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The Curlew
''The Curlew'' is a song cycle by Peter Warlock on poems by W. B. Yeats. It is generally considered one of the composer's finest works. It was written between 1920 and 1922 for singer and an unusual accompanying group of flute, cor anglais and string quartet (two violins, viola and cello). Warlock completed the work in Cefn Bryntalch, his family home in Llandyssil, near Montgomery in Wales. There are four songs, with a short instrumental interlude. The poems they are based on (with the first line in parentheses) are: #"He Reproves the Curlew" ("O Curlew, cry no more in the air") #"The lover mourns for the loss of love" ("Pale brows, still hands and dim hair") #"The Withering of the Boughs" ("I cried when the moon was murmuring to the birds:") #Interlude #"He Hears the Cry of the Sedge" ("I wander by the edge of this desolate lake") "The Withering of the Boughs" was taken from '' In the Seven Woods,'' while the other poems were taken from '' The Wind Among the Reeds''. There is ...
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Song Cycle
A song cycle (german: Liederkreis or Liederzyklus) is a group, or cycle (music), cycle, of individually complete Art song, songs designed to be performed in a sequence as a unit.Susan Youens, ''Grove online'' The songs are either for solo voice or an ensemble, or rarely a combination of solo songs mingled with choral pieces. The number of songs in a song cycle may be as brief as two songs or as long as 30 or more songs. The term "song cycle" did not enter lexicography until 1865, in Arrey von Dommer's edition of ''Koch’s Musikalisches Lexikon'', but works definable in retrospect as song cycles existed long before then. One of the earliest examples may be the set of seven Cantiga de amigo, Cantigas de amigo by the 13th-century Galicians, Galician jongleur Martin Codax. Jeffrey Mark identified the group of dialect songs 'Hodge und Malkyn' from Thomas Ravenscroft's ''The Briefe Discourse'' (1614) as the first of a number of early 17th Century examples in England. A song cycle is ...
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National Gramophonic Society
The National Gramophonic Society (NGS) was founded in England in 1923 by the novelist Compton Mackenzie to produce recordings of music which was ignored by commercial record companies. The Society was proposed shortly after Mackenzie had launched his monthly ''The Gramophone'' (still in publication today as ''Gramophone''), and its activities were announced and its releases promoted in the magazine's pages. The NGS was established for the publication by subscription of classical music, recorded complete and uncut. The Society's Advisory Committee, responsible for devising the recording programme and passing test pressings, consisted of Walter Willson Cobbett, Edwin Spencer Dyke (leader of a string quartet), ''Gramophone'' contributors W. R. Anderson, Alec Robertson and Peter Latham, and the magazine's Editors Compton Mackenzie and Christopher Stone, who was also NGS Secretary. Cobbett (b 1847), a lover and amateur performer of chamber music, had founded the Cobbett Competition i ...
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1922 Compositions
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album '' Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by Slipknot. ...
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Song Cycles By Peter Warlock
A song is a musical composition intended to be performed by the human voice. This is often done at distinct and fixed pitches (melodies) using patterns of sound and silence. Songs contain various forms, such as those including the repetition and variation of sections. Written words created specifically for music, or for which music is specifically created, are called lyrics. If a pre-existing poem is set to composed music in classical music it is an art song. Songs that are sung on repeated pitches without distinct contours and patterns that rise and fall are called chants. Songs composed in a simple style that are learned informally "by ear" are often referred to as folk songs. Songs that are composed for professional singers who sell their recordings or live shows to the mass market are called popular songs. These songs, which have broad appeal, are often composed by professional songwriters, composers, and lyricists. Art songs are composed by trained classical composers fo ...
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Peter Graeme
Graeme Peter Crump (1921 – 1 March 2012), known professionally as Peter Graeme and as 'Timmy' Crump to friends and family, was an English oboist and academic teacher. He was best known as the principal oboist of the Melos Ensemble. Career Peter Graeme studied the oboe with Léon Goossens.Bliss. Clarinet Quintet. Oboe Quintet. Melos Ensemble
Gramophone
Graeme was the oboist of the

Alexander Young (tenor)
Alexander Basil Young (London, 18 October 1920Macclesfield, 5 March 2000) was an English tenor who had an active career performing in concerts and operas from the late 1940s through the early 1970s. He was particularly admired for his performances in the operas of Handel, Mozart, and Rossini and of choral works of the 18th century.Blyth, Alan. Obituary - Alexander Young. ''Opera'', June 2000, Vol.51 No.6, p657. Life and career After vocal studies at the Royal College of Music with Steffan Pollmann,Rosenthal, Harold/Blyth, Alan. Alexander Young. In: ''The New Grove'', 2nd edition, 2001. and undertaking his war service, Young made his professional debut at the 1948 Edinburgh Festival as Scaramuccio in a production of ''Ariadne auf Naxos'' conducted by Beecham. In 1953 he performed the role of Tom Rakewell in the United Kingdom premiere of Stravinsky's ''The Rake's Progress'', a Third Programme broadcast. He would perform the role on stage at Covent Garden in 1962 and on record in the ...
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Desmond Shawe-Taylor (music Critic)
Desmond Christopher Shawe-Taylor, (29 May 1907 – 1 November 1995), was a British writer, co-writer of ''The Record Guide'', music critic of the ''New Statesman'', ''The New Yorker'' and ''The Sunday Times'' and a regular and long-standing contributor to ''The Gramophone''. Biography Shawe-Taylor was born in Dublin, the elder of two sons of Francis Manley Shawe-Taylor (1869–1920), magistrate and high sheriff for the county of Galway, and his wife, Agnes Mary Eleanor ''née'' Ussher (1874–1939).Warrack, John"Taylor, Desmond Christopher Shawe- (1907–1995)" ''Oxford Dictionary of National Biography'', Oxford University Press, September 2004; online edition, May 2009, retrieved 30 May 2010 (requires subscription) His parents were members of the Anglo-Irish ruling classes; he was related to the playwright and co-founder of the Abbey Theatre, Lady Gregory and a cousin of Hugh Lane, Sir Hugh Lane who founded Dublin's Dublin City Gallery The Hugh Lane, gallery of modern art."Desm ...
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Aeolian Quartet
The Aeolian Quartet was a highly reputed string quartet based in London, England, with a long international touring history and presence, an important recording and broadcasting profile. It was the successor of the pre-War Stratton Quartet. The quartet adopted its new name in 1944 and disbanded in 1981. Personnel The Aeolian Quartet from 1944 – 1981 (disbanded) * 1944 to 1947 Max Salpeter (1st Violin); Colin Sauer (2nd Violin); Watson Forbes (Viola); John Moore (Cello) * 1948 to 1952 Alfred Cave / Leonard Dight / Watson Forbes / John Moore (to 1957) * 1953 to 1964 Sydney Humphreys / Trevor Williams / Watson Forbes / Derek Simpson (from 1957) * 1965 to 1970 Sydney Humphreys / Raymond Keenlyside / Margaret Major / Derek Simpson * 1970 to 1981 Emanuel Hurwitz / Raymond Keenlyside / Margaret Major / Derek Simpson A number of other personnel took inner parts for brief periods e.g. Robert Cooper (2nd violin in February 1962). All dates collected from BBC genome project. Origin ...
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Léon Goossens
Léon Jean Goossens, CBE, FRCM (12 June 1897 – 13 February 1988) was an English oboist. Career Goossens was born in Liverpool, Lancashire, and studied at Liverpool College of Music and the Royal College of Music. His father was violinist and conductor Eugène Goossens, his brother the conductor and composer Eugene Aynsley Goossens and his sisters the harpists Marie and Sidonie Goossens.John Warrack, "Goossens, Léon Jean (1897–1988)", in ''Oxford Dictionary of National Biography'' (Oxford University Press, 2004)online edition accessed 30 January 2008. During the early and middle parts of the 20th century, he was considered among the premier oboists in the world. He joined the Queen's Hall Orchestra (conducted by Henry Wood) at the age of 15 and was later (1932) engaged by Sir Thomas Beecham for the newly founded London Philharmonic Orchestra, but he also enjoyed a rich solo and chamber-music career. He became famous for a uniquely pleasing sound few other oboists could ...
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Gordon Bottomley
Gordon Bottomley (20 February 187425 August 1948) was an English poet, known particularly for his verse dramas. He was partly disabled by tubercular illness. His main influences were the later Victorian Romantic poets, the Pre-Raphaelites and William Morris. Background Bottomley was born in Keighley, West Riding of Yorkshire on 20 February 1874, the only child of Maria and Alfred Bottomley. He was educated firstly at home by his mother and then at the local grammar school. Aged seven, Bottomley contracted a tubercular illness that would affect him for the rest of his life. As a result he was invalided for long periods of time and was unable to travel widely or live in a town. Bottomley became a junior clerk at the Craven Bank in Keighley at the age of 16. However, after an illness in 1891 he was transferred to the Bradford branch. Here he first visited the theatre and saw the Oscar Wilde play ''Lady Windermere's Fan''. This stimulated his interest in plays. Following another ...
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Wigmore Hall
Wigmore Hall is a concert hall located at 36 Wigmore Street, London. Originally called Bechstein Hall, it specialises in performances of chamber music, early music, vocal music and song recitals. It is widely regarded as one of the world's leading centres for this type of music and an essential port of call for many of the classical music world's leading stars. With near-perfect acoustic, the Hall quickly became celebrated across Europe and featured many of the great artists of the 20th century. Today, the Hall promotes 550 concerts a year and broadcasts a weekly concert on BBC Radio 3. The Hall also promotes an extensive education programme throughout London and beyond and has a huge digital broadcasting arm, which includes the Wigmore Hall Live Label and many live streams of concerts. Origins Originally named Bechstein Hall, it was built between 1899 and 1901 by C. Bechstein Pianofortefabrik, the German piano manufacturer, whose showroom was next door. The renowned British a ...
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Constant Lambert
Leonard Constant Lambert (23 August 190521 August 1951) was a British composer, conductor, and author. He was the founder and music director of the Royal Ballet, and (alongside Ninette de Valois and Frederick Ashton) he was a major figure in the establishment of the English ballet as a significant artistic movement. His ballet commitments, including extensive conducting work throughout his life, restricted his compositional activities. However one work, '' The Rio Grande'', for chorus, orchestra and piano soloist, achieved widespread popularity in the 1920s, and is still regularly performed today. His other work includes a jazz influenced Piano Concerto (1931), major ballet scores such as '' Horoscope'' (1937) and a full-scale choral masque ''Summer's Last Will and Testament'' (1936) that some consider his masterpiece. Lambert had wide-ranging interests beyond music, as can be seen from his critical study ''Music Ho!'' (1934), which places music in the context of the other arts ...
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