The Carousel Of Death
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The Carousel Of Death
''The Carousel of Death'' (German: ''Das Karussell des Todes'') is a 1928 German silent film directed by Heinz Paul and starring Claire Rommer, Anton Pointner and Jean Murat.Krautz p.135 The film's art direction was by Otto Erdmann and Hans Sohnle. Cast * Claire Rommer * Anton Pointner * Jean Murat * Angelo Ferrari * Erich Kaiser-Titz Heinrich Felix Erich Kaiser-Titz (7 October 1875 – 22 November 1928) was a German stage and film actor. Selected filmography * ''Tales of Hoffmann'' (1916) * '' His Coquettish Wife'' (1916) * ''The Knitting Needles'' (1916) * '' The Night Talk ... References Bibliography * Alfred Krautz. ''International directory of cinematographers, set- and costume designers in film, Volume 4''. Saur, 1984. External links * 1928 films Films of the Weimar Republic German silent feature films Films directed by Heinz Paul German black-and-white films {{Germany-silent-film-stub ...
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Heinz Paul
Heinz Paul (13 August 1893 – 14 March 1983) was a German screenwriter, film producer and film director, director. He was married to the actress Hella Moja. Selected filmography Director * ''The Street of Forgetting'' (1923) * ''The Dice Game of Life'' (1925) * ''Department Store Princess'' (1926) * ''U-9 Weddigen'' (1927) * ''The False Prince (1927 film), The False Prince'' (1927) * ''The Carousel of Death '' (1928) * ''The Woman of Yesterday and Tomorrow'' (1928) * ''Marriage in Name Only'' (1930) * ''The Love Market'' (1930) * ''Namensheirat'' (1930) * ''Student Life in Merry Springtime'' (1931) * ''The Other Side (1931 film), The Other Side'' (1931) * ''Circus Life'' (1931) * ''Tannenberg (film), Tannenberg'' (1932) * ''Trenck (film), Trenck'' (1932) * ''Marschall Vorwärts'' (1932) * ''William Tell (1934 film), William Tell'' (1934) * ''The Four Musketeers (1934 film), The Four Musketeers'' (1934) * ''Miracle of Flight (1935 film), Miracle of Flight'' (1935) * ''Paul and Pauli ...
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Art Direction
Art director is the title for a variety of similar job functions in theater, advertising, marketing, publishing, fashion, film and television, the Internet, and video games. It is the charge of a sole art director to supervise and unify the vision of an artistic production. In particular, they are in charge of its overall visual appearance and how it communicates visually, stimulates moods, contrasts features, and psychologically appeals to a target audience. The art director makes decisions about visual elements, what artistic style(s) to use, and when to use motion. One of the biggest challenges art directors face is translating desired moods, messages, concepts, and underdeveloped ideas into imagery. In the brainstorming process, art directors, colleagues and clients explore ways the finished piece or scene could look. At times, the art director is responsible for solidifying the vision of the collective imagination while resolving conflicting agendas and inconsistencies bet ...
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German Silent Feature Films
German(s) may refer to: * Germany (of or related to) **Germania (historical use) * Germans, citizens of Germany, people of German ancestry, or native speakers of the German language ** For citizens of Germany, see also German nationality law **Germanic peoples (Roman times) * German language **any of the Germanic languages * German cuisine, traditional foods of Germany People * German (given name) * German (surname) * Germán, a Spanish name Places * German (parish), Isle of Man * German, Albania, or Gërmej * German, Bulgaria * German, Iran * German, North Macedonia * German, New York, U.S. * Agios Germanos, Greece Other uses * German (mythology), a South Slavic mythological being * Germans (band), a Canadian rock band * "German" (song), a 2019 song by No Money Enterprise * ''The German'', a 2008 short film * "The Germans", an episode of ''Fawlty Towers'' * ''The German'', a nickname for Congolese rebel André Kisase Ngandu See also * Germanic (other) * Germ ...
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Films Of The Weimar Republic
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitize ...
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1928 Films
The following is an overview of 1928 in film, including significant events, a list of films released and notable births and deaths. Top-grossing films (U.S.) The top ten 1928 released films by box office gross in North America are as follows: Events *January 6 – The long-awaited Charlie Chaplin comedy '' The Circus'' premieres at the Strand Theatre in New York City. *April 21 – ''The Passion of Joan of Arc'' is released. * July 6 – '' Lights of New York'' (starring Helene Costello) is released by Warner Bros. It is the first "100% Talkie" feature film, in that dialog is spoken throughout the film. Previous releases ''Don Juan'' and ''The Jazz Singer'' had used a synchronized soundtrack with sound effects and music, with ''The Jazz Singer'' having a few incidental lines spoken by Al Jolson. * September 19 – ''The Singing Fool'', Warner Bros' follow-up to ''The Jazz Singer'', is released. While still only a partial-talkie (sequences still feature intertitles), 66 minute ...
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Erich Kaiser-Titz
Heinrich Felix Erich Kaiser-Titz (7 October 1875 – 22 November 1928) was a German stage and film actor. Selected filmography * ''Tales of Hoffmann'' (1916) * '' His Coquettish Wife'' (1916) * ''The Knitting Needles'' (1916) * '' The Night Talk'' (1917) * '' The Lost Paradise'' (1917) * ''Ferdinand Lassalle'' (1918) * ''The Serenyi'' (1918) * ''Waves of Fate'' (1918) * '' Cain'' (1918) * '' The Night of Decision'' (1920) * ''Man Overboard'' (1921) * '' The Devil's Chains'' (1921) * ''Miss Beryll'' (1921) * '' Peter Voss, Thief of Millions'' (1921) * ''The Island of the Lost'' (1921) * ''The Women of Gnadenstein'' (1921) * ''The Riddle of the Sphinx'' (1921) * '' The Golden Bullet'' (1921) * ''Marie Antoinette, the Love of a King'' (1922) * ''Insulted and Humiliated'' (1922) * ''Black Monday'' (1922) * '' Shadows of the Past'' (1922) * ''Tania, the Woman in Chains'' (1922) * ''The Favourite of the Queen'' (1922) * ''Sins of Yesterday'' (1922) * '' The Love Nest'' (1922) * '' Yvett ...
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Angelo Ferrari
Angelo Ferrari (14 August 1897 – 15 June 1945) was an Italian actor known for his work in German cinema. Selected filmography * ''The Nude Woman'' (1922) * ''The Green Manuela'' (1923) * ''Samson'' (1923) * '' The Faces of Love'' (1924) * ''Prater'' (1924) * ''The Circus Princess'' (1925) * ''Jealousy'' (1925) * '' The Golden Calf'' (1925) * ''The Motorist Bride'' (1925) * ''The Clever Fox'' (1926) * '' Tea Time in the Ackerstrasse'' (1926) * '' Battle of the Sexes'' (1926) * ''When She Starts, Look Out'' (1926) * ''The Flight in the Night'' (1926) * '' Roses from the South'' (1926) * '' Young Blood'' (1926) * ''Heads Up, Charley'' (1927) * ''Circus Renz'' (1927) * '' My Aunt, Your Aunt'' (1927) * '' Naples is a Song'' (1927) * ''The Transformation of Dr. Bessel'' (1927) * ''Orient Express'' (1927) * ''Folly of Love'' (1928) * ''The Lady and the Chauffeur'' (1928) * '' Odette'' (1928) * ''Pawns of Passion'' (1928) * '' Five Anxious Days'' (1928) * '' The Sinner'' (1928) * ''The ...
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Hans Sohnle
Hans Sohnle (17 September 1895 – 24 March 1976) was a German art director.Chandler p.270 He frequently collaborated with Otto Erdmann on set designs. Selected filmography * ''The Loves of Käthe Keller'' (1919) * '' The Woman in Doctor's Garb'' (1920) * ''Kean'' (1921) * ''The Solemn Oath'' (1921) * '' Seafaring Is Necessary'' (1921) * ''The Curse of Silence'' (1922) * '' The Homecoming of Odysseus'' (1922) * '' Two Worlds'' (1922) * ''The Weather Station'' (1923) * ''Horrido'' (1924) * ''Prater'' (1924) * ''The Stolen Professor'' (1924) * '' The Woman in Flames'' (1924) * ''Joyless Street'' (1925) * ''Flight Around the World'' (1925) * '' The Golden Calf'' (1925) * ''Shadows of the Metropolis'' (1925) * ''The Third Squadron'' (1926) * ''The Great Duchess'' (1926) * '' The Poacher'' (1926) * ''Professor Imhof '' (1926) * ''Tea Time in the Ackerstrasse'' (1926) * ''The Pride of the Company'' (1926) * '' The White Slave'' (1927) * ''The City of a Thousand Delights'' (1927) * ''Qu ...
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Otto Erdmann (art Director)
Otto Erdmann (16 November 1898 – 23 January 1965) was a German art director.Chandler p. 270 During the 1920s and 1930s he often worked alongside Hans Sohnle. Filmography * ''The Weather Station'' (1923) * ''Horrido'' (1924) * ''The Girl from Capri'' (1924) * ''Mother and Child'' (1924) * ''The Stolen Professor'' (1924) * '' The Woman in Flames'' (1924) * ''Prater'' (1924) * ''Joyless Street'' (1925) * '' The Golden Calf'' (1925) * ''Shadows of the Metropolis'' (1925) * ''Flight Around the World'' (1925) * ''The Third Squadron'' (1926) * '' The Poacher'' (1926) * ''The Great Duchess'' (1926) * ''Tea Time in the Ackerstrasse'' (1926) * ''Professor Imhof'' (1926) * '' The Marriage Hotel'' (1926) * ''Circus Romanelli'' (1926) * ''The Pride of the Company'' (1926) * ''The Woman Who Couldn't Say No'' (1927) * '' The Impostor'' (1927) * ''The Bordello in Rio'' (1927) * ''The City of a Thousand Delights'' (1927) * ''Hello Caesar!'' (1927) * '' The White Slave'' (1927) * ''Queen of the ...
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Silent Film
A silent film is a film with no synchronized recorded sound (or more generally, no audible dialogue). Though silent films convey narrative and emotion visually, various plot elements (such as a setting or era) or key lines of dialogue may, when necessary, be conveyed by the use of title cards. The term "silent film" is something of a misnomer, as these films were almost always accompanied by live sounds. During the silent era that existed from the mid-1890s to the late 1920s, a pianist, theater organist—or even, in large cities, a small orchestra—would often play music to accompany the films. Pianists and organists would play either from sheet music, or improvisation. Sometimes a person would even narrate the inter-title cards for the audience. Though at the time the technology to synchronize sound with the film did not exist, music was seen as an essential part of the viewing experience. "Silent film" is typically used as a historical term to describe an era of cinema pri ...
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Lothar Stark
Lothar Stark (5 September 1876 – 31 March 1944) was a German film producer. Stark was originally a journalist, but was brought into the film industry by the tycoon Paul Davidson. Stark worked as a distributor and worked then as an independent producer during the First World War and the Weimar Republic, founding his own company Lothar Stark-Film. Following the Nazi takeover in 1933, he faced increasing difficulties. In 1933 when evidence of his Jewish background was discovered, Stark went into exile in Copenhagen. Later he also went to London. He tried to produce new films there, but was unable to secure funding. Then he returned to Denmark, which was then invaded by Germany in 1940. In 1943 Stark, along with the majority of the Danish Jewish population, managed to escape to Sweden.Weniger p.480-481 Selected filmography * ''The Tales of Hoffman'' (1916) * ''Wrath of the Seas'' (1926) * '' The False Prince'' (1927) * '' The White Slave'' (1927) * ''The City of a Thousand Delight ...
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Intertitles
In films, an intertitle, also known as a title card, is a piece of filmed, printed text edited into the midst of (i.e., ''inter-'') the photographed action at various points. Intertitles used to convey character dialogue are referred to as "dialogue intertitles", and those used to provide related descriptive/narrative material are referred to as "expository intertitles". In modern usage, the terms refer to similar text and logo material inserted at or near the start or end of films and television shows. Silent film era In this era intertitles were mostly called "subtitles" and often had Art Deco motifs. They were a mainstay of silent films once the films became of sufficient length and detail to necessitate dialogue or narration to make sense of the enacted or documented events. ''The British Film Catalogue'' credits the 1898 film ''Our New General Servant'' by Robert W. Paul as the first British film to use intertitles. Film scholar Kamilla Elliott identifies another early use of ...
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