The Bar (film)
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The Bar (film)
''The Bar'' ( es, El bar, links=no) is a 2017 Black comedy film, black comedy thriller film directed, produced and co-written by Álex de la Iglesia. Set in Madrid, it has the ensemble cast typical of this director. It was screened out of competition at the 67th Berlin International Film Festival. Plot In a cafe in Madrid; two random people are shot dead by an unknown sniper when they leave the bar. The streets are evacuated, and gradually, the rest of the people still alive in the bar come to realize someone in the group is the reason. It becomes clear that it is a government operation and they are covering up the killings under the guise of a fire. Everyone inside the cafe turns against each other. Eventually, a man emerges from the bathroom in a critically diseased condition. He drops to the floor but as the group gathers around to comfort him, he mutters, "Don't touch me!" before dying. It now becomes clear that the group is being quarantined due to the man's disease. Amparo, ...
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Álex De La Iglesia
Alejandro "Álex" de la Iglesia Mendoza (born 4 December 1965) is a Spanish film director, screenwriter, producer and former comic book artist. De la Iglesia's films combine grotesque and very dark elements such as death and murder: most of his works are considered Dark comedy, dark comedies, but are also often considered to have Horror film, horror and/or Drama film, drama elements. All his films, with the notable exceptions of ''The Last Circus'' (2010) and ''As Luck Would Have It (2011 film), As Luck Would Have It'' (2011), were written together with Jorge Guerricaechevarría. Biography Alejandro de la Iglesia Mendoza was born on 4 December 1965 in Bilbao, son to a professor of Sociology (father) and a realist painter (mother) and the youngest of five siblings. He received his primary and secondary education in Jesuitic centres, later earning a licentiate degree in Philosophy from the University of Deusto, likewise a Jesuitic centre. A comic book artist since young, he had a ...
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Black Comedy Film
A comedy film is a category of film which emphasizes humor. These films are designed to make the audience laugh through amusement. Films in this style traditionally have a happy ending (black comedy being an exception). Comedy is one of the oldest genres in film and it is derived from the classical comedy in theatre. Some of the earliest silent films were comedies, as slapstick comedy often relies on visual depictions, without requiring sound. When sound films became more prevalent during the 1930s, comedy films took another swing, as laughter could result from burlesque situations but also dialogue. Comedy, compared with other film genres, puts much more focus on individual stars, with many former stand-up comics transitioning to the film industry due to their popularity. In '' The Screenwriters Taxonomy'' (2017), Eric R. Williams contends that film genres are fundamentally based upon a film's atmosphere, character, and story. Therefore the labels "drama" and "comedy" are too ...
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Argentine Comedy Thriller Films
Argentines (mistakenly translated Argentineans in the past; in Spanish (masculine) or (feminine)) are people identified with the country of Argentina. This connection may be residential, legal, historical or cultural. For most Argentines, several (or all) of these connections exist and are collectively the source of their being ''Argentine''. Argentina is a multiethnic and multilingual society, home to people of various ethnic, religious, and national origins, with the majority of the population made up of Old World immigrants and their descendants. As a result, Argentines do not equate their nationality with ethnicity, but with citizenship and allegiance to Argentina. Aside from the indigenous population, nearly all Argentines or their ancestors immigrated within the past five centuries. Among countries in the world that have received the most immigrants in modern history, Argentina, with 6.6 million, ranks second to the United States (27 million), and ahead of other immigr ...
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