The Buck Clarke Sound
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The Buck Clarke Sound
''The Buck Clarke Sound'' is the third album by American jazz percussionist Buck Clarke. The album was released in 1963. Reception AllMusic rated the album 2 stars.Allmusic Review
accessed February 17, 2020


Track listing

All tracks composed by Charles Hampton; except where indicated # "Rev. Hamp" – 3:03 # "I Can't Get Started" ( Ira Gershwin, ) – 3:28 # "Night in Tunisia" ( Dizzy Gillespie,

Buck Clarke
William Lewis "Buck" Clarke (October 2, 1933 – October 11, 1988) was an American jazz percussionist who played with Freddie Hubbard, Herbie Hancock, Les McCann, Russ Freeman, Gerald Albright, Jimmy Smith and others. Clarke's many musical styles include soul, funk and contemporary jazz, with an Afrocentric perspective. Early life Clarke was born in Washington, DC on October 2, 1933. At 15, he started working at a display sign store. The father of one of his bosses was a cousin to Duke Ellington, so Clarke began to listen to jazz records by musicians such as Duke Ellington, Oscar Peterson, Allen Jones and Dizzy Gillespie during lunch breaks and weekends, and he became "hooked on jazz." He eventually had a job offer at a D.C. club where he learned to play the congas. Career One of his very first gigs was at a show called "Jig Show", which featured dancers and comedians. Clarke would travel throughout the world, going to places such as New Orleans, where he first discovered ...
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Congas
The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas are staved like barrels and classified into three types: quinto (lead drum, highest), tres dos or tres golpes (middle), and tumba or salidor (lowest). Congas were originally used in Afro-Cuban music genres such as conga (hence their name) and rumba, where each drummer would play a single drum. Following numerous innovations in conga drumming and construction during the mid-20th century, as well as its internationalization, it became increasingly common for drummers to play two or three drums. Congas have become a popular instrument in many forms of Latin music such as son (when played by conjuntos), descarga, Afro-Cuban jazz, salsa, songo, merengue and Latin rock. Although the exact origins of the conga drum are unknown, researchers agree that it was developed by Cuban people of African descent during the late 19th century or early 20th century. Its direct ancestors are thought to b ...
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Pete Rock & CL Smooth
Pete Rock & CL Smooth were a hip hop duo from Mount Vernon, New York. They made their debut with their 1991 EP, ''All Souled Out'' and followed that with their 1992 LP ''Mecca and the Soul Brother''. Career 1991–1994: The Golden Age As a producer, DJ Pete Rock (Peter Phillips) gained notoriety for his use of obscure soul and jazz records, frequently making use of horn-driven hooks. Lead vocalist CL Smooth (Corey Penn) delivered more conscious style of rap which contrasted with the popular gangsta rap records of the time, and he mostly avoided profanity, similar in style and delivery to positive East Coast rappers like those associated with the Native Tongues Crew. Their signature hit was "They Reminisce Over You (T.R.O.Y.)", a requiem for fallen friends — namely Troy "Trouble T-Roy" Dixon, a member of Heavy D & The Boyz, who died in 1990. They were first signed to Elektra Records, managed, and executive produced by Eddie F of Heavy D and The Boyz and Untouchables Entertainme ...
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Liner Notes
Liner notes (also sleeve notes or album notes) are the writings found on the sleeves of LP record albums and in booklets that come inserted into the compact disc jewel case or the equivalent packaging for cassettes. Origin Liner notes are descended from the program notes for musical concerts, and developed into notes that were printed on the inner sleeve used to protect a traditional 12-inch vinyl record, i.e., long playing or gramophone record album. The term descends from the name "record liner" or "album liner". Album liner notes survived format changes from vinyl LP to cassette to CD. These notes can be sources of information about the contents of the recording as well as broader cultural topics. Contents Common material Such notes often contained a mix of factual and anecdotal material, and occasionally a discography for the artist or the issuing record label. Liner notes were also an occasion for thoughtful signed essays on the artist by another party, often a sympathetic ...
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Record Producer
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure.Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005).Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer, on the other hand, enables the recording project through entrepreneurship, and an audio engineer operates the technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artists ...
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Design
A design is a plan or specification for the construction of an object or system or for the implementation of an activity or process or the result of that plan or specification in the form of a prototype, product, or process. The verb ''to design'' expresses the process of developing a design. In some cases, the direct construction of an object without an explicit prior plan (such as in craftwork, some engineering, coding, and graphic design) may also be considered to be a design activity. The design usually has to satisfy certain goals and constraints; may take into account aesthetic, functional, economic, or socio-political considerations; and is expected to interact with a certain Environment (systems), environment. Typical examples of designs include architectural drawing, architectural and engineering drawing, engineering drawings, circuit diagrams, Pattern (sewing), sewing patterns and less tangible artefacts such as business process models. Designing People who produce designs ...
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Phil Chess
Philip Chess (born Fiszel Czyż; March 27, 1921 – October 18, 2016) was a Polish-born American record producer and company executive, the co-founder with his brother of Chess Records. Early life Chess was born to a Polish-Jewish family in the village of Motal, then in eastern Poland and now part of Belarus. He and his brother Lejzor, sister Malka and mother followed their father to Chicago in 1928. The family name was changed to Chess, with Lejzor becoming Leonard and Fiszel becoming Philip. Career Chess served in the army during World War II. In 1946, after leaving the Army, Phil joined Leonard in running a popular club, the Macomba Lounge. Two years later, Leonard became a partner in Aristocrat Records, a local company that recorded a wide range of music, and Phil joined in 1950. The company then changed its name to Chess Records, and began concentrating on R&B music, signing and recording artists such as Muddy Waters, Bo Diddley, "Sonny Boy Williamson" (Rice Miller), Ro ...
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Marimba
The marimba () is a musical instrument in the percussion family that consists of wooden bars that are struck by mallets. Below each bar is a resonator pipe that amplifies particular harmonics of its sound. Compared to the xylophone, the timbre of the marimba is warmer, deeper, more resonant, and more pure. It also tends to have a lower range than that of a xylophone. Typically, the bars of a marimba are arranged chromatically, like the keys of a piano. The marimba is a type of idiophone. Today, the marimba is used as a solo instrument, or in ensembles like orchestras, marching bands (typically as a part of the front ensemble), percussion ensembles, brass and concert bands, and other traditional ensembles. Etymology and terminology The term ''marimba'' refers to both the traditional version of this instrument and its modern form. Its first documented use in the English language dates back to 1704. The term is of Bantu origin, deriving from the prefix meaning 'many' and ...
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Vibraphone
The vibraphone is a percussion instrument in the metallophone family. It consists of tuned metal bars and is typically played by using mallets to strike the bars. A person who plays the vibraphone is called a ''vibraphonist,'' ''vibraharpist,'' or ''vibist''. The vibraphone resembles the steel marimba, which it superseded. One of the main differences between the vibraphone and other keyboard percussion instruments is that each bar suspends over a resonator tube containing a flat metal disc. These discs are attached together by a common axle and spin when the motor is turned on. This causes the instrument to produce its namesake tremolo or vibrato effect. The vibraphone also has a sustain pedal similar to a piano. When the pedal is up, the bars produce a muted sound; when the pedal is down, the bars sustain for several seconds or until again muted with the pedal. The vibraphone is commonly used in jazz music, in which it often plays a featured role, and was a defining element ...
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Jimmy Crawford (drummer)
Jimmy "Craw" Crawford (January 14, 1910 – January 28, 1980) was an American jazz drummer in the swing era. Biography Jimmy Crawford was born in Memphis, Tennessee, United States. He was the drummer of the Jimmie Lunceford big band for nearly 14 years from 1928 to 1942. According to ''Modern Drummer'', Crawford "played with a strong, solid pulsation — a classic trademark of the Lunceford sound — and was a key factor in establishing the unique Lunceford beat."Jimmy Crawford
, Modern Drummer
Later, in the 1950s, Crawford worked as a pit drummer on in such productions as ''Jamai ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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Alto Saxophone
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in E, smaller than the B tenor but larger than the B soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, and jazz (such as big bands, jazz combos, swing music). The alto saxophone had a prominent role in the development of jazz. Influential jazz musicians who made significant contributions include Don Redman, Jimmy Dorsey, Johnny Hodges, Benny Carter, Charlie Parker, Sonny Stitt, Lee Konitz, Jackie McLean, Phil Woods, Art Pepper, Paul Desmond, and Cannonball Adderley. Although the role of the alto saxophone in classical music has been limited, influential performers include Marcel Mule, Sigurd Raschèr, Jean-Marie Londeix, Eugene Rousseau, and Frederick ...
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