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The Curfew (play)
''The Curfew'' is a historical tragedy by the British writer John Tobin which was first published in 1807, three years after the author's death. It was staged by Richard Brinsley Sheridan at the Theatre Royal, Drury Lane in London premiering on 19 February 1807. The cast included William Barrymore as Hugh de Tracy, John Bannister as Robert, Henry Siddons as Bertrand, William Penley as Walter, Robert William Elliston as Fitzharding, Edmund John Eyre as Philip, Jane Powell as Matilda and Maria Duncan as Florence. It appeared at the Crow Street Theatre Crow Street Theatre was a theatre in Dublin, Ireland, originally opened in 1758 by the actor Spranger Barry. From 1788 until 1818 it was a patent theatre. History Spranger Barry and Henry Woodward The actor Spranger Barry (1719–1777), born i ... in Dublin on 1 April the same year. It is set during the Norman era.Nicoll p.164 References Bibliography * Bushnell, Rebecca.''A Companion to Tragedy''. John Wiley & Sons, 20 ...
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John Tobin (dramatist)
John Tobin (28 January 17707 December 1804) was a British playwright, who was for most of his life unsuccessful, but in the year of his death made a hit with ''The Honey Moon''. Other plays were ''The Curfew'' and '' The School for Authors''. Life Tobin was born in Salisbury, the son of James Tobin, a merchant, and his wife, born Webbe, the daughter of a rich West India sugar planter. George Tobin was his elder brother. Another brother, James Webbe Tobin (died 1814), an acquaintance of Charles Lamb and Samuel Taylor Coleridge, went to Nevis. About 1775 the father set out with his wife to Nevis in the West Indies. The children were left behind, and John was placed for a while under the care of Dr. Richard Mant, the father of Richard Mant the bishop, at Southampton. After the American War of Independence, James Tobin having returned to England and settled at Redland, near Bristol, John was sent to Bristol Grammar School under Dr. Charles Lee. In 1787 he left Bristol to be articled ...
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Edmund John Eyre
Edmund John Eyre (1767–1816), was an English actor and dramatist. Early life Eyre, son of Mary (née Underwood) (c1740-c1796) and the Rev. Ambrose Eyre (c1740 - c1796), rector of Leverington and Outwell, Isle of Ely, Cambridgeshire, was born 20 May 1767. He had two brothers and four sisters. He entered Merchant Taylors' School when ten years old. In 1785 he was appointed exhibitioner — first on Parkin's and afterwards on Stuart's foundation — at Pembroke Hall, Cambridge, but left the university without graduating to join a theatrical company. Career Eyre's Farce ''The Dreamer Awake; or, Pugilist Matched'' was performed at Covent Garden in 1791. The dedication inside the book includes a reference to Eyre, of Shrewsbury, Worcester and Wolverhampton theatres, having spent a short period on the island of Jamaica. It appears that Eyre underwent a marriage ceremony with an Elizabeth Bolton, widow on 14 May 1793 at St.Martins, Birmingham witnessed by Joseph Neale & Sam'l Broo ...
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West End Plays
West or Occident is one of the four cardinal directions or points of the compass. It is the opposite direction from east and is the direction in which the Sun sets on the Earth. Etymology The word "west" is a Germanic word passed into some Romance languages (''ouest'' in French, ''oest'' in Catalan, ''ovest'' in Italian, ''oeste'' in Spanish and Portuguese). As in other languages, the word formation stems from the fact that west is the direction of the setting sun in the evening: 'west' derives from the Indo-European root ''*wes'' reduced from ''*wes-pero'' 'evening, night', cognate with Ancient Greek ἕσπερος hesperos 'evening; evening star; western' and Latin vesper 'evening; west'. Examples of the same formation in other languages include Latin occidens 'west' from occidō 'to go down, to set' and Hebrew מַעֲרָב maarav 'west' from עֶרֶב erev 'evening'. Navigation To go west using a compass for navigation (in a place where magnetic north is the same dire ...
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1807 Plays
Eighteen or 18 may refer to: * 18 (number), the natural number following 17 and preceding 19 * one of the years 18 BC, AD 18, 1918, 2018 Film, television and entertainment * ''18'' (film), a 1993 Taiwanese experimental film based on the short story ''God's Dice'' * ''Eighteen'' (film), a 2005 Canadian dramatic feature film * 18 (British Board of Film Classification), a film rating in the United Kingdom, also used in Ireland by the Irish Film Classification Office * 18 (''Dragon Ball''), a character in the ''Dragon Ball'' franchise * "Eighteen", a 2006 episode of the animated television series ''12 oz. Mouse'' Music Albums * ''18'' (Moby album), 2002 * ''18'' (Nana Kitade album), 2005 * '' 18...'', 2009 debut album by G.E.M. Songs * "18" (5 Seconds of Summer song), from their 2014 eponymous debut album * "18" (One Direction song), from their 2014 studio album ''Four'' * "18", by Anarbor from their 2013 studio album ''Burnout'' * "I'm Eighteen", by Alice Cooper commonly re ...
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Plays By John Tobin
Play most commonly refers to: * Play (activity), an activity done for enjoyment * Play (theatre), a work of drama Play may refer also to: Computers and technology * Google Play, a digital content service * Play Framework, a Java framework * Play Mobile, a Polish internet provider * Xperia Play, an Android phone * Rakuten.co.uk (formerly Play.com), an online retailer * Backlash (engineering), or ''play'', non-reversible part of movement * Petroleum play, oil fields with same geological circumstances * Play symbol, in media control devices Film * ''Play'' (2005 film), Chilean film directed by Alicia Scherson * ''Play'', a 2009 short film directed by David Kaplan * ''Play'' (2011 film), a Swedish film directed by Ruben Östlund * ''Rush'' (2012 film), an Indian film earlier titled ''Play'' and also known as ''Raftaar 24 x 7'' * ''The Play'' (film), a 2013 Bengali film Literature and publications * ''Play'' (play), written by Samuel Beckett * ''Play'' (''The New York Times'' ...
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Norman Era
England in the High Middle Ages includes the history of England between the Norman Conquest in 1066 and the death of King John, considered by some to be the last of the Angevin kings of England, in 1216. A disputed succession and victory at the Battle of Hastings led to the conquest of England by William of Normandy in 1066. This linked the crown of England with possessions in France and brought a new aristocracy to the country that dominated landholding, government and the church. They brought with them the French language and maintained their rule through a system of castles and the introduction of a feudal system of landholding. By the time of William's death in 1087, England formed the largest part of an Anglo-Norman empire, ruled by nobles with landholdings across England, Normandy and Wales. William's sons disputed succession to his lands, with William II emerging as ruler of England and much of Normandy. On his death in 1100 his younger brother claimed the throne as Henry ...
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Dublin
Dublin (; , or ) is the capital and largest city of Republic of Ireland, Ireland. On a bay at the mouth of the River Liffey, it is in the Provinces of Ireland, province of Leinster, bordered on the south by the Dublin Mountains, a part of the Wicklow Mountains range. At the 2016 census of Ireland, 2016 census it had a population of 1,173,179, while the preliminary results of the 2022 census of Ireland, 2022 census recorded that County Dublin as a whole had a population of 1,450,701, and that the population of the Greater Dublin Area was over 2 million, or roughly 40% of the Republic of Ireland's total population. A settlement was established in the area by the Gaels during or before the 7th century, followed by the Vikings. As the Kings of Dublin, Kingdom of Dublin grew, it became Ireland's principal settlement by the 12th century Anglo-Norman invasion of Ireland. The city expanded rapidly from the 17th century and was briefly the second largest in the British Empire and sixt ...
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Crow Street Theatre
Crow Street Theatre was a theatre in Dublin, Ireland, originally opened in 1758 by the actor Spranger Barry. From 1788 until 1818 it was a patent theatre. History Spranger Barry and Henry Woodward The actor Spranger Barry (1719–1777), born in Dublin and appearing in London from 1746, induced the London-born actor Henry Woodward (1714–1777), who had saved £6,000, to participate in his project to build a theatre in Dublin. Charles Macklin participated at an early stage, but soon withdrew. Barry and Woodward moved to Dublin, and the Crow Street Theatre opened in October 1758. It struggled as a rival to the Smock Alley Theatre. Maria Nossiter (1735–1759), who had lived with Barry in London, was assigned an eighth share of the profits. In 1760 Barry and Woodward opened a theatre in Cork, the Theatre Royal. By 1762 Woodward had lost half his savings; the partnership was dissolved, and he returned to London. Barry continued for a few more years, then also returned to London. ...
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Maria Rebecca Davison
Maria Rebecca Davison (1780?–1858) was a British stage actress. She was billed as Miss Duncan in the early years of her career before her marriage. She appeared as a leading performer at the London patent theatres Covent Garden, the Haymarket Theatre and particularly at Drury Lane. Description Davison was taller than average, with dark hair, and strongly formed with very expressive features. She had a fine voice and a good knowledge of music, sang with much expression, and was in her day unequalled in such Scotch ballads as ''John Anderson'' and ''Roy's Wife.'' Her singing as Marchioness Mérida in the ''Travellers,'', which took place at Drury Lane 13 May 1823, proved she was an opera singer. It was said that there was no better exponent of Lady Teazle, Lady Townly, Beatrice, and other similar parts. As Juliana in the ''Honeymoon'' she had no rival. Leigh Hunt gave her large amounts of credit in his ''Critical Essays on the Performers of the London Theatres,'' and speaks of ...
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Mrs Powell
Jane Powell or Mrs Powell (c. 1761 – 31 December 1831) was a British actress. She was also known as Mrs Renaud and Mrs Farmer. Life Powell made her debut as Alicia in Nicholas Rowe's ''Jane Shore'' to mixed reviews in 1787, but her name was uncredited. She came to notice when she appeared at the Haymarket Theatre in the 1780s under the name of "Mrs Farmer" or "Mrs Palmer" as the papers failed to agree. She is thought to be the first woman to take the title role of Hamlet in London in 1796 when she appeared at Drury Lane. She then took the role of Edmunda in ''Vortigern and Rowena'' after Sarah Siddons refused the role. The newly discovered play that was said to be by Shakespeare proved to be a forgery. Mrs Powell had a benefit at Drury Lane on 2 May 1795 when she played Young Norval. This role was recorded in Norval's death scene from Act V in a painting by Samuel De Wilde. Samuel De Wilde had made a painting of her as Mary Queen of Scots and another of her as Boadicea. How ...
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Robert William Elliston
Robert William Elliston (7 April 1774 – 7 July 1831) was an English actor and theatre manager. Life He was born in London, the son of a watchmaker. He was educated at St Paul's School, but ran away from home and made his first appearance on the stage as Tressel in ''Richard III'' at the Old Orchard Street Theatre in Bath in 1791. There he was later seen as Romeo, and in other leading parts, both comic and tragic, and he repeated his successes in London from 1796. In the same year he married Elizabeth, the sister of Mary Ann Rundall, and they would in time have ten children. He acted at Drury Lane from 1804 to 1809, and again from 1812. From 1819 he was the lessee of the house, presenting Edmund Kean, Mme Vestris, and Macready. He bought the Olympic Theatre in 1813 and also had an interest in a patent theatre, the Theatre Royal, Birmingham. Ill-health and misfortune culminated in his bankruptcy in 1826, when he made his last appearance at Drury Lane as Falstaff. As the le ...
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Theatre Royal, Drury Lane
The Theatre Royal, Drury Lane, commonly known as Drury Lane, is a West End theatre and Grade I listed building in Covent Garden, London, England. The building faces Catherine Street (earlier named Bridges or Brydges Street) and backs onto Drury Lane. The building is the most recent in a line of four theatres which were built at the same location, the earliest of which dated back to 1663, making it the oldest theatre site in London still in use. According to the author Peter Thomson, for its first two centuries, Drury Lane could "reasonably have claimed to be London's leading theatre". For most of that time, it was one of a handful of patent theatres, granted monopoly rights to the production of "legitimate" drama in London (meaning spoken plays, rather than opera, dance, concerts, or plays with music). The first theatre on the site was built at the behest of Thomas Killigrew in the early 1660s, when theatres were allowed to reopen during the English Restoration. Initially ...
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