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The Bonniwell Music Machine (album)
''The Bonniwell Music Machine'' is the second and final album by the American garage rock band, The Music Machine, recorded under the renamed moniker, The Bonniwell Music Machine, and released on Warner Bros. Records, on February 10, 1968 (''see'' 1968 in music). As with their debut LP, the album again saw the band blending garage and psychedelic rock influences, albeit with a greater emphasis on psychedelia than on their previous album release. Prior to completing its recording, all of the group's original members, except for its creative force, Sean Bonniwell, departed, though they would still appear on some of the album's tracks. ''The Bonniwell Music Machine'' failed to reach the ''Billboard'' 200, although it was Bonniwell's most experimental recording period in his career. Its attending singles, "The Eagle Never Hunts the Fly" and "Double Yellow Line", also did not fare well nationally. Disillusioned by the music industry, Bonniwell produced additional recordings that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Music Machine
The Music Machine was an American rock band formed in Los Angeles, California in 1966. Fronted by chief songwriter and lead vocalist Sean Bonniwell, the band cultivated a characteristically dark and rebellious image reflected in an untamed musical approach. Sometimes it made use of distorted guitar lines and hallucinogenic organ parts, punctuated by Bonniwell's distinctively throaty vocals. Although they managed to attain national chart success only briefly with two singles, the Music Machine is today considered by many critics to be one of the groundbreaking acts of the 1960s. Their style is now recognized as a pioneering force in proto-punk; yet within a relatively short period of time, they began to employ more complex lyrical and instrumental arrangements that went beyond the typical garage band format. In 1965, the band came together as a folk rock trio known as the Raggamuffins, before expanding to the quintet that was later rechristened the Music Machine. The group was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compilation Album
A compilation album comprises Album#Tracks, tracks, which may be previously released or unreleased, usually from several separate recordings by either one or several Performing arts#Performers, performers. If by one artist, then generally the tracks were not originally intended for release together as a single work, but may be collected together as a greatest hits album or box set. If from several performers, there may be a theme, topic, time period, or genre which links the tracks, or they may have been intended for release as a single work—such as a tribute album. When the tracks are by the same recording artist, the album may be referred to as a retrospective album or an anthology. Content and scope Songs included on a compilation album may be previously released or unreleased, usually from several separate recordings by either one or several performers. If by one artist, then generally the tracks were not originally intended for release together as a single work, but may ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Session Musicians
Session musicians, studio musicians, or backing musicians are musicians hired to perform in recording sessions or live performances. The term sideman is also used in the case of live performances, such as accompanying a recording artist on a tour. Session musicians are usually not permanent or official members of a musical ensemble or band. They work behind the scenes and rarely achieve individual fame in their own right as soloists or bandleaders. However, top session musicians are well known within the music industry, and some have become publicly recognized, such as the Wrecking Crew, the Muscle Shoals Rhythm Section and The Funk Brothers who worked with Motown Records. Many session musicians specialize in playing common rhythm section instruments such as guitar, piano, bass, or drums. Others are specialists, and play brass, woodwinds, and strings. Many session musicians play multiple instruments, which lets them play in a wider range of musical situations, genres and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psychotic Reaction
"Psychotic Reaction" is a song by the American garage rock band Count Five, released in June 1966 on their Psychotic Reaction (album), debut studio album of the same name. Background "Psychotic Reaction" was born out of an instrumental that Count Five played for six months before their manager Sol Ellner, Kenn Ellner's father, suggested that rhythm guitarist John "Sean" Byrne" write lyrics for it. Inspiration came in early 1966 when Byrne was seated in a health education class during his freshmen year at San Jose City College in California. As his professor lectured about psychosis and neurosis, Byrne's friend Ron Lamb, seated next to him, leaned over and whispered, "You know what would be a great name for a song? Psychotic Reaction!" Byrne later stated, "That was the missing punch-line for the song". He finished the lyrics and presented them to the rest of the group at band practice that night. When the band played the song live a few weeks later at a dance at West Valley College ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Count Five
Count Five was an American garage rock band, formed in San Jose, California in 1964, known for their hit single "Psychotic Reaction". Background The band was founded in 1964 by lead guitarist John "Mouse" Michalski (born 1948, Cleveland, Ohio) and bassist Roy Chaney (born 1948, Indianapolis, Indiana). The two were high school friends who had previously played in several short-lived bands, most notably a surf rock group named The Citations. As the British Invasion's influence took effect, the band changed in musical direction. After going by the name The Squires for a short time, along with several line-up changes, the Count Five was born. John "Sean" Byrne (1947–2008, born Dublin, Ireland) played rhythm guitar and performed lead vocals; Kenn Ellner played tambourine and harmonica, while sharing lead vocals; and Craig "Butch" Atkinson (1947–1998, born San Jose, California) played drums. The Count Five were recognizable for their habit of wearing Count Dracula-style capes whe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concept Album
A concept album is an album whose tracks hold a larger purpose or meaning collectively than they do individually. This is typically achieved through a single central narrative or theme, which can be instrumental, compositional, or lyrical. Sometimes the term is applied to albums considered to be of "uniform excellence" rather than an LP with an explicit musical or lyrical motif. There is no consensus among music critics as to the specific criteria for what a "concept album" is. The format originates with folk singer Woody Guthrie's ''Dust Bowl Ballads'' (1940) and was subsequently popularized by traditional pop/jazz singer Frank Sinatra's 1940s–50s string of albums, although the term is more often associated with rock music. In the 1960s several well-regarded concept albums were released by various rock bands, which eventually led to the invention of progressive rock and rock opera. Since then, many concept albums have been released across numerous musical genres. Definiti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Laboe
Art Laboe (born Arthur Egnoian; August 7, 1925 – October 7, 2022) was an American disc jockey, songwriter, record producer, and radio station owner. He was generally credited with coining the term "Oldies but Goodies". Early life and education Laboe was born to parents Hosanna (née Kezerian) and John Egnoian in Murray, Utah, a suburb of Salt Lake City, on August 7, 1925. His parents were Armenian immigrants and observant Mormons; his father, John, came to the United States from the Ottoman Empire. When Laboe was 13, his parents divorced, whereupon he moved to South-Central Los Angeles to live with his sister. He attended George Washington High School and in 1938 began to experiment with amateur radio from his bedroom. After graduating from high school, Laboe studied at Stanford University, then joined the United States Navy during World War II. He was stationed at Naval Station Treasure Island in San Francisco Bay. Career Laboe made his professional radio debut in 1943 on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recording Contract
A recording contract (commonly called a record contract or record deal) is a legal agreement between a record label and a recording artist (or group), where the artist makes a record (or series of records) for the label to sell and promote. Artists under contract are normally only allowed to record for that label exclusively; guest appearances on other artists' records will carry a notice "By courtesy of (the name of the label)", and that label may receive a percentage of sales. Copyrights, payment and royalties Labels typically own the copyright in the records their artists make, and also the master copies of those records. An exception is when a label makes a distribution deal with an artist; in this case, the artist, their manager, or another party may own the copyright (and masters), while the record is licensed exclusively to the label for a set period of time. Promotion is a key factor in the success of a record, and is largely the label's responsibility, as is proper distri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Original Sound
Original Sound is a Los Angeles, California-based record label. It was founded in the early 1950s by KTNQ, KPOP deejay Art Laboe. It began as a small label that specialized in compiling and re-releasing "oldies" R&B and rock 'n' roll songs. History The label pioneered the concept of reissuing older pop and rock hits, and sold millions of records on his ''Oldies But Goodies'' compilation albums, several of which made the national ''Billboard (magazine), Billboard'' album charts. All 15 volumes of this series were later reissued on a best-selling CD series in the 1980s and 1990s, although track listings on each CD volume varied widely from the original LP issues with identical numbers, and some volumes contained none of the same songs as their original issues. Later on, the Double Shot Records catalog got bought out by Original Sound in ca. 1972. The label's biggest self-recorded hit as a single was "Teen Beat" by drummer Sandy Nelson, reaching number four on ''Billboard'' in 1959. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Record Label
A record label, or record company, is a brand or trademark of music recordings and music videos, or the company that owns it. Sometimes, a record label is also a publishing company that manages such brands and trademarks, coordinates the production, manufacture, distribution, marketing, promotion, and enforcement of copyright for sound recordings and music videos, while also conducting talent scouting and development of new artists, and maintaining contracts with recording artists and their managers. The term "record label", derives from the circular label in the center of a vinyl record which prominently displays the manufacturer's name, along with other information. Within the mainstream music industry, recording artists have traditionally been reliant upon record labels to broaden their consumer base, market their albums, and promote their singles on streaming services, radio, and television. Record labels also provide publicists, who assist performers in gaining positi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Record Producer
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure.Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005).Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer, on the other hand, enables the recording project through entrepreneurship, and an audio engineer operates the technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artists ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pop Music
Pop music is a genre of popular music that originated in its modern form during the mid-1950s in the United States and the United Kingdom. The terms ''popular music'' and ''pop music'' are often used interchangeably, although the former describes all music that is popular and includes many disparate styles. During the 1950s and 1960s, pop music encompassed rock and roll and the youth-oriented styles it influenced. ''Rock'' and ''pop'' music remained roughly synonymous until the late 1960s, after which ''pop'' became associated with music that was more commercial, ephemeral, and accessible. Although much of the music that appears on record charts is considered to be pop music, the genre is distinguished from chart music. Identifying factors usually include repeated choruses and hooks, short to medium-length songs written in a basic format (often the verse-chorus structure), and rhythms or tempos that can be easily danced to. Much pop music also borrows elements from other styles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
