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The Boy Is Mine (album)
''The Boy Is Mine'' is the second studio album by American R&B singer Monica. It was released by Arista Records on July 14, 1998, in the United States. The album deviated from the formula of her debut ''Miss Thang'' (1995) as she had more creative control over the material she recorded; a step that she considered a "natural progression". On the record, Monica worked with a variety of producers and writers from different genres such as gospel, R&B, and hip hop, including frequent collaborators Dallas Austin, Colin Wolfe, and Daryl Simmons. Additional producers included David Foster, Diane Warren, Jermaine Dupri, and Rodney Jerkins and his Darkchild crew, some of which would become household names on subsequent albums. Upon release, ''The Boy Is Mine'' received generally positive reviews from contemporary music critics, who appreciated the album's production quality and praised Monica's overall vocal performance. The album debuted at number eight on the ''Billboard'' 200 and ...
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Monica (singer)
Monica Denise Arnold (formerly Brown; born October 24, 1980) is an American singer, rapper and actress. Born and raised in College Park, Georgia, she began performing as a child and became part of a traveling gospel choir at the age of ten. Monica rose to prominence after she signed with Rowdy Records in 1993 and released her debut album ''Miss Thang'' two years later. She followed it with a series of successful albums, including the global bestseller '' The Boy Is Mine'' (1998) as well as the number-one albums '' After the Storm'' (2003), ''The Makings of Me'' (2006) and '' Still Standing'' (2010). Throughout her career, several of Monica's singles became number-one hits on the pop and R&B charts, including "Before You Walk Out of My Life", "Don't Take It Personal (Just One of Dem Days)", " Like This and Like That", " The Boy Is Mine" (with Brandy), "The First Night", "Angel of Mine", "So Gone", and " Everything to Me". Monica's popularity was further enhanced by her roles in t ...
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Street Symphony (song)
"Street Symphony" is a song by American R&B singer Monica. It was written and produced by Dallas Austin for her second studio album, '' The Boy Is Mine'' (1998), featuring an orchestral background performed by the Atlanta Symphony Orchestra. The song was released as the album's fourth single in the United States ("Inside" was released in Europe only) in May 1999. It peaked at number 50 on the US ''Billboard'' Hot R&B/Hip-Hop Singles & Tracks chart. "Street Symphony"s accompanying video was directed by Darren Grant. Music video A music video for "Street Symphony" was directed by Darren Grant. It takes place at night in downtown Atlanta, Georgia. In the video, Monica is seen wearing several dark outfits whilst singing and dancing through different sections of the song. Included are cuts of Monica and her female back-up dancers performing choreography in black leather costumes, with choreographed string players (violins and violas) in similarly dark clothing. The video is mainly com ...
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Don't Take It Personal (Just One Of Dem Days)
"Don't Take It Personal (Just One of Dem Days)" is a song by American recording artist Monica. It was written by Dallas Austin, Willie James Baker, and Derrick Simmons for her debut album, ''Miss Thang'' (1995), while production was helmed by the former. The song is built around samples of " Bring the Noise" (1987) by American hip hop group Public Enemy, and " Back Seat (Of My Jeep)" (1993) by American rapper LL Cool J, which itself samples elements from the song "You're Gettin' a Little Too Smart" (1973) by R&B vocal group The Detroit Emeralds. Due to the inclusion of the samples, several other writers are credited as songwriters. The song was released as Monica's debut single in early 1995. A major success, it sold 1.2 million copies domestically, going platinum in the United States, where it spent two weeks at number-one on the US ''Billboard'' Hot R&B Songs chart, and peaked at number two for three non consecutive weeks on the ''Billboard'' Hot 100. "Don't Take It Personal ...
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MTV News
MTV News is the news production division of MTV. The service is available in the US with localized versions on MTV's global network. In February 2016, MTV Networks confirmed it would refresh the MTV News brand in 2016, to compete with the likes of BuzzFeed and Vice (magazine), ''Vice'', however by mid-2017 MTV News was significantly downsized due to cutbacks. MTV News content is available from respective MTV websites, Mobile apps, Apps, YouTube and on-air. In November 2018, MTV News began producing daily updates on Twitter titled ''MTV News: You Need To Know''. Now titled ''MTV News'' ''Need To Know,'' the show has evolved to a digital series that covers trending topics from pop culture to social justice issues to electoral politics and beyond. History MTV News began in the late 1980s with the program ''The Week in Rock'', hosted by Kurt Loder, the first official MTV News correspondent. Since 1990, the opening riff to Megadeth's "Peace Sells" has been the main opening theme fo ...
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Rowdy Records
Rowdy Records is a record label distributed through Motown. It was founded by record producer Dallas Austin in 1992, and the precursor to his entertainment company, Freeworld Entertainment. History Formed in 1992 by producers Dallas Austin and L.A. Reid, Rowdy was initially distributed through Arista Records. At the time, Austin had gained notoriety for writing and producing hits for acts like Monica, Another Bad Creation, Boyz II Men, Joi, For Real, Da King & I and TLC. Reid, meanwhile, was also running the fledgling LaFace Records. In 1993, Reid stepped down to continue focusing his energies on LaFace, leaving Dallas to run the Atlanta-based company on his own. Rowdy shot to success in 1993 with rap group Illegal, who had two #1 rap singles and the #1 Billboard rap single of the year. 1995 saw the release of the triple platinum debut album from fourteen-year-old R&B singer Monica entitled ''Miss Thang''. Other acts on the label included: Y'all So Stupid, For Real, Fis ...
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Space Jam (soundtrack)
''Space Jam: Music from and Inspired by the Motion Picture'' is the original soundtrack album of the 1996 film starring Michael Jordan and the ''Looney Tunes'' cast. An album featuring the film's score by James Newton Howard was also released. The soundtrack was released by Warner Sunset and Atlantic Records on October 29, 1996. "I Believe I Can Fly" by R. Kelly was first released on the soundtrack. Reception The soundtrack peaked at No. 2 on the US ''Billboard'' 200 on the week ending April 5, 1997 behind Aerosmith's '' Nine Lives''. It was certified double platinum in January 1997. In 2001, the soundtrack was certified 6x Platinum Platinum is a chemical element with the symbol Pt and atomic number 78. It is a dense, malleable, ductile, highly unreactive, precious, silverish-white transition metal. Its name originates from Spanish , a diminutive of "silver". Platinu .... Track listing (*) Does not appear in the film Album singles Charts Weekly ch ...
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For You I Will (Monica Song)
"For You I Will" is a song by American recording artist Monica. It was written by Diane Warren and produced by David Foster, and recorded for the soundtrack of the live-action/animated sports comedy film ''Space Jam'' (1996), directed by Joe Pytka and starring basketball player Michael Jordan. One out of several songs from the album to be released as a single, it was issued in February 25, 1997 by Atlantic Records and Rowdy Records. A downtempo pop and R&B ballad, the song's lyrics involve the singer pledging love and devotion and promising to help an unnamed "you" overcome any difficulty, regardless of the magnitude. The song debuted at an impressive number on the ''Billboard'' Hot 100, peaking at number four, becoming Monica's second top five single and one of her highest-charting songs of the 1990s. It was eventually certified platinum by the Recording Industry Association of America (RIAA) on July 2, 1997, and ranked 13th on ''Billboard''s Top Hot 100 Hits of 1997. El ...
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Right Here Waiting
"Right Here Waiting" is a song by American singer and songwriter Richard Marx. It was released on June 29, 1989, as the second single from his second album, ''Repeat Offender''. The song was a global hit, topping charts in many countries around the world, including the U.S. where it reached number one on the ''Billboard'' Hot 100.Billboard Allmusic.com(Retrieved September 8, 2008) It reached number two on the UK Singles Chart. It was certified platinum by the Recording Industry Association of America. It was the UK's most streamed love song on Spotify ahead of Valentine's Day in 2013. The song has been covered by many artists, including Monica for her album '' The Boy Is Mine''. Background and writing The song was originally created to be sung by Barbra Streisand but she later refused to sing it. Marx was an aspiring singer/songwriter when Streisand reached out and asked him to write her a hit. Marx sent Streisand "Right Here Waiting", but she turned down the chance to record ...
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Billboard Hot 100
The ''Billboard'' Hot 100 is the music industry standard record chart in the United States for songs, published weekly by '' Billboard'' magazine. Chart rankings are based on sales (physical and digital), radio play, and online streaming in the United States. The weekly tracking period for sales was initially Monday to Sunday when Nielsen started tracking sales in 1991, but was changed to Friday to Thursday in July 2015. This tracking period also applies to compiling online streaming data. Radio airplay, which, unlike sales figures and streaming, is readily available on a real-time basis, is also tracked on a Friday to Thursday cycle effective with the chart dated July 17, 2021 (previously Monday to Sunday and before July 2015, Wednesday to Tuesday). A new chart is compiled and officially released to the public by ''Billboard'' on Tuesdays but post-dated to the following Saturday. The first number-one song of the ''Billboard'' Hot 100 was " Poor Little Fool" by Ricky Ne ...
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Recording Industry Association Of America
The Recording Industry Association of America (RIAA) is a trade organization that represents the music recording industry in the United States. Its members consist of record labels and distributors that the RIAA says "create, manufacture, and/or distribute approximately 85% of all legally sold recorded music in the United States". RIAA is headquartered in Washington, D.C. RIAA was formed in 1952. Its original mission was to administer recording copyright fees and problems, work with trade unions, and do research relating to the record industry and government regulations. Early RIAA standards included the RIAA equalization curve, the format of the stereophonic record groove and the dimensions of 33 1/3, 45, and 78 rpm records. RIAA says its current mission includes: #to protect intellectual property rights and the First Amendment rights of artists #to perform research about the music industry #to monitor and review relevant laws, regulations, and policies Between 2001 and 202 ...
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Top R&B/Hip-Hop Albums
Top R&B/Hip-Hop Albums is a music chart published weekly by '' Billboard'' magazine that ranks R&B and hip hop albums based on sales in the United States and is compiled by Nielsen SoundScan. The chart debuted as Hot R&B LPs in the issue dated January 30, 1965 in an effort by the magazine to further expand into the field of rhythm and blues music. It then went through several name changes, being known as Soul LPs in the 1970s and Top Black Albums in the 1980s, before returning to the R&B identification in 1990 and affixing a hip hop designation in 1999 to reflect the latter's growing sales and relationship to R&B during the decade. From 1965 through 2009, the chart was compiled based on reported sales at a core panel of stores with a "higher-than-average volume" of R&B and/or hip-hop album sales to monitor buying trends of the African-American community. This panel included more independent and smaller chain stores compared to the high percentage of mass merchants that account fo ...
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Billboard 200
The ''Billboard'' 200 is a record chart ranking the 200 most popular music albums and EPs in the United States. It is published weekly by '' Billboard'' magazine and is frequently used to convey the popularity of an artist or groups of artists. Often, a recording act will be remembered by its " number ones", those of their albums that outperformed all others during at least one week. The chart grew from a weekly top 10 list in 1956 to become a top 200 list in May 1967, and acquired its current name in March 1992. Its previous names include the ''Billboard'' Top LPs (1961–1972), ''Billboard'' Top LPs & Tape (1972–1984), ''Billboard'' Top 200 Albums (1984–1985) and ''Billboard'' Top Pop Albums (1985–1992). The chart is based mostly on sales – both at retail and digital – of albums in the United States. The weekly sales period was originally Monday to Sunday when Nielsen started tracking sales in 1991, but since July 2015, tracking week begins on Friday (to coinc ...
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