The Bride Of Lammermoor (1909 Film)
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The Bride Of Lammermoor (1909 Film)
''The Bride of Lammermoor'' is a 1909 American silent drama film directed by J. Stuart Blackton for Vitagraph Studios. Existing in fragmentary form, it is considered to be a lost film. Cast * Annette Kellerman as Lucy Ashton * Maurice Costello as Edgar Ravenswood Plot Based on the novel by Walter Scott, it tells the story of two ill-fated lovers and the tragedy that follows their thwarted union. Production ''The Bride of Lammermoor'' was produced by Vitagraph Studios and released January 5, 1909. The copyright date is listed as 19 December 1908. Reception A review from ''The Moving Picture World'' on 9 Jan 1909 writes, "An excellent production of Scott’s well known novel of that name. The Vitagraph people have given another of their ambitious films which is as satisfactory as it is possible to make such a long story in so condensed a form. The staging is as near correct as can be made now, and the acting is especially good. The scene where the heroine goes mad is strong a ...
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Daniel Frohman
Daniel Frohman (August 22, 1851 – December 26, 1940) was an American theatrical producer and manager, and an early film producer. Biography Frohman was born to a American Jews, Jewish family in Sandusky, Ohio. His parents were Henry (1826–1899) and Barbara (Babelle) Straus (1828–1891) Frohman. In his younger days he worked as a clerk at the ''New York Tribune'', and while there witnessed the fatal shooting of the reporter Albert Deane Richardson by Daniel McFarland on November 25, 1869, and was a witness at McFarland's murder trial. With his brothers Charles Frohman, Charles and Gustave Frohman, he helped to develop a system of road companies that would tour the nation while the show also played in New York City. The three brothers worked together at the Madison Square Theatre in the early 1880s. Daniel was the producer-manager of the Lyceum Theatre (New York, 1885-1902), old and Lyceum Theatre (Broadway), new Lyceum Theatres and the Lyceum Repertory, stock company ...
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Lost Film
A lost film is a feature or short film that no longer exists in any studio archive, private collection, public archive or the U.S. Library of Congress. Conditions During most of the 20th century, U.S. copyright law required at least one copy of every American film to be deposited at the Library of Congress at the time of copyright registration, but the Librarian of Congress was not required to retain those copies: "Under the provisions of the act of March 4, 1909, authority is granted for the return to the claimant of copyright of such copyright deposits as are not required by the Library." A report created by Library of Congress film historian and archivist David Pierce claims: * 75% of original silent-era films have perished. * 14% of the 10,919 silent films released by major studios exist in their original 35 mm or other formats. * 11% survive only in full-length foreign versions or film formats of lesser image quality. Of the American sound films made from 1927 to 1 ...
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Films Based On Works By Walter Scott
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitiz ...
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Vitagraph Studios Films
Vitagraph Studios, also known as the Vitagraph Company of America, was a United States motion picture studio. It was founded by J. Stuart Blackton and Albert E. Smith in 1897 in Brooklyn, New York, as the American Vitagraph Company. By 1907, it was the most prolific American film production company, producing many famous silent films. It was bought by Warner Bros. in 1925. History In 1896, English émigré Blackton was moonlighting as a reporter/artist for the New York ''Evening World'' when he was sent to interview Thomas Edison about his new film projector. The inventor talked the entrepreneurial reporter into buying a set of films and a projector. A year later, Blackton and business partner Smith founded the American Vitagraph Company in direct competition with Edison. A third partner, distributor William "Pop" Rock, joined in 1899. The company's first studio was located on the rooftop of a building on Nassau Street in Manhattan. Operations were later moved to the Midwoo ...
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1909 Lost Films
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album '' Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by Slipknot. ...
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The Moving Picture World
The ''Moving Picture World'' was an influential early trade journal for the American film industry, from 1907 to 1927. An industry powerhouse at its height, ''Moving Picture World'' frequently reiterated its independence from the film studios. In 1911, the magazine bought out ''Views and Film Index''. Its reviews illustrate the standards and tastes of film in its infancy, and shed light on story content in those early days. By 1914, it had a reported circulation of approximately 15,000. The publication was founded by James Petrie (J.P.) Chalmers, Jr. (1866–1912), who began publishing in March 1907 as ''The Moving Picture World and View Photographer''. In December 1927, it was announced that the publication was merging with the ''Exhibitor's Herald'', when it was reported the combined circulation of the papers would be 16,881. In 1931, a subsequent merger with the ''Motion Picture News'' occurred, creating the ''Motion Picture Herald''. A Spanish language Spanish ( or , C ...
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American Film Institute
The American Film Institute (AFI) is an American nonprofit film organization that educates filmmakers and honors the heritage of the motion picture arts in the United States. AFI is supported by private funding and public membership fees. Leadership The institute is composed of leaders from the film, entertainment, business, and academic communities. The board of trustees is chaired by Kathleen Kennedy and the board of directors chaired by Robert A. Daly guide the organization, which is led by President and CEO, film historian Bob Gazzale. Prior leaders were founding director George Stevens Jr. (from the organization's inception in 1967 until 1980) and Jean Picker Firstenberg (from 1980 to 2007). History The American Film Institute was founded by a 1965 presidential mandate announced in the Rose Garden of the White House by Lyndon B. Johnson—to establish a national arts organization to preserve the legacy of American film heritage, educate the next generation of filmmaker ...
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AFI Catalog Of Feature Films
The ''AFI Catalog of Feature Films'', also known as the ''AFI Catalog'', is an ongoing project by the American Film Institute (AFI) to catalog all commercially-made and theatrically exhibited American motion pictures from the birth of cinema in 1893 to the present. It began as a series of hardcover books known as ''The American Film Institute Catalog of Motion Pictures'', and subsequently became an exclusively online filmographic database. Each entry in the catalog typically includes the film's title, physical description, production and distribution companies, production and release dates, cast and production credits, a plot summary, song titles, and notes on the film's history. The films are indexed by personal credits, production and distribution companies, year of release, and major and minor plot subjects. To qualify for the "Feature Films" volumes, a film must have been commercially produced either on American soil or by an American company. In accordance with the Intern ...
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Drama (film And Television)
In film and television, drama is a category or genre of narrative fiction (or semi-fiction) intended to be more serious than humorous in tone. Drama of this kind is usually qualified with additional terms that specify its particular super-genre, macro-genre, or micro-genre, such as soap opera, police crime drama, political drama, legal drama, historical drama, domestic drama, teen drama, and comedy-drama (dramedy). These terms tend to indicate a particular setting or subject-matter, or else they qualify the otherwise serious tone of a drama with elements that encourage a broader range of moods. To these ends, a primary element in a drama is the occurrence of conflict—emotional, social, or otherwise—and its resolution in the course of the storyline. All forms of cinema or television that involve fictional stories are forms of drama in the broader sense if their storytelling is achieved by means of actors who represent ( mimesis) characters. In this broader sense, dra ...
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The Bride Of Lammermoor
''The Bride of Lammermoor'' is a historical novel by Sir Walter Scott, published in 1819, one of the Waverley novels. The novel is set in the Lammermuir Hills of south-east Scotland, shortly before the Act of Union of 1707 (in the first edition), or shortly after the Act (in the 'Magnum' edition of 1830). It tells of a tragic love affair between young Lucy Ashton and her family's enemy Edgar Ravenswood. Scott indicated the plot was based on an actual incident. ''The Bride of Lammermoor'' and ''A Legend of Montrose'' were published together anonymously as the third of Scott's ''Tales of My Landlord'' series. The story is the basis for Donizetti's 1835 opera ''Lucia di Lammermoor''. Composition and sources It is not known exactly when Scott contracted to write ''Tales of my Landlord (Third Series)'', but he began composition at the beginning of September 1818, some two months after completing ''The Heart of Midlothian'' and finished it in late April or early May the following ...
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Silent Film
A silent film is a film with no synchronized recorded sound (or more generally, no audible dialogue). Though silent films convey narrative and emotion visually, various plot elements (such as a setting or era) or key lines of dialogue may, when necessary, be conveyed by the use of title cards. The term "silent film" is something of a misnomer, as these films were almost always accompanied by live sounds. During the silent era that existed from the mid-1890s to the late 1920s, a pianist, theater organist—or even, in large cities, a small orchestra—would often play music to accompany the films. Pianists and organists would play either from sheet music, or improvisation. Sometimes a person would even narrate the inter-title cards for the audience. Though at the time the technology to synchronize sound with the film did not exist, music was seen as an essential part of the viewing experience. "Silent film" is typically used as a historical term to describe an era of cinema pri ...
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Intertitle
In films, an intertitle, also known as a title card, is a piece of filmed, printed text edited into the midst of (i.e., ''inter-'') the photographed action at various points. Intertitles used to convey character dialogue are referred to as "dialogue intertitles", and those used to provide related descriptive/narrative material are referred to as "expository intertitles". In modern usage, the terms refer to similar text and logo material inserted at or near the start or end of films and television shows. Silent film era In this era intertitles were mostly called "subtitles" and often had Art Deco motifs. They were a mainstay of silent films once the films became of sufficient length and detail to necessitate dialogue or narration to make sense of the enacted or documented events. ''The British Film Catalogue'' credits the 1898 film ''Our New General Servant'' by Robert W. Paul as the first British film to use intertitles. Film scholar Kamilla Elliott identifies another early use of ...
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