The Blues And The Beat
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The Blues And The Beat
''The Blues and the Beat'' is an album by Henry Mancini that won the Grammy Award for Best Large Jazz Ensemble Performance in 1961. Track listing Personnel * Dick Nash, Jimmy Priddy, John Halliburton, Karl De Karske – trombone * Conrad Gozzo, Frank Beach, Graham Young, Pete Candoli – trumpet * George Price, Herman Lebow, John Graas, Richard Perissi, Sinclair Lott, Vincent DeRosa – French horn * Gene Cipriano, Harry Klee, Ronnie Lang, Ted Nash, Wilbur Schwartz – woodwinds * Larry Bunker – vibraphone * Victor Feldman – vibraphone, marimba * Johnny Williams – piano * Roland Bundock – bass * Bob Bain – guitar * Jack Sperling – drums Production * Dick Peirce – producer * Al Schmitt Albert Harry Schmitt (April 17, 1930 – April 26, 2021) was an American recording engineer and record producer. He won twenty Grammy Awards for his work with Henry Mancini, Steely Dan, George Benson, Toto, Natalie Cole, Quincy Jones, and other ... – engineer * Henry Manci ...
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Henry Mancini
Henry Mancini ( ; born Enrico Nicola Mancini, ; April 16, 1924 – June 14, 1994) was an American composer, conductor, arranger, pianist and flautist. Often cited as one of the greatest composers in the history of film, he won four Academy Awards, a Golden Globe, and twenty Grammy Awards, plus a posthumous Grammy Lifetime Achievement Award in 1995. His works include the theme and soundtrack for the ''Peter Gunn'' television series as well as the music for ''The Pink Panther'' film series ("The Pink Panther Theme") and " Moon River" from '' Breakfast at Tiffany's''. ''The Music from Peter Gunn'' won the inaugural Grammy Award for Album of the Year. Mancini enjoyed a long collaboration in composing film scores for the film director Blake Edwards. Mancini also scored a No. 1 hit single during the rock era on the Hot 100: his arrangement and recording of the " Love Theme from ''Romeo and Juliet''" spent two weeks at the top, starting with the week ending June 28, 1969. Early ...
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Sidney J
Sidney may refer to: People * Sidney (surname), English surname * Sidney (given name), including a list of people with the given name * Sidney (footballer, born 1972), full name Sidney da Silva Souza, Brazilian football defensive midfielder * Sidney (footballer, born 1979), full name Sidney Santos de Brito, Brazilian football defender Characters *Sidney Prescott, main character from the ''Scream'' horror trilogy * Sidney (''Ice Age''), a ground sloth in the ''Ice Age'' film series * Sidney (''Pokémon''), a character of the ''Pokémon'' universe *Sidney, one of ''The Bash Street Kids'' * Sidney Jenkins, a character in the British teenage drama '' Skins'' *Sidney Hever, Edward's fireman from ''The Railway Series'' and the TV series ''Thomas and Friends'' *Sidney, a diesel engine from the TV series ''Thomas and Friends'' *Sidney Freedman, a recurring character in the TV series ''M*A*S*H'' Places Canada *Sidney, British Columbia *Sidney, Manitoba United Kingdom * Sidney Sussex ...
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Larry Bunker
Lawrence Benjamin Bunker (November 4, 1928 – March 8, 2005) was an American jazz drummer, vibraphonist, and percussionist. A member of the Bill Evans Trio in the mid-1960s, he also played timpani with the Los Angeles Philharmonic orchestra. Biography Born in Long Beach, California, Bunker was a central figure on the West Coast jazz scene, one of the relatively few who actually were from the region. In the 1950s and 1960s he appeared at Howard Rumsey's Lighthouse in Hermosa Beach, and performed with Shorty Rogers and His Giants and others. At first he played primarily drums, but increasingly he focused on vibraphone and was later highly regarded for his playing of timpani and various percussion instruments. A dependable and in-demand studio drummer and vibist, Bunker achieved particular distinction by recording with Billie Holiday, Ella Fitzgerald, Peggy Lee, Diana Krall, and many other jazz greats. In 1952, he was the drummer in one of Art Pepper's first groups. In 1953 an ...
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Wilbur Schwartz
Wilbur Schwartz (17 March 1918 Newark, New Jersey – 3 August 1990 Los Angeles) was an American clarinetist, alto saxophonist, and dance band arranger who was widely known as a member of the Glenn Miller Orchestra. He is a Native American, and his "German-sounding name" was described as a simple coincidence by himself. Career Schwartz joined Miller in 1937, remaining with his orchestra until 1942. He was featured on all the ballad numbers. With the addition of Schwartz’s characteristic tone in the Miller reed section, the sound of the Miller band became one that none of the imitators could ever reproduce. Prior to joining Miller, Schwartz had played with the New York City-based Julie Wintz’s band. In the late 1950s and early 1960s, Schwartz performed as a session musician on several Dean Martin and Frank Sinatra albums, and as a clarinetist in the Nelson Riddle Orchestra. He also performed on the 1963 Verve album, ''Ella Fitzgerald Sings the Jerome Kern Songbook''. Fami ...
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Ted Nash (saxophonist, Born 1922)
Theodore Malcolm "Ted" Nash (October 31, 1922 – May 12, 2011) was a jazz musician who played saxophone, flute, and clarinet. He was a session musician in Hollywood studios. His brother was trombonist Dick Nash and his nephew is saxophonist Ted Nash, who is a member of the Jazz at Lincoln Center Orchestra led by Wynton Marsalis. Early life and career Nash was born in the Boston suburb of Somerville, Massachusetts. His goal was to become a classical flutist until he began playing saxophone in his early teens. His professional career began when he went on the road with a succession of dance bands. In 1944, he became tenor saxophonist for the Les Brown big band. With Brown he played on the number one hits " Sentimental Journey" and "My Dreams Are Getting Better All the Time", both sung by Doris Day. Hollywood studios In the late 1940s, after getting married, Nash settled in the Los Angeles and became active as a session musician in the Hollywood movie and television studios. In ...
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Ronnie Lang
Ronnie Lang (sometimes spelled Ronny; born July 24, 1929) is an American jazz alto saxophonist. His professional début was with Hoagy Carmichael's Teenagers. He also played with Earle Spencer (1946), Ike Carpenter, and Skinnay Ennis (1947). Lang gained attention during his two tenures with Les Brown's Orchestra (1949–50 and 1953–56). He recorded with the Dave Pell Octet in the mid-1950s. During this time he attended Los Angeles State College of Applied Arts and Sciences studying music and woodwinds. In 1958 he became a prolific studio musician in Los Angeles, often employed by Henry Mancini, and he played the iconic sax melodic line in Bernard Herrmann's score for the movie ''Taxi Driver'' (1976). Lang also recorded with Pete Rugolo (1956), Bob Thiele (1975), and Peggy Lee (1975). Partial discography With Sammy Davis Jr *''It's All Over but the Swingin''' (Decca, 1957) With Ted Nash *''Peter Gunn'' (Crown, 1959) With Pete Rugolo *''Music for Hi-Fi Bugs'' (EmArcy, 1956) ...
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Vincent DeRosa
Vincent Ned DeRosa (October 5, 1920 – July 18, 2022) was an American hornist who served as a studio musician for Hollywood soundtracks and other recordings from 1935 until his retirement in 2008. Because his career spanned over 70 years, during which he played on many film and television soundtracks and as a sideman on studio albums, he is considered to be one of the most recorded brass players of all time. He set "impeccably high standards" for the horn, and became the first horn for Henry Mancini, Lalo Schifrin, Alfred Newman, and John Williams, among others, with Williams calling him "one of the greatest instrumentalists of his generation." DeRosa contributed to many of the most acclaimed albums of the 20th century, including some of the biggest-selling albums by artists as diverse as Frank Sinatra, Barry Manilow, Frank Zappa, Boz Scaggs, Ella Fitzgerald, Harry Nilsson, Stan Kenton, Henry Mancini, The Monkees, Sammy Davis Jr., and Mel Tormé. Early life and training DeR ...
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John Graas
John Graas (March 14, 1917 – April 13, 1962) was an American jazz French horn player, composer, and arranger from the 1940s through 1962. He had a short but busy career on the West Coast, and became known as a pioneer of the French horn in jazz. Music career Graas was born in Dubuque, Iowa, on March 14, 1917. He was educated in classical music and attended Tanglewood Music Center, where he performed under the tutelage of Serge Koussevitsky. He soon became interested in jazz and studied ways to bring jazz and classical music together, an early effort at what would later be called Third Stream music. Following the path of his dual interests, he was a member of the Indianapolis Symphony Orchestra (1941), the Claude Thornhill Orchestra (1942), the Army Air Corps band during World War II (1942–1945), the Cleveland Orchestra (1945–1946), the Tex Beneke Orchestra (1946–1949), and the Stan Kenton Orchestra (1950–1953). The 1950s were a period of intense activi ...
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Pete Candoli
Pete Candoli (born Walter Joseph Candoli; June 28, 1923 – January 11, 2008) was an American jazz trumpeter. He played with the big bands of Woody Herman and Stan Kenton and worked in the studios of the recording and television industries. Career A native of Mishawaka, Indiana, Pete Candoli was the older brother of Conte Candoli. During the 1940s he was a member of big bands led by Sonny Dunham, Will Bradley, Ray McKinley, Tommy Dorsey, Teddy Powell, Woody Herman, Boyd Raeburn, Tex Beneke, and Jerry Gray. For his ability to hit high notes on the trumpet he was given the nickname "Superman". While he was a member of Woody Herman's First Herd, he sometimes wore a Superman costume during his solo. In the 1950s he belonged to the bands of Stan Kenton and Les Brown and in Los Angeles began to work as a studio musician. His studio work included recording soundtracks for the movies ''Bell, Book and Candle'', ''Private Hell 36'', Day the World Ended, (1955), ('The S.F. Blues'), ''Pe ...
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Conrad Gozzo
Conrad Joseph Gozzo (February 6, 1922October 8, 1964) was an American trumpet player. He was a member of the NBC Hollywood staff orchestra at the time of his death. Early life Gozzo was born in New Britain, Connecticut on February 6, 1922, to Mildred Katz and Jimmy Gozzo. His father played trumpet, and Gozzo began learning the instrument around the age of 5. He played in his junior and senior high school bands, but left school in 1938 or 1939 at the recommendation of Isham Jones to join bandleader and clarinetist Tommy Reynolds in Boston, Massachusetts. Career Gozzo was quickly noted for his exceptional technical ability and style. He played under Reynolds for nine months, leaving to play with Red Norvo in November 1939; he played under Norvo until February 1941, but with a brief interlude playing with trumpeter Johnnie Davis. He had a brief tenure with the orchestra of Bob Chester, with whom he first recorded; then performed and recorded with Claude Thornhill's band. ...
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Dick Nash
Richard Taylor Nash (born January 26, 1928) is an American jazz trombonist most associated with the swing and big band genres. He was born in Boston, Massachusetts and began playing brass instruments at ten. He became more interested in this after his parents died, and he was sent to Kurn Hattin Homes for Children in Vermont. At Kurn Hattin Homes, the first instruments he studied were the trumpet and bugle. His first professional work came in 1947 with bands like that of Tex Beneke. He served in the California National Guard from 1950 to 1952 and played for a band. After his discharge from the military, he went back to Boston, where he attended Berklee College of Music. He then joined Billy May's band. Later he became a first-call studio musician in Los Angeles, California. He was composer, conductor Henry Mancini's favorite trombonist, and was featured soloist on several Mancini soundtracks, beginning with '' Mr. Lucky'' and ''Peter Gunn''. Nash's trombone is featured on the ...
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Louis Prima
Louis Leo Prima (December 7, 1910 – August 24, 1978) was an American singer, songwriter, bandleader, and trumpeter. While rooted in New Orleans jazz, swing music, and jump blues, Prima touched on various genres throughout his career: he formed a seven-piece New Orleans-style jazz band in the late 1920s, fronted a swing combo in the 1930s and a big band group in the 1940s, helped to popularize jump blues in the late 1940s and early to mid 1950s, and performed frequently as a Vegas lounge act beginning in the 1950s. From the 1940s through the 1960s, his music further encompassed early R&B and rock 'n' roll, boogie-woogie, and Italian folk music, such as the tarantella. Prima made prominent use of Italian music and language in his songs, blending elements of his Italian and Sicilian identity with jazz and swing music. At a time when ethnic musicians were discouraged from openly stressing their ethnicity, Prima's conspicuous embrace of his Sicilian ethnicity opened the doors ...
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