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The Black Prince (play)
''The Black Prince'' is a Restoration era stage play, a historical tragedy written by Roger Boyle, 1st Earl of Orrery. It premiered on stage in 1667 and was first published in 1669. The play relied on influences from contemporaneous French theatre, and contributed to the evolution of the subgenre of heroic drama; yet it also looked back to the Caroline era to assimilate masque-like dramatic effects. As its title indicates, the play deals with the historical career of Edward, the Black Prince and his defeat and capture of King John II of France at the Battle of Poitiers (1356). The premiere was staged by the King's Company at the first Theatre Royal, Drury Lane on 19 October 1667. The opening performance was attended by many members of the English royal court, including the King: " Charles II and persons of the court gathered to honour the most distinguished playwright of the nobility." The production featured Edward Kynaston as the title character, Michael Mohun as King Edward ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tryphon (play)
''Tryphon'' is a 1668 tragedy by the Irish writer Roger Boyle, 1st Earl of Orrery. It was originally staged by the Duke's Company at the Lincoln's Inn Fields Theatre in London. The original cast is unknown.Van Lennep p.149 References Bibliography * Keenan, Tim. ''Restoration Staging, 1660-74''. Taylor & Francis, 2016. * Maguire, Nancy Klein. ''Regicide and Restoration: English Tragicomedy, 1660-1671''. Cambridge University Press, 1992. * Van Lennep, W. ''The London Stage, 1660-1800: Volume One, 1660-1700''. Southern Illinois University Press, 1960. 1668 plays English plays Irish plays West End plays Tragedy plays Historical plays {{17thC-play-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Kynaston (actor)
Edward Kynaston (c. 1640 – January 1706) was an English actor, one of the last Restoration "boy players", young male actors who played women's roles. Career Kynaston was good looking and made a convincing woman: Samuel Pepys called him "the loveliest lady that ever I saw in my life" after seeing him in a production of John Fletcher's ''The Loyal Subject'' at the Cockpit-in-Court, "only her voice snot very good". He also played the title role in Ben Jonson's '' Epicoene''. Pepys had dinner with Kynaston after this production on 18 August 1660. Simultaneously, Kynaston played male roles as well. He filled the role of Otto in ''Rollo Duke of Normandy'' on 6 December 1660, having played the female role of Arthiope in the same play in previous weeks. On 7 January 1661, Kynaston played three roles in a performance of Jonson's '' Epicoene'', one female and two male. Part of Kynaston's appeal may have been his ambiguous sexuality. The actor Colley Cibber recalled: "the Ladies of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Herringman
Henry Herringman (1628–1704) was a prominent London bookseller and publisher in the second half of the 17th century. He is especially noted for his publications in English Renaissance drama and English Restoration drama; he was the first publisher of the works of John Dryden. He conducted his business under the sign of the Blue Anchor in the lower walk of the New Exchange. Herringman had established himself as an independent bookseller and publisher by 1655. He issued the first edition of Thomas Middleton's ''Hengist, King of Kent'' in 1661. Herringman had a reputation as a rare stationer who actually profited from the Great Fire of London (1666), in which most of his compatriots lost their stocks of printed books. He was a member of the syndicates of stationers who issued the major collections of William Shakespeare and his contemporaries in the second half of the century, including the Shakespeare Fourth Folio ( 1685), the third Ben Jonson folio ( 1692), and the second Bea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samuel Pepys
Samuel Pepys (; 23 February 1633 – 26 May 1703) was an English diarist and naval administrator. He served as administrator of the Royal Navy and Member of Parliament and is most famous for the diary he kept for a decade. Pepys had no maritime experience, but he rose to be the Chief Secretary to the Admiralty under both King Charles II and King James II through patronage, diligence, and his talent for administration. His influence and reforms at the Admiralty were important in the early professionalisation of the Royal Navy. The detailed private diary that Pepys kept from 1660 until 1669 was first published in the 19th century and is one of the most important primary sources for the English Restoration period. It provides a combination of personal revelation and eyewitness accounts of great events, such as the Great Plague of London, the Second Dutch War, and the Great Fire of London. Early life Pepys was born in Salisbury Court, Fleet Street, London, on 23 Februar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Katherine Corey
Katherine Corey ( fl. 1660 – 1692) was an English actress of the Restoration era, one of the first generation of female performers to appear on the public stage in Britain. Corey played with the King's Company and the United Company, and had one of the longest careers of any actress in her generation. In "The humble petition of Katherine Corey" (see below), she stated that she "was the first and is the last of all the actresses that were constituted by King Charles the Second at His Restauration." Correy started her career under her maiden name, Mitchell, but was Mrs. Corey by 1663. "Mrs Corey was a big woman with a gift for comedy. She was popular in a variety of roles, but especially in old women parts: scolding wives, mothers, governesses, waiting women, and bawds." In his Diary, Samuel Pepys Samuel Pepys (; 23 February 1633 – 26 May 1703) was an English diarist and naval administrator. He served as administrator of the Royal Navy and Member of Parliament and is most ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mary Knep
Mary Knep (died 1681), also Knepp, Nepp, Knip, or Knipp, was an English actress and one of the first generation of female performers to appear on the public stage during the Restoration era. Acting career Knep was primarily a singer and dancer, but "developed into a first-rate actress". She began her career with the King's Company, which was under the management of Thomas Killigrew. She made her debut in the title role of Jonson's ''Epicene'' on 1 June 1664. Before this, she had been cast as Lucetta in Killigrew's 1664 planned production of his ''Thomaso'', with an all-female cast, but this had been cancelled before completion. Knep played major and minor roles in a range of productions of the 1660s and 1670s, including: * the Widow in Beaumont and Fletcher's ''The Scornful Lady'', 1666 * Guiomar in Fletcher and Massinger's '' The Custom of the Country'', 1667 * Alibech in Dryden's '' The Indian Emperour'', the 1667 revival * Asteria in Dryden's '' The Maiden Queen'', 1667 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rebecca Marshall
Rebecca Marshall ( fl. 1663 – 1677) was a noted English actress of the Restoration era, one of the first generation of women performers on the public stage in Britain. She was the younger sister of Anne Marshall, another prominent actress of the period. The younger Marshall sister began acting with the King's Company, under the management of Thomas Killigrew, around 1663; she remained with that troupe for her full career, except for a final year with the rival Duke's Company in 1677. She acted with her sister Anne at least once, in John Dryden's ''The Maiden Queen'' in 1664; Anne played Candiope, and Rebecca played the Queen. When her older sister retired from the stage (temporarily) in 1668, Rebecca inherited several of her roles, as Aurelia in Dryden's ''An Evening's Love'' and Nourmahal in ''Aureng-zebe''; she may also have inherited the part of Evadne in Beaumont and Fletcher's ''The Maid's Tragedy''. Rebecca Marshall's other roles were: * Calpurnia in Shakespeare's ''Ju ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nell Gwyn
Eleanor Gwyn (2 February 1650 – 14 November 1687; also spelled ''Gwynn'', ''Gwynne'') was a celebrity figure of the Restoration period. Praised by Samuel Pepys for her comic performances as one of the first actresses on the English stage, she became best known for being a long-time mistress of King Charles II of England. Called "pretty, witty Nell" by Pepys, she has been regarded as a living embodiment of the spirit of Restoration England and has come to be considered a folk heroine, with a story echoing the rags-to-royalty tale of Cinderella. Gwyn had two sons by King Charles: Charles Beauclerk (1670–1726) and James Beauclerk (1671–1680) (the surname is pronounced ''boh-clair''). Charles was created Earl of Burford and later Duke of St Albans. Early life The details of Gwyn's background are somewhat obscure. A horoscope in the Ashmolean manuscripts gives her date of birth as 2 February 1650. On the other hand, an account published in ''The New Monthly Magazine and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Cartwright (actor)
William Cartwright (died 17 December 1686) was an English actor of the seventeenth century, whose career spanned the Caroline era to the Restoration. He is sometimes known as William Cartwright, Junior or William Cartwright the younger to distinguish him from his father, another William Cartwright ( fl. 1598 – 1636), an actor of the previous generation. Early career William Cartwright the younger was about eighty years old when he died; he was therefore born around 1606 or 1607. Nothing is known of his early life; it is reasonable to assume that he began his stage career under his father's tutelage. He was included with his father on a 1635 list of actors; apparently they both belonged to the King's Revels Men at that time. James Wright's ''Historia Histrionica'' ( 1699) maintains that the younger Cartwright was associated with the Salisbury Court Theatre — which may refer to his time with his father's troupe, or may indicate that he was with Queen Henrietta's Men in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Beeston
William Beeston (1606? – 1682) was an English actor and theatre manager, the son and successor to the more famous Christopher Beeston. Early phase William was brought up in the theatrical world of his father; he became an actor, and also his father's assistant in managing the Cockpit and Red Bull theatres and their associated companies of actors, including the company of younger players colloquially known as Beeston's Boys. Upon his father's death in 1638, William Beeston inherited their theatrical enterprise – though he managed it with much less success than his father had. On 5 May 1640 he was thrown into the Marshalsea Prison for a Beeston's Boys' play, acted the day before, that gave offence to Sir Henry Herbert, the Master of the Revels. The play was most likely ''The Court Beggar'' by Richard Brome, which satirized several members of Queen Henrietta Maria's circle of favourites, including Sir John Suckling and Sir William Davenant (though Brome's ''The Queen and Co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicholas Burt
Nicholas Burt (1621 ? — after 1689), or Birt or Burght among other variants, was a prominent English actor of the seventeenth century. In a long career, he was perhaps best known as the first actor to play the role of Othello in the Restoration era. A "Nicholas Bert" was christened on 27 May 1621, in Norwich; the record may refer to the actor, though this is not certain. According to James Wright's ''Historia Histrionica'' (1699), Burt began as a boy player with the King's Men, an apprentice of John Shank (died 1636). He was with the celebrated young company Beeston's Boys in the 1638–42 period. As a young actor filling female roles, Burt gained particular notice for playing Clariana in Shirley's ''Love's Cruelty''. After the theatres closed in 1642 at the start of the English Civil War, Burt, like some other actors, joined the Royalist army supporting the cause of King Charles I. Like fellow actors Charles Hart and Robert Shatterell, Burt served as an officer in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Hart (17th-century Actor)
Charles Hart (bap. 1625 – 18 August 1683) was a prominent British Restoration actor. A Charles Hart was christened on 11 December 1625, in the parish of St. Giles Cripplegate, in London. It is not absolutely certain that this was the actor, though the name was not common at the time.. He was most likely the son of William Hart, a minor actor with the King's Men. Hart began his career as a boy player with the King's Men; he was an apprentice of Richard Robinson, longtime member of that company. Hart established his reputation by playing the role of the Duchess in ''The Cardinal,'' the tragedy by James Shirley, in 1641. Wright says in Historia histrionica that:"Hart and Clun, were bred up Boys at the Blackfriers; and Acted Womens Parts, Hart was ichardRobinson's Boy or Apprentice: He Acted the Dutchess in the Tragedy of the Cardinal, which was the first Part that gave him Reputation." He served as a soldier in the English Civil War, and was an officer in Prince Rupert's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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