Islands, also known as the Ionian Islands School) succeeded the Cretan School as the leading school of Greek post-Byzantine painting after Crete fell to the Ottomans in 1669. Like the Cretan school, it combined Byzantine traditions with an increasing Western European artistic influence and also saw the first significant depiction of secular subjects. The school was based in the Ionian Islands, which were not part of Ottoman Greece, from the middle of the 17th century until the middle of the 19th century. The center of Greek art migrated urgently to the Ionian islands but countless Greek artists were influenced by the school including the ones living throughout the Greek communities in the Ottoman Empire and elsewhere in the world. The early Heptanese school was influenced by Flemish, French, Italian and German engravings. Artists representative of that era were Theodore Poula ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Athens
Athens ( ; el, Αθήνα, Athína ; grc, Ἀθῆναι, Athênai (pl.) ) is both the capital and largest city of Greece. With a population close to four million, it is also the seventh largest city in the European Union. Athens dominates and is the capital of the Attica region and is one of the world's oldest cities, with its recorded history spanning over 3,400 years and its earliest human presence beginning somewhere between the 11th and 7th millennia BC. Classical Athens was a powerful city-state. It was a centre for the arts, learning and philosophy, and the home of Plato's Academy and Aristotle's Lyceum. It is widely referred to as the cradle of Western civilization and the birthplace of democracy, largely because of its cultural and political influence on the European continent—particularly Ancient Rome. In modern times, Athens is a large cosmopolitan metropolis and central to economic, financial, industrial, maritime, political and cultural life in Gre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benaki Museum
The Benaki Museum, established and endowed in 1930 by Antonis Benakis in memory of his father Emmanuel Benakis, is housed in the Benakis family mansion in downtown Athens, Greece. The museum houses Greek works of art from the prehistorical to the modern times, an extensive collection of Asian art, hosts periodic exhibitions and maintains a state-of-the-art restoration and conservation workshop. Although the museum initially housed a collection that included Islamic art, Chinese porcelain and exhibits on toys, its 2000 re-opening led to the creation of satellite museums that focused on specific collections, allowing the main museum to focus on Greek culture over the span of the country's history. This Museum in Athens houses over 100,000 artifacts from Greek history and showcases the many eras, civilizations and cultures which have influenced the development of Greece. Spread over a number of locations, the museum ranks among Greece’s foremost cultural institutions. Athens campus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Demetrios Stavrakis
Demetrios Stavrakis ( el, Δημήτριος Σταυράκης, 1735/40 – 1801), also known as the so-called Romanos ( el, ο λεγόμενος Ρωμανός) was a Greek painter of the Heptanese School. His uncles were famous painters Andreas Stavrakis and Stylianos Stavrakis, active on the island of Zakynthos. Demetrios influenced both Greek and Italian artists. According to the Institute of Neohellenic Research, fifteen of his works survived. His most notable work was '' The Profit Jonah''. History He was born on the island of Zakynthos. He was a member of an elite family of painters. His uncles were Andreas Stavrakis and Stylianos Stavrakis. His uncle Andreas died in 1785. They were his teachers. Demetrios’s nickname was Romanos. His work was the traditional Greek mannerism prevalent on the Ionian Islands. His earliest known work was dated around 1755. According to records from the demolished church of Faneromeni, he painted the Holy Table inside of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Passion Of Jesus
In Christianity, the Passion (from the Latin verb ''patior, passus sum''; "to suffer, bear, endure", from which also "patience, patient", etc.) is the short final period in the life of Jesus Christ. Depending on one's views, the "Passion" may include, among other events, Jesus' triumphal entry into Jerusalem, his cleansing of the Temple, his anointing, the Last Supper, Jesus' agony in the Garden, his arrest, his Sanhedrin trial, his trial before Pontius Pilate, his crucifixion and his death on Good Friday, his burial, and the resurrection of Jesus. Those parts of the four canonical Gospels that describe these events are known as the "Passion narratives". In some Christian communities, commemoration of the Passion also includes remembrance of the sorrow of Mary, the mother of Jesus, on the Friday of Sorrows. The word ''passion'' has taken on a more general application and now may also apply to accounts of the suffering and death of Christian martyrs, sometimes using the Lati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duccio
Duccio di Buoninsegna ( , ; – ) was an Italian painter active in Siena, Tuscany, in the late 13th and early 14th century. He was hired throughout his life to complete many important works in government and religious buildings around Italy. Duccio is considered one of the greatest Italian painters of the Middle Ages,Duccio ''Encyclopedia Britannica''. and is credited with creating the painting styles of and the Sienese school. He also contributed significantly to the Sienese . Biography Alt ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ioannis Apakas
Ιoannis Apakas ( el, Ιωάννης Απακάς, mid 1500s - early 1600s), also known as Johann Apakass was a Greek painter and priest. He was active in the latter part of the 16th century to the early 17th century. He was popular artist during his time. His work resembles the Cretan School with a significant Venetian painting, Venetian influence which evolved into the Heptanese School (painting), Heptanese School. His works mostly resemble Michael Damaskinos, Georgios Klontzas and Leos Moskos. Some of his works resemble Victor (iconographer), Victor of Crete, Elias Moskos. His style evolved from the Italo-Byzantine, maniera greca to a more refined painting style resembling the Cretan School. Many of his works survived and are featured in public foundations, private collections, churches and monasteries all over the world namely Greece. His most notable work is ''Ignatius of Antioch''. The lions have been used in countless paintings by different artists representing the Cret ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nikolaos Kantounis
Nikolaos Kantounis or Kandounis (Greek: Νικόλαος Καντούνης; 1767–1834) was a Greek priest, painter and teacher who did not follow the traditional Maniera Greca. His teacher was the famous painter Nikolaos Koutouzis. He began to incorporate the Maniera Italiana into the Heptanese School. Kantounis, Panagiotis Doxaras, Nikolaos Doxaras and Koutouzis were all prolific members of that school. Kantounis was one of the most important painters in the Neoclassical Period in Greece. He was a representative of the middle to late Modern Greek Enlightenment in Greek art. Over 164 of his paintings have survived. He is known for painting many portraits. Some of his works resemble the style of Nikolaos Doxaras. He was also a member of the secret organization for Greek Independence called the Filiki Eteria. Biography He was born in Zakynthos to a very wealthy and educated family. Records indicate Nikolaos was baptized on January 28, 1768. His father, Ioannis, was a docto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italo-Byzantine
Italo-Byzantine is a style term in art history, mostly used for medieval paintings produced in Italy under heavy influence from Byzantine art. It initially covers religious paintings copying or imitating the standard Byzantine icon types, but painted by artists without a training in Byzantine techniques. These are versions of Byzantine icons, most of the Madonna and Child, but also of other subjects; essentially they introduced the relatively small portable painting with a frame to Western Europe. Very often they are on a gold ground. It was the dominant style in Italian painting until the end of the 13th century, when Cimabue and Giotto began to take Italian, or at least Florentine, painting into new territory. But the style continued until the 15th century and beyond in some areas and contexts. ''Maniera greca'' ("Greek style/manner") was the Italian term used at the time, and by Vasari and others; it is one of the first post-classical European terms for style in art. Vasa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cretan School
Cretan School describes an important school of icon painting, under the umbrella of post-Byzantine art, which flourished while Crete was under Venetian rule during the late Middle Ages, reaching its climax after the Fall of Constantinople, becoming the central force in Greek painting during the 15th, 16th and 17th centuries. The Cretan artists developed a particular style of painting under the influence of both Eastern and Western artistic traditions and movements; the most famous product of the school, El Greco, was the most successful of the many artists who tried to build a career in Western Europe, and also the one who left the Byzantine style farthest behind him in his later career. 15th century There was a substantial demand for Byzantine icons in Europe throughout the Middle Ages and, as a Venetian possession since 1204, Crete had a natural advantage and soon came to dominate the supply. A probable early example is the famous icon of the Virgin in Rome known as Our M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Women At The Crucifixion
The presence of a group of female disciples of Jesus at the crucifixion of Jesus is found in all four Gospels of the New Testament. There have been different interpretations how many and which women were present. Although some Christian traditions hold that there were Three Marys at the cross, only one gospel claims this, and these names differ from the other gospels. Narrative comparison Interpretations Matthew and Mark, who speak of "many women" present at the crucifixion, mention three individually at the death of Jesus and two at his burial. Matthew describes the third individual present at the death as the mother of the sons of Zebedee, without naming her. Mark's third individual is called Salome. Luke mentions none individually. John mentions four individually, including Jesus' mother Mary, who is not mentioned by the other gospels. The indication in could be interpreted as referring to two, three or four women. There are difficulties against taking it as presenting a do ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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