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The Beauty Of Lebanon Or The Mountain Spirit
''The Beauty of Lebanon, or The Mountain Spirit'' (french: link=no, La Belle du Liban, ou L'Esprit des montagnes; russian: Ливанская красавица, или Горный дух) is a fantastic ballet in three acts and seven scenes, with choreography by Marius Petipa and music by Cesare Pugni. Libretto by E. Rappoport and Marius Petipa. The ballet was first presented by the Imperial Ballet on December 12/24 ( Julian/Gregorian calendar dates), 1863 at the Imperial Bolshoi Kamenny Theatre in St. Petersburg, Russia, with Mariia Surovshchikova-Petipa (as the Mountain Spirit) and Timofei Stukolkin (as Beshir). See also * List of ballets by title __NOTOC__ The following is a list of ballets with entries in English Wikipedia. The entries are sorted alphabetically by ballet title, with the name of the composer (or the composer whose music the ballet is set to) and the year of the first perf ... References Ballets by Marius Petipa Ballets by Cesare Pugni 1863 ballet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballet
Ballet () is a type of performance dance that originated during the Italian Renaissance in the fifteenth century and later developed into a concert dance form in France and Russia. It has since become a widespread and highly technical form of dance with its own vocabulary. Ballet has been influential globally and has defined the foundational techniques which are used in many other dance genres and cultures. Various schools around the world have incorporated their own cultures. As a result, ballet has evolved in distinct ways. A ''ballet'' as a unified work comprises the choreography and music for a ballet production. Ballets are choreographed and performed by trained ballet dancers. Traditional classical ballets are usually performed with classical music accompaniment and use elaborate costumes and staging, whereas modern ballets are often performed in simple costumes and without elaborate sets or scenery. Etymology Ballet is a French word which had its origin in Italian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marius Petipa
Marius Ivanovich Petipa (russian: Мариус Иванович Петипа), born Victor Marius Alphonse Petipa (11 March 1818), was a French ballet dancer, pedagogue and choreographer. Petipa is one of the most influential ballet masters and choreographers in ballet history. Marius Petipa is noted for his long career as ''Premier maître de ballet'' (''First Ballet Master'') of the St. Petersburg Imperial Theatres, making him Ballet Master and principal choreographer of the Imperial Ballet (today known as the Mariinsky Ballet), a position he held from 1871 until 1903. Petipa created over fifty ballets, some of which have survived in versions either faithful to, inspired by, or reconstructed from the original. Among these works, he is most noted for ''The Pharaoh's Daughter'' (1862); ''Don Quixote'' (1869); ''La Bayadère'' (1877); '' Le Talisman'' (1889); '' The Sleeping Beauty'' (1890); ''The Nutcracker'' (choreographed jointly with Lev Ivanov) (1892); ''Le Réveil de Flor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cesare Pugni
Cesare Pugni (; russian: Цезарь Пуни, Cezar' Puni; 31 May 1802 in Genoa – ) was an Italian composer of ballet music, a pianist and a violinist. In his early career he composed operas, symphonies, and various other forms of orchestral music. Pugni is most noted for the ballets he composed for Her Majesty's Theatre in London (1843–1850), and for the Imperial Theatres in St. Petersburg, Russia (1850–1870). The majority of his ballet music was composed for the works of the ballet master Jules Perrot, who mounted nearly every one of his ballets to scores by Pugni. In 1850 Perrot departed London for Russia, having accepted the position of ''Premier maître de ballet'' of the St. Petersburg Imperial Theatres at the behest of Carlotta Grisi, who was engaged as ''Prima ballerina''. Cesare Pugni followed Perrot and Grisi to Russia, and remained in the imperial capital even after Grisi's departure in 1853 and Perrot's departure in 1858. Pugni went on to compose for Perro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Libretto
A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the text of major liturgical works, such as the Mass (liturgy), Mass, requiem and sacred cantata, or the story line of a ballet. ''Libretto'' (; plural ''libretti'' ), from Italian, is the diminutive of the word ''wiktionary:libro#Italian, libro'' ("book"). Sometimes other-language equivalents are used for libretti in that language, ''livret'' for French works, ''Textbuch'' for German and ''libreto'' for Spanish. A libretto is distinct from a synopsis or scenario of the plot, in that the libretto contains all the words and stage directions, while a synopsis summarizes the plot. Some ballet historians also use the word ''libretto'' to refer to the 15 to 40 page books which were on sale to 19th century ballet audiences in Paris and contained a ve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mariinsky Ballet
The Mariinsky Ballet (russian: Балет Мариинского театра) is the resident classical ballet company of the Mariinsky Theatre in Saint Petersburg, Russia. Founded in the 18th century and originally known as the Imperial Russian Ballet, the Mariinsky Ballet is one of the world's leading ballet companies. Internationally, the Mariinsky Ballet continues to be known by its former Soviet name the Kirov Ballet. The Mariinsky Ballet is the parent company of the Vaganova Ballet Academy, a leading international ballet school. History The Mariinsky Ballet was founded in the 1740s, following the formation of the first Russian dance school in 1738. The Imperial Theatre School, as it was originally known, was established on 4 May 1738, at the Winter Palace in Saint Petersburg. It would become the predecessor of today's Vaganova Academy of Russian Ballet. The school's founder director was the French ballet master and teacher Jean-Baptiste Landé and the purpose of cr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Julian Calendar
The Julian calendar, proposed by Roman consul Julius Caesar in 46 BC, was a reform of the Roman calendar. It took effect on , by edict. It was designed with the aid of Greek mathematicians and astronomers such as Sosigenes of Alexandria. The calendar became the predominant calendar in the Roman Empire and subsequently most of the Western world for more than 1,600 years until 1582, when Pope Gregory XIII promulgated a minor modification to reduce the average length of the year from 365.25 days to 365.2425 days and thus corrected the Julian calendar's drift against the solar year. Worldwide adoption of this revised calendar, which became known as the Gregorian calendar, took place over the subsequent centuries, first in Catholic countries and subsequently in Protestant countries of the Western Christian world. The Julian calendar is still used in parts of the Eastern Orthodox Church and in parts of Oriental Orthodoxy as well as by the Berbers. The Julian calenda ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gregorian Calendar
The Gregorian calendar is the calendar used in most parts of the world. It was introduced in October 1582 by Pope Gregory XIII as a modification of, and replacement for, the Julian calendar. The principal change was to space leap years differently so as to make the average calendar year 365.2425 days long, more closely approximating the 365.2422-day 'tropical' or 'solar' year that is determined by the Earth's revolution around the Sun. The rule for leap years is: There were two reasons to establish the Gregorian calendar. First, the Julian calendar assumed incorrectly that the average solar year is exactly 365.25 days long, an overestimate of a little under one day per century, and thus has a leap year every four years without exception. The Gregorian reform shortened the average (calendar) year by 0.0075 days to stop the drift of the calendar with respect to the equinoxes.See Wikisource English translation of the (Latin) 1582 papal bull '' Inter gravissimas''. Second, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Imperial Bolshoi Kamenny Theatre
The Saint Petersburg Imperial Bolshoi Kamenny Theatre (The Big Stone Theatre of Saint Petersburg, russian: Большой Каменный Театр) was a theatre in Saint Petersburg. It was built in 1783 to Antonio Rinaldi's Neoclassical design as the Kamenny (i.e., Stone) Theatre; Giovanni Paisiello’s opera ''Il mondo della luna'' was performed at the opening on 24 September. It was rebuilt in 1802 according to the designs of the architect Thomas de Thomon and renamed the Bolshoi, but burned down in 1811. The building was restored in 1818, and modified between 1826 and 1836 by Alberto Cavos to accommodate more modern machinery. Until 1886, the Bolshoi Kamenny Theatre was principal theatre for both the Imperial Ballet and the Imperial Russian Opera. In 1886 the building was declared unsafe and, at the behest of the theatre director Ivan Vsevolozhsky, the ballet and opera performances moved to the Imperial Mariinsky Theatre, where they have remained ever since. The Imp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mariia Surovshchikova-Petipa
Mariia Sergeyevna Surovshchikova-Petipa (27 February 1836 – 16 March 1882) was prima ballerina to the St. Petersburg Imperial Theatres and wife of the noted choreographer Marius Petipa. Life Mariia Sergeyevna Surovshchikova was born in St. Petersburg, the illegitimate daughter of a milliner. She studied at the St. Petersburg Imperial Ballet School, graduating in 1854. After her graduation from the institute she entered into the ''corps de ballet'' of the Imperial Bolshoi Kamenny Theatre, and in 1854 married Marius Petipa, who at that time served as ''premier danseur'' to the St. Petersburg Imperial Theatres. Upon her marriage she took the name of Surovshchikova-Petipa. Her rise to the rank of ''Ballerina'' coincided with Petipa's own rise from fledgling choreographer to ballet Master of the Imperial Theatres. As Petipa was given more and more opportunities to stage his own early works, it was Surovshchikova-Petipa who danced the principal roles. Petipa also revived many a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Timofei Stukolkin
Timofei Alekseyevich Stukolkin (russian: Тимофей Алексеевич Стуколкин; , the village Kozmino of Simbirsk province - , Saint Petersburg) was a Russian ballet dancer. ''Oxford Dictionary of Dance'' called him "one of the greatest character dancers". Timofei Stukolkin came from a very poor family. For seven years, he played in a pantomime on a fairground. Someone once drew attention to the talented boy and brought him into the theatre school at the Imperial theaters of Petersburg. In 1836 Timofei Stukolkin was accepted at the ballet department of Imperial theatre college. His teachers were French dancers working in Russia: Emile Gredlu (ru: Эмиль Гредлю), Pierre Frédéric Malavergne, Charles Lachouque (ru: Шарль Лашук)Russian ballet. Encyclopedia / ru: Русский балет. Энциклопедия. БРЭ, «Согласие», 1997 and Jean-Antoine Petipa. He graduated in 1848 and was accepted by the Imperial troupe of St. Peter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Ballets By Title
__NOTOC__ The following is a list of ballets with entries in English Wikipedia. The entries are sorted alphabetically by ballet title, with the name of the composer (or the composer whose music the ballet is set to) and the year of the first performance. Alphabetical listing 1 * ''2 and 3 Part Inventions'', to music by Johann Sebastian Bach, 1994 A * ''A Folk Tale'', Johan Peter Emilius Hartmann and Niels W. Gade, 1854 * '' A Midsummer Night's Dream'', to music by Felix Mendelssohn, 1964 * '' A Month in the Country'', to music by Frédéric Chopin, 1976 * ''A Suite of Dances'', to music by Johann Sebastian Bach, 1994 * ''A Tragedy of Fashion'', to music by Eugene Aynsley Goossens, 1926 * ''Adam Zero'', Arthur Bliss, 1946 * '' Adams Violin Concerto'', to music by John Adams, 1995 * ''Adagio Hammerklavier'', to music by Ludwig van Beethoven, 1973 * ''Afternoon of a Faun (Nijinsky)'', to music by Claude Debussy, 1912 * '' Afternoon of a Faun (Robbins)'', to music by Claude D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballets By Marius Petipa
Marius Ivanovich Petipa (russian: Мариус Иванович Петипа), born Victor Marius Alphonse Petipa (11 March 1818), was a French ballet dancer, pedagogue and choreographer. Petipa is one of the most influential ballet masters and choreographers in ballet history. Marius Petipa is noted for his long career as ''Premier maître de ballet'' (''First Ballet Master'') of the St. Petersburg Imperial Theatres, making him Ballet Master and principal choreographer of the Imperial Ballet (today known as the Mariinsky Ballet), a position he held from 1871 until 1903. Petipa created over fifty ballets, some of which have survived in versions either faithful to, inspired by, or reconstructed from the original. Among these works, he is most noted for ''The Pharaoh's Daughter'' (1862); ''Don Quixote'' (1869); ''La Bayadère'' (1877); '' Le Talisman'' (1889); '' The Sleeping Beauty'' (1890); ''The Nutcracker'' (choreographed jointly with Lev Ivanov) (1892); ''Le Réveil de Flore ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_(cropped).jpg "Click for more on -> Julian Calendar")
