The Clash Hits Back
''The Clash Hits Back'' is a 2-CD, 3-LP best of collection by the Clash released in September 2013. The set was released simultaneously with an eleven disc box set titled '' Sound System'' along with '' 5 Album Studio Set'', which contains the band's first five studio albums. They are expected to be the final releases to involve Mick Jones who said "I'm not even thinking about any more Clash releases. This is it for me, and I say that with an exclamation mark," Jones said. Background The best of album is sequenced to copy the set played by the band at the Brixton Fair Deal (now the academy) on 10 July 1982, rounded out with big numbers that failed to make the set that night. The Fair Deal was a special venue for the Clash, Paul Simonon told ''the Guardian'', because of the memories it held as the cinema he and Mick Jones went to as children. "It's actually where I saw my first ever pop show," Simonon said. "We all turned up as 10-year-olds, and they said: 'Right, boys and gir ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Clash
The Clash were an English rock band formed in London in 1976 who were key players in the original wave of British punk rock. Billed as "The Only Band That Matters", they also contributed to the and new wave movements that emerged in the wake of punk and employed elements of a variety of genres including reggae, dub, funk, ska, and rockabilly. For most of their recording career, the Clash consisted of lead vocalist and rhythm guitarist Joe Strummer, lead guitarist and vocalist Mick Jones, bassist Paul Simonon, and drummer Nicky "Topper" Headon. Headon left the group in 1982 due to internal friction surrounding his increasing heroin addiction. Further internal friction led to Jones' departure the following year. The group continued with new members, but finally disbanded in early 1986. The Clash achieved critical and commercial success in the United Kingdom with the release of their self-titled debut album, ''The Clash'' (1977) and their second album, ''Give 'Em Enough ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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London Calling (song)
"London Calling" is a song by the British punk rock band the Clash. It was released as a single from the band's 1979 double album of the same name. This apocalyptic, politically charged rant features the band's post-punk sound, electric guitar and vocals.Gilbert 2005, pp. 233, 235, 238, 257, 260, 267.a) "Taken from the Clash's stunning 1979 double album ''London Calling'', the single showcased the band's trademark fusion of reggae bass lines with punk guitar and vocals."b) "Reaching number eleven in December 1979, the song was the only track to be released as a single from their acclaimed London Calling album." Writing and recording The song was written by Joe Strummer and Mick Jones. The title alludes to the BBC World Service's station identification: "This is London calling ...", which was used during World War II, often in broadcasts to occupied countries. The lyrics reflect the concern felt by Strummer about world events with the reference to "a nuclear error" – ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Career Opportunities (song)
"Career Opportunities" is a song by The Clash, recorded for their debut studio album, ''The Clash'' in 1977. Background The song attacks the political and economic situation in England at the time, citing the lack of jobs available, particularly to youth, and the dreariness and lack of appeal of those that were available. They specifically mention service in the police forces in addition to jobs that are often perceived as being 'menial' such as a bus driver or ticket inspector, as well as "making tea at the BBC". The song also mentioned service in the military with "I don't wanna go fighting in the tropical heat." Later, the band would change the lyrics during concerts, replacing "tropical heat" with " Falklands Street." This version of lyrics can be heard on Live at Shea Stadium. The line "I won't open letter bombs for you" is a reference to a former job of Clash guitarist Mick Jones, opening letters for a British government department to make sure they weren't rigged wit ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Topper Headon
Nicholas Bowen "Topper" Headon (born 30 May 1955) is an English drummer, best known as the drummer of punk rock band the Clash. Known for his instrumental contributions to the drumming world, Headon was inducted in the Rock and Roll Hall of Fame with the rest of The Clash in 2003. He joined the Clash in 1977 and became famed for his drumming skills. He received his nickname owing to his resemblance to Mickey the Monkey from the '' Topper'' comic. Early life Headon spent his early childhood in Crockenhill, northwest Kent, before attending Dover Grammar School for Boys. He started playing drums at an early age and was a jazz fan, citing Billy Cobham as a strong influence. In 1973, he joined the cult progressive rock outfit Mirkwood. He appeared with them for a year and a half, and they supported major acts such as Supertramp. He later played with a band which opened for American R&B legends the Temptations and admits to falsely claiming that he played with the Temptations. The ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bob Clearmountain
Bob Clearmountain (born January 15, 1953) is an American recording engineer, mixer and record producer. He has worked with many major acts, including Bruce Springsteen, the Rolling Stones, Toto, Bon Jovi and Bryan Adams, with whom he has a very long association.Bob Cleamountain's Associated Artists List He has been nominated for four Awards and won a in 2007 for Best Male Pop Vocal Album for his work with engineering [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Rock The Casbah
"Rock the Casbah" is a song by the English punk rock band The Clash, released in 1982. The song was released as the second single from their fifth album, ''Combat Rock''. It reached number eight on the ''Billboard'' Hot 100 chart in the US (their only top 10 single in the United States) and, along with the track "Mustapha Dance", it also reached number eight on the dance chart. Recording "Rock the Casbah" was composed by the band's drummer Topper Headon, based on a piano part that he had been toying with. Finding himself in the studio without his three bandmates, Headon progressively taped the drum, piano and bass parts, recording the bulk of the song's musical instrumentation himself. This origin makes "Rock the Casbah" different from the majority of Clash songs, which tended to originate with music written by the Joe Strummer– Mick Jones songwriting partnership. Upon entering the studio to hear Headon's recording, the other Clash members were impressed with his creatio ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Magnificent Seven (song)
"The Magnificent Seven" is a song by the English punk rock band the Clash. Released in 1981, it was the third single from the Clash's fourth album, ''Sandinista!''. It reached number 34 on the UK Singles Chart. Composition The song was inspired by old school hip hop acts from New York City, like the Sugarhill Gang and Grandmaster Flash & the Furious Five. Rap was still a new and emerging music genre at the time, and the band, especially Mick Jones, was very impressed with it, so much so that Jones took to carrying a boombox around and got the nickname "Whack Attack". "The Magnificent Seven" was recorded in April 1980 at Electric Lady Studios in New York City, built around a funky bass loop played by Norman Watt-Roy of the Blockheads. Joe Strummer wrote the words on the spot, a technique that was also used to create ''Sandinista!s other rap track, "Lightning Strikes (Not Once But Twice)". This white rap single is earlier than Blondie's "Rapture" by six months. Strummer said o ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Stagger Lee (song)
"Stagger Lee", also known as "Stagolee" and other variants, is a popular American folk song about the murder of Billy Lyons by "Stag" Lee Shelton, in St. Louis, Missouri, at Christmas 1895. The song was first published in 1911 and first recorded in 1923, by Fred Waring's Pennsylvanians, titled "Stack O' Lee Blues". A version by Lloyd Price reached number one on the ''Billboard'' Hot 100 in 1959. Background The historical Stagger Lee was Lee Shelton, an African American pimp living in St. Louis, Missouri, in the late 19th century. He was nicknamed Stag Lee or Stack Lee, with a variety of explanations being given: he was given the nickname because he "went stag", meaning he was without friends; he took the nickname from a well-known riverboat captain called Stack Lee; or, according to John and Alan Lomax, he took the name from a riverboat owned by the Lee family of Memphis called the ''Stack Lee'', which was known for its on-board prostitution. Shelton was well known locally as ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bankrobber
"Bankrobber" is a song by English punk rock band The Clash. The song was not released on any of their studio albums, instead appearing on their compilation ''Black Market Clash''. Upon its 1980 release as a single (initially available in the UK on import only) it peaked at number 12 on the UK Singles Chart, and at number 14 on both the Irish Singles Chart and the New Zealand Singles Chart. Young Ian Brown and Pete Garner, later of The Stone Roses, were in attendance at the studio recording session of this single. According to Brown, having heard a rumour that the Clash were recording in Manchester, he and Garner were walking through the city centre when they overheard Topper Headon playing the drums at the city's Pluto Studios: Headon subsequently emerged from the studio and invited the pair in. The full account of this incident is in John Robb's ''Stone Roses and the Resurrection of British Pop''. The Clash filmed a low-budget video for the song, depicting members of the band ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Train In Vain
"Train in Vain" is a song by the British punk rock band the Clash. It was released as the third and final single from their third studio album, ''London Calling'' (1979). The song was not originally listed on the album's track listing, appearing as a hidden track at the end of the album. This was because the track was added to the record at the last minute, when the sleeve was already in production. Some editions include the song in the track listing. It was the first Clash song to reach the United States Top 30 charts and in 2010, the song was ranked number 298 on ''Rolling Stone'' magazine's list of The 500 Greatest Songs of All Time. In the US, the song's title is expanded to "Train in Vain (Stand by Me)", as the words "stand by me" dominate the chorus. It was titled "Train in Vain" in part to avoid confusion with Ben E. King's signature song " Stand by Me". Origins "Train in Vain" was added after the deal for the band to write a song for an ''NME'' flexi disc fell through ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Guns Of Brixton
"The Guns of Brixton" is a song by the English punk rock band the Clash. It was written and sung by bassist Paul Simonon, who grew up in Brixton, South London. The song has a strong reggae influence, reflecting the culture of the area and the reggae gangster film ''The Harder They Come''. Origins and recording "The Guns of Brixton" was the Clash's first song to be composed and sung by Paul Simonon.Sweeting, Adam. (October 2004). "Death or Glory". ''Uncut''. p. 67. By the time of ''London Calling'', Simonon had learned to play guitar and started contributing more to the songwriting.Rowley, Scott. (October 1999), ''Interview with Paul Simonon''. Bassist Magazine. :"You don't get paid for designing posters or doing the clothes", he said in an interview published by Bassist Magazine in October 1990, "you get paid for doing the songs." The band, separated from manager Bernard Rhodes,Gilbert 2005, pp. 212-213. had to leave their rehearsal studio in Camden Town and find another loca ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Janie Jones (song)
"Janie Jones" is a song by the English punk rock band the Clash. It is the opening track on their debut album, ''The Clash'' (1977). The song is named after Janie Jones, a cabaret singer who organised sex parties at her Kensington home. A live performance of "Janie Jones" is featured in the 1980 film ''Rude Boy'', and the song has been on the soundtracks of other films as well. The song is the first stated to be on Rob Gordon's list of top five Track Ones Side Ones in the film '' High Fidelity''. Composition The song is named after Janie Jones, a minor English cabaret and pop singer in the 1960s who was convicted in 1974 of "controlling prostitutes" at sex parties she held at her home in Kensington. She was released from prison in 1977, and an allegedly smitten Joe Strummer composed the song in her honour. Releases In addition to ''The Clash'', the song has appeared on the compilation albums ''The Story of the Clash, Volume 1'' (1988) (disc two), ''Clash on Broadway'' ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |