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The Clique (art Group)
The Clique was a group of English artists formed by Richard Dadd in the late 1830s. Other members were Augustus Egg, Alfred Elmore, William Powell Frith, Henry Nelson O'Neil, John Phillip and Edward Matthew Ward. They have been described as “the first group of British artists to combine for greater strength and to announce that the great backward-looking tradition of the Academy was not relevant to the requirements of contemporary art”. Foundation Information about the activities of The Clique derives mainly from the reminiscences of Frith and a short essay published in ''The Art Journal'' in 1898 by Gilbert Imray, a friend of the group. Both state that the group called themselves by this name at the time and that they formed a sketching club. Imray describes the aspirations of some members and explains that at their meetings they would all produce drawings on the same subject and ask non-artists such as Imray to judge the merits of the works.Imray, J., ''A Reminiscence of Six ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pre-Raphaelite
The Pre-Raphaelite Brotherhood (later known as the Pre-Raphaelites) was a group of English painters, poets, and art critics, founded in 1848 by William Holman Hunt, John Everett Millais, Dante Gabriel Rossetti, William Michael Rossetti, James Collinson, Frederic George Stephens and Thomas Woolner who formed a seven-member "Brotherhood" modelled in part on the Nazarene movement. The Brotherhood was only ever a loose association and their principles were shared by other artists of the time, including Ford Madox Brown, Arthur Hughes and Marie Spartali Stillman. Later followers of the principles of the Brotherhood included Edward Burne-Jones, William Morris and John William Waterhouse. The group sought a return to the abundant detail, intense colours and complex compositions of Quattrocento Italian art. They rejected what they regarded as the mechanistic approach first adopted by Mannerist artists who succeeded Raphael and Michelangelo. The Brotherhood believed the Classical p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Genre Works
Genre art is the pictorial representation in any of various media of scenes or events from everyday life, such as markets, domestic settings, interiors, parties, inn scenes, work, and street scenes. Such representations (also called genre works, genre scenes, or genre views) may be realistic, imagined, or romanticized by the artist. Some variations of the term ''genre art'' specify the medium or type of visual work, as in ''genre painting'', ''genre prints'', ''genre photographs'', and so on. The following concentrates on painting, but genre motifs were also extremely popular in many forms of the decorative arts, especially from the Rococo of the early 18th century onwards. Single figures or small groups decorated a huge variety of objects such as porcelain, furniture, wallpaper, and textiles. Genre painting ''Genre painting'', also called ''genre scene'' or ''petit genre'', depicts aspects of everyday life by portraying ordinary people engaged in common activities. One comm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hospitalfield House
Hospitalfield House is an arts centre and historic house in Arbroath, Angus, Scotland, regarded as "one of the finest country houses in Scotland". It is believed to be "Scotland's first school of fine art" and the first art college in Britain. It is a registered charity under Scottish law. A range of prominent Scottish artists have worked there, including Joan Eardley, Peter Howson, Will Maclean, Robert Colquhoun, Robert MacBryde, William Gear, Alasdair Gray, Wendy McMurdo, and Callum Innes. Early history A hospital was founded on the site in the 13th century by monks from nearby Arbroath Abbey as a leprosy and plague hospice called the Hospital of St John the Baptist. The property was purchased by the Reverend James Fraser around 1664 and was subsequently owned by successive generations of the Fraser family. Walter Scott visited the house in 1813, and he used it as the model for "Monkbarns" in his novel ''The Antiquary'' (1816). 19th century The last Fraser to own the property ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Patrick Allan-Fraser
Patrick Allan Fraser (born Patrick Allan; 1813 – 1890) was a Scottish painter and architect. Biography Allan was born in Arbroath in 1813, a son of weaving merchant Robert Allan. He began training as a solicitor but was then indentured in his grandfather's house-painting business, and was encouraged to study at the Trustees' Academy at the end of his apprenticeship. There he met Robert Scott Lauder and accompanied him to Rome in the mid-1830s. The Lauders returned to Scotland in 1838 but Fraser settled for a time in Paris, painting views of the city. He was back in Arbroath by 1839, but then settled in London.Patrick Allan Fraser in the Dictionary of Scottish A ...
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William Holman Hunt
William Holman Hunt (2 April 1827 – 7 September 1910) was an English painter and one of the founders of the Pre-Raphaelite Brotherhood. His paintings were notable for their great attention to detail, vivid colour, and elaborate symbolism. These features were influenced by the writings of John Ruskin and Thomas Carlyle, according to whom the world itself should be read as a system of visual signs. For Hunt it was the duty of the artist to reveal the correspondence between sign and fact. Of all the members of the Pre-Raphaelite Brotherhood, Hunt remained most true to their ideals throughout his career. He was always keen to maximise the popular appeal and public visibility of his works. Biography Born at Cheapside, City of London, as William Hobman Hunt, to warehouse manager William Hunt (1800–1856) and Sarah (c. 1798–1884), daughter of William Hobman, of Rotherhithe Hunt adopted the name "Holman" instead of "Hobman" when he discovered that a clerk had misspelled the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Primitivism (art)
Primitivism is a mode of aesthetic idealization that either emulates or aspires to recreate a "primitive" experience. It is also defined as a philosophical doctrine that considers "primitive" peoples as nobler than civilized peoples and was an offshoot of nostalgia for a lost Eden or Golden Age. In Western art, primitivism typically has borrowed from non-Western or prehistoric people perceived to be "primitive", such as Paul Gauguin's inclusion of Tahitian motifs in paintings and ceramics. Borrowings from "primitive" or non-Western art have been important to the development of modern art. Primitivism has often been critiqued for reproducing the racist stereotypes about non-European peoples used by Europeans to justify colonial conquest. The term "primitivism" is often applied to the painting styles that pervaded prior to the Avant-garde. It also refers to the style of naïve or folk art produced by amateurs like Henri Rousseau without commercial intent and solely for the purpos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pre-Raphaelite Brotherhood
The Pre-Raphaelite Brotherhood (later known as the Pre-Raphaelites) was a group of English painters, poets, and art critics, founded in 1848 by William Holman Hunt, John Everett Millais, Dante Gabriel Rossetti, William Michael Rossetti, James Collinson, Frederic George Stephens and Thomas Woolner who formed a seven-member "Brotherhood" modelled in part on the Nazarene movement. The Brotherhood was only ever a loose association and their principles were shared by other artists of the time, including Ford Madox Brown, Arthur Hughes (artist), Arthur Hughes and Marie Spartali Stillman. Later followers of the principles of the Brotherhood included Edward Burne-Jones, William Morris and John William Waterhouse. The group sought a return to the abundant detail, intense colours and complex compositions of Quattrocento Italian art. They rejected what they regarded as the mechanistic approach first adopted by Mannerism, Mannerist artists who succeeded Raphael and Michelangelo. The Broth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Wilkie (artist)
Sir David Wilkie (18 November 1785 – 1 June 1841) was a Scottish painter, especially known for his genre scenes. He painted successfully in a wide variety of genres, including historical scenes, portraits, including formal royal ones, and scenes from his travels to Europe and the Middle East. His main base was in London, but he died and was buried at sea, off Gibraltar, returning from his first trip to the Middle East. He was sometimes known as the "people's painter". He was Principal Painter in Ordinary to King William IV of the United Kingdom, William IV and Queen Victoria. Apart from royal portraits, his best-known painting today is probably ''Chelsea Pensioners reading the Waterloo Dispatch (painting), The Chelsea Pensioners reading the Waterloo Dispatch'' of 1822 in Apsley House. Early life David Wilkie was born in Pitlessie Fife in Scotland on 18 November 1785. He was the son of the parish minister (Christianity), minister of Cults, Fife, Cults, Fife. Caroline Ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Hogarth
William Hogarth (; 10 November 1697 – 26 October 1764) was an English painter, engraver, pictorial satirist, social critic, editorial cartoonist and occasional writer on art. His work ranges from realistic portraiture to comic strip-like series of pictures called "modern moral subjects", and he is perhaps best known for his series ''A Harlot's Progress'', ''A Rake's Progress'' and '' Marriage A-la-Mode''. Knowledge of his work is so pervasive that satirical political illustrations in this style are often referred to as "Hogarthian". Hogarth was born in London to a lower-middle-class family. In his youth he took up an apprenticeship with an engraver, but did not complete the apprenticeship. His father underwent periods of mixed fortune, and was at one time imprisoned in lieu of outstanding debts, an event that is thought to have informed William's paintings and prints with a hard edge. Influenced by French and Italian painting and engraving, Hogarth's works are mostly sat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Academic Art
Academic art, or academicism or academism, is a style of painting and sculpture produced under the influence of European academies of art. Specifically, academic art is the art and artists influenced by the standards of the French Académie des Beaux-Arts, which was practiced under the movements of Neoclassicism and Romanticism, and the art that followed these two movements in the attempt to synthesize both of their styles, and which is best reflected by the paintings of William-Adolphe Bouguereau, Thomas Couture, and Hans Makart. In this context it is often called "academism," "academicism," " art pompier" (pejoratively), and "eclecticism," and sometimes linked with "historicism" and "syncretism." Academic art is closely related to Beaux-Arts architecture, which developed in the same place and holds to a similar classicizing ideal. The academies in history The first academy of art was founded in Florence in Italy by Cosimo I de' Medici, on 13 January 1563, under the influe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Dadd
Richard Dadd (1 August 1817 – 7 January 1886) was an English painter of the Victorian era, noted for his depictions of fairies and other supernatural subjects, Orientalist scenes, and enigmatic genre scenes, rendered with obsessively minuscule detail. Most of the works for which he is best known were created while he was a patient in Bethlem and Broadmoor hospitals. Early life Richard Dadd was born at Chatham, Kent, England, on 1 August 1817, the son of chemist Robert Dadd (1788/9–1843) and Mary Ann (1790–1824), daughter of shipwright Richard Martin. He was educated at King's School, Rochester where his aptitude for drawing was evident at an early age, leading to his admission to the Royal Academy of Arts at the age of 20. He was awarded the medal for life drawing in 1840.Souter 2012, p. 23 With William Powell Frith, Augustus Egg, Henry O'Neil and others, he founded The Clique, of which he was generally considered the leading talent. He was also trained at William Dad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Academy Of Arts
The Royal Academy of Arts (RA) is an art institution based in Burlington House on Piccadilly in London. Founded in 1768, it has a unique position as an independent, privately funded institution led by eminent artists and architects. Its purpose is to promote the creation, enjoyment and appreciation of the visual arts through exhibitions, education and debate. History The origin of the Royal Academy of Arts lies in an attempt in 1755 by members of the Royal Society of Arts, Society for the Encouragement of Arts, Manufactures and Commerce, principally the sculptor Henry Cheere, to found an autonomous academy of arts. Prior to this a number of artists were members of the Society for the Encouragement of Arts, Manufactures and Commerce, including Cheere and William Hogarth, or were involved in small-scale private art academies, such as the St Martin's Lane Academy. Although Cheere's attempt failed, the eventual charter, called an 'Instrument', used to establish the Royal Academy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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