The Conspiracy (play)
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The Conspiracy (play)
''The Conspiracy'' is a 1796 tragedy by the Irish writer Robert Jephson. The original cast included John Palmer as Titus, John Philip Kemble as Sextus, William Barrymore as Annius, Charles Kemble as Publius, Thomas Caulfield as Lentulus, Jane Powell as Cornelia and Sarah Siddons Sarah Siddons (''née'' Kemble; 5 July 1755 – 8 June 1831) was a Welsh actress, the best-known tragedienne of the 18th century. Contemporaneous critic William Hazlitt dubbed Siddons as "tragedy personified". She was the elder sister of John ... as Vitellia.Hogan p.1914 References Bibliography * Nicoll, Allardyce. ''A History of English Drama 1660–1900: Volume III''. Cambridge University Press, 2009. * Hogan, C.B (ed.) ''The London Stage, 1660–1800: Volume V''. Southern Illinois University Press, 1968. 1796 plays Tragedy plays West End plays Plays by Robert Jephson {{1790s-play-stub ...
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Robert Jephson
Robert Jephson (1736 – 31 May 1803) was an Irish dramatist and politician. Life He was born in Ireland, a younger son of John Jephson, Archdeacon of Cloyne. He entered Trinity College, Dublin in 1751, but left without a degree. He then joined the British Army, with a commission in the 73rd Regiment of Foot (1758), and served in the Caribbean. He left, for health reasons. Jephson then lived in England, at Hampton Court, with William Gerard Hamilton. There he was the friend of David Garrick, Joshua Reynolds, Oliver Goldsmith, Samuel Johnson, Edmund Burke, Charles Burney and Charles Townshend. His appointment as master of the horse to the lord-lieutenant of Ireland took him back to Dublin. He published, in the ''Mercury'' newspaper, a series of articles in defence of the lord-lieutenant's administration which were afterwards collected and issued in book form under the title of ''The Bachelor, or Speculations of Jeoffry Wagstaffe''. A pension of £300, later doubled, ...
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Theatre Royal, Drury Lane
The Theatre Royal, Drury Lane, commonly known as Drury Lane, is a West End theatre and Grade I listed building in Covent Garden, London, England. The building faces Catherine Street (earlier named Bridges or Brydges Street) and backs onto Drury Lane. The building is the most recent in a line of four theatres which were built at the same location, the earliest of which dated back to 1663, making it the oldest theatre site in London still in use. According to the author Peter Thomson, for its first two centuries, Drury Lane could "reasonably have claimed to be London's leading theatre". For most of that time, it was one of a handful of patent theatres, granted monopoly rights to the production of "legitimate" drama in London (meaning spoken plays, rather than opera, dance, concerts, or plays with music). The first theatre on the site was built at the behest of Thomas Killigrew in the early 1660s, when theatres were allowed to reopen during the English Restoration. Initially ...
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London
London is the capital and largest city of England and the United Kingdom, with a population of just under 9 million. It stands on the River Thames in south-east England at the head of a estuary down to the North Sea, and has been a major settlement for two millennia. The City of London, its ancient core and financial centre, was founded by the Romans as '' Londinium'' and retains its medieval boundaries.See also: Independent city § National capitals The City of Westminster, to the west of the City of London, has for centuries hosted the national government and parliament. Since the 19th century, the name "London" has also referred to the metropolis around this core, historically split between the counties of Middlesex, Essex, Surrey, Kent, and Hertfordshire, which largely comprises Greater London, governed by the Greater London Authority.The Greater London Authority consists of the Mayor of London and the London Assembly. The London Mayor is distinguished fr ...
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Tragedy
Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain hatawakens pleasure", for the audience. While many cultures have developed forms that provoke this paradoxical response, the term ''tragedy'' often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it. From its origins in the theatre of ancient Greece 2500 years ago, from which there survives only a fra ...
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John Palmer (actor)
John Palmer (c. 1742–1798) was an actor on the English stage in the eighteenth century. There was also another John Palmer (1728–1768) who was known as Gentleman Palmer. Richard Brinsley Sheridan nicknamed him Plausible Jack. Birth and youth He was born in the parish of St Luke's, Old Street, London, about 1742, was son of a private soldier. In 1759 the father served under the Marquis of Granby, and subsequently, on the marquis's recommendation, became a bill-sticker and doorkeeper at Drury Lane Theatre in London. When about eighteen John recited the parts of George Barnwell and Mercutio to David Garrick, but Garrick found no promise in him, and joined his father in urging him to enter the army. Garrick even got a small military appointment for him; but Palmer refused to follow his counsel, and entered the shop of a print-seller on Ludgate Hill. On 20 May 1762, for the benefit of his father and three others, he made his first appearance on any stage, playing Buck in the ''En ...
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John Philip Kemble
John Philip Kemble (1 February 1757 – 26 February 1823) was a British actor. He was born into a theatrical family as the eldest son of Roger Kemble, actor-manager of a touring troupe. His elder sister Sarah Siddons achieved fame with him on the stage of the Theatre Royal, Drury Lane. His other siblings, Charles Kemble, Stephen Kemble, Ann Hatton, and Elizabeth Whitlock, also enjoyed success on the stage. Early life The second child of Roger Kemble – the manager of the travelling theatre company the Warwickshire Company of Comedians – he was born at Prescot, Lancashire. John Kemble
article at
His mother being a

William Barrymore (stage Actor)
William Barrymore (1759–1830) was a British stage actor. Originally from Taunton he was part of a company of strolling players in the West Country, and was acting at Plymouth in 1780. He first appeared at the Theatre Royal, Drury Lane in 1782, under the management of Richard Sheridan, and became a long-standing member of the company.Highfill, Burnim & Langhams p.355-58 He is also the namesake of the famed Barrymore family. Selected roles * Lord Aimworth in '' The Maid of the Mill'' by Isaac Bickerstaffe (1782) * Osric in ''Hamlet'' by William Shakespeare (1783) * Freeman in ''The Metamorphosis'' by William Jackson (1783) * Connal in '' The Captives'' by John Delap (1786) * Amphares in '' The Fate of Sparta'' by Hannah Cowley (1788) * Alonzo in ''Marcella'' by William Hayley (1789) * Sir Charles Freemantle in ''The Impostors'' by Richard Cumberland (1789) * Mr Fashion in ''The Welch Heiress'' by Edward Jerningham (1795) * Sir Pertinax Pitiful in ''The Man of Ten Thousand'' by T ...
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Charles Kemble
Charles Kemble (25 November 1775 – 12 November 1854) was a Welsh-born English actor of a prominent theatre family. Life Charles Kemble was one of 13 siblings and the youngest son of English Roman Catholic theatre manager/actor Roger Kemble, and Irish-born actress Sarah Ward. He was the younger brother of, among others, John Philip Kemble, Stephen Kemble and Sarah Siddons. He was born at Brecon in South Wales. Like his brothers he was raised in his father's Catholic faith, while his sisters were raised in their mother's Protestant faith. He and John Philip were educated at Douai School. After returning to England in 1792, he obtained a job in the post office, but soon resigned to go on the stage, making his first recorded appearance at Sheffield as Orlando in '' As You Like It'' in that year. During the early part of his career as an actor he slowly gained popularity. For a considerable time he played with his brother and sister, chiefly in secondary parts, and received li ...
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Thomas Caulfield (actor)
Thomas Caulfield (1766–1815) was a British stage actor who after a period in London's West End spent the later part of his career in the United States. He was the son of an engraver from Clerkenwell. Susan Caulfield the mistress of John Burgoyne may have been his sister but she was not his mother nor was Burgoyne his father as some historical sources claimed. After appearing in the provinces, notably at Bath and York, he made his debut for the Drury Lane company in 1791 in ''The Cave of Trophonius'' by Prince Hoare. He was a prolific figure in the West End, working at both Drury Lane and the Haymarket. Amongst his roles was that of Uter in ''Vortigern and Rowena'' (1796) by William Henry Ireland, a play fraudently claimed to be by Shakespeare. He attracted attention after beginning an affair with Maria Bland, a Drury Lane singer who left her husband actor George Bland, the brother of Dorothea Jordan. He lived with Maria for a decade, during which time he also appeared at th ...
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Jane Powell (stage Actress)
Jane Powell or Mrs Powell (c. 1761 – 31 December 1831) was a British actress. She was also known as Mrs Renaud and Mrs Farmer. Life Powell made her debut as Alicia in Nicholas Rowe's ''Jane Shore'' to mixed reviews in 1787, but her name was uncredited. She came to notice when she appeared at the Haymarket Theatre in the 1780s under the name of "Mrs Farmer" or "Mrs Palmer" as the papers failed to agree. She is thought to be the first woman to take the title role of Hamlet in London in 1796 when she appeared at Drury Lane. She then took the role of Edmunda in ''Vortigern and Rowena'' after Sarah Siddons refused the role. The newly discovered play that was said to be by Shakespeare proved to be a forgery. Mrs Powell had a benefit at Drury Lane on 2 May 1795 when she played Young Norval. This role was recorded in Norval's death scene from Act V in a painting by Samuel De Wilde. Samuel De Wilde had made a painting of her as Mary Queen of Scots and another of her as Boadicea. Howev ...
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