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The Conversion Of Mary Magdalene
''The Conversion of Mary Magdalene'' is an oil painting, an early work by the Italian Renaissance artist based in Venice, Paolo Veronese (1528–1588). He was known for his sumptuous paintings with a dramatic and colourful style. Dating from circa 1545–1548, the painting was commissioned by a noble patron in Verona. It is held by the National Gallery in London. Subject The subject of the painting has been debated: the general opinion is that it depicts the conversion of Mary Magdalene, as described in Pietro Aretino's 1535 book ''L'umanità di Cristo''; this version of the Gospels was widely distributed and read in Northern Italy at this time. In the legend that inspired the painting, Mary went to a temple where the teachings of Jesus inspired her to convert to a pious life. In the painting she is depicted in dress inappropriate for the religious building, which Veronese used to symbolise her prior sinful life. She is shown on her knees and blushing as she listens to Jesus. ...
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Paolo Veronese
Paolo Caliari (152819 April 1588), known as Paolo Veronese ( , also , ), was an Italian Renaissance painter based in Venice, known for extremely large history paintings of religion and mythology, such as ''The Wedding at Cana'' (1563) and ''The Feast in the House of Levi'' (1573). Included with Titian, a generation older, and Tintoretto, a decade senior, Veronese is one of the "great trio that dominated Venetian painting of the ''cinquecento''" and the Late Renaissance in the 16th century.Rosand, 107 Known as a supreme colorist, and after an early period with Mannerism, Paolo Veronese developed a naturalist style of painting, influenced by Titian. His most famous works are elaborate narrative cycles, executed in a dramatic and colorful style, full of majestic architectural settings and glittering pageantry. His large paintings of biblical feasts, crowded with figures, painted for the refectories of monasteries in Venice and Verona are especially famous, and he was also the leadi ...
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Martha
Martha (Hebrew: מָרְתָא‎) is a biblical figure described in the Gospels of Luke and John. Together with her siblings Lazarus and Mary of Bethany, she is described as living in the village of Bethany near Jerusalem. She was witness to Jesus resurrecting her brother, Lazarus. Etymology of the name The name ''Martha'' is a Latin transliteration of the Koine Greek Μάρθα, itself a translation of the Aramaic מָרְתָא‎ ''Mârtâ,'' "the mistress" or "the lady", from מרה "mistress," feminine of מר "master." The Aramaic form occurs in a Nabatean inscription found at Puteoli, and now in the Naples Museum; it is dated AD 5 (Corpus Inscr. Semit., 158); also in a Palmyrene inscription, where the Greek translation has the form ''Marthein.'' Pope, Hugh"St. Martha" The Catholic Encyclopedia. Vol. 9. New York: Robert Appleton Company, 1919. Biblical references In the Gospel of Luke, Jesus visits the home of two sisters named Mary and Martha. The two sisters ar ...
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Collections Of The National Gallery, London
Collection or Collections may refer to: * Cash collection, the function of an accounts receivable department * Collection (church), money donated by the congregation during a church service * Collection agency, agency to collect cash * Collections management (museum) ** Collection (museum), objects in a particular field forms the core basis for the museum ** Fonds in archives ** Private collection, sometimes just called "collection" * Collection (Oxford colleges), a beginning-of-term exam or Principal's Collections * Collection (horse), a horse carrying more weight on his hindquarters than his forehand * Collection (racehorse), an Irish-bred, Hong Kong based Thoroughbred racehorse * Collection (publishing), a gathering of books under the same title at the same publisher * Scientific collection, any systematic collection of objects for scientific study Collection may also refer to: Computing * Collection (abstract data type), the abstract concept of collections in computer science ...
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Paintings By Paolo Veronese
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narr ...
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Renaissance Paintings
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Proto-Renaissance from around 1250 or 1300 – overlap considerably with the Late Middle Ages, conventionally dat ...
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1554 Paintings
__NOTOC__ Year 1554 ( MDLIV) was a common year starting on Monday (link will display the full calendar) of the Julian calendar. Events January–June * January 5 – A great fire breaks out in Eindhoven, Netherlands. *January 11 – A Spanish army is defeated by local Mapuche-Huilliches as it tries to cross Bueno River in Southern Chile. * January 12 – Bayinnaung is crowned king of the Burmese Taungoo Dynasty. * January 25 – São Paulo, Brazil, is founded. * February 9 – Thomas Wyatt surrenders to government forces in London. * February 12 – After claiming the throne of England the previous year, Lady Jane Grey is beheaded for treason. * March 18 – Princess Elizabeth is imprisoned in the Tower of London. * April 12 – Mary of Guise becomes Regent of Scotland. July–December * July 23– 25 – Queen Mary I of England marries King Philip of Naples, the only son of Charles V, Holy Roman Emperor, in Winchester ...
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David Rosand
David Rosand (September 6, 1938 – August 8, 2014) was an American art historian, university professor and writer. He died on August 8, 2014 from cardiac amyloidosis.Columbia UniversityRosand, faculty bio notes/ref> Rosand specialized in Italian Renaissance art, and was known for his scholarly work on Venice and Venetian artists, in particular Titian. Education and early life Rosand was born in Brooklyn; and graduated from Brooklyn Technical High School. He attended Columbia College, Columbia University, Columbia College where he was an editor and cartoonist for the Jester of Columbia, Jester. He received his undergraduate degree from Columbia University in 1959.Boss-Bicak, Shira 'David Rosand ’59’s 'Gift' of Casa Muraro in Venice,"''Columbia Today.'' May/June 2008. In 1961, he married Vassar graduate Ellen Fineman, better known as the distinguished musicologist Ellen Rosand. Columbia awarded Rosand his PhD in 1965. His dissertation was supported in part by a Fulbright schol ...
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Allegory Of Virtue And Vice (Veronese)
''Allegory of Virtue and Vice'' or ''The Choice Between Virtue and Vice'' or ''The Choice of Hercules'' is a painting by Paolo Veronese, created circa 1565 in Venice, Italy and now located in the Frick Collection. It is a large-scale allegorical painting depicting Hercules' struggle between virtue and vice, personified here by the figures of the two women physically pulling him in different directions. Subject In the painting, Virtue appears to be winning the struggle over Hercules, but Vice has torn Hercules' stocking and still reaches out her hand toward him. Concealed behind her skirt is a dagger and a statue of a sphinx. On the stonework above the scene, an inscription reads " OOR ET VIRTUS/ ST MORTE FLORET (Honor and Virtue Flourish after Death)." As an allegory, the job of this painting is to convey a moral message, that of the superiority of virtue over vice. The genre of allegory contrasts with Veronese's well-known tableaus of historical and biblical scenes, such as th ...
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Wynne Ellis
Wynne Ellis (also Wynn Ellis) (1790–1875) was a wealthy British haberdasher, politician and art collector. Biography Ellis, son of Thomas Ellis, by Elizabeth Ordway of Barkway, Hertfordshire, was born at Oundle, Northamptonshire, in July 1790, and after receiving a good education came to London. Business career In 1812 Ellis became a haberdasher, hosier, and mercer at 16 Ludgate Street, city of London, where he gradually created the largest silk business in London, adding house to house as opportunity occurred of purchasing the property around him, and passing from the retail to a wholesale business in 1830. After his retirement in 1871 his firm assumed the title of John Howell & Co. Political life In 1831 Ellis withdrew his candidature for the aldermanic ward of Castle Baynard to contest the parliamentary representation of Leicester. As an advanced liberal he sat for Leicester from 4 May 1831 to 29 December 1834 and again from 22 March 1839 to 23 July 1847. He was an advocate ...
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Christ
Jesus, likely from he, יֵשׁוּעַ, translit=Yēšūaʿ, label=Hebrew/Aramaic ( AD 30 or 33), also referred to as Jesus Christ or Jesus of Nazareth (among other Names and titles of Jesus in the New Testament, names and titles), was a first-century Jews, Jewish preacher and religious leader; he is the central figure of Christianity, the Major religious groups, world's largest religion. Most Christians believe he is the Incarnation (Christianity), incarnation of God the Son and the awaited Messiah#Christianity, Messiah (the Christ (title), Christ) prophesied in the Hebrew Bible. Virtually all modern scholars of antiquity agree that Historicity of Jesus, Jesus existed historically. Quest for the historical Jesus, Research into the historical Jesus has yielded some uncertainty on the historical reliability of the Gospels and on how closely the Jesus portrayed in the New Testament reflects the historical Jesus, as the only detailed records of Jesus' life are contained in ...
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Jesus
Jesus, likely from he, יֵשׁוּעַ, translit=Yēšūaʿ, label=Hebrew/Aramaic ( AD 30 or 33), also referred to as Jesus Christ or Jesus of Nazareth (among other names and titles), was a first-century Jewish preacher and religious leader; he is the central figure of Christianity, the world's largest religion. Most Christians believe he is the incarnation of God the Son and the awaited Messiah (the Christ) prophesied in the Hebrew Bible. Virtually all modern scholars of antiquity agree that Jesus existed historically. Research into the historical Jesus has yielded some uncertainty on the historical reliability of the Gospels and on how closely the Jesus portrayed in the New Testament reflects the historical Jesus, as the only detailed records of Jesus' life are contained in the Gospels. Jesus was a Galilean Jew who was circumcised, was baptized by John the Baptist, began his own ministry and was often referred to as "rabbi". Jesus debated with fellow Jews on ho ...
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Second Temple
The Second Temple (, , ), later known as Herod's Temple, was the reconstructed Temple in Jerusalem between and 70 CE. It replaced Solomon's Temple, which had been built at the same location in the United Kingdom of Israel before being inherited by the Kingdom of Judah in and then destroyed by the Neo-Babylonian Empire during the Siege of Jerusalem (587 BC), Babylonian siege of Jerusalem in . Construction on the Second Temple began some time after the Neo-Babylonian Empire was conquered by the Achaemenid Empire, Achaemenid Persian Empire; it followed a proclamation by Persian king Cyrus the Great (see Edict of Cyrus) that ended the Babylonian captivity and initiated the return to Zion. In Jewish history, the Second Temple's completion in Yehud (Persian province), Persian Judah marks the beginning of the Second Temple period. According to the Bible, the Second Temple was originally a relatively modest structure built by Jews who had returned from exile in Babylon under the author ...
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