The Boys Won't Leave The Girls Alone
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The Boys Won't Leave The Girls Alone
''The Boys Won't Leave the Girls Alone'' is a collection of mostly traditional Irish folk songs performed by The Clancy Brothers and Tommy Makem. It also includes several songs from other countries, such as the Scottish folk song, "Marie's Wedding". It was their third album for Columbia Records and was released in 1962. It was also their first studio album for the label. Its title is taken from the song, " I'll Tell My Ma". The original LP featured liner notes by Tom Clancy. Reception A review in ''Variety'' praised the group's "bounce and drive" and the "listening excitement" that they created on the album. The article suggested that ''The Boys Won't Leave the Girls Alone'' had enough novelty and variety to provide folk music fans with something different. ''Billboard Magazine'' included the album in its "National Breakouts" list in May and June 1963. It was considered a "New Action LP," which the magazine described as "new albums, not yet on Billboard's Top LP's Chart, hatha ...
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Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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The Rising Of The Moon (album)
''The Rising of the Moon: Irish Songs of Rebellion'' is a collection of traditional Irish folk songs performed by The Clancy Brothers and Tommy Makem. It was the group's first album and was initially recorded in 1956. For the original recording, the only instrument used was Paddy Clancy's harmonica, since Tommy Makem had damaged his hand and Liam Clancy was still learning how to play the guitar. The group had yet to develop its distinctive musical sound, so there was little ensemble singing. In 1959, the Clancy Brothers and Tommy Makem re-recorded the album with different arrangements. For this new version, they brought in backup musicians on guitar and harp, and Tommy Makem played the whistle and drums. Both editions of ''The Rising of the Moon'' were released by Tradition Records, the Clancy Brothers' home label run by eldest brother Paddy Clancy, who also wrote the liner notes for the album. ''The Rising of the Moon'' has been reissued on LP, cassette, CD, and digital download ...
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Liam Clancy
Liam Clancy ( ga, Liam Mac Fhlannchadha; 2 September 1935 – 4 December 2009) was an Irish folk singer from Carrick-on-Suir, County Tipperary. He was the youngest member of the influential folk group the Clancy Brothers, regarded as Ireland's first pop stars. They achieved global sales of millions and appeared in sold-out concerts at such prominent venues as Carnegie Hall and the Royal Albert Hall. Liam was generally considered to be the group's most powerful vocalist. Bob Dylan regarded him as the greatest ballad singer ever. In 1976, as part of the duo Makem and Clancy, he had a number one hit in Ireland with the anti-war song "And the Band Played Waltzing Matilda" (written by Scots-Australian Eric Bogle). Upon his death ''The Irish Times'' said his legacy was secured. Early life He was born at Carrick-on-Suir, County Tipperary, Ireland on 2 September 1935, the ninth and youngest surviving child (two died in childhood) of Robert Joseph Clancy and Joanna McGrath. As a child, ...
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Eggs And Marrowbone
"Eggs and Marrowbone" (Laws Q2, Roud 183), also known as "There Was An Old Woman", is a traditional folk song of a wife's attempted murder of her husband. Of unknown origins, there are multiple variations. The most well known variations are "The Old Woman From Boston" and "The Rich Old Lady". Other versions include "The Aul' Man and the Churnstaff", and "Woman from Yorkshire." In Scotland it is known as "The Wily Auld Carle" or "The Wife of Kelso." In Ireland there are variations called "The Old Woman of Wexford" and "Tigaree Torum Orum." In England the song is widely known as "Marrowbones". "A similar song, "Johnny Sands" (Roud 184), was written by John Sinclair about 1840 and also became popular with local singers." In this version the husband pretends to be tired of life, and asks his wife to tie his hands behind his back. Herbert Hughes writes that the song is English in origin. Synopsis The song concerns an old woman who, in one popular version, loves "her husband dearly ...
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Ewan MacColl
James Henry Miller (25 January 1915 – 22 October 1989), better known by his stage name Ewan MacColl, was a folk singer-songwriter, folk song collector, labour activist and actor. Born in England to Scottish parents, he is known as one of the instigators of the 1960s folk revival as well as for writing such songs as "The First Time Ever I Saw Your Face" and "Dirty Old Town". MacColl collected hundreds of traditional folk songs, including the version of " Scarborough Fair" later popularised by Simon & Garfunkel, and released dozens of albums with A.L. Lloyd, Peggy Seeger and others, mostly of traditional folk songs. He also wrote many left-wing political songs, remaining a steadfast communist throughout his life and engaging in political activism. Early life and early career MacColl was born as James Henry Miller at 4 Andrew Street, in Broughton, Salford, England, to Scottish parents, William Miller and Betsy (née Henry), both socialists. William Miller was an iron moulde ...
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The Shoals Of Herring
"The Shoals of Herring" (Roud 13642) is a ballad, written by Ewan MacColl for the third of the original eight BBC ''Radio ballads'' ''Singing the Fishing,'' which was first broadcast on August 16, 1960. Ewan MacColl writes that the song was based on the life of Sam Larner, a fisherman and traditional singer from Winterton-on-Sea, Norfolk, England. Liam Clancy, who performed the song for decades, tells a more nuanced story, saying that MacColl "tape recorded all the old fisherman up along the east coast of England. And he never used one word of his own. ... He Lyric setting, rhymed the lines that the fishermen had given him, and he made it into a song..." It has been recorded by The Spinners (UK band), The Spinners, The Dubliners, The Clancy Brothers, The Corries, Three City Four (Martin Carthy, Leon Rosselson, Ralph Trainer and Marian McKenzie), Astrid Nijgh (in Dutch, as ''De scholen haring''), Schooner Fare, Patrick Clifford (musician), Patrick Clifford and Breabach. It was also fe ...
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The Wild Colonial Boy
"The Wild Colonial Boy" is a traditional anonymously penned Irish-Australian folk ballad which tells the story of a bushranger in early History of Australia#Colonisation, colonial Australia who dies during a gunfight with local police. Versions of the ballad give different names for the bushranger involved: some based on real individuals and some apparently fictional. A common theme is romanticisation of the bushranger's battle against colonial authority. According to a report in ''The Argus (Melbourne), The Argus'' in November 1880, Ann Jones, the innkeeper of the Glenrowan, Victoria, Glenrowan Hotel, had asked her son to sing the ballad when the Kelly gang were at her hotel in June that year. Identity of the bushranger Versions of the ballad depict bushrangers with the first name of "Jack" and surnames such as "Dolan," "Doolan," "Duggan" and "Donahue." It is unclear if the ballad originally referred to an actual person. One possible origin is Jack Donahue (also spelled Donohoe) ...
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Jamie Macpherson
Jamie Macpherson (1675–1700) also known as James Macpherson was a Scottish outlaw, famed for his poetic work commonly called "Macpherson's Lament" said to have been composed by him on the eve of his execution. "Macpherson's Lament" is known also as "Macpherson's Rant" or "Macpherson's Farewell". Early life Macpherson was born in 1675, the illegitimate son of the Macpherson family of Invernesshire, to a Highland laird and a tinker or gypsy woman that he had met at a wedding. Macpherson's father acknowledged the child as his and raised him in his house. The father died while attempting to a recover cattle which were taken by reivers from Badenoch. Following the father's death, the child was taken in by the mother's Gypsy (Romani) community. Macpherson and his mother would often visit together the boy's relations and clansmen, who clothed him and provided money to the mother. It is reported that Macpherson was of uncommon strength and he had become an expert swordsman, as well as ...
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As I Roved Out
"Seventeen Come Sunday", also known as "As I Roved Out", is an English folk song ( Roud 277, Laws O17) which was arranged by Percy Grainger for choir and brass accompaniment in 1912 and used in the first movement of Ralph Vaughan Williams' ''English Folk Song Suite'' in 1923. The words were first published between 1838 and 1845. According to Roud and Bishop "This was a widely known song in England, and was also popular in Ireland and Scotland. It is one of those which earlier editors, such as Sabine Baring-Gould and Cecil Sharp, felt obliged to soften or rewrite for publication. It was also common on broadsides throughout the nineteenth century" An earlier version was first printed on a broadside of around 1810 with the title ''Maid and the Soldier''. Early broadside versions were sad songs focused on the abandonment of the girl by the young man. Later broadside and traditional folk versions celebrate a sexual encounter. A censored version published by Baring-Gould and Sharp ...
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South Australia (song)
"South Australia" (Roud # 325) is a sea shanty, also known under such titles as "Rolling King" and "Bound for South Australia". As an original worksong it was sung in a variety of trades, including being used by the wool and later the wheat traders who worked the clipper ships between Australian ports and London. In adapted form, it is now a very popular song among folk music performers that is recorded by many artists and is present in many of today's song books. History as a shanty Information on the age, spread, and practical use of the shanty is relatively sparse. However, the evidence at hand does not suggest there is anything particularly or locally "Australian" about the song, contrary to how it has become popularly envisioned since the late 20th century. It was first noted by sea music author L.A. Smith, who collected it "from a coloured seaman at the ailors''Home'" in London and published it in her 1888 collection, ''The Music of the Waters''.Smith, Laura Alexandri ...
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The Holy Ground
The Holy Ground is a local place name in the town of Cobh, County Cork, on the southern coast of Ireland. The song "The Holy Ground" is named after this area. The place The name is ironic, the piece of ground known as the Holy Ground was the town's red-light district in the 19th century when the town, then known as Queenstown, was a major stopping point for ships crossing the Atlantic and had a large throughput of seafarers. There were plans to build a new yachting marina on the foreshore in front of the Holy Ground, but this is now uncertain. The song "The Holy Ground" is a traditional Irish folk song, performed by The Clancy Brothers, The Dubliners, The Jolly Rogers, the Poxy Boggards, the Brobdingnagian Bards, Mary Black, Pete Seeger, The Tossers, and Beatnik Turtle Beatnik Turtle is an indie rock band from Chicago formed in 1998. Beatnik Turtle plays alternative and pop-rock "with a sense of humor." Their sound is rooted in the song-based pop-rock sound of They Might ...
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Marie's Wedding
"Mairi's Wedding" (also known as Marie's Wedding, the Lewis Bridal Song, or gd, Màiri Bhàn "Blond Mary") is a Scottish folk song originally written in Gaelic by John Roderick Bannerman (1865–1938) for Mary C. MacNiven (1905–1997) on the occasion of her winning the gold medal at the National Mòd in 1934. In 1959, James B. Cosh devised a Scottish country dance to the tune, which is 40 bars, in reel time. Origins J. R. Bannerman, who composed the original song, was born in South Uist but left aged seven for Glasgow, where he later joined the General Post Office (GPO) as a telegraph boy and rose to become general superintendent. He was brought up in the Glasgow Gaelic community where most social activities were conducted in Gaelic and he developed a lifelong interest in the songs and literature of that culture.Bannerman J.M, Fowler, J. ''Bannerman;the memoirs of Lord Bannerman of Kildonan''. Aberdeen, Impulse Books, 1972. His son, John MacDonald Bannerman, became a well kno ...
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