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The Cotton Club (soundtrack)
''The Cotton Club'' is the soundtrack to the movie of the same name. The album won the Grammy Award for Grammy Award for Best Large Jazz Ensemble Album in 1986. Track listing Charts Personnel * John Barry – conductor * Bob Wilber – conductor, alto and soprano saxophone, clarinet * Frank Wess – alto, soprano, and baritone saxophone, clarinet * Chuck Wilson – alto and soprano saxophone, clarinet * Lawrence Feldman – alto and soprano saxophone, clarinet * Joe Temperley – alto and baritone saxophone, bass clarinet * Dave Brown – trumpet, vocals * Marky Markowitz – trumpet * Randy Sandke – trumpet * Lew Soloff – trumpet * Dan Barrett – trombone, valve trombone * Joel Helleny – trombone * Britt Woodman – trombone * Tony Price – tuba * Bob Stewart – tuba * Mark Shane – piano * John Goldsby – bass * Mike Peters – guitar, banjo * Chuck Riggs – drums * Brian Brake – drums * Dave Samuels, Danny Druckman, Gordon Gottlieb, Ronnie Zito Ronald " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Barry (composer)
John Barry Prendergast (3 November 1933 – 30 January 2011) was a British composer and conductor of film music. He composed the scores for eleven of the ''James Bond'' films between 1963 and 1987, as well as arranging and performing the "James Bond Theme" for the first film in the series, 1962's '' Dr. No''. He wrote the Grammy- and Academy Award-winning scores to the films ''Dances with Wolves'' and ''Out of Africa'', as well as the scores of ''The Scarlet Letter'', ''Chaplin'', '' The Cotton Club'', ''Game of Death'', ''The Tamarind Seed'', ''Mary, Queen of Scots'' and the theme for the television series ''The Persuaders!'', in a career spanning over 50 years. In 1999, he was appointed with an OBE for services to music. Born in York, Barry spent his early years working in cinemas owned by his father. During his national service with the British Army in Cyprus, Barry began performing as a musician after learning to play the trumpet. Upon completing his national service, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ted Koehler
Ted L. Koehler (July 14, 1894 – January 17, 1973) was an American lyricist. He was inducted into the Songwriters Hall of Fame in 1972. Life and career Koehler was born in 1894 in Washington, D.C. He started out as a photo-engraver, but was attracted to the music business, where he started out as a theater pianist for silent films. He moved on to write for vaudeville and Broadway theatre, and he also produced nightclub shows. His most successful collaboration was with the composer Harold Arlen, with whom he wrote many famous songs from the 1920s through the 1940s. In 1929 the duo composed their first well-known song, " Get Happy", and went on to create "Let's Fall in Love", " Stormy Weather", " Sing My Heart" and other hit songs. Throughout the early and mid-1930s they wrote for the Cotton Club, a popular Harlem night club, for big band jazz legend Duke Ellington and other top performers, as well as for Broadway musicals and Hollywood films. Koehler also worked with ot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chuck Wilson (jazz Musician)
Charles Dee Wilson (July 31, 1948 – October 16, 2018) was an American jazz alto saxophonist. Born in Wichita Falls, Texas, Wilson began playing saxophone at age 11, and led his own trio while still in high school. He attended North Texas State University and spent much of his career in various big band ensembles. He was with Jerry Gray at the Fairmont Hotel in Dallas around 1972, and following the leader's death in 1976, he played with Buddy Rich from 1977 to 1980. He did much studio work in New York City in the 1980s, on clarinet and flute in addition to saxophone. He played with Tito Puente in 1980–81, Gerry Mulligan from 1981 to 1989, Bob Wilber (1983), Loren Schoenberg (1984), Benny Goodman's last ensemble (1985–86), Buck Clayton (1986–90), and Walt Levinsky. He was with Howard Alden and Dan Barrett's quintet from 1985 to 1991. He led his own group, Chuck Wilson and Friends, from 1996, which included Murray Wall, Alden, and Joel Helleny as sidemen. Wilson died on Oc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Wess
Frank Wellington Wess (January 4, 1922 – October 30, 2013) was an American jazz saxophonist and flutist. In addition to his extensive solo work, Wess is remembered for his time in Count Basie's band from the early 1950s into the 1960s. Critic Scott Yanow described him as one of the premier proteges of Lester Young, and a leading jazz flutist of his era—using the latter instrument to bring new colors to Basie's music. Biography Wess was born in Kansas City, Missouri, United States, the son of a principal father and a schoolteacher mother. He began with classical music training and played in Oklahoma in high school. He later switched to jazz on moving to Washington, D.C. and by nineteen was working with big bands. His career was interrupted by World War II although he did play with a military band in the period. After leaving the military, he joined Billy Eckstine's orchestra. He returned to Washington D.C. a few years afterwards and received a degree in flute at the city's Mod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bob Wilber
Robert Sage Wilber (March 15, 1928 – August 4, 2019) was an American jazz clarinetist, saxophonist, and band leader. Although his scope covers a wide range of jazz, Wilber was a dedicated advocate of classic styles, working throughout his career to present traditional jazz pieces in a contemporary manner. He played with many distinguished jazz leaders in the 1950s and 1960s, including Bobby Hackett, Benny Goodman, Sidney Bechet, Jack Teagarden and Eddie Condon. In the late 1960s, he was an original member of the World's Greatest Jazz Band, and in the early 70s of Soprano Summit, a band which gained wide attention. In the late 1970s, he formed the Bechet Legacy Band. Wilber was active in jazz education, including working as director of the Smithsonian Jazz Repertory Ensemble. He wrote for films, including '' The Cotton Club''. In his autobiography, ''Music Was Not Enough,'' he recounts his childhood, meeting his mentor Sidney Bechet, in 1946, and his struggles as a musician ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kent Music Report
The Kent Music Report was a weekly record chart of Australian music singles and albums which was compiled by music enthusiast David Kent from May 1974 through to January 1999. The chart was re-branded the Australian Music Report (AMR) in July 1987. From June 1988, the Australian Recording Industry Association, which had been using the top 50 portion of the report under licence since mid-1983, chose to produce their own listing as the ARIA Charts. Before the Kent Report, ''Go-Set'' magazine published weekly Top-40 Singles from 1966, and Album charts from 1970 until the magazine's demise in August 1974. David Kent later published Australian charts from 1940 to 1973 in a retrospective fashion, using state by state chart data obtained from various Australian radio stations. Background Kent had spent a number of years previously working in the music industry at both EMI and Phonogram records and had developed the report initially as a hobby. The Kent Music Report was first release ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benny Davis
Benny Davis (August 21, 1895 - December 20, 1979) was a vaudeville performer and writer of popular songs. Biography Davis started performing in vaudeville in his teens. He began writing songs when working as an accompanist for Blossom Seeley. In 1917, he wrote "So Long Sammy" with Jack Yellen and "Good-Bye Broadway. Hello France" with C. Francis Reisner. His first success was 1920's "Margie", with music by Con Conrad and J. Russel Robinson. His most popular song was "Baby Face", written in 1926 with Harry Akst. For Broadway, Davis wrote the score for the 1927 edition of ''Artists and Models'' and for the 1929 show ''Sons o' Guns''. His career lasted until the mid-1930s. Davis's liberal use of false rhymes in his songs was scorned by some pure practitioners of the craft, and prompted Howard Dietz to compose a couplet: "Heaven Save Us, From Benny Davis." Nevertheless, Davis was voted into the Songwriters Hall of Fame in 1975. Davis died in December 1979, aged 84, in Miami, Flor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Frederick Coots
John Frederick Coots (May 2, 1897 – April 8, 1985) was an American songwriter. He composed over 700 popular songs and over a dozen Broadway shows. In 1934, Coots wrote the melody with his then chief collaborator, lyricist Haven Gillespie, for the biggest hit of either man's career, "Santa Claus Is Comin' to Town." The song became one of the biggest sellers in American history. In 1934, when Gillespie brought him the lyrics to "Santa Claus Is Coming to Town", Coots came up with the outline of the melody in just ten minutes. Coots took the song to his publisher, Leo Feist, who liked it but thought it was "a kids' song" and didn't expect too much from it. Coots offered the song to Eddie Cantor who used it on his radio show that November and it became an instant hit. The morning after the radio show there were orders for 100,000 copies of sheet music and by Christmas sales had passed 400,000. Career timeline : 1897 May 2 – born in Brooklyn, New York : 1914 (age 17) – began w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cab Calloway
Cabell Calloway III (December 25, 1907 – November 18, 1994) was an American singer, songwriter, bandleader, conductor and dancer. He was associated with the Cotton Club in Harlem, where he was a regular performer and became a popular vocalist of the swing era. His niche of mixing jazz and vaudeville won him acclaim during a career that spanned over 65 years. Calloway was a master of energetic scat singing and led one of the most popular dance bands in the United States from the early 1930s to the late 1940s. His band included trumpeters Dizzy Gillespie, Jonah Jones, and Adolphus "Doc" Cheatham, saxophonists Ben Webster and Leon "Chu" Berry, guitarist Danny Barker, bassist Milt Hinton, and drummer Cozy Cole. Calloway had several hit records in the 1930s and 1940s, becoming known as the "Hi-de-ho" man of jazz for his most famous song, "Minnie the Moocher", originally recorded in 1931. He reached the '' Billboard'' charts in five consecutive decades (1930s–1970s). Calloway ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minnie The Moocher
"Minnie the Moocher" is a jazz- scat song first recorded in 1931 by Cab Calloway and His Orchestra, selling over a million copies. "Minnie the Moocher" is most famous for its nonsensical ad libbed (" scat") lyrics (for example, "Hi De Hi De Hi De Ho"). In performances, Calloway would have the audience and the band members participate by repeating each scat phrase in a form of call and response, until making it too fast and complicated for the audience to replicate it. Released by Brunswick Records, the song was the biggest chart-topper of 1931. Calloway publicized and then celebrated a "12th birthday" for the song on June 17, 1943, while performing at New York's Strand Theatre. He reported that he was then singing the song at both beginning and end of four performances daily, and then estimated his total performances to date: "she's kicked the gong around for me more than 40,000 times." In 1978, Calloway recorded a disco version of "Minnie the Moocher" on RCA Records which re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barney Bigard
Albany Leon "Barney" Bigard (March 3, 1906 – June 27, 1980) was an American jazz clarinetist known for his 15-year tenure with Duke Ellington. He also played tenor saxophone. Biography Bigard was born in New Orleans to Creole parents, Alexander and Emanuella Bigard. He had two brothers, Alexander Jr. and Sidney. His uncle, Emile Bigard, was a jazz violinist. He attended local schools and studied music and clarinet with Lorenzo Tio. In the early 1920s, he moved to Chicago, where he worked with King Oliver and others. During this period, much of his recording, including with clarinetist Johnny Dodds, was on tenor saxophone, which he played often with great lyricism, as on Oliver's "Someday Sweetheart". In December 1927, Bigard joined Duke Ellington's orchestra in New York. He played with Ellington until 1942. They played primarily at the Cotton Club until 1931, then toured almost nonstop for over a decade. With Ellington, he was the featured clarinet soloist, while also d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mood Indigo
"Mood Indigo" is a jazz song with music by Duke Ellington and Barney Bigard and lyrics by Irving Mills. Composition Although Irving Mills—Jack Mills's brother and publishing partner—took credit for the lyrics, Mitchell Parish claimed in a 1987 interview that he had written the lyrics. The tune was composed for a radio broadcast in October 1930 and was originally titled "Dreamy Blues". It was "the first tune I ever wrote specially for microphone transmission", Ellington recalled. "The next day wads of mail came in raving about the new tune, so Irving Mills put a lyric to it." Renamed "Mood Indigo", it became a jazz standard." The main theme was provided by Bigard, who learned it in New Orleans, Louisiana from his clarinet teacher Lorenzo Tio, who called it a "Mexican Blues". Ellington's arrangement was first recorded by his band for Brunswick on October 17, 1930. It was recorded twice more in 1930. These recordings included Arthur Whetsel (trumpet), Tricky Sam Nanton (tr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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